Looking For Thor's Hammer: Neil Gaiman On 'Norse Mythology'
http://www.npr.org/2017/02/13/514557427/looking-for-thors-hammer-neil-gaiman-on-norse-mythology
Thursday, February 16, 2017
NPR on Neil Gaiman
http://www.npr.org/2017/02/13/514557427/looking-for-thors-hammer-neil-gaiman-on-norse-mythology
The Post reviews Tower
[This is showing on PBS' website]
'Tower' is a well-crafted documentary that deliberately leaves out a major detail [in print as Missing story would have given 'Tower' more statue]
Washington Post 
A bystander rushes to help Claire Wilson in this scene from "Tower." (Tower Documentary/PBS)
'Tower' is a well-crafted documentary that deliberately leaves out a major detail [in print as Missing story would have given 'Tower' more statue]
Washington Post
A bystander rushes to help Claire Wilson in this scene from "Tower." (Tower Documentary/PBS)
Auction of John Fantucchio's comic collection begins with Spider-Man 1-50
Dirda on Neil Gaiman
Neil Gaiman's suspenseful and surprising 'Norse Mythology' [in print as From Neil Gaiman, Norse tales as bracing as the north wind].
Wednesday, February 15, 2017
Rep. John Lewis discusses "MARCH: Book Three" with Kojo Nnamdi at the Library of Congress
Rep. John Lewis discusses "MARCH: Book Three" with Kojo Nnamdi at the Library of Congress
https://www.youtube.com/watch?v=71bYqhj8xSI
March 10: Brian Biggs in Takoma Park
Mac Barnett and Brian Biggs - Noisy Night — at Takoma Park Library (MD)
Friday, March 10, 2017 at 7 p.m.
Takoma Park Library (MD) 101 Philadelphia Ave Takoma Park MD 20912
Brian is more than happy to sign the comics he did earlier in his career, such as Dear Julia.
New 'ReDistricted' Comic: "Grief"
New comic at ReDistrictedComics.com titled "Grief" by writer Tim Regan and artist Paul Zdepski. It's about the graver marker at Rock Creek Cemetery honoring Marian Adams, wife of famed historian and writer Henry Adams.
Tuesday, February 14, 2017
Feb 15: Ron Wimberly at Fantom Comics
Wednesday, February 15 – Black History in Its Own Words signing with Ron Wimberly – D.C. native artist Ron Wimberly (who you might know from that sweet Prince of Cats signing we did a few months back) is finally getting a hardcover edition of the "Black History in Its Own Words" series he's been doing online for a few years now, and to celebrate, he'll join us with artists Chris Visions, Shannon Wright, Chris Kindred, and podcaster/artist Julian Lytle!
Sid the Science Kid investigated by Rep. Chaffetz
While Trump scandals mount, Chaffetz decides to investigate... a cartoon character
Opinion writerPR: Anime USA Valentine's Day Special Membership Discount
|
Interview with former DC resident Mari Andrews
The resistance will be illustrated: instagram artist Mari Andrews talks empathy, politics, and caring about pop culture and current events at the same time.
Jessica GoldsteinCulture Editor at ThinkProgress. jgoldstein@thinkprogress.org
Monday, February 13, 2017
Who knew?
President Obama Pardoned The Savage Dragon On His Last Day In Office…
by February 8, 2017https://www.bleedingcool.com/2017/02/08/president-obama-pardoned-savage-dragon-last-day-office/
Fantom Comics 2016 sales report is out
2016 In Review – A Comic Book Shop Talks Comic Book Sales Trends
Comic Book Sales Trends for Fantom Comics
New children's book from Cuddles and Rage (updated)
ComicsDC co-author has reminded me that HE interviewed Liz and Jimmy Reed (aka Cuddles and Rage) before their new children's book came out.
