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JICC, Embassy of Japan | 1150 18th St., NW | Suite 100 | Washington | DC | 20036 |
Friday, February 27, 2015
March 13: Animezing: Patema Inverted
March 6: Alt Weekly Comics exhibit by Warren Bernard and Bill K opens in NYC
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Josh Kramer on The Nib
10 Animals That Might Go Bye-Bye In 2015
Written on Feb 27 2015Comics journalism! http://joshkramercomics.com
April 9: Nadja Spiegelman and Sergio Garcia Sanchez at Politics and Prose
Thursday, April 9, 10:30 am
5015 Connecticut Ave NW
20008Washington
By Nadja Spiegelman, Sergio Garcia Sanchez (Illustrator)
$16.95
9781935179818
Coming Soon—Pre-Order Now
Toon Graphics - April 14th, 2015
Georgetown U students engage in "self-criticism" with student political cartoonist Dylan Cutler
Georgetown University Students Censor Political Cartoonist
Maureen Sullivan Contributor
2/25/2015
http://www.forbes.com/sites/maureensullivan/2015/02/25/georgetown-university-students-censor-political-cartoonist/
Thursday, February 26, 2015
Feb 27: Gareth Hinds at Hooray for Books in Old Town
Friday, February 27th: Author Gareth Hinds will present and sign his latest graphic novel for teens,Macbeth. 7 pm.
Set against the moody backdrop of eleventh-century Scotland, Gareth Hinds's illustrated interpretation of Shakespeare's classic play takes readers into the claustrophobic mind of a man driven mad by ambition. An evil seed takes root in the mind of Macbeth, a general in the king's army, when three witches tell him he will one day be king. But is Macbeth prepared to commit murder to steal, and keep, the crown?
http://www.hooray4books.com/events.htm
http://www.hooray4books.com/events.htm
J. Robert Deans explains why he is Kickstarting a cow-in-space childrens book
by Mike RhodeJ. Robert Deans may be most familiar to the local community as a comic book store manager, but he's been working on a webcomic, and now has launched a Kickstarter campaign for a cartoony children's book about a cow in space. In the middle of that fundraising, he took the time to answer my usual questions.
What type of comic work or cartooning do you do?
Around
the time my daughter was born, I started working in a comic shop in
Springfield, the former NOVA Comics. After that closed, I worked for
Game On Comics in Vienna. I’ve had a web comic for almost three years
now, a weekly single-panel gag comic called “Crass Fed Comics,” which is
mostly jokes and puns in cartoon form. I occasionally post other random
pieces of art as well, larger pieces, longer comics, or stuff that
doesn’t fit the theme. Last year I added a new 
comic, the monthly (soon
to be bi-monthly) comic strip “The Adventures of Surf and Turf,” which
features a cow and penguin hanging out on a farm…with puns. Lots of
puns. Last year after being laid off from Game On, I had an idea based
on a silly doodle I had done some time earlier, and that quickly became a
picture book for kids, which
has exploded into half a dozen book ideas, and “Crass Fed Kids” was
born. The first book, Moo Thousand and Pun, is now being Kickstarted.
Subsequent books may be as well, depending on the success of the first, which features a cow in space.
comic, the monthly (soon
to be bi-monthly) comic strip “The Adventures of Surf and Turf,” which
features a cow and penguin hanging out on a farm…with puns. Lots of
puns. Last year after being laid off from Game On, I had an idea based
on a silly doodle I had done some time earlier, and that quickly became a
picture book for kids, which
has exploded into half a dozen book ideas, and “Crass Fed Kids” was
born. The first book, Moo Thousand and Pun, is now being Kickstarted.
Subsequent books may be as well, depending on the success of the first, which features a cow in space.
How do you do it? Traditional pen and ink, computer or a combination?
