Friday, December 29, 2017

PR: End of the Year Sale! - Beyond Comics -Frederick


Holiday Clearance Sale!
Saturday, December 30th
to
Monday, January 1st
Our Frederick Store Has
TOO MANY GRAPHIC NOVELS!
60% OFF!
Graphic Novels as Displayed
Including Manga!

Only at the Frederick Store.
Over 1,00 to choose from.
Other Sales May Occur.
Visit the store for more information.
Visit Any of Our Stores

Frederick - Gaithersburg
STAY CONNECTED  

Tuesday, December 26, 2017

Drawing Trump with Politico

Drawing Trump

Eight of the nation's top cartoonists show us how they lampoon the president.

By |

Heroic Aleworks is still in business!

The Superhero-themed brewery got a new lease on life apparently. From their FB page:

Saturday, January 6 marks the anniversary of our first year in business and we're throwing a big ol' party to celebrate it! Because this is such a BIG occasion, we've reached out to some of our closest industry partners to help us celebrate. That means not only will we have a great lineup of Heroic beers available, including a new limited release, but we'll also have guest beers to make it an even merrier occasion.

But wait, there's more... The cat beer bottle release was a huge success, so we're doing another. This time with 22 oz. bombers of The Dark Enemy Russian Imperial Stout. It's the perfect beer to
take home for those dark, chilly winter evenings!

We're also happy to announce that Bacon Weakling food truck will be at the taproom to make sure you eat well during the festivities.

More information on guest breweries and tickets coming soon!

Sunday, December 24, 2017

Friday, December 22, 2017

LOC blog on Drawn to Purpose exhibit

"Drawn to Purpose" Exhibition: What Viewers Are Saying

The following is a guest post by Martha H. Kennedy, Curator of Popular & Applied Graphic Arts, Prints and Photographs Division.

More Anime USA photos at Scoop

Washington City Paper bought by angel investor

D.C. serial entrepreneur Mark Ein to buy Washington City Paper

https://www.bizjournals.com/washington/news/2017/12/21/well-known-d-c-serial-entrepreneur-buys-washington.html


Mark Ein Talks About Buying Washington City Paper

He says the alt-weekly has been an important part of DC "for 36 years, and I plan to keep it that way for another 36 years." 

Sunday, December 17, 2017

The Star Wars autograph ecosystem embedded in comic cons

Want an autograph by 'Star Wars' Mark Hamill? Bring the right marker and $295 in cash. [in print as Inside the lucrative world of Star Wars superfans]

Washington Post December 17, 2017, p. G1, 5
online at https://www.washingtonpost.com/business/economy/want-an-autograph-by-star-wars-mark-hamill-bring-the-right-marker-and-295-in-cash/2017/12/15/d01d4602-e050-11e7-89e8-edec16379010_story.html

Shepherdstown Closing Sale - 75% OFF - Beyond Comics Shepherdstown


SHEPHERDSTOWN
LAST DAYS!
Sadly we are closing our Shepherdstown location.

Our other stores are doing well and will continue to operate normally.
Starting December 16th
75% OFF
Entire Store*
Some items may have a maximum discount. Visit the store for details.
Hours: Mon 11-8, Tues 12-8, Wed 10-9, Thu 10-9, Fri 10-9, Sat 10-9, Sun 12-6
Graphic Novels
75% OFF!
Comic Books
75% OFF!
Games
75% OFF!
Comic Books
75% OFF!
Toys & Action Figures
75% OFF!
Statues
50% OFF!
Glassware
75% OFF!
Blind Boxes
75% OFF!
Cards
75% OFF!
Fixtures
For Sale!
*Excludes certain items including but not limited to Pokemon Boosters, Pokemon Elite Trainers, MTG Ixalan, MTG Amonkhet, MTG Binder Singles, New product November 1st forward, Games from the last month, Dice, Special Orders, Sideshow Products, Hot Toys Products, S.H.Arts Figures.
Fixtures, Showcases, Bookcases...it all must go.
Connect with us

Saturday, December 16, 2017

Book Review: Awaiting the Collapse by Paul Kirchner

by Mike Rhode

Awaiting the Collapse: Selected Works 1974-2014 by Paul Kirchner is one of the best archival reprint projects of 2017. Unfortunately, due to it's content, both sexual and drug-related, it will not find the large American audience that Kirchner deserves.

