Showing posts sorted by relevance for query artley. Sort by date Show all posts
Showing posts sorted by relevance for query artley. Sort by date Show all posts

Friday, October 21, 2011

Bob Artley, 1917-2011

George Robert Artley ( Bob Artley) husband, father, grandfather and great grandfather, author cartoonist, illustrator and commercial artist passed away at his home in Akron, Ohio on Friday, October 21, 2011. He was 94 years old.


 Bob, the first born of George Denison Artley and Elsie Louise (Crow) Artley was born on the family farm 5 miles west of Hampton, IA  on July 1st 1917.


 Bob has been a commercial artist, cartoonist, writer and in the last thirty years has published over 14 books, all but one dealing with issues on the farm, most of them concentrated on the first half of the 20th century.  One book " Ginny, A Love Remembered" focused on the life and subsequent death of his first wife, from Alzheimer's Disease. He was probably best know for his editorial cartoons at the Des Moines Tribune, and Worthington Globe, and for his feature panel, "Memories of a Former Kid" many of  which still appear in publications throughout the United States.


Bob attended country school in and around the Hampton area through the 1920's. After passing his eighth grade country school exams, he went on to Hampton High School where he graduated in 1935. During High School, Bob took a special interest in art, and particularly in editorial cartooning. His cartoons were featured in high school and local publications, which led to his being mentored by the great J.N. "Ding" Darling.


After high school, he continued his education at Grinell College. He was inducted into the U.S. Army at the beginning of America's entry into WWII. He served in the medical corps as a laboratory Technician, and was being trained to be part of the invasion force when the war ended. While in the Army in 1943, he met and married fellow lab technician and WAAC Virginia E. Moore, of Southfork ,PA.


Bob returned to civilian life in 1946 and returned to the farm of his childhood where he farmed with his father. In 1950 he returned to college on the GI Bill of rights at the State University of Iowa, (U of Iowa) where he receive his BA in 1951.


In 1952 through 1957 he was employed as an editorial cartoonist with the Des Moines Tribune. After that he became a commercial artist with Nelson Advertizing Agency and later Plain Talk Publishing , both of Des Moines. Bob was active in the Des Moines and surrounding area arts communities. He was a member of the Des Moines Art Center, taught art classes, conducted numerous "chalk talks" at various schools and civic functions, and mentored local aspiring artists. During the 1960's, he also drew a regular feature that accompanied the weather report on WHO-TV's evening news.

In 1967 he, his wife and his two younger children moved to Adrian Minn. Where they published a small town newspaper, The Nobles County Review. After a short period of time they purchased a building in Adrian and began The Print Shop, a commercial printing company. During 1971 he began doing some commercial and cartoon work for The Worthington Daily Globe, which eventually led to him doing exclusive cartoon work. During his time there he started a periodic and popular cartoon of life on the farm during his childhood called, "Memories of a Former Kid."  This led in 1978 to the publishing of a book by the same name. He remained at the Worthington Globe until the mid 1980's.


After his retirement, he continued drawing feature panels that were syndicated by Extra Newspaper Features Syndicate based at the Rochester Post Bulletin in Rochester, MN. He also began writing his other books, including Memories of a Former Kid, Christmas on the Farm, Ginny, Country School and many more too numerous to mention. Many of his first books were published through Iowa State University Press, and later by Pelican Publishing in New Orleans. Bob's book "Ginny, a Love Remembered" was endorsed by the Altzheimer's Disease Association and contained a Foreword by Princess Yasmin Aga Khan, who was active in Altzheimer's disease awareness, as her mother — 1940's movie actress Rita Hayworth suffered from the illness. His last book, Memories of a Farm Kitchen — co-authored with his son Rob, was released in the autumn of 2010.  Several of his books are still in print. His books have netted a substantial fan base in farming communities throughout the U.S. and Canada, and even among rural regions of Europe.


