Tuesday, January 09, 2007
Catching up on the weekend Post - Dilbert on torture
One of the oddest editorials in recent memory appeared in the Sunday's Post Outlook section -
"I'm Tortured by Doubt" by Scott Adams, Sunday, January 7, 2007; Page B01. Fortunately, he doesn't make us wait, but puts his conclusion in the first paragraph: "Lately I've moved from "pretty certain" to "doubtful" about the effectiveness of torture." Whew, that's a relief from the suspense.
He's also got some fun free wallpapers on his site, and that's where the illo for this post came from.
Monday, January 08, 2007
Keith R.A. DeCandido on Pierce Askegren
Yesterday's Post obituary on Askegren led to Tom Spurgeon posting a link to Keith R.A. DeCandido's blog entry on the local superhero writer. DeCandido edited the line of stories for Marvel that Askegren was writing.
Sunday, January 07, 2007
Pierce Askegren obituary in today's Post
The local writer of prose superhero stories for Marvel got a larger obituary today - A Technical Writer's Alter Ego: Engaging Comic Book Novelist By Louie Estrada, Washington Post Staff Writer, Sunday, January 7, 2007; C06. The print version has a nice picture.
Saturday, January 06, 2007
Jan 10 12 noon - Eisner talk at Library of Congress
Bob Andelman scoooped me on this in his Spirited Life newsletter (you'll be hearing from me, Martha):
Gallery Talk on Will Eisner at Library of Congress, Jan. 10
Did you know that the Library of Congress in Washington, D.C., has original art by Will Eisner?
Martha Kennedy of the Prints and Photographs Division will discuss the work of graphic novelist Will Eisner on Wednesday, January 10 at noon in the “American Treasures” exhibition at the Library of Congress’ Jefferson Building, the Southwest Gallery of the Great Hall, which is on the second floor.
“We were able to acquire a group of drawings of his from a short story in City People Notebook,” Kennedy tells the Eisner eNewsletter. “We were interested in acquiring examples and we had limited funds, so Will gave us the original drawings for the story ‘Collision.’ During the gallery talk, I’m going to talk about five of the eight drawings and give a brief biography of Will Eisner. The talks are informal and are given by curators. I’ll talk about the three stories within the story in this piece and talk about his enormous significance in the field of comic art.”
If you decide to go, don’t be late; the talk will only last about 20 minutes, with time for questions afterward.
“Its not a footnoted academic paper,” Kennedy says. “But it’s something I’ve been wanting to do for a while. I wanted to convey a sense of Eisner’s importance. The gallery talks are a nice, informal way of letting the public and the Library of Congress staff itself know more about these wonderful treasures we’re able to add to the collection.”
And yes, Kennedy is an Eisner fan.
“We were able to bring him in twice to talk,” she says. “The first time as a part of a panel and the second to talk about the graphic novel. It was such a pleasure to work with him.”
For more information, please call: 202-707-9203.
Gallery Talk on Will Eisner at Library of Congress, Jan. 10
Did you know that the Library of Congress in Washington, D.C., has original art by Will Eisner?
Martha Kennedy of the Prints and Photographs Division will discuss the work of graphic novelist Will Eisner on Wednesday, January 10 at noon in the “American Treasures” exhibition at the Library of Congress’ Jefferson Building, the Southwest Gallery of the Great Hall, which is on the second floor.
“We were able to acquire a group of drawings of his from a short story in City People Notebook,” Kennedy tells the Eisner eNewsletter. “We were interested in acquiring examples and we had limited funds, so Will gave us the original drawings for the story ‘Collision.’ During the gallery talk, I’m going to talk about five of the eight drawings and give a brief biography of Will Eisner. The talks are informal and are given by curators. I’ll talk about the three stories within the story in this piece and talk about his enormous significance in the field of comic art.”
If you decide to go, don’t be late; the talk will only last about 20 minutes, with time for questions afterward.
“Its not a footnoted academic paper,” Kennedy says. “But it’s something I’ve been wanting to do for a while. I wanted to convey a sense of Eisner’s importance. The gallery talks are a nice, informal way of letting the public and the Library of Congress staff itself know more about these wonderful treasures we’re able to add to the collection.”
And yes, Kennedy is an Eisner fan.
