Tuesday, October 20, 2015

Pictures from Warren Bernard's "Cartoons for Victory" talk posted

Bruce Guthrie tells us, "Pictures from Warren Bernard's "Cartoons for Victory" talk at the Takoma Busboys and Poets Monday night are up.  The direct link is"

http://www.bguthriephotos.com/graphlib.nsf/keys/2015_10_19G1_Bernard

I enjoyed the slide show quite a bit, and am looking forward to dipping into the book.


Monday, October 19, 2015

Oct 24: Skottie Young at Third Eye Comics

Meet superstar comic artist, SKOTTIE YOUNG (Marvel Baby Variants, Wonderful Wizard of Oz) this Saturday at our I HATE FAIRYLAND Signing!

We are totally pumped to be hosting a true modern comics legend this weekend with the one and only SKOTTIE YOUNG signing at Third Eye Annapolis this Saturday

Skottie has wowed you guys with his work on those awesome Marvel Baby variants, as well as the Marvel OZ series, and ROCKET RACCOON, and now, we're bringing him in for his most ambitious project yet: I HATE FAIRYLAND!

Click here to read all about the signing!

Tonight: Warren Bernard's new book on WWII cartoons


"...the book is called Cartoons for Victory, which is about the home front in the United States during WW2, you know, blackouts, war bond drives, rationing, all the privations we civilians did not go through for any war since then. 90% of the cartoons have not been seen since the war and that same percentage of cartoons you cannot find on any of The Internets."

DATE: October 19

TIME: 6:30-8:30PM

PLACE: Busboys and Poets
             234 Carroll St NW
             Washington, DC

METRO STOP: Takoma Park

Oct 20: Kuper at Library of Congress

October 8, 2015

Graphic Novelist Peter Kuper to Discuss and Sign New Work

Book Weaves Path of Its Characters with That of Monarch Butterfly

http://www.loc.gov/today/pr/2015/15-181.html

"Ruins" ((Self-Made Hero, 2015), by Peter Kuper, follows the story of Samantha and George, a couple on sabbatical in the Mexican town of Oaxaca. For Samantha, it is an opportunity to revisit her past while writing her book. For George, it is an anxious step into the unknown. Woven into the story is the remarkable and arduous journey that a monarch butterfly makes on its annual migration from Canada to Mexico. This juxtaposition creates a parallel picture of the challenges of survival in an ever-changing world.

Kuper will discuss and sign his book on Tuesday, Oct. 20, at noon in the Montpelier Room, located on the sixth floor of the Library of Congress James Madison Memorial Building, 101 Independence Ave. S.E., Washington, D.C. This Books & beyond event is co-sponsored by the Library's Center for the Book and the Prints and Photographs Division. It is free and open to the public; no tickets are required.

"Ruins" explores Mexico through its past and present as encountered by an array of characters. The real and surreal intermingle in this novel.

Peter Kuper is a cartoonist, illustrator, editor and educator. He is co-founder of the political graphics magazine "World War 3 Illustrated" and has written and drawn Mad Magazine's "Spy vs. Spy" comic for more than 18 years. Kuper has created more than a dozen graphic novels, including "The System," "Sticks and Stones" and an adaptation of Franz Kafka's "The Metamorphosis." He has been teaching comics courses for more than 25 years in New York City and is a visiting professor at Harvard University.

Founded in 1800, the Library of Congress is the nation's first-established federal cultural institution and the largest library in the world. The Library seeks to spark imagination and creativity and to further human understanding and wisdom by providing access to knowledge through its magnificent collections, programs, publications and exhibitions. Many of the Library's rich resources can be accessed through its website at www.loc.gov.

The Library's Center for the Book, established by Congress in 1977 to "stimulate public interest in books and reading," is a national force for reading and literacy promotion. A public-private partnership, it sponsors educational programs that reach readers of all ages through its affiliated state centers, collaborations with nonprofit reading-promotion partners and through the Library's Young Readers Center and the Poetry and Literature Center. For more information, visit www.Read.gov.