Throughout the entire country, in banks, schools, libraries and now in the Smithsonian, one may find his work. It has been a study in life on the farm in the first years of the previous century. Up into the 1990's Bob made appearances on local talk shows, including two interviews on the Twin Cities' popular Boone & Erickson Show broadcast by WCCO (Minneapolis).


Bob is survived by his wife Margaret, Rob M. Artley of Rochester MN., Steven G. Artley of Alexandria VA, Joan (Artley) Sterner of St. Paul MN as well as 11 grandchildren and 13 great grandchildren. He was preceded in death by his first wife Ginny and his oldest daughter Jeannie.


Funeral arrangements are pending.



Steven G. Artley,
President
Studio: 571-312-2382

artleytoons
Artley Design Inc.

Friday, October 01, 2021

Artley Exchanges Political Pen for Mic

 Steve Artley Transitions From Cartooning to Podcasting

October 1, 2021


[ALEXANDRIA VA] Following a 30-year political cartooning career, Steve Artley has transitioned his satirical prowess to another form: radio. A few weeks ago, journalist and Public Radio broadcaster Michael Pope contacted Artley with a request to be a regular contributor to the podcast Transition Virginia, hosted by Pope and political strategist, Thomas Bowman. Artley’s background in music, theater, and voice work go into the development of the two minute segments that are a mix of comedic skits and musical parody. Artley himself scripts, performs the music, voices the characters, and mixes the audio spots for broadcast. 

Artley continues to maintain his illustration, advertising and marketing strategy support company, saying this new venture is “a reasonable fix for my political satire addiction” left vacant from retiring his "political cartooning pen” earlier this year.

Transition Virginia Podcasts are available on Apple Podcasts, Twitter, YouTube, and other media outlets. For more information, link to: Transition Virginia podcast or

https://podcasts.apple.com/us/podcast/transition-virginia/id1498833592

 

--Steve Artley

Thursday, April 12, 2018

May 9: Steve Artley talk

Actions and Detail Panel


Date and Time

Location

The Fund for American Studies

1706 New Hampshire Ave., NW

(Dupont Circle Metro station)

Washington, DC 20009

View Map

Event Information

Co-sponsored by SPJ-DC, ASJA and our hosts, the Institute on Political Journalism. Light refreshments will be served.

About this Event

The pen is mightier than the sword, especially when it is in the hands of a skillful political cartoonist, such as Steve Artley. Based in Alexandria, VA, he skewers the foibles of the world with his bold and powerful strokes.

Artley's editorial work has appeared in The Washington Post, the New York Times, TIME Magazine, Newsweek and NPR's "Double Take," with his cartoons syndicated throughout the United States and Canada. Artley has twice earned the "Best Editorial Cartoonist of the Year" award from the Minneapolis New Association. Three years in a row, he won First Place in the Virginia Press Association News Contest. He is also a former board member of The Association of American Editorial Cartoonists. You can get a preview of his work at: http://artleytoonsonline.blogspot.com.

A highlight for the evening will be a drawing for an original cartoon, donated by the artist.

This program is co-sponsored by the D.C. chapter of the Society of Professional Journalists, the American Society of Journalists and Authors and our host, the Institute on Political Journalism.

For any questions, contact SPJ-DC board member Kathleen Burns at burnskathy1036@gmail.com.

Saturday, February 28, 2009

Ed Stein interview at Comics Riffs

After talking to Drew Litton yesterday, Michael also called the Rocky Mountain News' other cartoonist, Ed Stein - "As More Cartoonists Draw Severance, Honor Them While You Can," Michael Cavna, Washington Post Comic Riffs February 27, 2009. Stein also did Denver Square, an excellent strip that he ended a year or so ago.