“We were able to bring him in twice to talk,” she says. “The first time as a part of a panel and the second to talk about the graphic novel. It was such a pleasure to work with him.”
For more information, please call: 202-707-9203.
Friday, January 05, 2007
Jan 7 - Animation festival - Norman McLaren restored REPOST
Norman McLaren Restored
Premiere of new 35 mm prints
January 7 at 4:30 p.m., National Gallery of Art
Brilliant Scottish-born Canadian animator Norman McLaren (1914–1987) perfected many of the techniques that became the standard of animation art. Often imitated, McLaren's work during the 1930s and 1940s for the National Film Board of Canada and Britain's GPO film unit was legendary. Eleven of his classic short films — including Begone Dull Care (1949), Neighbours (1952), A Chairy Tale (1957), Pas de deux (1968), Synchromy (1971), Blinkity Blank (1955), and Hen Hop (1942) — have now been restored by the National Film Board of Canada to their original 35 mm format. Viewed in these spectacular new prints, McLaren's films demonstrate cinema's close affinity with painting and music — a concept that was one of this artist's main preoccupations. (total running time 85 mins.)
Premiere of new 35 mm prints
January 7 at 4:30 p.m., National Gallery of Art
Brilliant Scottish-born Canadian animator Norman McLaren (1914–1987) perfected many of the techniques that became the standard of animation art. Often imitated, McLaren's work during the 1930s and 1940s for the National Film Board of Canada and Britain's GPO film unit was legendary. Eleven of his classic short films — including Begone Dull Care (1949), Neighbours (1952), A Chairy Tale (1957), Pas de deux (1968), Synchromy (1971), Blinkity Blank (1955), and Hen Hop (1942) — have now been restored by the National Film Board of Canada to their original 35 mm format. Viewed in these spectacular new prints, McLaren's films demonstrate cinema's close affinity with painting and music — a concept that was one of this artist's main preoccupations. (total running time 85 mins.)
Jan 6: Animation festival in Frederick
Ninety minutes of classic Looney Tunes will be shown at the Cartoon Festival at the Weinberg Center for the Arts in Frederick, MD the Frederick Herald-Mail is reporting, along with these details:
WHAT: Cartoon Festival
WHEN: 2 p.m. Saturday, Jan. 6.
WHERE: Weinberg Center for the Arts, 20 N. Patrick St., Frederick, Md.
COST: $6 for adults; $4 for children.
MORE: Tickets are available at the box office and at the door. Go to www.weinbergcenter.org for box office hours and for more information.
Thursday, January 04, 2007
Tom Toles profile online
Tom Spurgeon of The Comics Reporter picked this one up today -
"Post's Toles Skewers Bush for Breakfast" By Harry Jaffe
"Post's Toles Skewers Bush for Breakfast" By Harry Jaffe
Wednesday, January 03, 2007
Washington Examiner's political gossip column notices Marvel's Civil War
In their Yeas and Nays column, Jeff Dufour and Patrick Gavin of the Washington Examiner for January 3, 2007 have "Spider-Man lassos White House in his web."In their opinion, Marvel's current Civil War storyline draws obvious links to the current actual war in Iraq.
Monday, January 01, 2007
Emily Flake covers Washington City Paper
The December 29th issue of the City Paper has a cover and interior illustrations by Emily Flake. I think she's Baltimore based. The paper carries her strip, Lulu Eightball.
The Year According to Toles
The Post did run the annual compilation page in the Dec. 31 Outlook section. Unfortunately, I can't find it online so if you're reading this and aren't local, you'd better call a friend in the area before recycling day.
Judge Parker artist changes
Alan Gardner checked into the changing artists on the Judge Parker strip. Eduardo Baretto had taken over the strip in the spring, but lately different artists have been appearing. This isn't a strip I read reguarly, although I like Baretto's art - an Ecuadoran, he's worked on the Shadow for DC .A similar situation was happening with Prickly City, but Scott Stantis was known to have scheduled surgery and replacement cartoonists. Alan's story about Baretto can be read here - Chaos ensues, order restored in Judge Parker serial (UPDATED), Daily Cartoonist, Dec 29, 2006
Washington Post adds Pooch Cafe to replace Foxtrot
So I think Paul Gilligan has done a very rare thing - he's in 3 papers in one city. He appears to be running in the Washington Examiner again as of this week. Perhaps writing into ComicsDC is a luck generator (see his comment in my earlier post on the Examiner dropping comics).