Let's look first at the publisher's description of the book. 

After the bus and the bus 2, this third collaboration between French publishing house Tanibis and comic book artist Paul Kirchner is a collection of the artist’s works, most of them initially published in counter-culture magazines in the 1970s and the 1980s and some dating from his return to comics in the 2010s. 

Roughly a third of the stories star Dope Rider, the pot-smoking skeleton whose psychedelic adventures take him through colorful vistas equally reminiscent of Sergio Leone’s spaghetti western films and of the surrealistic paintings of René Magritte and Salvador Dalí. These stories were originally drawn for the marijuana-themed magazine High Times but were also for Kirchner an excuse to create his very own brand of visual poetry.

An other third of the book is a miscellaneous collection of comics whose stories range from the loony (the sextraterrestrial invasion of Earth in “They Came from Uranus”) to the satirical (“Critical mass of cool”) and the outright subversive (if you ever wondered what games toys play at night, read “Dolls at Midnight”).

This book also features a broad selection of the covers Kirchner made for the pornographic tabloid Screw in the 1970s.

Awaiting the Collapse finally contains a previously unpublished essay by Paul Kirchner about his career and his influences, which helps put in perspective the works published in this book.


The description which is admirably clear about the nature of Kirchner's work explains why you won't see this on anyone's best of the year list besides mine. The first reprints Dope Rider stories from the 1970s which focus on a walking skeleton attempting to acquire the best marijuana (and initially heroin). The stories are wildly surrealistic and make little sense, although Kirchner apparently did not participate in the drug culture. He also did sexualized covers for the notorious Screw newspaper, but again says in the excellent afterword that he also wasn't interested in the hedonistic adult industry world. "I too might seem an unlikely fit for Screw, having no interest in hard-core pornography... Although I drew cartoons involving leather fetishism and bondage, to me those were just subject matter, offering visual possibilities. They struck me as more humorous than erotic. So how did a sober, strait-laced fellow like me find himself drawing Screw covers and Dope Rider? I have a naughty streak that demands express, and I indulge it in my art." (p. 140)

Also Kirchner, like most of his mentors, followed the money. Kirchner says he grew up admiring Jack Kirby and Steve Ditko, two of the more surreal mainstream comics artists, and then as part of a group of young Turks in New York City in the early 1970s hung around Neal Adams's Continuity Associates and worked for Wally Wood. Wood's influences are clear in the work reprinted here (apparently selected by Kirchner, and occasionally reconstructed). Kirchner also sought Steranko's advice, and one can easily see some pages influenced by that most theatrical of comic book artists. (See the panel of the Dope Rider drawing a gun on page 22 for example). The reprint quality of the artwork is stunning also, with much of it being reconstructed by his editor or recolored by Kirchner.



While I greatly admire Kirchner's craft, the best part of the book is the autobiographical essay at the end. Kirchner recounts his working career, including working in an early comic book store, ghosting Little Orphan Annie, drawing the graphic novel Murder by Remote Control for the Dutch mystery writer Janwillem van de Wetering, working for the New York Times, and collecting and firing guns with Wally Wood and the African-American cartoonist Wayne Howard. Kirchner admits to being a slow artist, and eventually had to go to work in advertising to support his family, but recently he's returned to comics although he's now in his 60s. The book includes some of his newer material as does the bus 2, and although Kirchner says his skills were rusty, his recent work compares well to his earlier art. He's doing a new comic strip, and closes his essay on a high note, writing, "When you do commercial work, as I  did for 30 years, it pays well but means nothing.  ... Instead of anxiously waiting for the next assignment, I am how happily working on the next idea. To do creative work is good for the soul. As long as you have an enthusiasm, you have happiness." (p. 151)


While this book obviously isn't for everyone, serious comics readers, especially those interested in the underground, should acquire and read it
.