Here's my review from the International Journal of Comic Art 6:1, Spring 2004, which is sadly dated now especially the line about newspapers supporting their cartoonists:

Charles Brooks, editor. Best Editorial Cartoons of the Year 2003 Edition, Gretna, LA: Pelican, 2003. ISBN 1-58980-090-7.
Ed Stein. Denver Square: We Need a Bigger House!, Gretna, LA: Pelican, 2003. ISBN 1-58980-115-6.
John Chase. The Louisiana Purchase: An American Story, Gretna, LA: Pelican, 2002. ISBN 1-58980-084-2.
Bob Artley. Christmas on the Farm, Gretna, LA: Pelican, 2003. ISBN 1-58980-108-3.
Bob Artley. Once Upon a Farm, Gretna, LA: Pelican, 2001. ISBN 1-56554-753-5.
Una Belle Townsend and Bob Artley. Grady’s in the Silo, Gretna, LA: Pelican, 2003. ISBN 1-58980-098-2.

The decline of comic art in America, whether comic strips, comic books, editorial cartoons or most recently hand-drawn animation, has been an accepted belief for at least a decade. Given the proliferation of cartoon characters in all media with attendant licensing, the movies based on comic books, dozens of museum and library exhibits per year, and the rising consumption of manga, I wonder how accurate this truism is. When a small American publisher like Pelican publishes over a dozen books by cartoonists, perhaps the field is changing and not diminishing. Pelican’s recent offerings run an interesting gamut – for this review, I have one editorial cartoon collection, one comic strip collection by an editorial cartoonist, one historical comic strip collection, and three apparent children’s books by an editorial cartoonist (see IJoCA 3:1 & 4:2 for other Pelican reviews).

Brooks’ 31st collection of editorial cartoons continues his useful sampling and should be a regular purchase by anyone interested in the field. Clay Bennett of the Christian Science Monitor (see IJoCA 5:1) won most of the major awards in 2002, including the Pulitzer, but to my eyes, his obviously computer-generated work is overly slick and reproduces badly in black and white. Ongoing Catholic church scandals got a hard-hitting section, as did, in a sign of the second Gilded Age, Enron’s collapse. 2002, and thus the book, was heavy on terrorism cartoons, and the youthful suicide bomber wrapped in dynamite sticks needs to be retired. An especially unfortunate example of a terrorism cartoon was Steve Kelley’s cartoon of Snoopy deciding to go after Bin Laden. Inexplicably, no cartoons by 2001 Pulitzer winner Ann Telnaes were included.

Ed Stein is a political cartoonist for the Denver Rocky Mountain News, and he also does a non-syndicated comic strip for them. “Denver Square” has been published since 1997, and a selection of strips from five years is included in the book. The strip follows a middle-class family of three, who are joined by live-in in-laws. Stein consciously decided to make his strip local, so the Denver Broncos football team, local wildfires, the Columbine High School murders, and the excesses of the tragic Jon Benet Ramsey murder investigation all are topics of the strip. As this list makes clear, Stein’s political cartoonist instincts are frequently on display in the strip. Both despite and because of its local focus, Stein’s strip is a good one, and this book is a nice example about what is still possible when newspapers support their cartoonists.

Non-fiction comic strips such as “Texas History Movies” (see IJoCA 5:2) have recently been rediscovered, and Chase’s “The Louisiana Purchase” is a reprint of 1950s strips with a text introduction that adds more detailed context. Moving far beyond Jefferson’s purchase, Chase begins with the discovery of America, and slowly moves through various explorers and a basic history of the settlement of the United States, even including two strips on the creation of the dollar sign. The strips are well-drawn competent basic history which I enjoyed, and much of IJoCA’s readership should too, but I am not sure today’s students have enough interest in comic strips for this reprint to attract a school-age audience.