I
do have a tablet with the Manga Studio program on it. I use that to
make corrections and add colors to art when necessary. (Moo Thousand was done
this way, with letters also added digitally.) Most of the Crass Fed
cartoons are black and white line art, but when I color I use
technology. For the most part, I use pen and ink. I like drawing
digitally, and I keep experimenting…but nothing can replace a pencil and
a sheet of Bristol board.
When (within a decade is fine) and where were you born?
I was born in the early 1970s, in South Carolina. Luckily, I escaped.
Why are you in Washington now? What neighborhood or area do you live in?
When
I was moving to go to college after a few years of working full time,
my best friend tried to hook me up on a blind date with her friend. That
Christmas, said friend sent me a card with her picture in it. A couple
of weeks later we went on that date, and haven’t looked back. After I
graduated I moved up here to the Springfield area to be with her. She’s
a native to the area.
What is your training and/or education in cartooning?
None.
And, to be honest, it shows. I have been drawing and doodling all my
life, but I never took any formal classes. The past few years have been
filled with several family tragedies, and drawing was an outlet to keep
myself distracted. My position as a comics retailer afforded me many
friends in the industry that have been very generous with their time and
advice, and I have taken advantage of that.
Who are your influences?
Oy.
A ton. It may not show up in my work at all, but artists like Will
Eisner, Wally Wood, Jack Kirby, John Romita Sr, Frank Robbins, Alex
Toth, Paul Reinman, Martin Nodell, Carmine Infantino, Charles Schulz,
they were all over the books I read as a child. And many more, to be
sure.
Creators
that could be considered contemporary to me would include Dave Stevens,
Stan Sakai, Chris Samnee, Gabriel Hardman, Dave McDonald, Paul Smith,
Frank Cho, Evan Shaner, Roger Langridge, Howard Chaykin, Kevin Maguire,
George Perez…too many to really count. The late Mike Parobeck and Mike
Wieringo remain favorites. And that doesn’t even include the writers.
The biggest outside influence on my work today is Stephan Pastis, the creator of “Pearls Before Swine,” who I am pretty sure
is my spirit animal.
I
have also amassed a wonderful core of friends who help me almost daily
with their encouragement, advice, and talent, and make my life that much
more enjoyable: Jamie Cosley, Tara O’Connor, Matt Wieringo, Drew Moss,
Bob Frantz, Eryk Donovan, Hoyt Silva, Erica Schultz, and Steve Conley.
Clearly,
my wife and daughter (who at times is a collaborator) are my biggest
influences. I really just do what I do for them. The fact that others
have enjoyed the result is gravy, and something I am always thankful
for. I also have to acknowledge Francesco Francavilla and his wife Lisa,
who was the final push for me to start Crass Fed, with an almost
literal kick to the tuckus and a “go do it, ya dummy!”
If you could, what in your career would you do-over or change?
Start
younger. A lot younger. I’m at an age when arthritis and vision
problems set in (and they are). Plus, I would have started taking
classes to improve my craft that much earlier.
What work are you best-known for?
Probably
my penguin avatar. I drew it while I was in high school, and when I go to
shows, once I tell folks I’m “that penguin guy,” they recognize me. Next
would probably be the cows, which I draw for my daughter. Her favorite
toy is a stuffed cow she has had since birth, and that cow is the star
of Moo Thousand.
What work are you most proud of?
There
are a couple of individual cartoons from Crass Fed or Surf and Turf
that I am proud of, but the biggest thing is the book. One friend, when I
asked him to read a draft after the art had been finished, said that
everyone says they write, but few actually finish a book. He said no
matter what the reaction, I should take pride in my producing a complete
work…and I do. I like how it turned out, people I don’t know have
enjoyed it, and have asked for more. That’s… a nice feeling.
What would you like to do or work on in the future?
I
would like to try my hand at writing a traditional cape and cowl comic.
That would be a challenge, to be sure. I see what writers go through to
keep readers captivated month in, month out, and it’s daunting and
admirable. For some reason, I would like to try that.