AWAITING THE COLLAPSE: Selected works 1974-2014
by Paul Kirchner
Tanibis Editions
ISBN: 9782848410449
Format : 9,4 x 12,2"
152 pages in full color

Tanabis kindly provided me with a review copy of the physical book.

That darn Dustin

The comic strip 'Dustin' delivers sexism instead of laughs [in print as Put 'Dustin' in the dustbin]

Sally Brucker, Takoma Park

Washington Post December 16 2017

online at https://www.washingtonpost.com/opinions/the-comic-strip-dustin-delivers-sexism-instead-of-laughs/2017/12/14/1c096614-df83-11e7-b2e9-8c636f076c76_story.html

Friday, December 15, 2017

Meet a Local Illustrator: A Chat with John Greenwood

20171209_182850by Mike Rhode

John Greenwood was selling a selection of interesting posters at a recent evening at the soon-to-be-closed superhero-themed brewery, Heroic Aleworks. I asked him about his 'fan art,' and bought a few posters too. He's answered our usual questions, but also talks about his job staging themed escape rooms.

What type of comic work or cartooning do you do?

Until recently, none actually. Ive been an artist/graphic artist for about 15 years and most of my most of my professional career has been spent creating for businesses, musicians, and other standard free lance work. Once I started helping other Fan Artist sell their work I realized I could do the same! So this year I began creating for myself and designing comic posters that I'd enjoy having in my own home. Honestly, I've never had more fun creating over the past 15 years as I do now. :)

How about your full time job hosting events such as Escape rooms?

Since I was a child slinging lemonades, homemade candy bars and anything else I could find cheap and sell, I've always had creative entrepreneur spirit. In July of 2016 I decided to finally break free completely on my own and started Hometown Go. Initially the goal was to just create fun experiences in our hometown, but it's quickly grown to be half events and the other half promoting local artists at various Conventions and Fairs.

Tell us a bit about your full-time work creating Escape Rooms? How did you get into this? How do you try to make them entertaining for people?

Our first escape room experience was called The Wizarding World of Woodbridge, with a Harry Potter theme but 100% our own story. We drew inspiration from the alchemical practices that J.K. Rowling followed to create Harry Potter and created our own story about The Elixir Arcanum and the three Wizards who came to early America in the 1600's. Prior to creating this escape room we had just finished our Historic Ghost Tours in one of the oldest homes in Virginia and fell in love with local history, specifically Occoquan, VA history. Within our alchemical story of Wizards, potions, and magic, we also integrated local history, to help build a familiar connection for our customers. Our goal wasn't to create a single room and lock you in it until you escape. We wanted to create something more, a full immersive experience. From the second you entered our 3,000 sf location, you became immersed within our Wizarding World. Train station entrance, grand hall with fan art, selfie booth station, local video game developers demoing their wizard dueling game and free cups of Hot Butter Beer. I didn't even put a sign out front. All you could see was a single brick door and as you opened it, you were immediately immersed within our train station entrance. There were no signs saying don't touch this or remove that etc. Touch, move, do whatever you want as long as you were respectful. Remember, the goal of an escape room at its core is to have FUN. Additionally our escape room was 3 rooms that you journeyed through and every scroll inside was individually hand waxed sealed to help create a unique immersive experience. What really set our escape room apart from others was the continuance of story through Chapters. After completing Chapter 1: The Rogue Sorcerer, you could return and complete Chapter 2: The Curse of the High Priestess. This helped our customers to become more involved in the story, kinda like a real life RPG. When you finish chapter one, you then became part of the story. Because of this continued experience of wizarding fun, 90% of our customers came back to complete the second chapter of our story.