Cartoonists have written children’s books (i.e. books written specifically for children and not collections of their work) throughout the entire twentieth century, and many recent notable examples spring to mind – masters such as Steig and Seuss, but also Breathed, Larson, Bliss, Spiegelman, Sfar, and Stamaty. Retired midwestern editorial cartoonist Artley illustrated Townsend’s true story of a cow caught in a feed silo. There is nothing particularly ‘cartoony’ about his illustrations, and my five-year-old daughter pronounced the story as ‘nice.’ Artley’s other two books recall his experiences growing up on a farm in the 1920s and collect drawings from his syndicated cartoons and “Once Upon A Farm” weekly half-page. These books are packaged as children’s books, but are really for an older audience; perhaps even one that remembers a lost rural way of life. Artley’s text is serviceable, and his drawings, either pen and ink or watercolor, are very good. There is some overlap between the two books, and the cartoon component of either is slight, but both are recommended.

Wednesday, April 25, 2018

Satire to be Served Neat and Straight Up at Artley's Cartoon Talk May 9



Co-sponsored by SPJ-DC, ASJA and our hosts, the Institute on Political Journalism. Light refreshments will be served.

About this Event

"I am a seasoned professional political cartoonist obstinately entrenched in the traditional school of single-panel, cross-hatching renderers who use symbols, hyperbole and metaphor along with a high dose of satire to issue a succinct political statement — a heavily biased, one-sided, grossly unfair, flagrantly distorted, myopic statement on current affairs."
The pen is mightier than the sword, especially in the hands of a skillful political cartoonist, such as Steve Artley. Based in Alexandria, VA, he skewers the foibles of the world with his bold and powerful strokes.
Join Artley as he gives you a glimpse behind the artist’s pen, presents a primer on creative inspiration, artistic development and technical production of an editorial cartoon. See how historical events were lampooned over the years through this most uniquely specialized lens of political commentary. You’ll see the components that make an editorial cartoon successful along with the pitfalls. Also covered are how the changes in news media has affected editorial cartooning and what the future holds for this distinctive journalistic medium.
Artley’s editorial work has appeared in nearly every major newspaper and magazine throughout the United States and Canada including The Washington Post, the New York Times, TIME Magazine, and Newsweek — with his syndicated distribution worldwide. Twice earning the “Best Editorial Cartoonist of the Year” award from the Minnesota Newspaper Association, Artley received First Place six times in the annual Virginia Press Association News Contests. He is a member of both the National Cartoonists Society and the Association of American Editorial Cartoonists, where he served on the Board in 2016.
A highlight for the evening will be a drawing for an original cartoon, donated by the artist.
This program is co-sponsored by the D.C. chapter of the Society of Professional Journalists, the American Society of Journalists and Authors and our host, the Institute on Political Journalism. Light refreshments will be provided.
DATE and TIME:
Wed, May 9, 2018
6:30 PM – 8:00 PM EDT

LOCATION:
The Fund for American Studies
1706 New Hampshire Ave., NW
(Dupont Circle Metro station)
Washington, DC 20009

Tuesday, April 10, 2012

Letter from Art Young to Steve Artley's grandma



Art Young and my grandmother (Elsie Artley) were from the same home town, Monroe, Wisconsin. They began corresponding in the 30's. I found this old letter (attached) tucked into an old, tattered copy of Art Young's Inferno among my dad's (cartoonist Bob Artley) stuff.
-Steve Artley
artleytoons
Artley Design Inc.
http://www.artleytoons.com/

Thursday, January 31, 2019

Editorial Cartoons by Steve Artley

Recent cartoons from Steve Artley, "Plan BM" and "Bak to Skool."
click on images for larger view

