Wednesday, November 07, 2018

Comic Riffs talks to Bob Mankoff about his new cartoon licensing site

Esquire humor editor Bob Mankoff launches a site that he hopes will be the main destination for cartoons

Washington Post Comic Riffs blog November 7 2018

New York Times on Geppi donation to Library of Congress

G.I. Joe, Mickey Mouse and Captain America Walk Into … a Display

Heroes come to life at the Library of Congress this week by way of a major comics, toys and memorabilia collection.

Jamie Noguchi address racism on The Nib

My Chinese-American Aunts Voted For Trump

The racist GOP's base isn't faceless—it's people you know.

November 5th, 2018

https://thenib.com/my-chinese-american-aunts-voted-for-trump

Steve Geppi's collection goes on display at the Library of Congress


by Mike Rhode (more photographs here)

The Library of Congress put a small fraction of items from Steve Geppi's donation on display on Election Day. The timing was probably a coincidence, and not an attempt to remind Americans of their shared love for popular culture including icons Superman, G.I. Joe, Mickey Mouse, Captain America, and Popeye, that brings the country together and drives the economy.

As previously noted here throughout the summer, Geppi's Entertainment Museum (GEM) closed in Baltimore and the Library was offered a choice of items from it. Exhibit director David Mandel introduced Geppi at a press preview, noting "Steve has donated over 3,000 items from his personal collection of comic books and popular art, the largest donation of its kind in the Library's history. The multi-million dollar gift includes comic books, original art, photos, posters, newspapers, buttons, pins, badges and related materials."

"It is really an honor to donate this collection because quite frankly it belongs here," noted Geppi as began his remarks. He continued, "Going forward this is not a matter of me donating my collection, dropping it off and saying goodbye. I have plans to be involved going forward because who knows what evolves from this one event?" Geppi continually invoked nostalgia and childhood memories as the reason he collected, and that people visited his museum. "We don't know what triggers our memories. And yes, these comic books are valuable, but what the Library of Congress represents is the recognition and acceptance of them as fine art."

2018 is the 90th anniversary of Mickey Mouse, and Geppi owned the storyboards for the cartoon Plane Crazy. "These are the first drawings of Mickey Mouse. in 1927, Walt Disney was on a train with [animator] Ub Iwerks and Lindbergh had just crossed the Atlantic. Walt said, 'You know the whole world is plane crazy right now. We need to do a cartoon short.' Most people when asked what was the first Mickey Mouse cartoon say Steamboat Willie, but that was the first cartoon released. There were two before it. The first one was Plane Crazy. They chose to release Steamboat Willie first because talkies were coming out [and it had whistling and music].
The original art on display for another first appearance is of Captain America. "Martin Goodman, who owned Timely Comics, which is now Marvel Comics, said to Joe Simon, of Simon and Kirby, "Go draw me a character called Captain America." The inscription on the drawing reads, "Martin - Here's the character. I think he should have a kid buddy, or he'll just be talking to himself all the time. I'm working up a script. Send schedule. Regards, Joe." The original model for G.I. Joe, the first action figure is also included in the exhibit's Patriotism case.
When asked if there's anything he's hoping to find and donate in the future, Geppi said, "In comics and animation, things were thrown away. I doubt seriously that the original art or cover to Action Comics #1 exists, but every time we say that, we find something that no one thought existed. As they say, it's the thrill of the hunt. I think from the Library's perspective, it will encourage more people to donate material that they think belongs. In addition, it will probably spook more stuff out of attics and hopefully whatever ends up here will be the best of the best. I still have a few more secrets that I have yet to give."


Obviously the entire GEM display, a full museum with multiple galleries, couldn't be replicated in the Library. Initially, five small cases of material are on display in the historic Jefferson building, although Geppi repeatedly mentioned that a room would be forthcoming, presumably similar to the Bob Hope or Gershwin galleries. The cases are organized thematically by Patriotism, Early Comics Materials and Marketing, Mickey Mouse, Exploration, and About the Geppi Entertainment Museum. Early Comics features an 1818 comic magazine, The Idiot, or, Invisible Rambler as well as other nineteenth-century material including a printing block for the Yellow Kid, and oddly enough, boxes for Quick Mother's Oats and Kellogg's Rice Krispies which have no characters on them (and seem more appropriate for the National Museum of American History's food exhibit). Exploration has science fiction themes including a Superman Krypto-Raygun. About GEM ranges all over including a Captain Marvel Club code letter, a ticket to Woodstock, Pac-Man cereal, the packaging for McDonald's Star Trek Meal (1979), and a toy Beatles guitar.

At the conclusion of the press conference, Librarian of Congress Carla Hayden, the former Baltimore librarian who agreed to accepting Geppi's collection, stopped in and the two posed for pictures.