# # #

PR 15-181
10/08/15
ISSN 0731-3527

SL Gallant wants to draw The Micronauts

Heck, I'd buy it if Shannon was drawing it, and I haven't bought that comic since Michael Golden left it.

Sometimes-Silver Spring resident Holmberg on Tezuka

Gottfredson's Illegitimate Heirs: Tezuka Osamu and the Great Wall of 1945

Ha's 'Cook Korean!' teasers

Local cartoonist/illustrator Robin Ha has posted online a few illustrations for the comic cook book she's working on called Cook Korean! (Ten Speed Press). It's scheduled to come out next summer.

According to Ha, "This book teaches you how to make everyday Korean recipes through comics and illustrations, including the recipes from my blog, Banchan in Two Pages!" The book also was mentioned in a New York Times article last week.

Visit Ha's Tumblr for more yummy watercolors. Here's a Q&A with Ha by Mike Rhode for the Washington City Paper last year.



Images posted with permission

Comics & Beer - Two Great Tastes That Taste Great Together

A guest review by Chris Ingram

The Comic Book Story of Beer: The World's Favorite Beverage from 7000 BC to Today's Craft Brewing Revolution, by Jonathan Hennesey and Mike Smith, and illustrated by Aaron McConnell (Ten Speed Press 2015, $19), is a 174-page volume that tells the story of ‘the world’s favorite beverage.’ This non-fiction 'graphic novel' covers a broad sweep, ranging from what is known about the history of beer in the ancient world to the craft beer explosion of the early 21st century.

The book opens and closes with a few pages of framing telling the story of a typical guy making a beer run for a get-together, and his bewilderment at the many different styles of beer that are available today. An encounter with a friendly (and very knowledgeable about beer!) store clerk provides the jumping-off point for the history of beer.


The book is split into eight chapters, but I would split it into three parts: a brief history of brewing in the ancient world (roughly from prehistory to the era of the Roman Empire), a short but thorough description of the brewing process, and a longer section which covers the history of beer brewing and consumption from the Dark Ages to the present.


McConnell’s illustrations are well suited to the demands of this book, varying interestingly in style from chapter to chapter, although not so much as to be jarring. Some scenes are drawn in a realistic, open style, such as those in the modern day setting or recent history, while scenes from antiquity or medieval periods seem to have thicker lines and an overall darker palette. 


Interspersed with the chapters of the book are page-sized “Meet The Beer” illustrations, each covering a different popular style of beer (Lambic, Bock, Pilsner, etc.). These combine a handsome illustration showing that type of beer and placing it on three different scales - corresponding to color, bitterness, and alcoholic strength - together with a few paragraphs of text describing the history of that style. Examples of that beer style are also named in the illustration, which provides a reference for less beer-savvy readers.


The authors discuss the ancient origins of beer recounting particular examples that are known from documentary and archaeological sources ranging from Scotland to Sumeria to ancient China. A more speculative theory - the ‘beer theory’ of agriculture - is also presented.  The gist of this theory is the idea that the back-breaking labor of early agriculture was motivated in part or in whole by the desire to obtain a steady source of grain - in order to brew beer! Regardless of whether that theory is true, many examples of beer or beer-like beverages from the ancient world are included (some of which have had modern reinterpretations, such as Chateau Jihau by Dogfish Head Brewery).


The brewing process is presented in some detail, with cartoonish illustrations that help to offset the technical complexity of the topic. As a layperson who knows far more about consuming beer than brewing it, I found this chapter especially illuminating. 