©2019 Steven G. Artley • artleytoons • ALL RIGHTS RESERVED

©2019 Steven G. Artley • artleytoons • ALL RIGHTS RESERVED

Wednesday, November 27, 2013

Steve Artley returns to editorial cartooning

Steve Artley writes in,

Here's a bit about my resumption of editorial cartooning. Frankly, I missed the soapbox. After walking away from the editorial side of the drawing board in October of last year, editor/publisher of Connection Newspapers, Mary Kimm (http://www.connectionnewspapers.com/staff/mary_kimm/) has been urging me to resume, and has been gently hinting she'd like to have me at the Alexandria Gazette Packet. So, a couple of weeks ago, I wandered into her office and madly threw myself on the floor at her feet. Sobbing pathetically, I begged her to take me in. Taking pity on me, she consoled me, wiped my tears with her cardigan and gave me hot cocoa and a Graham cracker, and told me that I could bring in my crayons and my Big Chief drawing pad to scribble my little political renderings. So, I started this week. Meanwhile, I am continuing with my Aphelion Arc project and other professional duties in the commercial arts, as-well-as charitable work, community service, and hobbies. It's a full plate, but I prefer much being over-worked to being idle.  

It'll be nice working with Mary Kimm and other professional journalists such as Michael Pope (http://www.connectionnewspapers.com/staff/michael-lee-pope/), Jeannie Theisman (http://www.connectionnewspapers.com/staff/jeanne-theismann/) and Steven Mauren (http://www.connectionnewspapers.com/staff/steven_mauren/) at this award-winning newspaper.

I'll likely be focusing more on local issues than I have in the past. Local issue cartooning is a challenge and in many ways more daring than tackling national and international topics. You're rubbing shoulders with and living alongside those who may be targets of your political commentary. I firmly adhere to a principle of avoiding personal ridicule in my cartoons. It's not about the person. It's about her/his policies. Still, feathers do get ruffled and it's a bit different when you're standing close enough to feel those ruffled feathers pressing against you.

Please refer to my blog for other particulars: http://artleytoonsonline.blogspot.com/

The attached cartoon is one I did  last week as a warm-up. Another one will appear in tomorrow's Gazette, so it's not yet available for distribution. The attached has been distributed to my syndicate (ARTIZANS) and other media outlets. 


Steven G. Artley
President/Creative Director
http://aphelionarc.com




Friday, December 17, 2010

Steve Artley's father's latest book recommended in Smithsonian Magazine


Steve Artley writes in about his editorial cartoonist father (Bob) and brother Rob's new book -

A description and cover image of Memories of a Farm Kitchen was included in the "Holiday Gift Guide: A Food Book for Everyone on your List" of the Food & Think section on the electronic version of Smithsonian Magazine.

 

 

Memories of a Farm Kitchen, by Bob and Rob Artley. A charming and utterly unique memoir about growing up on a 200-acre farm in Iowa in the 1920s and 1930s, this homespun book recalls bygone days of icebox refrigerators, cellar larders, and ham hanging from the rafters.

 


Steve told me a bit more about the book's history-

"This was a book that almost didn't happen. My dad started it about 6 years ago. The last few years, he had a series of strokes that affected his vision and hearing, as well as his drawing hand. One day, while I was visiting him in his Florida studio, he showed me some of the pieces he was working on for the book, and I could see they were not up to his usual level of the dozen books he had produced up to that point. I told him this frankly, adding that I figured he'd want to know the truth."

"I offered to help assemble the pieces and layout the pages, if he could finish the text. A couple of years and another stroke later, he got the text to me and it was not quite up to his usual standards of writing either. So, I called in my brother. I told him the manuscript needed more than mere proofreading. It needed fixes in style, etc. I was so pleased that he took on the assignment with enthusiasm. He far exceeded my art direction. He used Dad's story, but dressed up the style. He even wrote an additional chapter, for which we had art, but no words."

"At my father's urging, the publisher had been planning to put my name as co-author. I was never comfortable with that from the beginning. I was just the art director and project manager. My sister Joan Artley-Sterner also took part in planning out the book. Both of us were more comfortable being listed in the acknowledgments only. So I told the publisher to make my brother the co-author."

That's a nice story about a family pulling together, isn't it?

Thursday, May 24, 2012

Stephanie McMillan at the RFK awards tonight

This totally slipped my mind tonight, and I'm sorry to have missed it.  Apparently I appeared in a clip in a documentary about the awards too! (sigh) However, Steve Artley got a photograph of Stephanie McMillan the cartoon winner that he's allowed me to post:

I got this shot of Stephanie holding her trophy at the RFK awards ceremony at the U.S. Institute of Peace tonight.



