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William H. "Hank" Curtis, Saint Leonard
Scott Price
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JICC, Embassy of Japan | 1150 18th St., NW | Suite 100 | Washington | DC | 20036
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Editorial cartoons are often characterized by their originality, editorial effectiveness, and quality of drawing and dramatize a wide range of social and political issues with style and humor. But how has the ever changing technological climate influenced this art form and what lies ahead for the future?
For the 11th annual McGowan Forum on Communications, a distinguished panel of award-winning political cartoonists will present and discuss their work, what inspires and motivates political cartoons, how these cartoons affect the political community and the public, and the impact of changing technology. Moderated by David Sipress, cartoonist for The New Yorker, the panel features panelists Tom Toles of The Washington Post, winner of the 2011 Herblock Award; Jen Sorensen, nationally-syndicated cartoonist and 2013 recipient of a Robert F. Kennedy Journalism Award; Keith Knight, award-winning creator of Knight Life and The K Chronicles; and Signe Wilkinson, the first female artist to win a Pulitzer Prize for Editorial Cartooning.
This program is made possible in part by the National Archives Foundation with the generous support of the William G. McGowan Charitable Fund.
All public programs at the National Archives are free and streamed live online via the National Archives' YouTube channel. Reservations are recommended; seating is on a first-come, first-served basis. The doors to the building will open 45 minutes prior to the start of the program. Use the Special Events entrance on the corner of Constitution Avenue and 7th Street, NW. Click here for more information on getting to the National Archives and parking.Live captioning will be available online and in the William G. McGowan Theater. If you require an alternative or additional accommodation for an event (such as a downloadable transcript or a sign language interpreter), please send an email to public.program@nara.gov or call 202-357-5000 in advance. By Warren Rojas
Roll Call November 5 2015
http://atr.rollcall.com/coasting-victory-d-c-bar-handicapping-presidential-race/
I believe Ann Telnaes has cartoons on the wall, and Richard Thompson used to (and may still).
John Maher
Graphic Novel Reporter November 3 2015
http://www.graphicnovelreporter.com/authors/john-lewis/news/interview-011415Find us at Table #U9 in the upstairs hall! |
Lost Art Books is one of the official sponsors of this year's Comic Arts Brooklyn (CAB) 2015 festival to be held on Nov. 7 from 11:00 am to 7:00 pm. We've been invited to exhibit, and can be found in the upstairs hall at table #U9.
The festival is free to the public and is held at Our Lady of Mt. Carmel Church in Brooklyn. You can find more information about the show's exhibitors, programming, and special guests at Comic Arts Brooklyn's website.
We will be bringing our entire back catalog to the show, as well as some of our convention-only prints and chapbooks. Come by our booth and introduce yourself: making new friends is our favorite part of exhibiting at these festivals.
The civil rights icon and venerable Congressman embraces his newest designation: comic book convention hero.
By Rebecca Burns
November 03, 2015
http://www.politico.com/magazine/story/2015/11/john-lewis-the-superhero-213319?paginate=false
Courtesy of Top Shelf Productions
Behold the Vision Sketchbook: Tom King and Gabriel Hernandez Walta provide an exclusive peek at their new project!
Nov 2, 2015
http://marvel.com/news/comics/25387/behold_the_vision_sketchbook
The Grand Comics Database (GCD) recently introduced a free comic collection inventory website at my.comics.org. Users from around the world can now track their collections benefiting from information found within the oldest and most extensive international comics database online.
GCD volunteers Jochen and Witold created my.comics.org with flexibility in mind. Witold emphasizes that "anybody can join and help us develop and improve, in any field from adding data through programming." This collaborative approach is designed to encourage developers to build additional tools to present, search, and filter collections.
Fans managing their collections through my.comics.org can also add and update information within the GCD, contributing to the continued growth of a free resource available to the entire comics community.
The Grand Comics Database is a nonprofit 501(c) project of international volunteers, with the goal of documenting and indexing all printed comics for the free use of scholars, historians, researchers, and fans worldwide. Started in 1994, the GCD has grown to become the largest online repository of indexed comics with over 1,205,000 issues from over 65 countries.
Thank you,
Daniel Nauschuetz
Grand Comics Database (GCD)
The Brothers Nazaroff: The Happy Prince is a boisterous, high-energy tribute to cult Yiddish troubadour Nathan "Prince" Nazaroff, who recorded the mysterious Folkways 10-inch record Jewish Freilach Songs in 1954. International klezmer supergroup The Brothers Nazaroff, composed of Daniel Kahn, Psoy Korolenko, Michael Alpert, Jake Shulman-Ment, Bob Cohen, and Hampus Melin, breathe new life into the discordant, obscure, jubilant legacy of their Happy Prince. This animation by Ben Katchor gives a preview of The Brothers Nazaroff's raucous reinterpretation of on of The Happy Prince's songs.
Year Released 2015Matt Klokel and David Bishop |
Goldfield is an award-winning documentary filmmaker whose work has aired in such places as The Discovery Channel; her previous collaboration with Keeling, founding member of the D.C. Conspiracy, and the graphic artists Dembicki and Short, resulted in Trickster and District Comics, which was one of The Washington Post's Best Books of 2012. In their new work, this amazing creative team pairs early 19th-century adventure with 21st-century graphic tale-telling to depict the three years British sailor John Jewitt spent as a captive of the Mowachaht of Nootka Sound, showing the survivor keeping up his spirits by recording events in his journal and practicing his blacksmithing trade—all while plotting his escape.