The balance of the book covers the history of beer from the Dark Ages up to the present. Episodes in the history of beer are presented as short vignettes that do a good job of setting the broader historical context. The shift in beer production from literally a cottage industry to mass production (and the concurrent shutting out of women, the traditional brewers of beer in the home), the discovery of yeast and the effects of the scientific revolutions of the 18th and 19th centuries on brewing are all presented in an engaging way. Finally, the book concludes with a chapter on the origins of today’s vigorous craft beer scene, both in the US and Europe (driven primarily by the UK, but also informed by brewing traditions in Belgium and elsewhere). As someone who has benefited from that craft beer revolution personally, I gained a new appreciation for the origins of beer from this book. 

 The authors will be appearing in the area this week.



DISTRICT OF COLUMBIA
Thursday, October 22, 2015: Book Sales, Signing; Beer. Free and open to the 21+ public.
ATLAS BREW WORKS
2052 West Virginia Avenue NE, Suite 102, District of Columbia 20002
Time TBD

BALTIMORE, MARYLAND
Saturday, October 24, 2015: Book Reading & Signing. Free and open to the public.
ATOMIC BOOKS
3620 Falls Rd, Baltimore, MD 21211
Local craft brews will be available at Atomic Books' smashing in-store bar!
Time 7:00 PM

Liniers today at Politics and Prose at 10:30 am

If you can get away this morning, you should go to this.

I saw Argentine cartoonist Ricardo Liniers last night. He was really entertaining and a sweet guy. He did a painting on stage, Michael Cavna interviewed him, he did some more painting and then signed books. His comic strip Macanudo is a big success in Latin America, and is now appearing in books in English. He's also done 2 books for younger readers with Toon Books. All three should be available at the bookstore today. He does a nice drawing in each book.

You can see more see pictures at https://www.flickr.com/photos/42072348@N00/albums/72157659990511236

He's done 3 New Yorker magazine covers:

http://www.newyorker.com/culture/culture-desk/cover-story-obamas-elephant-problem
http://www.newyorker.com/uncategorized/cover-story-straphangers-by-liniers
http://www.newyorker.com/culture/culture-desk/cover-story-2015-03-16\

He also did one very crazy thing with one of his books. He printed Macanudo #6 (only in Spanish now) with a blank cover and drew an individual cover for each of the 5,000 in the first print run.

Here's one he did for me last night.

 

Saturday, October 17, 2015

Dec 12: Alex de Campi & Carla Speed McNeil signing - No Mercy



Saturday, December 12 at 12:00pm - 2:00pm
Big Planet Comics of Bethesda
4849 Cordell Ave, Bethesda, Maryland 20814


Saturday, December 12 at 3:00pm
Big Planet Comics of Washington DC



Big Planet Comics is proud to welcome Alex de Campi and Carla Speed McNeil, for 2 signings for their new Image Comics series, No Mercy!

No Mercy is the story of a trip by college freshmen to Central America to build schools, but when tragedy strikes, these once-privileged American teens must find their way home in a cruel landscape that at best doesn't like them, and at worst actively wants to kill them. No phones. No passports. No mercy.

You can see a preview of No Mercy for free at Image's website:
https://imagecomics.com/content/view/no-phones-no-passports-no-mercy

Alex is the writer of Grindhouse, Smokes/Ashes, and Archie vs. Predator.
Carla is the creator of Finder and artist of Bad Houses.

Alex's website: http://www.alexdecampi.com/
Carla's website: http://www.carlaspeedmcneil.com/

We will also be having a second signing at 3 pm at our Big Planet Comics of Washington DC store!
https://www.facebook.com/events/1634554496799632/

Friday, October 16, 2015

Oct 30: Anime USA

http://animeusa.org/about/

Anime USA, the convention

In 1999, a group of anime fans came together and started Anime USA, a three-day convention celebrating Japanese animation, art, culture, history, and fashion. In 2004, Anime USA formed a non-profit educational organization to host the convention. Anime USA's mission is to promote, as well as educate the public about Japanese arts and popular culture. Anime USA is a 501 (c) 3 nonprofit managed solely by a staff of volunteers.

Anime USA has enjoyed steady growth since its inception. Our history has been punctuated three outgrowths of venue spaces.