Steven G. Artley
artleytoons
Artley Design Inc.

Cartoon Winner
"The Beginning of the American Fall and Code Green" by Stephanie McMillan
South Florida Sun-Sentinel

Stephanie McMillan self-syndicates the editorial cartoon "Code Green," which focuses exclusively on topics related to the environmental crisis. Her comics journalism piece about the Occupy protests, "The Beginning of the American Fall" was originally commissioned by the Cartoon Movement, and will be expanded into a book to be published this fall by Seven Stories Press. She has been active around social justice and environmental issues for most of her life.

Friday, October 19, 2012

Steve Artley retires from editorial cartooning (UPDATED)

Mere weeks after he helped organize the Annual Association of Editorial Cartoonist's annual meeting in Washington, DC, 2nd generation editorial cartoonist Steve Artley has just announced on his Facebook page that he's retiring from doing them -

Steven George Artley updated his status: "My editorial cartoons are no more. I am done, finished, kaput. Earlier today, I stepped down from the Alexandria Times. I guess it's time to try something else. What that something else may be, I don't know. Anyway, thanks to those of you who "liked" my work and left supportive comments."

In the following discussion, Steve (who is a friend of mine) also noted, he was "Tired of being an invisible Quixote. Feel like no one is out there. I make a sound and all I get back is my own echo. Or, I'm a ghost. I cast no shadow. There's no indication of measurable readership, no following, no community support... I get virtually no feedback, 'cept for the occasional hate mail. All that tells me it's time to go."
  
"Coincidentally, when I called my editor today, he said the mayor had just called, asking "who is that guy?" Meaning me, of course, who drew the local issue cartoon that portrayed him as an anthropomorphized bulldozer. I HAVE BEEN THERE FOR FOUR FREAKIN' YEARS, MISTER MAYOR!!!! And only NOW, you notice I'm there? This all underscores that I made the right decision."

Monday, May 06, 2019

Editorial Cartoon by Steve Artley

My cartoon, "Scars and Stripes."
    —Steven G. Artley, artleytoons

click on image for larger view

@2019 Steven G Artley • artleytoons ALL RIGHTS RESERVED

Wednesday, September 12, 2012

Malaysian cartoonist Zunar arrives in DC

From Steve Artley:
Andrew "Drew" Rougier-Chapman of Cartoonists Rights Network International (CRNI) called me to report that Malaysian cartoonist Zunar arrived in Washington DC yesterday. He will attend the AAEC Convention to accept the CRNI Courage in Cartooning award. 

Drew also wanted to alert fellow cartoonists to a protest planned today at the Malaysian embassy between 5:30 and 6:30 PM. The Embassy of Malaysia is located at 3516 International Court NW in Washington DC. 

Drew stated, "We will be drawing (pun intended) attention to the lack of freedom of the press and freedom of speech in Malaysia. More specifically we hope to draw attention to the Malaysian government's banning of editorial cartoons by well-known cartoonist Zunar and other Malaysian editorial cartoonists."

If anyone is so inspired to join in the protest, Drew suggests that you take the Metro to the Van Ness-UDC stop and exit on the west side of Connecticut Avenue. At the top of the stairs make a U-turn and walk back toward Van Ness Street. Turn right on Van Ness Street and walk about 500 yards. Make a right turn onto International Court. "Follow the street until you hear and see Zunar and other supporters of free speech," said Drew, adding, "I hope you can join us."


Steven G. Artley
Cartoonist/Creative Director
artleytoons
Artley Design Inc.

Thursday, May 03, 2012

PSA: Honoring Our Veterans of Post 24

This Public Service Announcement is from cartoonist Steve Artley who has been working on this program.