Sweet Competition
About the Book
Liz and Jimmy Reed, the creators of the "Cuddles and Rage" webcomic, have whipped up a truly delectable picture book debut featuring the antics of competitive twin cherries who will do anything to outsweet…er, outsmart one another!
For this pair of twin cherries, everything is a competition. If Girl Cherry can swing higher, Boy Cherry will boast that he can swing lower. If one is smarter, then the other is cooler. So when they enter a contest to build the best dessert ever, they immediately pit themselves against each other. But when you're attached at the stem, there's only so much you can do on your own. Things could be easy as pie—so to speak—if they put aside their differences and join forces. Will Boy Cherry and Girl Cherry cream the competition by working together…or will one try to be the cherry on top?
With loveable characters and laugh-out-loud situations, Sweet Competition is the perfect addition to any child's bookshelf. After all, there's always room for dessert!
For this pair of twin cherries, everything is a competition. If Girl Cherry can swing higher, Boy Cherry will boast that he can swing lower. If one is smarter, then the other is cooler. So when they enter a contest to build the best dessert ever, they immediately pit themselves against each other. But when you're attached at the stem, there's only so much you can do on your own. Things could be easy as pie—so to speak—if they put aside their differences and join forces. Will Boy Cherry and Girl Cherry cream the competition by working together…or will one try to be the cherry on top?
With loveable characters and laugh-out-loud situations, Sweet Competition is the perfect addition to any child's bookshelf. After all, there's always room for dessert!
Meet a Local Cartoonist: A Chat with J.C. Thomas
by Mike Rhode
J.C. Thomas is appearing at Big Planet Comics Washington on Saturday February 18 (2-4 pm) to sign his two books. From his press release: "J.C. Thomas is a writer, artist and public elementary school teacher from Northern Virginia. His first children’s book, Ninja Mouse: Haiku, earned acclaim from both Publishers’ Weekly and The Midwest Book Review, and
won a Gold Benjamin Franklin Digital Award from the Independent Book
Publishers Association. He will be signing copies of Ninja Mouse: Haiku and The Gates of Dawn, an original graphic novel by Philadelphia-based writer Benjamin Finkel. Ninja Mouse: Haiku is a collection of haiku poetry with themes of martial arts philosophy and nature and includes Japanese translations. In The Gates of Dawn, a
young girl with special powers and a nomadic veteran flee across a
barren stretch of Utah as they’re pursued by a dark terror. Finding
themselves cornered and desperate, they’re forced to make a final stand."
What type of cartooning or comic work do you do?
For now, I mostly work on one-shot, short graphic novels as opposed to serialized comics work. It’s partly a preference, partly circumstantial, and partly a product of the collaborations I’ve built in the last year or so.
How do you do it? Traditional pen and ink, computer or a combination?
I create all of my work on a custom-built PC. I use a lot of 3D models as the basis for my artwork. My main software applications are DAZ Studio, Photoshop, Octane Render, and Manga Studio. I use a Wacom Intuos for touching up line work.
I’m hoping to venture into paper and ink for some projects in the future, but for now my workflow is pretty set.
When (within a decade is fine) and where were you born?
I was born in Northern Virginia in the early 1980s.
Why are you in Washington now? What neighborhood or area do you live in?
I’m in the Washington area now because I’ve stayed here. I’m in Sterling, VA, which is about thirty minutes west of Washington. I’ve been all over, but I keep coming back to home.
What is your training and/or education in cartooning?
My “training” in cartooning is all informal. As a kid, I gobbled up every how-to book I could, from How to Draw Comics the Marvel Way to Will Eisner’s Graphic Storytelling. Scott McCloud’s Understanding Comics was also a big part of my comics “education.” I took art throughout high school but was always frustrated with the lack of respect comics art tended to be treated with.
Who are your influences?