Once completing The Wizarding World of Woodbridge, we wanted to create a new escape room experience with our own super hero. We took lots of time working on the origin, background, villains, etc and came up with CATS FROM SPACE, now running. Our super heroes are Cat X, Tammy Purrkins (a teenage girl from 1987) an our villains are Captain Buttermuffin and the Space Cat Pirates. Due to the successful retention we had for Chapter 1 and 2 in the past, we decided to do the same for Cats From Space. Right now you can come to Occoquan VA, where our shop is, and complete Chapter 1 of Cats From Space: The Truth About Tammy Purrkins. The amount of detail we put into our rooms is nothing short of extraordinary. Every inch is decorated and in this escape room, every item is unique to the 80s. We scoured ebay, thrift stores, yard sales and attics to create this silly and interactive experience. On our Youtube Channel or Facebook Page, you can watch two videos where Ronald Reagan addresses the Cats From Space situation and a recent transmission from Capt. Buttermuffin, threatening to destroy us all. My goal after Chapter one is to continue the story through cartoon or some sort of illustration. When our new villain emerges, we will ask everyone to come back and save the world again in Chapter Two.


Currently we are busy planning our next Wizarding Experience for 2018. Right now I'm torn between continuing our story to Part 2 (chapters 3 & 4), or a new escape room concept that I've been working on called, The Grand Wizards Cup: A Gauntlet of Champions. Either way, it's going to be fun, silly, and a perfectly affordable escape from the regular muggle world we live in. :)


How does Hometown Go find artists for its poster work?

Our main source for finding new artists has been at various Conventions and word of mouth.

How do you do your graphic work? Traditional pen and ink, computer or a combination?

Combination of both. Sometimes I form ideas with pen or ink and scan them into the computer to continue from there. Lately I've mainly just been creating through draw pad into Photoshop/Illustrator.

When (within a decade is fine) and where were you born?

I was born on Sept. 1st 1984 in Clovis New Mexico. Raised in a Military family, I moved around the world 15 times by the time I turned 17 years old.

What is your training and/or education in cartooning?

Ive been drawing/cartooning since I was a kid and used to create my own Farside comics. Through Highschool I was in AP Studio Art and went to George Mason University for my Bachelors in Graphic Design with a minor in Video Production.

Who are your influences?

Whoever work inspires me at the moment. I draw from lots of influences and have definitely learned a lot by working with one of our main featured artists, Angela McKendrick.

If you could, what in your career would you do-over or change?

I'm a firm believer in looking forward and not worrying about the past. I'd most likely keep everything the same because I've been very happy with my decision to leave the corporate world and start my own path.

What work are you best-known for?

Since I'm a newer Fan Artist, I guess my best sellers have been my Retro Flash art, Neon Gotham City, and Minimalist Justice League Set.

What work are you most proud of?

I think I'm most proud of the Minimalist Set of Justice League. I enjoy going into the details on pieces but taking a set back and creating as little as possible has been a real challenge that has resulted with a nice clean finished look.

What would you like to do or work on in the future?

Right now I'd like to just continue creating and see where things go from there.

What do you do when you're in a rut or have writer's block?

I love to create, not just with art but also through Music and Video Production. If I ever hit a wall, I usually just shift gears and work on something else.

What do you think will be the future of your field?

Hopefully expanding my team to offer more local artists the opportunity to be seen and sell their work.

Do you have a website or blog?

HometownGo.com

What's your favorite thing about the DC area?

I love the city but wouldn't want to live there. There's so many fun things to do that I don't know where to begin. I will say that whenever I am in DC, I usually find my way to a little Chinese take-out place between DC9 and 9:30 club because they have delicious Steak and Cheese Egg Rolls :)

Least favorite?

Least favorite thing about the city would be city life in general. I enjoy it more when know that I can head home to my quiet neighbor hood, should the city get a little too busy or slammed with traffic.

What monument or museum do you like?

Always love strolling through the various art galleries in the Smithsonian area. Tons of beautiful museums to enjoy.

How about a favorite local restaurant?

Favorite local restaurant in the DC area would probably be The Peking Gourmet. Show me a fresh Duck Taco with plum sauce and I'm in heaven.

Superman, Winsor McCay and Dumbo added to National Film Registry

You can see some original cels from the Lusitania cartoon at Geppi's Museum in Baltimore!