JOIN US AT THE AMERICAN LEGION THIS SATURDAY FOR A FUNDRAISER AND SCREENING OF "Heroes of Post 24." This is the first in an on-going series of video documentaries preserving the oral history of our veterans. 

The project was established to preserve oral history of members of American Legion Post 24 in Alexandria, VA through a series of documentaries. A fundraiser is being held at the Post this Saturday (May 5) to help underwrite this ongoing project by filmmaker John Napolitano, USMC. If you are in the Alexandria area, stop in on Saturday 5:00 to 8:00 for the launch party and screening of the first installment. We'll have food, beverage specials, and raffles. Meet the filmmaker. Meet the first interviewees, including Bill MacNamara who published Stars & Stripes during WWII. On the video he tells of getting out the first issue in Normandy shortly after the D-Day invasion. Come on in for good food, fascinating conversation, and honorable history. 

If you can't make the event, stop down to Market Square for the Farmers Market in Old Town Alexandria earlier in the day. Fellow Sons of the American Legion member Russ Crager and I will be manning the "Heroes of Post 24" booth from 8:30 to 11:00 AM. We'll be collecting donations, selling event tickets, and acquainting the public with our projects.

SEE YOU THERE!

Graphic design, art and creative direction services provided by Steve Artley of Artley Design, Inc.
Signage and collateral materials produced by Russ Crager of Mobile Signz in Alexandria.

Tuesday, May 12, 2015

Artley Print Among Arlington Special ED Fundraiser Auction

A print of one of my cartoons, "Doomed to Repeat," (2014) is among items to be auctioned in a fundraiser for Arlington Special Education PTA fundraiser. For whatever reason, instead of posting the JPEG of the item, they posted a mug of me online. Incredible. Just to make it clear... No, I am not being auctioned (not for less than a hundred bucks, anyway).  The print is signed and matted.

For those of you who may not know, I am a 30-year seasoned, award-winning internationally syndicated editorial cartoonist working in the Washington DC area. My cartoons have been published in every major newspaper and news magazine nation-wide, as-well-as in online anthologies and books throughout the U.S. and Canada.

There are many other items up for auction on the site as well. So, bid and bid often.


Thanks,
Steve Artley





 



.

__,_._,___

Thursday, November 28, 2013

Aphelion Arc uses cinema-style trailers to preview stories

Steve Artley notes:

On my APHELION ARC website, I will be previewing upcoming stories using cinema-style trailers that I create myself using images from storyboard rough sketches and music that I compose and perform. As these stories are in production, it gives readers a glimpse of stories in the anthology series. The Aphelion Arc opening sequence will be common to all the trailers. One such trailer for the story, "On Target" is currently available for viewing on the Aphelion Arc STORIES page http://aphelionarc.com/stories.html. Click the STORY TWO button. 


Steven G. Artley
President/Creative Director
http://aphelionarc.com


Monday, November 05, 2018

Meet John Darrin: A Chat About His Anti-Trump Cartoon Book

by Mike Rhode

Early this fall, some of my friends among local political cartoonists started telling me that they had a piece in a new book. Author John Darrin commissioned over a score of cartoonists to illustrate Who's That Man with Mr. Lincoln, Mommy? A Parent's Guide to the Trump Presidency. Darrin himself is from Frederick, MD, and local cartoonists in the book are Steve Artley, Barbara Dale, Al Goodwyn, Clay Jones and Joe Sutliff (see the bottom of this post for his list of all the contributors).

Darrin's website describes his book thusly:

Who’s That Man With Mr. Lincoln, Mommy? is a political parody intended to discredit the Trump Administration in a simple, compelling, and entertaining way. Set as a walking tour of the Mall in Washington, DC, two young parents and their children play the alphabet game to explain why President Trump is the greatest. The children unwittingly expose their parent’s absurd explanations with common sense. Interlaced with penetrating editorial cartoons from award-winning artists, this no-holds-barred tale takes us on a journey through the deception and hypocrisy of the Trump White House.

