The Post had a national edition?

Ed Hall inks final issue for Washington Post
Mark Pettus
Ponae Vedra Recorder January 8, 2010

Post on Simpson's anniversary

Fox anniversary special salutes 20 years of 'The Simpsons'
By Jen Chaney
Washington Post Staff Writer
Sunday, January 10, 2010; E04

Jan 30: Darwyn Cooke at American Art

Here's a reminder post, based on the DC Examiner mentioning it today.

Saturday January 30, 2010
The Hunter with Darwyn Cooke Lectures & Seminars
4:00 PM
McEvoy Auditorium, Lower Level
American Art Museum
Eisner Award–winning writer and artist Darwyn Cooke will discuss his evocative graphic novel, The Hunter, based on the 1962 crime classic by Donald E. Westlake (writing under the name Richard Stark). This best seller has been critically acclaimed in The New York Times, The Los Angeles Times, and The Washington Post for breathing new life into one of the classic characters of crime fiction. With a visual style that both pays homage to and plays with ‘60s retro style, The Hunter vividly depicts the film noir genre.
Limited free tickets (two per person), G Street Lobby, one hour prior. Book signing follows.
McEvoy Auditorium, Lower Level

Herblock award to accept animated editorial cartoons

Alan Gardener has the story on how the Herblock award committee is willing to look at animated editorial cartoons.

Gigacon schedule and bios

Here's the schedule and here's the biographies of the speakers.

Jan 8-9: Gigacon at National Building Museum

The Art Institute of Washington has Gigacon, a media arts convention going on today an dtomorrow at the National Building Museum. Animators from Adult Swim and other places are attending as is David Silva, a sculptor for McFarlane Toys. Cost is $10, and it runs from 10 am-5 pm. Here's a pdf poster with more information.

ToonSeum Press Release: January Cartoon Arts Lecture Series

The ToonSeum's in Pittsburgh, but DC's Nevin Martell is speaking there...

The ToonSeum January Lecture Series
The ToonSeum announces the line up for it's January Saturday Lecture Series.
The series features artists and authors discussing various aspects of the cartoon arts and its history.
The ToonSeum is Pittsburgh's Museum of Cartoon Art. Located in downtown Pittsburgh's cultural district. It is one of only three museums dedicated to comics and cartoons in the nation.


January 16th, 5:30 PM

Rob Rogers

Rob Rogers will be at the ToonSeum speaking about his 25 years as an editorial cartoonist in Pittsburgh and his new book, "No Cartoon Left Behind."

As a editorial cartoonist for the last 25 years, Rob Rogers' cartoons appear regularly in The New York Times, The Washington Post, The Philadelphia Inquirer, Newsweek, and USA Today, among others. His "How the Gingrich Stole Christmas" graced the cover of Newsweek's 1994 year-end issue. He received the 1995 National Headliner Award, the 2000 Overseas Press Club Award and has won seven Golden Quill Awards. In 1999, he was a finalist for the Pulitzer Prize.

In his new book, "No Cartoon Left Behind", Rogers recounts his humorous path to cartooning and shares his own personal perspective on the major news stories of the past two and a half decades, covering a diverse range of topics including the Cold War, gun control, smoking, racism, the environment, 9/11 and presidential elections. It is considered as a must-have for political junkies, history buffs, cartoon fans.


January 23rd, 5:30 pm

Finding Calvin and Hobbes with author Nevin Martell

Author Nevin Martell shares his quest to uncover the story behind one of comics most elusive creators, Bill Watterson, creator of Calvin and Hobbes.

For ten years, between 1985 and 1995, Calvin and Hobbes was one the world's most beloved comic strips. And then, on the last day of 1995, the strip ended. Its mercurial and reclusive creator, Bill Watterson, not only finished the strip but withdrew entirely from public life. There is no merchandising associated with Calvin and Hobbes: no movie franchise; no plush toys; no coffee mugs; no t-shirts (except a handful of illegal ones).
There is only the strip itself, and the books in which it has been compiled
- including The Complete Calvin and Hobbes: the heaviest book ever to hit the New York Times bestseller list.