NOTE TO COMICS READERS
Washington Post
Monday, January 1, 2007; Page C10
"Pooch Cafe" by Paul Gilligan debuts today on the comics pages, because Bill Amend, the creator of "FoxTrot," has chosen to discontinue daily publication of his strip. The Post will continue to publish "FoxTrot" each Sunday. Today, "Out of the Gene Pool" is not running today to allow room for this note, but it will be back tomorrow in its usual spot.
As always, we appreciate reader feedback. You can call our comics hotline at 202-334-4775, e-mail http://comics@washpost.com or write Comics Feedback, The Washington Post, 1150 15th St. NW, Washington, DC 20071.
NOTE TO COMICS READERS
Washington Post
Monday, January 1, 2007; Page C10
"Pooch Cafe" by Paul Gilligan debuts today on the comics pages, because Bill Amend, the creator of "FoxTrot," has chosen to discontinue daily publication of his strip. The Post will continue to publish "FoxTrot" each Sunday. Today, "Out of the Gene Pool" is not running today to allow room for this note, but it will be back tomorrow in its usual spot.
As always, we appreciate reader feedback. You can call our comics hotline at 202-334-4775, e-mail http://comics@washpost.com or write Comics Feedback, The Washington Post, 1150 15th St. NW, Washington, DC 20071.
Tuesday, December 26, 2006
DC-based comics interviewer Chris Shields & cIndy Center
Chris Shields runs cIndy Center, a podcast that frequently deals with comics. DC-based Chris interviews cartoonists (as well as other types of artists) and releases the interviews as podcasts on a regular basis. You can subscribe to Chris's podcast through itunes or sign up at his website.
Recent interviews of cartoonists include Mark Millar, Fred Hembeck (a real favorite of mine), and Zak Smith (the artist who illustrated Pynchon's Gravity's Rainbow sort of as a graphic novel).
2nd in a series of profiles on local comics bloggers.
Recent interviews of cartoonists include Mark Millar, Fred Hembeck (a real favorite of mine), and Zak Smith (the artist who illustrated Pynchon's Gravity's Rainbow sort of as a graphic novel).
2nd in a series of profiles on local comics bloggers.
Sunday, December 24, 2006
Matt Diffee at Politics & Prose covered in Post
Although it happened a couple of weeks ago, Peter Carlson's coverage of Matt Diffee's booksigning for the Rejection Collection of New Yorker cartoons is in the paper today.
Also, the Travel section has an article on the Saul Steinberg exhibit in NYC and says the show will be in DC at American Art in the spring. And the Style Invitational Contest a few weeks ago was about comic strip writing and the winners are announced.
Finally, the Year in Editorial Cartoons in the last page of the Outlook section; presumably Toles' Year will be next week.
Also, the Travel section has an article on the Saul Steinberg exhibit in NYC and says the show will be in DC at American Art in the spring. And the Style Invitational Contest a few weeks ago was about comic strip writing and the winners are announced.
Finally, the Year in Editorial Cartoons in the last page of the Outlook section; presumably Toles' Year will be next week.
Jan 7 - Animation - Norman McLaren Restored
My buddy Rick Banning just called me with this film information from the National Gallery of Art.
Norman McLaren Restored
Premiere of new 35 mm prints
January 7 at 4:30 p.m.
Brilliant Scottish-born Canadian animator Norman McLaren (1914–1987) perfected many of the techniques that became the standard of animation art. Often imitated, McLaren's work during the 1930s and 1940s for the National Film Board of Canada and Britain's GPO film unit was legendary. Eleven of his classic short films — including Begone Dull Care (1949), Neighbours (1952), A Chairy Tale (1957), Pas de deux (1968), Synchromy (1971), Blinkity Blank (1955), and Hen Hop (1942) — have now been restored by the National Film Board of Canada to their original 35 mm format. Viewed in these spectacular new prints, McLaren's films demonstrate cinema's close affinity with painting and music — a concept that was one of this artist's main preoccupations. (total running time 85 mins.)
Norman McLaren Restored
Premiere of new 35 mm prints
January 7 at 4:30 p.m.