 The following is material that will not be on display including a Maud the Mule comic strip by Opper, a Cathy comic strip by Cathy Guisewite, Big Little Books, buttons and pins, and more pages from Mickey Mouse in Plane Crazy.









Editorial Cartoon by artleytoons

Although it wasn't quite the tidal wave that many were anticipating, election results did cast a shadow on the Trump presidency.
    —Steven G. Artley, artleytoons


Tuesday, November 06, 2018

Monday, November 05, 2018

Comic Riffs on the Geppi collection at the Library of Congress

Want to see the first full drawings of Captain America and Mickey Mouse? Go to the Library of Congress.

Meet John Darrin: A Chat About His Anti-Trump Cartoon Book

by Mike Rhode

Early this fall, some of my friends among local political cartoonists started telling me that they had a piece in a new book. Author John Darrin commissioned over a score of cartoonists to illustrate Who's That Man with Mr. Lincoln, Mommy? A Parent's Guide to the Trump Presidency. Darrin himself is from Frederick, MD, and local cartoonists in the book are Steve Artley, Barbara Dale, Al Goodwyn, Clay Jones and Joe Sutliff (see the bottom of this post for his list of all the contributors).

Darrin's website describes his book thusly:

Who’s That Man With Mr. Lincoln, Mommy? is a political parody intended to discredit the Trump Administration in a simple, compelling, and entertaining way. Set as a walking tour of the Mall in Washington, DC, two young parents and their children play the alphabet game to explain why President Trump is the greatest. The children unwittingly expose their parent’s absurd explanations with common sense. Interlaced with penetrating editorial cartoons from award-winning artists, this no-holds-barred tale takes us on a journey through the deception and hypocrisy of the Trump White House.

The slim volume (there are only 24 letters in the alphabet after all) features a page of text with an illustration and his imaginary family discussing a word that has gained prominence (or notoriety) due to the Trump administration. The facing page reproduces a political cartoon and a brief biography of the cartoonist.

Darrin was kind enough to send me a copy to preview and answer some questions for ComicsDC.

You're normally a novelist? Why did you decide to write a children's book parody?

Yes, I am a novelist, and also some business-based non-fiction. A parody of a children's book allowed me to present the pro-Trump arguments in the shortest and simplest form and have them rebutted not by partisanship and ideology, but by simple common sense and honest questions.

And why have it illustrated by cartoonists?

Steve Artley's drawing from the Lincoln Memorial
I believe editorial cartoons are the most compelling way to instantly communicate complex ideas. And the weakness of a children's book format for an adult is the monotony of the presentation. Letting different cartoonists not only do their cartoons, but also illustrate the story meant that each page brought fresh and interesting imagery. A surprise with each page turn.

How did you find them?

 Lots of research and queries. Lists like Pulitzer and Herblock prize winners, the Association of American Editorial Cartoonists, and different cartoon syndicators. Then lots of correspondence to sell the concept.

Did anyone turn you down?
Yes, lots of rejections. It turns out these guys are not sitting around waiting for someone like me to contact them, but actually have jobs and commitments. Who knew? The ones who accepted generally were excited by the concept and the chance to work with the other cartoonists.

You selected various terms for the cartoonists to choose from - how did you come up with them? 

I made a comprehensive list of words that would apply to Trump's administration (page 62 of the book) and picked the ones that I felt were most important. For example. using pussy or Putin as the "P" word was an obvious choice. But I wanted this to be a catalog of Trump's failings and Puerto Rico was no longer on people's minds. With the daily barrage of lunacy, it is easy to forget earlier offenses to the American legacy. Several of my choices were changed by the cartoonist to fit their interests, such as Ingrid Rice, a Canadian cartoonist, choosing NAFTA over narcissism.

Did you write the script first, and give each appropriate page to the cartoonist after they selected a term?

Yes, the story was drafted and then the cartoonists drew to the subject and narrative.

Unlike many cartoon books about DC, the scenery among the monuments is largely accurate even though not everyone is a local cartoonist. Did you provide pictures or art direction?

I mapped out the walking tour of the family and used Google street view to get screenshots of each location and gave them to the cartoonists. That way the story followed a consistent path.

How are you selling and/or distributing this?
Joe Sutliff's drawing of the Trump Hotel (aka the Old Post Office)

The book is available on our website and on Amazon. We have been trying to get it placed in retail stores, but we don't have a wholesaler so we'll continue to work on that.


There are two sequels planned: Who's That Man Scolding Mr. Trump, Mommy?, and Who's That Man Looking So Sad, Mommy?, about the Mueller investigation and the mid-term results, respectively.


