April 12, 2014 - June 8, 2014
Exhibition Hours
Tuesday, Thursday, Friday, Saturday, Sunday - 10AM-4PM
Wednesday - 10AM-9PM
Closed Monday
It's an American invention and a 20th century institution, yet the comic book encompasses the arc of humanity that runs from prehistoric cave paintings to the graphic novels of the future. Arnold Blumberg, former curator at Geppi's Entertainment Museum, calls the comic book "not just a reflection of our culture—it is our culture." A culture experienced on so many levels, whether it's colored by memories of hiding under the covers with a flashlight and a comic book after bedtime or catching up with digital favorites online. Ever since Superman kicked off the superhero comic genre in 1938, the medium's influence has spread throughout the arts, influencing fine and performing arts as well as pop culture and becoming part of the fabric of human dreams. This exhibit gathers all the elements of the art form, from original pencil drawing and hand inking to graphic design and digital manipulation, and beyond into the new incursions of what comic artist and theorist Scott McCloud calls "the infinite canvas" of web-based comics, games and graphic novels. Step into the world of wonder that's reflected in the comic genre; share it with someone you love. It's just as you remember, and so much more than you can imagine.
Please join us for the following programs, presented in conjunction with the exhibit:
SCREENING OF THE FILM STRIPPED April 27
BEYOND TEXT AND LINE: A STUDY ON THE ART OF COMIC BOOKS April 27
Cover artist extraordinaire, J.G. Jones broke into comics in 1994, working on two issues of Dark Dominion for now-defunct Defiant Comics. Since then, Jones' artwork has graced the pages and cover of such titles as Black Widow, Marvel Boy, and The Avengers from Marvel Comics and Wonder Woman: The Hiketeia, 52, and Final Crisis from DC Comics. Most recently, he provided cover and interior artwork for DC's Before Watchmen: Comedian mini-series.
Don Rosa is a writer and illustrator, who is most famous for his work on Scrooge McDuck stories from 1987-2006. His work is highly regarded by fans of Disney comics illustrating the Duck universe. Although he officially retired in 2008, his seminal work on the Eisner-award winning Life and Times of Scrooge McDuck, stands as one of the most popular Disney comics of all time.
Writer Todd Dezago began his career in 1994, scripting the adventures of Marvel's Merry Mutants in the pages ofX-Force. In 2006, he moved to The Sensational Spider-Man with artist and frequent future collaborator, Mike Wieringo. In addition to his work at Marvel and DC Comics, Dezago also co-created Tellos (with Wieringo) and The Perhapanauts with artist Craig Rousseau. His most recent work includes the mini-series The Perhapanauts: Danger Down Under from Image Comics.
Craig Rousseau started his career in 1997 as a fill-in artist on issue #22 of DC Comic's Impulse. By issues 27, he was named as the full-time artist. After his run on Impulse, DC gave him a shot on Batman Beyond and Harley Quinn, as well as Young Justice, Gotham Adventures, and Detective Comics. Teaming up with Dezago, he co-created The Perhapanuats, which was originally published through Dark Horse Comics, and most recently through Image Comics. His most recent work includes the mini-series The Perhapanauts: Danger Down Under.
Award-winning designer, illustrator and cartoonist Steve Conley has worked on such notable comics as Star Trek: Year Four (IDW), Michael Chabon's Amazing Adventures of the Escapist (Dark Horse Comics), and JLA-Z (DC Comics). Conley is also the creator of Astounding Space Thrills and the all-ages series, Bloop,
Frank Cho's body of work at Marvel includes such titles as New Avengers, Mighty Avengers, Shanna the She-Devil, New Ultimates, X-Men: Schism,Avengers vs. X-Men, and Savage Wolverine. He is also well-known for his creator-owned series Liberty Meadows and his work on Jungle Girl for Dynamite Entertainment. Most recently, he handled the art duties for the Marvel X-event, Battle of the Atom.