I probably have too many subconscious influences to count, but there are some I’m more aware of. Visually, I’d have to say Alex Maleev, Jae Lee and Michael Lark are influences. I really dig their use of heavy blacks. Pacing wise, I’ve always loved the dynamic between Garth Ennis and three of his common artists: Leandro Fernandez, Steve Dillon, and John McCrea. I’d also cite Sam Esmail, the creator and director of Mr. Robot, as an influence, especially on The Gates of Dawn. The cinematography in that show had a big influence on the framing in The Gates of Dawn. Jeff Lemire is also an influence. He’s a master of knowing exactly what to draw and when to draw it, really maximizes the impact of every panel. Essex County, Lost Dogs, and The Underwater Wielder are some of my favorites of his work.
If you could, what in your career would you do-over or change?
I’d either choose to have studied something creative in undergrad, rather than International Relations, or to have studied education in undergrad. Being involved in education can really spark your creativity, and a lot of my ideas have their origins in something education-related. I wouldn’t have minded if some of those sparks were to have come earlier.
I think also I wish I had explored getting representation a bit more when I first finished Ninja Mouse. I contacted a couple of literary agents, and when I didn’t hear back within a couple of weeks, I went ahead and published it on my own. I say that with some lack of certainty, because self-publishing is great fun and very rewarding in pretty much every way except financially. But once Publisher’s Weekly released their review, agents were contacting me, but I didn’t have anything else to show them at the time. I could have probably let that play out differently and have ended up with an agent right off the bat. But the freedom that goes with being on your own is a definite perk.
What work are you best-known for?
Probably Ninja Mouse: Haiku. It received praise from Publisher’s Weekly and The Midwest Book Review, which was a pretty big deal for me at the time. It’s also the first work on I got onto Comixology, which was validating.
What work are you most proud of?
I’d have to say Ninja Mouse: Haiku again. A lot of love and work went into that project, and I was really happy with the final product.
What would you like to do or work on in the future?
Geez, what don’t I want to work on in the future? I’ve got a scifi anthology in the works that I’m anxious to finish. The second story in that project, Arcas, with writer Christopher Hutton, is almost finished and should be out in a couple weeks. I’ve also got a couple of screenplays that I plan on adapting into graphic novel format.
But the thing I’m looking forward to the most is the next Ninja Mouse project. The first book was a collection of haiku poetry about martial arts and nature, illustrated sequentially with a very loose story. The next project will be a more traditional graphic novel. I’m planning on three volumes for that one.
Other than a horde of my own projects that are in various stages of production, I’d love to do some mainstream work at some point. Batman, the Punisher, and Shang-Chi, of Master of Kung Fu Fame, are probably my favorite characters from the Big Two, and I’d jump at the chance to do work on any of them.
What do you do when you're in a rut or have writer's block?
When I’m in a rut or have writer’s block, I normally try to work on a different project. I ran into more than the average amount of ruts with Arcas, and each time I’d try to get some work done on something I’d put on the backburner. On one hand, that’s a positive of balancing a lot of different projects at once. On the other, obvious, hand, it can be distracting or can hinder my productivity to have a lot of projects going on at the same time. I also turn to music to get me out of a rut.
What do you think will be the future of your field?
That’s a good question…I don’t know, on the one hand, some trends in the industry make me think the future is looking a bit bleak. The sheer number of universe-redefining, multi-title events from Marvel and DC in the last decade or so has really turned me off from mainstream comics. I don’t really see that changing anytime soon. Don’t get me wrong, there’s been some outliers here and there that I really enjoyed. Jeff LeMire’s Moon Knight comes to mind. But in general, the big two have left me with the feeling that nothing I read matters, because they’re just going to undo and redo it again in a year. I think those types of trends will continue to alienate all but the most hardcore of fans.