Brilliant Scottish-born Canadian animator Norman McLaren (1914–1987) perfected many of the techniques that became the standard of animation art. Often imitated, McLaren's work during the 1930s and 1940s for the National Film Board of Canada and Britain's GPO film unit was legendary. Eleven of his classic short films — including Begone Dull Care (1949), Neighbours (1952), A Chairy Tale (1957), Pas de deux (1968), Synchromy (1971), Blinkity Blank (1955), and Hen Hop (1942) — have now been restored by the National Film Board of Canada to their original 35 mm format. Viewed in these spectacular new prints, McLaren's films demonstrate cinema's close affinity with painting and music — a concept that was one of this artist's main preoccupations. (total running time 85 mins.)
Thursday, December 21, 2006
Local superhero novelist Pierce Askegren dies
The Post carried obituary for him today. I hadn't realized he lived in Northern Virginia in Annandale when I read Scoop's obituary last week.
Tuesday, December 19, 2006
Articles in today's papers
The Post carried Joseph Barbera's obituary of course. Not an AP article, but a competent, if not deep, obit written by Martin Weil. The hagiographic obits are somewhat amusing since it's not been long since Hanna-Barbera were accused, with some justification, of killing animation.
Suprisingly, both the Examiner and the Express slipped in articles. The Express had an AP article on Jerry Seinfeld's animated 'Bee Movie'. The Examiner had Brian Truitt's recommendations for comics as Christmas gifts. The Last Christmas (Image), Identity Crisis, Revelations, Young Avengers 1, and Pride of Baghdad if you're wondering. This is a very depressing list actually.
Suprisingly, both the Examiner and the Express slipped in articles. The Express had an AP article on Jerry Seinfeld's animated 'Bee Movie'. The Examiner had Brian Truitt's recommendations for comics as Christmas gifts. The Last Christmas (Image), Identity Crisis, Revelations, Young Avengers 1, and Pride of Baghdad if you're wondering. This is a very depressing list actually.
Monday, December 18, 2006
SWANN FELLOW TO LECTURE ON WINSOR MCCAY AT LIBRARY OF CONGRESS, JAN. 16
SWANN FELLOW TO LECTURE ON WINSOR MCCAY AT LIBRARY OF CONGRESS, JAN. 16
Swann Foundation Fellow Katherine Roeder will discuss the work of distinguished cartoonist Winsor McCay and its relationship to the mass culture of the early 20th century in a lecture next month at the Library of Congress.
Roeder will present her talk, titled “Wide Awake in Slumberland: Fantasy and Mass Culture in the Work of Winsor McCay,” at noon on Tuesday, Jan. 16, in Dining Room A on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, D.C.
The illustrated presentation is based on Roeder’s research project, which has been supported by her fellowship from the Swann Foundation for Caricature and Cartoon. The Library of Congress administers the foundation. The lecture, sponsored by the foundation and the Library’s Prints and Photographs Division, is free and open to the public; no reservations are required.
A pioneering master in newspaper comics and early animation, and a notable editorial cartoonist, McCay (1867-1934) first gained national notice for his detailed and fantastical comic strips that included “Dream of the Rarebit Fiend” (1904-1911), “Little Sammy Sneeze” (1904-1906) and, arguably the best known and beloved of all, “Little Nemo in Slumberland” (1905-1914). “Little Nemo” was a weekly comic strip in which the title character repeatedly embarked on epic journeys to exciting, strange and sometimes frightening places, only to awaken in the last frame safe at home in his bed. McCay’s comic strips, in the Sunday editions of American newspapers, made an important contribution to the proliferation of fantastic imagery at the dawn of the 20th century.
McCay’s work centered on fantasy and longing, qualities that were key features of the burgeoning commercial environment. In her lecture, Roeder will make formal comparisons between McCay’s comic strips and the design of department stores, printed advertisements and amusement parks. McCay drew from a broad spectrum of visual sources to create a richly textured world that engaged viewers and excited their imaginations. His comic strips produced a dream world shaped by the visual language of modern urban experience.
Roeder is a doctoral candidate in art history at the University of Delaware, where her area of focus is American art and culture. Her dissertation is titled, “Cultivating Dreamfulness: Fantasy, Longing and Commodity Culture in the Work of Winsor McCay.” In addition to being one of three Swann Fellows for 2006-2007, Roeder is a Smithsonian pre-doctoral fellow at the National Portrait Gallery for 2006-2007. Last year, she was a research fellow in American art at the Corcoran Gallery of Art. Roeder received a bachelor’s degree from Trinity College and a master’s from the University of Maryland.
