| March 27, 2019 Public contact: Martha Kennedy (202) 707-9115, mkenn@loc.gov Request ADA accommodations five business days in advance at (202) 707-6362 or ADA@loc.gov Swann Foundation Fellow to Discuss Emergence of the Comic Strip in the 19th Century, April 9 Swann Foundation Fellow Joshua Abraham Kopin will give an illustrated lecture at the Library of Congress discussing the cultural and technological contexts surrounding the rise of the comic strip in late nineteenth century America. Kopin will present "Comics in Nineteenth Century Time and Space" at noon on Tuesday, April 9, West Dining Room on the sixth floor of the Library's James Madison Building, 101 Independence Avenue S.E., Washington, D.C. The lecture is free and open to the public. Tickets are not needed. To better understand comics of the present, it is necessary to better understand its nineteenth-century form. As it split off from caricature and cartoon, the late nineteenth-century comic strip joined many new technologies of time and space. These changes included advances in printing, early attempts to capture motion in film, and early sound recording, all developments that were rapidly accelerating society and culture. As part of this cultural environment, the comic strip thus represents an insight into the period's changing temporal and spatial theories of knowledge. By reframing the comic strip in terms of the cultural and technological history of the nineteenth-century United States, Kopin contends that the art form is a uniquely nineteenth-century object that has retained many of the artifacts of its development as it has evolved. The talk will focus on one particular example from R.F. Outcault's Hogan's Alley,placing this 19th century comic strip in a technological lineage, aligned with caricature, cinema, color printing and the gramophone, among others. Joshua Kopin is a PhD candidate in American Studies at the University of Texas at Austin. He has works published or forthcoming in American Literature and Inks, as well as an entry in the upcoming Keywords for Comics Studies volume. He is a member at large on the board of the International Comic Arts Forum and the president of the Graduate Student Caucus of the Comic Studies Society. This presentation, sponsored by the Swann Foundation and the Library's Prints and Photographs Division, is part of the foundation's continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The Swann Foundation's advisory board includes scholars, collectors, cartoonists and Library of Congress staff members. The foundation seeks to award one fellowship annually (or biennially) to assist scholarly research and writing projects in the field of caricature and cartoon. Applications for the 2019-2020 academic year will be due Friday, Feb. 14, 2020. For more information, visit loc.gov/rr/print/swann/swannhome or e-mail swann@loc.gov. The Library of Congress is the world's largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on-site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov; access the official site for U.S. federal legislative information at congress.gov; and register creative works of authorship at copyright.gov. # # # PR 19-035 03/27/2019 ISSN 0731-3527
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Join a group of music enthusiasts, led by Jeremiah Foxwell, as they discuss the graphic novel biography of Billie Holiday. The discussion frequently includes viewing and listening to video and audio clips. Born in Philadelphua in 1915, and dead too early in New York in 1959, Billie Holiday became a legendary jazz singer, even mythical. With her voice even now managing to touch so many people, we follow a reporter on the trail of the artist on behalf of a New York daily. Beyond the public scandals that marred the life of the star (alcohol, drugs, violence...), he seeks to restore the truth, revisiting the memory of Billie. Through this investigation, Muñoz and Sampayo trace, through the undertones of racism, and in the wake of the blues, the slow drift of a singer who expressed the deepest emotions in jazz. By internationally renowned Argentine artists, featuring Muñoz' strikingly raw heavy blacks, this is not just a biography but a spell-binding art book tribute.