1999: Crowne Plaza, Crystal City, VA
2000–2001: Holiday Inn Rosslyn Westpark Hotel at Key Bridge, Arlington
2002–2007: Sheraton Premiere at Tyson's Corner
2007–2011: Hyatt Regency Crystal City
2012–now: Washington Marriott Wardman Park

The Anime USA convention is an annual event, taking place during the fall season. The convention is a three-day celebration of Japanese arts, music, and culture. The event consists of interactive panels, workshops, musical performances, gaming rooms, and more.

Date: October 30–November 1, 2015

Location:

Washington Marriott Wardman Park
2660 Woodley Road NW
Washington D.C. 20008

Nov. 1: Captive of Friendly Cove booksigning at Busboys and Poets Brookland

Busboys and Poets Brookland: Rebecca Goldfield, Matt Dembicki, Mike Short, and Evan Keeling - Captive of Friendly Cove: Based on the Secret Journals of John Jewitt

Sunday, November 1, 2015 at 6:30 p.m.

Goldfield is an award-winning documentary filmmaker whose work has aired in such places as The Discovery Channel; her previous collaboration with Keeling, founding member of the D.C. Conspiracy, and the graphic artists Dembicki and Short, resulted in Trickster and District Comics, which was one of The Washington Post's Best Books of 2012. In their new work, this amazing creative team pairs early 19th-century adventure with 21st-century graphic tale-telling to depict the three years British sailor John Jewitt spent as a captive of the Mowachaht of Nootka Sound, showing the survivor keeping up his spirits by recording events in his journal and practicing his blacksmithing trade—all while plotting his escape.

Busboys and Poets Brookland
625 Monroe St NE
WashingtonDC20017

Cartozia Tales second Kickstarter project

Local teacher and comics writer Michael Wenthe is part of a shared-world comic known as Cartozia.

To fund some more issues, there's a new Kickstarter campaign. I've backed them.



1,230 works by Daumier added to National Gallery of Art

The majority of works in this second round of acquisitions, voted on Oct. 1 and announced Thursday, are lithographs by the prolific 19th century Frenchman Honoré Daumier. The museum accepted 1,230 works by Daumier, including a large work from 1834 titled "Le Ventre Legislatif."

read more at:

National Gallery of Art acquires nearly 8,000 works from Corcoran


Honoré Daumier's "Le Défenseur (Council for the Defense)," c. 1862-1865. (National Gallery of Art, Corcoran Collection (William A. Clark Collection))



'Style Weekly' article on 'The Little Red Fish'

Local Creators Explore the History of Iranian Revolution in a Comic About Talking Fish 


By Rich Griset/(Richmond) Style Weekly

You know those people who always talk about the great projects they want to work on, but never do? James Moffitt doesn’t like those people.

“I kept encountering people who had a lot to say about creating stuff and these big ideas for stories or art pieces or comic books, but never actually doing anything about it,” he says. “That really frustrated me, because I’d get really excited about a lot of these ideas, but they’d fizzle out.”
This annoyance led Moffitt to co-found Sink/Swim Press in 2009, which will see the release of its 14th and 15th publications Saturday at Gallery5. One is Dashiell Kirk’s “Consumption,” the story of a tiny centipede trapped on top of a hamburger as it’s eaten by a boy. The other is the third installment of “The Little Red Fish,” a political allegory inspired by Orwell’s “Animal Farm,” using fish and cranes to represent the 1979 Iranian Revolution.
Editor's note: Moffitt and Khodabandeh run the Comic Creator Expo, which is this Saturday in Richmond from 11 a.m. to 5 p.m.