The slim volume (there are only 24 letters in the alphabet after all) features a page of text with an illustration and his imaginary family discussing a word that has gained prominence (or notoriety) due to the Trump administration. The facing page reproduces a political cartoon and a brief biography of the cartoonist.

Darrin was kind enough to send me a copy to preview and answer some questions for ComicsDC.

You're normally a novelist? Why did you decide to write a children's book parody?

Yes, I am a novelist, and also some business-based non-fiction. A parody of a children's book allowed me to present the pro-Trump arguments in the shortest and simplest form and have them rebutted not by partisanship and ideology, but by simple common sense and honest questions.

And why have it illustrated by cartoonists?

Steve Artley's drawing from the Lincoln Memorial
I believe editorial cartoons are the most compelling way to instantly communicate complex ideas. And the weakness of a children's book format for an adult is the monotony of the presentation. Letting different cartoonists not only do their cartoons, but also illustrate the story meant that each page brought fresh and interesting imagery. A surprise with each page turn.

How did you find them?

 Lots of research and queries. Lists like Pulitzer and Herblock prize winners, the Association of American Editorial Cartoonists, and different cartoon syndicators. Then lots of correspondence to sell the concept.

Did anyone turn you down?
Yes, lots of rejections. It turns out these guys are not sitting around waiting for someone like me to contact them, but actually have jobs and commitments. Who knew? The ones who accepted generally were excited by the concept and the chance to work with the other cartoonists.

You selected various terms for the cartoonists to choose from - how did you come up with them? 

I made a comprehensive list of words that would apply to Trump's administration (page 62 of the book) and picked the ones that I felt were most important. For example. using pussy or Putin as the "P" word was an obvious choice. But I wanted this to be a catalog of Trump's failings and Puerto Rico was no longer on people's minds. With the daily barrage of lunacy, it is easy to forget earlier offenses to the American legacy. Several of my choices were changed by the cartoonist to fit their interests, such as Ingrid Rice, a Canadian cartoonist, choosing NAFTA over narcissism.

Did you write the script first, and give each appropriate page to the cartoonist after they selected a term?

Yes, the story was drafted and then the cartoonists drew to the subject and narrative.

Unlike many cartoon books about DC, the scenery among the monuments is largely accurate even though not everyone is a local cartoonist. Did you provide pictures or art direction?

I mapped out the walking tour of the family and used Google street view to get screenshots of each location and gave them to the cartoonists. That way the story followed a consistent path.

How are you selling and/or distributing this?
Joe Sutliff's drawing of the Trump Hotel (aka the Old Post Office)

The book is available on our website and on Amazon. We have been trying to get it placed in retail stores, but we don't have a wholesaler so we'll continue to work on that.


There are two sequels planned: Who's That Man Scolding Mr. Trump, Mommy?, and Who's That Man Looking So Sad, Mommy?, about the Mueller investigation and the mid-term results, respectively.


Nick Anderson, Pat Bagley, Darrin Bell, Randy Bish, Stuart Carlson, Jeff Danziger, Ed Hall, Phil Hands, Joe Heller, Clay Jones, Keith Knight, Jimmy  Margulies, Robert Matson, Rick McKee, Joel Pett, Ted Rall, Igrid Rice, Jen Sorenson, Rob Tornoe and Monte Wolverton appear in addition to local cartoonists Steve Artley, Barbara Dale, Al Goodwyn, Clay Jones and Joe Sutliff.




Wednesday, November 20, 2013

Artley's zombie




Steve Artley kindly gave me a drawing at OSU's Billy Ireland Cartoon Library & Museum opening when I was looking forlornly at his caricature of Chris Sparks.This was done for the blood drive that Carolyn Belefski spearheaded a couple of weekends ago.

Steve will be auctioning off similar artwork tomorrow night at the Cartoons and Cocktails fundraiser.