Barring
that, I have ideas for several other books in the Crass Fed Kids line,
and hopefully this first one will be successful enough to allow me to
make more.
What do you do when you're in a rut or have writer's block?
This
may fall in to the category of “TMI,” but I jump in the shower. Every
time I’ve had an idea that has really worked, like Moo Thousand, that lightbulb
has gone off while I’m in the shower. After that, I put on another pot
of coffee and get to work.
What do you think will be the future of your field?
Honestly,
once we get past all of this histrionic crap about new female and minority creators
and have real representation and equality at the creative level, comics
will blossom. Folks still have a bizarre preconception about comics and
comic shops, and the only thing that will get us past that is diversity.
Speaking as a former retailer, every new comic book movie does nothing
to boost comic sales. In almost ten years of selling comics in which
there were some 20 comic-book-based blockbusters, I can count on one
hand the number of new readers that came in to the shop because they saw
one of those movies.
What
really got people into the shop where they may not have thought of
comics before were books like March by John Lewis. Or Bone by Jeff Smith.
Or Ms. Marvel by G. Willow Wilson and Adrian Alphona. Books that feature lead
characters that aren’t white dudes in tights. While there isn’t
anything wrong with white dudes in tights, there are so many more worlds
to explore that we need to open up the gates to everyone who has a
story to tell… and let them tell them. Encourage them. Inspire them. Get them
started with a pencil and a dream and support to let them tell their
story. When we can really do that with everyone, the future will be as
rich and as amazing as we can dream it to be.
What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?
We
regularly attend Heroes in Charlotte, Baltimore Comic Con, and SPX. We
also went to AwesomeCon last year. If all goes well with the
Kickstarter, this year will be our first exhibiting, starting with
AwesomeCon. We will also have tables at Heroes, and are in the queue
for a table at SPX. Baltimore is up in the air this year (because of a
family scheduling conflict).
I
have written about attending conventions for my blog, because they are
such different animals for exhibitors than attendees. The cost of
attending a show can be pretty big, especially if the show isn’t local.
Admission,
hotels, meals, travel, all of that adds up before you even buy your
first piece of art or your first book. When you exhibit, that costs goes
up exponentially with table fees, travel and shipping all of the
materials needed to exhibit…it’s an expensive undertaking just in hopes
that a few folks stop at your table and check out your work. It’s
exhausting, and most creators hope they can just break even. It’s a
little easier for artists because they can always sell commissions, but
writers have to be able to sell their story, which is a lot harder in a
convention setting where the visual side of the medium is king.
The
advice I give everyone about attending is go to have fun. Even I have
attended a show (Heroes, the first time), just to meet a particular
creator (Kelly Sue DeConnick). In addition to that, use the time to
explore other creators you don’t know. Browse the artist alley. Check
out folks sharing tables. Their budget is small, and their hopes large. A
simple $5 purchase at their tables could be just the encouragement they
need to keep creating. Who knows… a comic bought on a whim at a table
could mean you were one of the first people to discover the next big
thing in comics. I call it “Try 5” and have written more about the idea
on my blog at icrvn.com/blog/?p=745
What's your favorite thing about DC?
I met my wife here. The food’s pretty good too.
Least favorite?
The commuting. Always, the commuting.
What monument or museum do like to take visitors to?
I
actually let my wife handle that. Being the native, she is much better
at figuring out logistics and such when those visits are needed. Aside
from
the Library of Congress where my wife works, Air and Space is usually
the big hit, though. And Natural History. Old books, space, and
dinosaurs rule, I suppose.
How about a favorite local restaurant?
How about a favorite local restaurant?
I
used to manage a restaurant, nothing at all fancy, and my wife is
finishing up her first cookbook, so we tend to cook most of the time.
But, if friends are in town it’s hard to top
any of Jose Andres’ options. Jaleo is probably the favorite. Or one of a
small handful of good Pho places. Hard to go wrong with Pho, or my
favorite, Bibimbap.
