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Inks And Colors Rescue 'Blue In Green' From Plodding Plotting
October 31, 2020
https://www.npr.org/2020/10/31/929461708/inks-and-colors-rescue-blue-in-green-from-plodding-plotting
clayjonz posted: " The tradition continues, kids. This year, it's coming to you live from Washington, DC. I am a short walk from the the White House. The only thing between me and it are a few blocks, thousands of cops, military, Secret Service agents, attack dogs, and a"
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Jim Budish, Silver Spring
Washington Post October 31 2020
I started drawing Plastic Farm nearly twenty-two years ago when I was fresh out of college. I wrote nearly 800 pages (and drew about 600 of them myself) over the course of 15 years, reaching the mid-point in the narrative in 2016.
It became apparent about two or three years ago that I was not going to be able to finish Plastic Farm as planned. The story itself had a lot of autobiographical elements, mostly from a time in my life that has become harder and harder to romanticize as I get older, and continuing the story as written has done nothing for my mental health.
Not to mention, there's like a thousand more pages to draw. I am 44-years-old. I top out at about 30 pages a year, tops. I have lost thousands of dollars self-publishing this comic, and have had to declare bankruptcy because of it. The herculean amount of effort required to finish Plastic Farm as conceived, and my near-absolute lack of desire to draw any of it, has led me to this.
A ten-page finale. A big blowout that'll give some closure to long-suffering Plastic Farm readers, while acting as a strange stand-alone tale for general readers. Like every other chapter of Plastic Farm, this one will make as much sense to new readers and old readers alike…which is to say, almost none. But it will be FUN.
Thanks to everyone for your support over the years. I know that this probably isn't the news everyone was hoping for, but I promise that I will be the best weird finale that it can be. For the first time in YEARS, I am excited to draw Chester, The Thixotrope, The Reverend, and all the other weirdos again.
Pledge now! https://www.kickstarter.com/projects/514327241/corridor-magazine-spring-2021/posts/3005359
Oct 27, 2020
Important: Awesome Con Information Update
http://awesome-con.com/coronavirus/
As a consequence of the ongoing impact of the COVID-19 (coronavirus) pandemic, Awesome Con 2020 has been canceled.
The Awesome Con Team will be in touch directly with all attendees, exhibitors, sponsors and partners in relation to this cancellation and to answer any questions.
There will be further communication to these groups over the coming days and weeks as we aim to facilitate a smooth transition to the new dates for everyone involved.
Please be assured that we are continuing to closely monitor the latest public health and government advice with regard to COVID-19 (coronavirus) and are carefully adhering to their directions. Our absolute priority is to safeguard the health and welfare of all those involved in our events.
Thank you for your ongoing support and understanding.
WNYC's The Takeaway October 29, 2020
For the first time since it's debut in 1966, Charles Schulz's Peanuts gang Halloween special, "It's The Great Pumpkin, Charlie Brown," will not air on network TV, rather on Apple's streaming service, APPLE TV Plus.
The tech company bought the rights to the Peanuts in 2018 and now controls all of Charlie Brown and Snoopy's content. "It's the Great Pumpkin, Charlie Brown" is currently only accessible for paid subscribers, but Apple has announced that the special will be available to watch for free October 30th and November 1st.
Despite this, Peanut fans are angry the classic show will not be more accessible. A petition on Change.org, calling for Apple to air the special on network TV, has already reached over 170,000 signatures. And as more streaming services gain control over beloved content, many worry the stratification of our collective culture and who has access to it will continue to widen.
Alyssa Rosenberg, an opinion columnist covering culture at The Washington Post. Alyssa, joined The Takeaway to discuss what this could mean for the future of media.
Click on the 'Listen' button above to hear this segment. Don't have time to listen right now? Subscribe for free to our podcast via iTunes, TuneIn, Stitcher, or wherever you get your podcasts to take this segment with you on the go.
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After Backlash, Philip Guston Retrospective to Open in 2022
By Julia Jacobs
A version of this article appears in print on Oct. 29, 2020, Section C, Page 5 of the New York edition with the headline: After a Backlash, a Philip Guston Retrospective Will Open in 2022.
https://www.nytimes.com/2020/10/28/arts/design/philip-guston-retrospective-date.html
Comics // Perspective
Many of you reading this probably would have been, too
By Gemma Correll
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October 28, 2020 2:00 PM (EDT)
P&P Live! John Gallagher | CAT CRUSADER
Wednesday, October 28, 2020 2:00 PM (EDT)
Join us for a discussion with John Gallagher about the first book in his new series MAX MEOW: CAT CRUSADER.