Roeder’s lecture is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The Swann Foundation’s advisory board is composed of scholars, collectors, cartoonists and Library of Congress staff members.
The foundation customarily awards one fellowship annually, with a stipend of $15,000, to assist scholarly research and writing projects in the field of caricature and cartoon. Applications for the academic year 2007-2008 will be due on Feb. 15, 2007. More information about the fellowship is available through the Swann Foundation’s Web site: www.loc.gov/rr/print/swann/swannhome.html or by e-mailing swann@loc.gov.
# # #
PR06-232
12/18/06
ISSN: 0731-3527
Swann Foundation Fellow Katherine Roeder will discuss the work of distinguished cartoonist Winsor McCay and its relationship to the mass culture of the early 20th century in a lecture next month at the Library of Congress.
Roeder will present her talk, titled “Wide Awake in Slumberland: Fantasy and Mass Culture in the Work of Winsor McCay,” at noon on Tuesday, Jan. 16, in Dining Room A on the sixth floor of the James Madison Building, 101 Independence Ave. S.E., Washington, D.C.
The illustrated presentation is based on Roeder’s research project, which has been supported by her fellowship from the Swann Foundation for Caricature and Cartoon. The Library of Congress administers the foundation. The lecture, sponsored by the foundation and the Library’s Prints and Photographs Division, is free and open to the public; no reservations are required.
A pioneering master in newspaper comics and early animation, and a notable editorial cartoonist, McCay (1867-1934) first gained national notice for his detailed and fantastical comic strips that included “Dream of the Rarebit Fiend” (1904-1911), “Little Sammy Sneeze” (1904-1906) and, arguably the best known and beloved of all, “Little Nemo in Slumberland” (1905-1914). “Little Nemo” was a weekly comic strip in which the title character repeatedly embarked on epic journeys to exciting, strange and sometimes frightening places, only to awaken in the last frame safe at home in his bed. McCay’s comic strips, in the Sunday editions of American newspapers, made an important contribution to the proliferation of fantastic imagery at the dawn of the 20th century.
McCay’s work centered on fantasy and longing, qualities that were key features of the burgeoning commercial environment. In her lecture, Roeder will make formal comparisons between McCay’s comic strips and the design of department stores, printed advertisements and amusement parks. McCay drew from a broad spectrum of visual sources to create a richly textured world that engaged viewers and excited their imaginations. His comic strips produced a dream world shaped by the visual language of modern urban experience.
Roeder is a doctoral candidate in art history at the University of Delaware, where her area of focus is American art and culture. Her dissertation is titled, “Cultivating Dreamfulness: Fantasy, Longing and Commodity Culture in the Work of Winsor McCay.” In addition to being one of three Swann Fellows for 2006-2007, Roeder is a Smithsonian pre-doctoral fellow at the National Portrait Gallery for 2006-2007. Last year, she was a research fellow in American art at the Corcoran Gallery of Art. Roeder received a bachelor’s degree from Trinity College and a master’s from the University of Maryland.
Roeder’s lecture is part of the Swann Foundation’s continuing activities to support the study, interpretation, preservation and appreciation of original works of humorous and satiric art by graphic artists from around the world. The Swann Foundation’s advisory board is composed of scholars, collectors, cartoonists and Library of Congress staff members.
The foundation customarily awards one fellowship annually, with a stipend of $15,000, to assist scholarly research and writing projects in the field of caricature and cartoon. Applications for the academic year 2007-2008 will be due on Feb. 15, 2007. More information about the fellowship is available through the Swann Foundation’s Web site: www.loc.gov/rr/print/swann/swannhome.html or by e-mailing swann@loc.gov.
# # #
PR06-232
12/18/06
ISSN: 0731-3527
Sunday, December 17, 2006
Post article on Palestinian political cartoonist
The Post ran a fairly atypical article today on Palistinian cartoonist Khalil Abu Arafeh that's well worth reading. See Subversive Palestinian Cartoons Reflect New Political Introspection by Scott Wilson, Washington Post Foreign Service, Sunday, December 17, 2006; Page A27
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