Do you have a website or blog?
Do you have a website or blog?
Indeed. My home site, which has been running since ’97, is icrvn.com – from there you can get to my blog (icrvn.com/blog), or any of my webcomics (all hosted at crassfed.com), plus a few
other sites like my wife’s recipe blog, or other art, such as my daughter’s art (kidletkorner.com).
I am also on twitter (@jrobertdeans). I don’t have a public page for
Facebook, but when I remember to, comics are also cross-posted on the
Crass Fed Comic page on Facebook.
Flugennock's Latest'n'Greatest: "#F26"
"#F26"
http://sinkers.org/stage/?p=1665
On February 26, the possession, use, sharing and growing of marijuana officially becomes legal in the District Of Columbia.
___________________________________________________________
Mike Flugennock, flugennock at sinkers dot org
Political Cartoons: dubya dubya dubya dot sinkers dot org
http://sinkers.org/stage/?p=1665
On February 26, the possession, use, sharing and growing of marijuana officially becomes legal in the District Of Columbia.
___________________________________________________________
Mike Flugennock, flugennock at sinkers dot org
Political Cartoons: dubya dubya dubya dot sinkers dot org
March 4: "You Say Graphic Novel, I Say Comic Book" at Arlington Central Library
Wednesday, March 4: You Say Graphic Novel, I Say Comic Book
Should kids be reading graphic novels? What happened to 'real' books? Discuss the merits of avid graphic novel reading.
"Get Book Smart" Series: Library Experts on Children's and Teen Literature–Central
| When: | Back to Calendar March 4, 2015 @ 7:00 pm - 8:00 pm | |
|---|---|---|
| Where: | Central Library 1015 North Quincy Street Arlington,VA 22201 USA | ✔ Add to Calendar  Add to Google Calendar |
| Cost: | Free | |
| Contact: | 703-228-5946 | |
| Categories: | Featured Event General Kids | |
| Tags: | @ Central featured event @ Central | |
Talk To Your Library Experts on Children's and Teen Literature
Each session will include a presentation and social time for discussion and refreshments.
No registration required. Attendees will received a coupon good for ten percent off one item at One More Page Books.
Wednesday, February 25, 2015
Art of Richard Thompson short film to be in local festival
'Art of Richard Thompson': Filmmakers 'excited' as docu selected for first NoVa Film Festival
By Michael Cavna
Washington Post Comic Riffs blog February 25 2015
http://www.washingtonpost.com/news/comic-riffs/wp/2015/02/25/art-of-richard-thompson-filmmakers-excited-as-docu-selected-for-first-nova-film-festival/
Nate Powell on March vol. 2
Powell Talks Real Life Violence in "March," "I Have a Dream" Speech & More
J. Robert Dean's cartoon children's book Kickstarter campaign
March 2: Steve Brodner in Baltimore
Steve Brodner will be speaking on Johns Hopkins' Homewood Campus at 5:30 on March 2. See the image for more details.
Tonight: March vol. 2 at the Newseum (members only)
Civil Rights Superhero: An Evening with John Lewis and Andrew Aydin
The Post reviews Gaiman's new book
Science fiction: Tales of possession, freedom and monsters [online as Best science fiction and fantasy for February]
By Nancy HightowerWashington Post February 25 2015
http://www.washingtonpost.com/entertainment/books/best-science-fiction-and-fantasy-for-february/2015/02/24/287f00a4-b22f-11e4-827f-93f454140e2b_story.html
The Post on Lela Lee's Angry Asian trademark battle
Who gets to be 'Angry Asian'? Trademark tiff splits activists [online as Who's the angriest Asian? It's 'man' vs. 'little girl' in trademark feud].