In Looking for Calvin and Hobbes: The Unconventional Story of Bill Watterson and His Revolutionary Comic Strip, writer Nevin Martell traces the life and career of the extraordinary, influential, and intensely private man behind Calvin and Hobbes. With input from a wide range of artists and writers (including Dave Barry, Harvey Pekar, Jonathan Lethem, andBrad Bird) as well as some of Watterson's closest friends and professional colleagues, this is as close as we're ever likely to get to one of America's most ingenious and intriguing figures - and a fascinating detective story, at the same time.

Only 3,160 Calvin and Hobbes strips were ever produced, but Watterson has left behind an impressive legacy. Calvin and Hobbes references litter the pop culture landscape and his fans are as varied as they are numerable.
Looking for Calvin and Hobbes is an affectionate and revealing book about uncovering the story behind this most uncommon trio - a man, a boy, and his tiger.


January 30th, 5:30 pm

Bill Mauldin: A Life Up Front, Author- Todd Depastino

The program will be an illustrated talk on the great World War II cartoonist Bill Mauldin, an army infantry sergeant who rocketed to fame at age twenty-two with his wildly popular feature "Up Front."  Week after week, Mauldin defied army censors, German artillery, and General George Patton's pledge to throw him in jail for insubordination to deliver his grim depictions of war to "Stars and Stripes" and hundreds of homefront newspapers.

There, readers followed the stories of Willie and Joe, two wise-cracking 'dogfaces' whose mud-caked uniforms and pidgin of army slang and slum dialect bore eloquent witness to the world of combat and the men who lived
- and died - in it.  We have never viewed war in the same way since.

The talk is based on Todd's book, BILL MAULDIN: A LIFE UP FRONT (W.W.
Norton, 2008), a winner of the 2009 Anne M. Sperber Prize for biography.
Todd is also editor of acclaimed WILLIE & JOE: THE WWII YEARS (Fantagraphics Books, 2008), the first complete collection of Mauldin's World War II.

His previous books include CITIZEN HOBO: HOW A CENTURY OF HOMELESSNESS SHAPED AMERICA (University of Chicago Press, 2003) which won a National Endowment for the Humanities Fellowship. He has a Ph.D. in American History from Yale University and teaches at Waynesburg University.
Currently, he lives in Mt. Lebanon with his wife and two daughters.

Lecture series is included with paid admission to the ToonSeum.

4 dollars for adults

3 dollars for students

www.toonseum.org


For more information visit www.toonseum.org or call 412-232-0199.

Our mailing address is:
The ToonSeum
945 Liberty Avenue
Pittsburgh, PA 15222
 

Kal on Maryland NPR

From: kevin Kallaugher

I wanted to alert you to an interview that will be airing tomorrow (Friday) at the local NPR station in Baltimore, WYPR 88.1FM. 

It is dedicated to my work with the new 2010 Illustrated Kalendar and The Economist.... it's long (15 minutes) and is the second leg of the hour long show which is called The Signal.  

The show airs Friday at noon and again at 7PM. But they have already released the show on the web. Here's the link to the web audio (my interview starts at the 15:30 mark):  

http://www.publicbroadcasting.net/wypr/arts.artsmain?action=viewArticle&id=1596412&pid=347&sid=14

I hope you enjoy it!

Best

Kal

Kevin Kallaugher

kaltoons@comcast.net

www.Kaltoons.com

Matt Wuerker defends his Cheney record

Here's a letter by him on Poynter.

Beetle Bailey found by DC bloggers on the road

A couple of my friends, well one friend and his girlfriend whom I haven't actually met, drove across country and discovered Beetle Bailey on the road. One senses the possibility of an epic poem here.