New Herblock exhibit opening at Library of Congress next week

Herblock Looks at 1965: Fifty Years Ago in Editorial Cartoons, Part II

http://www.loc.gov/exhibits/herblock-gallery/herblock-looks-at-1965.html

After winning a landslide victory in the 1964 presidential election, Lyndon Baines Johnson (1908–1973) promoted legislation that improved education, medical care, retirement benefits, and voting rights for all Americans. Through his cartoons, Herblock sided with Johnson on his Great Society programs—aimed at reducing poverty in America—and the implementation of democratic immigration reform and gun control. However, the cartoonist felt Johnson's Vietnam policy was too aggressive.

Herblock also focused his attention on the horrific stranglehold Ku Klux Klan organizations held on American politics and the legal system, as well as the Klan's involvement with the local police force in the Southern states. Although the Klan had existed in various iterations for a century, by 1965 participation rates had increased enormously in the South in response to the civil rights movement and African American mobilization in the 1960s. Although a minority of Southern whites belonged to the Klan, the organization's ruthless murders and intimidation made headlines news and drew the attention of President Johnson, who used both the FBI and the House Un-American Activities Committee to undermine Klan organizations.

Currently on exhibit: September 26, 2015–March 19, 2016

Cure anthology Kickstarter features interview with Lupp & Gillis

MICE + Creator Spotlight: Alex Lupp & Emily R. Gillis

by Square City Comics

https://www.kickstarter.com/projects/squarecitycomics/the-cure-a-square-city-comics-anthology/posts/1384305?ref=backer_project_update


They only need 4% more to fund their new anthology.

Thursday, October 15, 2015

Jan. 4: 'Magic Bullet' #12 deadline

Jan. 4 is the deadline for ads and comics submissions for Magic Bullet, the D.C. Conspiracy's free semi-annual comics newspaper. Find more info here.

Local collector Mitch Berger donated his sketchbook to Billy Ireland Library

Mitch has given me permission to reproduce this from his Facebook page. I love the fact that he's given this great collection to a cartoon archives.


Earlier this summer I decided that it was time for me to donate my most prized possession, my cartoonist sketchbook, to an appropriate institution. I started collecting drawings from cartoonists I liked and admired back in 1972. The book has drawings by many greats who are no longer with us, Hal Foster, Will Eisner, Harvey Kurtzman, Jeff Jones, Vaughn Bode, Roy G. Krenkel, Roy Crane, Alfredo Alcala, Ernie Chan (aka Chua), Joe Kubert, Joe Orlando, Jerry Robinson, Bill Gallo, Paul Conrad and Spain Rodriguez. 

Many more are, happily, still with us and include Marie Severin, Ralph Reese, Steve Bissette, Al Jaffee, Arnold Roth, Robert and Aline Crumb (in a "jam"), Walt Simonson, Howard Chaykin, Gilbert Shelton, Matt Groening, Berke Brethead, Batton Lash, Bobby London, Jen Sorensen, Kelly Bastow, Neal Adams, Roberta Gregory, Jules Feiffer, Jeff Smith, Wendy Pini, Steve Kelly, all three of Los Bros Hernandez and last, but by no means least, among many, many more, the greatest living cartoonist, Sergio Aragones.

I obtained the final two contributions to the sketchbook from Art Spiegelman and Bill Griffith at Cartoon Crossroads Columbus - CXC, and it was donated soon after, to the Billy Ireland Library and Cartoon Museum at Ohio State, the premier repository and most solid institution dedicated to cartoon art in the US. The picture below is of me and the incomparable Lucy Caswell, the heart and soul of the library/museum, going through the sketchbook one last time. I hope all of the drawings in it will be available online. Thanks to all the cartoonists who, through the last 40+ years, have given me the gift of their art.

You can never really own art, you are lucky if you have the privilege to be its custodian for a while. I have been tremendously lucky. I'm also lucky to have Peggy, as my wife. The sketchbook would easily sell for tens of thousand$, but it would be broken up and sold piecemeal. When it comes to doing the right thing, there's none better than my wife.



Comic Riffs talks to Noelle Stevenson

From idea born at MICA, Noelle Stevenson is the youngest 2015 National Book Award finalist