Nick Anderson, Pat Bagley, Darrin Bell, Randy Bish, Stuart Carlson, Jeff Danziger, Ed Hall, Phil Hands, Joe Heller, Clay Jones, Keith Knight, Jimmy  Margulies, Robert Matson, Rick McKee, Joel Pett, Ted Rall, Igrid Rice, Jen Sorenson, Rob Tornoe and Monte Wolverton appear in addition to local cartoonists Steve Artley, Barbara Dale, Al Goodwyn, Clay Jones and Joe Sutliff.




Flugennock's Latest'n'Greatest: "The Primo Nutmeg Interview"

Mike Flugennock, our local anarchist cartoonist (born in Arlington!) is interviewed:

"The Primo Nutmeg Interview"
http://sinkers.org/stage/?p=2635

Hey, folks! My interview on the Primo Nutmeg show just dropped; I'm  talking cartooning, media, politics, and it's... well, primo. Give a  listen...

https://www.youtube.com/watch?v=0c-XeIvZ_8w


Nov 9: Nora Krug - Belonging at Politics and Prose Union Market

Nora Krug - Belonging: A German Reckons with History and Home — in conversation with the Washington Post's Nora Krug — at Politics and Prose at Union Market

Like Art Spiegelman's Maus, Krug's graphic memoir centers on events she experienced at one remove, by inheritance—and that for that reason may have marked her all the more deeply. A member of the second generation of Germans born after World War II, Krug draws on letters, photos, flea-market artifacts, and archival materials for a powerful exploration of Heimat, the place that first forms us. Now an award-winning artist and member of the faculty of the Parsons School of Design, Krug researched her grandparents' role in the Third Reich, and her sifting of layers of history is as vital a story as what she discovered. Krug will be in conversation with Washington Post "Book World" writer and editor Nora Krug.

 

This event is free to attend with no reservation required. Seating is available on a first come, first served basis.
Click here for more information.


Politics and Prose at Union Market   1270 5th Street NE   Washington   DC    20008

Sunday, November 04, 2018

Saturday, November 03, 2018

Flugennock's Latest'n'Greatest: "Blue Wave no. 3: Pukin' Blue, No Matter Who"

From Mike Flugennock, DC's anarchist cartoonist:


"Blue Wave no. 3: Pukin' Blue, No Matter Who"
http://sinkers.org/stage/?p=2630

Welp... I've finally nailed it down. Between Ocasio-Cortez waffling on Palestine, Andrew Gillum flip-flopping on Medicare For All, all the  ex-CIA types running as Democrats and all the doorknobs screaming  "vote Blue, no matter who", I think I've finally figured out what the  Blue Wave is going to be: the Democratic Party choking to death on its  own vomit.

Root Boy Slim And The Sex Change Band: "Boogie 'Til You Puke", 1978:
https://www.youtube.com/watch?v=pY3eMd3Jp7I

Thursday, November 01, 2018

Tonight: Slovenian cartoonists at Big Planet on U St

  • Today at 7 PM – 9 PM


  • Big Planet Comics of Washington DC
    1520 U St NW, Washington, District of Columbia 20009

  • Big Planet Comics is excited to present Izar Lunaček and Nejc Juren, all the way from Slovenia for their American comics residency, as they present their graphic novel Animal Noir!

    Animal Noir: Anthropomorphic animals like you've never seen them before. It's Chinatown meets Animal Farm. Private Investigator (and giraffe), Immanuel Diamond - Manny to his friends - has been asked by his uncle, an influential judge, to track down a prey fantasy movie. Adult films in this world are staged hunts where one animal eats another and the judge's wife starred in one that has been hidden (until now). Giraffe detectives, hippo mob members, prey-obsessed lions, street fighting elephants, and oppressed zebras are just part of this wild animal kingdom.

    They will also presenting a history of Slovenian comics at the Slovenian Embassy that weekend.

    Library of Congress' Swann Foundation is accepting fellowship applications

    The Swann Foundation for Caricature and Cartoon, administered by the Library of Congress is accepting applications for its graduate fellowship, one of the few in the field, for the 2019-2020 academic year. Deadline for applications is February 15, 2019. Please see the following for criteria, guidelines, and application forms:

    http://www.loc.gov/rr/print/swann/swann-fellow.html

     

    Please email swann@loc.gov or call (202) 707-9115 if you have questions.

    New Herblock exhibit on 1968 up at Library of Congress


    And curator Sara Duke will be talking about it at noon on Nov. 2.


    ICv2 on Geppi's Library of Congress press preview

    Editorial Cartoon by Artleytoons

    My cartoon suggests that perhaps the Trump factor may not be such a boon to GOP contenders after all (with apologies to Sparky Schultz).
        —Steven G. Artley, artleytoons

    ©2018 Steven G. Artley • artleytoons • ALL RIGHTS RESERVED