On the other hand, I feel like this is a rich time for the art form in general and there are a lot of trends that make me very hopeful about the field. It seems to me there’s been an explosion of talented indie-creators and small press labels in the last five years or so. And we’re lucky to be in an area where there are retailers willing to take risks on small press titles and unknown creators. I’m also very hopeful about the genre diversity we’re seeing now. It used to be that you really had to scrounge around if you wanted to read something without capes and masks, but that’s not the case anymore. I think part of that is due to digital platforms like Comixology. I think digital comics will continue to grow, but I don’t think they’ll ever replace physical comics. I hope that someone… publishers, online retailers, I don’t know who…but I hope that someone can find a way for brick and mortar retailers to get a piece of the digital pie. I think there’s a lot of potential in apps like Madefire as well, which basically adds simple motions, background music and sound effects. It hasn’t taken off yet, probably because there are additional costs to making them and the return isn’t much more than a typical digital comic. But I think the potential is exciting.
I’m also thrilled to see the increasing acceptance that graphic novels and comics are being met with in schools and libraries. Comics have a place in literacy instruction, and more and more educators are beginning to embrace them.
What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?
I’ll be attending the NovaCon this year, which will be my first. I’m planning on attending the Small Press Expo as well. I had a chance to do a signing at last year’s FBCD at Comic Logic in Ashburn, VA, and it was absolutely packed. Like, line-around-the-building packed. I imagine something like that, but on a much larger scale.
What's your favorite thing about DC?
Diversity.
Least favorite?
The soul-killing traffic.
What monument or museum do like to take visitors to?
I have to admit that I don’t really take advantage of the museums and monuments like I should. But I really like the Freer and Sackler galleries. I also had the chance to explore Hillwood Estate recently, and that’s definitely on my short list of favorites.
How about a favorite local restaurant?
I can’t say I know a lot of restaurants in DC proper, but I love Clarity in Vienna. Mokomandy in Sterling is also one of my go-to recommendations.
Do you have a website or blog?
Sure do! It’s www.jc-thomas.com. I’d love for your readers to stop by.
J.C. Thomas is appearing at Big Planet Comics Washington on Saturday February 18 (2-4 pm) to sign his two books. From his press release: "J.C. Thomas is a writer, artist and public elementary school teacher from Northern Virginia. His first children’s book, Ninja Mouse: Haiku, earned acclaim from both Publishers’ Weekly and The Midwest Book Review, and
won a Gold Benjamin Franklin Digital Award from the Independent Book
Publishers Association. He will be signing copies of Ninja Mouse: Haiku and The Gates of Dawn, an original graphic novel by Philadelphia-based writer Benjamin Finkel. Ninja Mouse: Haiku is a collection of haiku poetry with themes of martial arts philosophy and nature and includes Japanese translations. In The Gates of Dawn, a
young girl with special powers and a nomadic veteran flee across a
barren stretch of Utah as they’re pursued by a dark terror. Finding
themselves cornered and desperate, they’re forced to make a final stand." 
For now, I mostly work on one-shot, short graphic novels as opposed to serialized comics work. It’s partly a preference, partly circumstantial, and partly a product of the collaborations I’ve built in the last year or so.
How do you do it? Traditional pen and ink, computer or a combination?
I create all of my work on a custom-built PC. I use a lot of 3D models as the basis for my artwork. My main software applications are DAZ Studio, Photoshop, Octane Render, and Manga Studio. I use a Wacom Intuos for touching up line work.
I’m hoping to venture into paper and ink for some projects in the future, but for now my workflow is pretty set.
When (within a decade is fine) and where were you born?
I was born in Northern Virginia in the early 1980s.
Why are you in Washington now? What neighborhood or area do you live in?
I’m in the Washington area now because I’ve stayed here. I’m in Sterling, VA, which is about thirty minutes west of Washington. I’ve been all over, but I keep coming back to home.
What is your training and/or education in cartooning?
My “training” in cartooning is all informal. As a kid, I gobbled up every how-to book I could, from How to Draw Comics the Marvel Way to Will Eisner’s Graphic Storytelling. Scott McCloud’s Understanding Comics was also a big part of my comics “education.” I took art throughout high school but was always frustrated with the lack of respect comics art tended to be treated with.