Washington Post February 25 2015, p. C1-2
http://www.washingtonpost.com/lifestyle/style/whos-the-angriest-asian-its-man-vs-little-girl-in-trademark-feud/2015/02/24/8746c372-b90c-11e4-9423-f3d0a1ec335c_story.html
Support cartoonists rights now
The recent murder of 5 cartoonists, along with others, in their
offices at Charlie Hebdo in Paris has brought the issue of cartoonists
rights to freedom of speech and safety to the forefront of people's
notice.
The Cartoonists Rights Network International (based in Northern Virginia) has been defending cartoonists for decades. In addition to the French cartoonists, Zunar in Malaysia has been arrested, Bonil is Ecuador is being censored and Mohammad Saba'aneh in Palestine has been suspended.
I spoke to Matt Wuerker last night about their Indiegogo fundraising campaign. The interview will appear soon on the City Paper, but time is ticking in their campaign. Click here:The Cartoonists Rights Network International (based in Northern Virginia) has been defending cartoonists for decades. In addition to the French cartoonists, Zunar in Malaysia has been arrested, Bonil is Ecuador is being censored and Mohammad Saba'aneh in Palestine has been suspended.
Cartoonists Rights Network International - CRNI
Andertoons in today's Post
Mark Anderson's Andertoons provided the cartoon illustration for Better Medicare Alliance's advertisement on page A7 of the Washington Post today.
Tuesday, February 24, 2015
James "Giacomo" Bellora, RIP
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| Self-portrait courtesy of Billy Ireland Library |
ComicsDC has learned that Falls Church illustrator and sometime cartoonist James Bellora passed away on February 18, 2015. He was born in St. Charles, MO on June 6, 1960 according to the CaringBridge website that reported his passing. The site also notes that he had an engineering degree and was an avid bicyclist, and is survived by his wife and daughter. According to a brochure for his services held at Ohio State University's Billy Ireland Cartoon Library & Museum, his cartoons appeared in trade publications such as FBLA Association News, Air Force Acquisition Network News, Actuarial Association Magazine and Sketches magazine. He listed himself as a cartoonist and "humorous illustrator." He also recieved work from Arlington's BonoTom Studio. At points in his career, Bellora was a member of the National Cartoonists Society and the Illustrators Club of Washington, DC (where he also served as President). A funeral will be held on March 6th at St. James Catholic Church in Falls Church.
Several local cartoonists and illustrators have given us their thoughts on him.
Editorial cartoonist Steve Artley: "In the 90's, he was a regular at the annual Cartoons & Cocktails event and hung with Jack Higgins, Chip Beck and I during the event and afterward in the bar upstairs. He and I had a great time banging out songs on the piano in the lounge. He was very friendly and outgoing, engaging and seemed happy... ."
Illustrator David Hagen: "We had sort of a competitive relationship especially in the days you used to hump your big illustration portfolio around town for freelance jobs. I'd see him either coming or going. He was the president of the Illustrators Club when I joined and remember pausing by his display table at the yearly portfolio shows. I think I stepped up my game because I knew he was out there! Which made me a better illustrator."
Cartoonist Joe Sutliff: "James (I never called him Jim or Giaccomo) and I hung out a lot years ago, but I lost touch after he met his soon-to-be wife. He was full of passion for anything he got involved in, and truthfully I had been thinking about him a lot lately... I remember James as always being "full throttle"… whatever he went after, it was never halfway. He was always ready to lead the way - he went from a freshman member of the Illustrator's Club to President in just a couple of years, and joined the National Cartoonist Society and organized the local chapter as well. He was always fun-loving; I remember one Illustrators Club Holiday party where he lead me, Rob Sprouse and some others in a full dance-out of YMCA… I think it's still on online somewhere…:
Illustrator Kevin Rechin: "So unbelievably sad. I knew him fairly well. Saw him quite often in the '90s either at NCS stuff or Illustrators Club gatherings. He was definitely a go-getter and full of life. Always had a smile on his face. Thoughts and prayers to his wife, daughter and family."
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