Today's Beeler Cartoon hearkens back to x-ray specs ads

 Nate Beeler's Washington Examiner cartoon today hearkens back to the golden days of comic book advertisements, as he shows TSA agents using those x-ray spectacles that would purportedly see through women's clothing.  Ahh, if only everything sold in comic books worked as advertised...

Click the link to see the cartoon - Full-Body Scanning and the TSA

Cloudy with a Chance of Meatballs DVD

Jen Chaney gives the animated Cloudy with a Chance of Meatballs DVD a rave review in today's print Express. I saw this movie recently and thoroughly enjoyed it.

This also appeared in the following day's Washington Post, and online.

Textile Museum's cosplay

Arion Berger at the Express notes in today's print edition that the Textile Museum has a program on 'Harajuku Japanese Street" which probably has some relevance to cosplay.  The event is January 10, 2-4 pm, $20 for non-members.

Dirda on science fiction

Michael Dirda, a Post book critic, isn't afraid to get his mind dirty with genre fiction. He's reviewed longform comics for the Post. Here, courtesy of a link from Politics and Prose, are excerpts from an interview with Locus magazine that focuses on science fiction..

Richmond, VA, February 5th: Jim Rugg and Chris Pitzer @ Velocity Comics

From: Colin S

Jim Rugg and Chris Pitzer hit the road to talk about their latest creation: AFRODISIAC.

http://www.conventionscene.com/2010/01/06/vanc-afrodisiac-tour/

This is a bit too far afield to me, but the book looks pretty amusing.

NPR's Weldon's graphic novel year in review

Glen goes back to the well ...

2009: The Graphic Novels That, Um ... Grabbed?
by Glen Weldon
National Public Radio's Monkey See blog January 6, 2010

OT: Help send Ted Rall to Afghanistan

Ted's an acquaintance of mine, thru SPX and the like, and he's asking to raise $25,000 to go back to Afghanistan to do more cartoon journalism. One can pledge funds here -
Comix Journalism: Send Ted Rall Back to Afghanistan to Get the Real Story or click the Widget below. I just pledged $50 because I think cartoon journalism like Ted and Joe Sacco do is an important emerging media (or genre if you'd like).

Catching up with Cavna

Michael's got a piece on the Post's new Sunday Funnies design. I agree with him that Doonesbury reads horizontally much better. This vertical thing may work fine for native Japanese readers* and people that read a LOT of manga, but for me it's distracting.

Another new post is on animation and the Academy Awards and he's got quotes from the makers of the movies that should be of interest. Of these, I've seen Up, Cloudy with a Chance of Meatballs and Ponyo, all of which I thought were excellent. Coraline rests on the DVD pile, but I've already read the book and listened to the audiobook so I wasn't in as much of a hurry as I normally would be.

I'm glad that Avatar is not being considered an animated film. I think a line is going to have to be drawn between movies that are intended to look animated and movies that are not, no matter how much computer-animation is backing both types.



*Feel free to insert any other cultural group of your choice.

Post's Blake Gopnik on Daumier

I missed this one due to travelling, but I'm catching up. I don't recall this painting, but one of the best exhibits I've ever seen was on Daumier at the Phillips. Daumier's sculptures of the French Assembly, caricatures in bronze, are in the National Gallery of Art, displayed in the sculpture halls.

 

Setting the stage for the contemplative connoisseur [online as Rediscovering Honoré Daumier in the intimate Phillips Collection]
By Blake Gopnik

Washington Post , December 31, 2009; C10

OT: National Geographic's cover history

My wife helped out with the research for this article and is thanked at the end. Some cartoonists have worked for Geographic over the years, but I don't think they have any there. The children's magazine still has some freelancing for it.
 

Fauquier designer changed National Geographic's look
 

From February 1910 until August 1979, that most collectible of magazines, National Geographic, was recognizable by its yellow cover and its border of clustered oak and laurel leaves. Howard E. Paine of Delaplane removed them gradually, sometimes one at a time. He replaced the border with color...

 

Update - Richard Thompson wrote in to tell me that Paine hired him for jobs and is quite a cartoon fan.