Who are your influences?I probably have too many subconscious influences to count, but there are some I’m more aware of. Visually, I’d have to say Alex Maleev, Jae Lee and Michael Lark are influences. I really dig their use of heavy blacks. Pacing wise, I’ve always loved the dynamic between Garth Ennis and three of his common artists: Leandro Fernandez, Steve Dillon, and John McCrea. I’d also cite Sam Esmail, the creator and director of Mr. Robot, as an influence, especially on The Gates of Dawn. The cinematography in that show had a big influence on the framing in The Gates of Dawn. Jeff Lemire is also an influence. He’s a master of knowing exactly what to draw and when to draw it, really maximizes the impact of every panel. Essex County, Lost Dogs, and The Underwater Wielder are some of my favorites of his work.
If you could, what in your career would you do-over or change?
I’d either choose to have studied something creative in undergrad, rather than International Relations, or to have studied education in undergrad. Being involved in education can really spark your creativity, and a lot of my ideas have their origins in something education-related. I wouldn’t have minded if some of those sparks were to have come earlier.
I think also I wish I had explored getting representation a bit more when I first finished Ninja Mouse. I contacted a couple of literary agents, and when I didn’t hear back within a couple of weeks, I went ahead and published it on my own. I say that with some lack of certainty, because self-publishing is great fun and very rewarding in pretty much every way except financially. But once Publisher’s Weekly released their review, agents were contacting me, but I didn’t have anything else to show them at the time. I could have probably let that play out differently and have ended up with an agent right off the bat. But the freedom that goes with being on your own is a definite perk.
What work are you best-known for?Probably Ninja Mouse: Haiku. It received praise from Publisher’s Weekly and The Midwest Book Review, which was a pretty big deal for me at the time. It’s also the first work on I got onto Comixology, which was validating.
What work are you most proud of?
I’d have to say Ninja Mouse: Haiku again. A lot of love and work went into that project, and I was really happy with the final product.
What would you like to do or work on in the future?
Geez, what don’t I want to work on in the future? I’ve got a scifi anthology in the works that I’m anxious to finish. The second story in that project, Arcas, with writer Christopher Hutton, is almost finished and should be out in a couple weeks. I’ve also got a couple of screenplays that I plan on adapting into graphic novel format.
But the thing I’m looking forward to the most is the next Ninja Mouse project. The first book was a collection of haiku poetry about martial arts and nature, illustrated sequentially with a very loose story. The next project will be a more traditional graphic novel. I’m planning on three volumes for that one.Other than a horde of my own projects that are in various stages of production, I’d love to do some mainstream work at some point. Batman, the Punisher, and Shang-Chi, of Master of Kung Fu Fame, are probably my favorite characters from the Big Two, and I’d jump at the chance to do work on any of them.
What do you do when you're in a rut or have writer's block?
When I’m in a rut or have writer’s block, I normally try to work on a different project. I ran into more than the average amount of ruts with Arcas, and each time I’d try to get some work done on something I’d put on the backburner. On one hand, that’s a positive of balancing a lot of different projects at once. On the other, obvious, hand, it can be distracting or can hinder my productivity to have a lot of projects going on at the same time. I also turn to music to get me out of a rut.
What do you think will be the future of your field? That’s a good question…I don’t know, on the one hand, some trends in the industry make me think the future is looking a bit bleak. The sheer number of universe-redefining, multi-title events from Marvel and DC in the last decade or so has really turned me off from mainstream comics. I don’t really see that changing anytime soon. Don’t get me wrong, there’s been some outliers here and there that I really enjoyed. Jeff LeMire’s Moon Knight comes to mind. But in general, the big two have left me with the feeling that nothing I read matters, because they’re just going to undo and redo it again in a year. I think those types of trends will continue to alienate all but the most hardcore of fans.
On the other hand, I feel like this is a rich time for the art form in general and there are a lot of trends that make me very hopeful about the field. It seems to me there’s been an explosion of talented indie-creators and small press labels in the last five years or so. And we’re lucky to be in an area where there are retailers willing to take risks on small press titles and unknown creators. I’m also very hopeful about the genre diversity we’re seeing now. It used to be that you really had to scrounge around if you wanted to read something without capes and masks, but that’s not the case anymore. I think part of that is due to digital platforms like Comixology. I think digital comics will continue to grow, but I don’t think they’ll ever replace physical comics. I hope that someone… publishers, online retailers, I don’t know who…but I hope that someone can find a way for brick and mortar retailers to get a piece of the digital pie. I think there’s a lot of potential in apps like Madefire as well, which basically adds simple motions, background music and sound effects. It hasn’t taken off yet, probably because there are additional costs to making them and the return isn’t much more than a typical digital comic. But I think the potential is exciting.
I’m also thrilled to see the increasing acceptance that graphic novels and comics are being met with in schools and libraries. Comics have a place in literacy instruction, and more and more educators are beginning to embrace them.What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?
I’ll be attending the NovaCon this year, which will be my first. I’m planning on attending the Small Press Expo as well. I had a chance to do a signing at last year’s FBCD at Comic Logic in Ashburn, VA, and it was absolutely packed. Like, line-around-the-building packed. I imagine something like that, but on a much larger scale.
What's your favorite thing about DC?
Diversity.
Least favorite?
The soul-killing traffic.
What monument or museum do like to take visitors to?
I have to admit that I don’t really take advantage of the museums and monuments like I should. But I really like the Freer and Sackler galleries. I also had the chance to explore Hillwood Estate recently, and that’s definitely on my short list of favorites.
How about a favorite local restaurant?
I can’t say I know a lot of restaurants in DC proper, but I love Clarity in Vienna. Mokomandy in Sterling is also one of my go-to recommendations.
Do you have a website or blog?
Sure do! It’s www.jc-thomas.com. I’d love for your readers to stop by.
Saturday, February 11, 2017
PR: Local FCPS Teacher and Comic Creator J.C. Thomas Signing Books at Big Planet Comics, DC
Local FCPS Teacher and Comic Creator J.C. Thomas Signing Books at Big Planet Comics, DC
Sterling, VA February 11, 2017
J.C. Thomas, a Fairfax County Public Schools fourth-grade teacher and comics creator from Herndon, will be appearing at Big Planet Comics in Washington, DC on February, 18 to sign copies of his work. The event will be held at 1520 U St NW, Washington, District of Columbia 20009 from 2:00 to 4:00 PM. Established in 1986, Big Planet Comics is the DC-area's premiere source for comics and graphic novels.
J.C. Thomas is a writer, artist and public elementary school teacher from Northern Virginia. His first children's book, Ninja Mouse: Haiku, earned acclaim from both Publishers' Weekly and The Midwest Book Review, and won a Gold Benjamin Franklin Digital Award from the Independent Book Publishers Association. He has been with FCPS for six years.
He will be signing copies of Ninja Mouse: Haiku and The Gates of Dawn, an original graphic novel by Philadelphia-based writer Benjamin Finkel. Ninja Mouse: Haiku is a collection of haiku poetry with themes of martial arts philosophy and nature and includes Japanese translations. In The Gates of Dawn, a young girl with special powers and a nomadic veteran flee across a barren stretch of Utah as they're pursued by a dark terror. Finding themselves cornered and desperate, they're forced to make a final stand.
Both books are available at online and select brick-and-mortar retailers. Review copies are available upon request.
Images and promotional art are available upon request.
Video Trailers can be found here:
The Gates of Dawn:
https://www.youtube.com/watch?
Ninja Mouse: Haiku
Resist! at Hooray for Books
Hooray for Books in Alexandria just got the last of my stock of about thirty issues of Resist!
They also have Juana Medina's new book ABC Pasta.
Friday, February 10, 2017
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