Monday, June 20, 2022

Meet Thony Loui, visiting Haitian cartoonist

by Mike Rhode

Thony Loui (a pen name for Anthony Louis-Jeune), a visual designer, artist, and cartoonist from Haiti, was at Fantom Comics this weekend signing his new self-published series, Tanama comic books. He says in his capsule bio, "In 2020, I created 'Tanama' a super she-ro with special powers to support smallholder farmers, and women farmers in particular, as they overcome tremendous hardships and fight off evil forces to combat climate change through tree planting around the world." Bruce Guthrie's photos of the event are here.

What type of comic work or cartooning do you do? 

Comic books. I would consider it as Creole-futurism, fantasy and educational.

My comic book, Tanama: Origins was published in 2020 with financial support from the U.S. Embassy in Haiti, the lifestyle brand Timberland, and the Smallholder Farmers Alliance. Tanama was featured in Haiti’s national COVID-19 awareness campaign with her image on social media, videos, billboards, and murals, reaching an estimated 3 million people throughout Haiti. My comic book characters earned me a special recognition by the arts education group Teatro SEA at their 2020 annual BORIMIX festival of cultural exchange between

Puerto Rico and Haiti. The comic book’s sequel, Tanama, Metamorphosis was just released at the Haitian Embassy in Washington DC, following up with a tree planting event at a Montgomery County park. My ultimate goal is to create my own brand of visual art designs that spread awareness on global issues such as climate change, gender equality and migration. Find out more about Tanama at www.tanamaproject.org

How do you do it? Traditional pen and ink, computer or a combination?

I do a combination, but I mostly use my iPad Pro nowadays. I have to tell you that I am color blind. I was born with deuteranopia.

Do you just do comic book stories? Or do you do animation, political cartoons, or webcomics?

I only do comic book stories. I know how to do animation, but I am not doing any at the moment. I do webcomics.

When (within a decade is fine) and where were you born? 

I was born 3 decades ago in Port-au-Prince, Haiti.

What's the cartooning scene in Haiti like? 

The cartooning scene in Haiti is growing and there is a lot of talented artists.

Why did you decide to become a cartoonist? 

I always loved comic books and I grew up reading European comic books since Haiti is a also a French-speaking country. I would find some comic books in libraries or supermarkets, because there are no comic book shops.

What type of comics material do you see in Haiti? 

In Haiti you will find local comic books, a few animators and more political cartoonists. In libraries you can find a few comic books, mostly European ones.

Why are you in Washington now? 

I am in Washington because I am traveling with my partner on the way to her new job. I was working on my comic book launch and now I am promoting it.

What is your training and/or education in cartooning?

 I started as a self-taught artist and after the terrible earthquake in Haiti, I went to study fine arts and illustration in Altos de Chavon School of Design in the Dominican Republic.

You apprenticed with American superhero cartoonist Rich Buckler - can you tell us about that? How did you start that? 

It started because my aunt put me in touch with him in New York,  I had an art exhibit and she asked him if he could see me. After meeting, we instantly connected . He mentored me for 4 years while battling with cancer... working with him, I created Haiti’s first superhero “Djatawo.”

Who are your other influences? 

Jean Giraud, Ralph Allen, Uderzo, Salvador Dali, DaVinci, Todd McFarlane, Travis Charest, Jim Lee, Joe Madeuira.

If you could, what in your career would you do-over or change? 

I would have stayed in business administration class. I dropped it because I couldn't understand why my teacher didn't have a lot of money and he was teaching me how to make money...

What work are you best-known for?

I am best known for my work for Conan O'Brien.

Not the Conan tap tap

American tv comedian Conan O'Brien? How did that happen?

I did a portrait of him behind a tap tap bus ( public transportation bus). After ex former president Trump said publicly  that Haiti and African countries are "shithole" countries, Conan went to Haiti  to prove him wrong. Around 3 a.m. in the morning, after breaking up with my ex, I saw him on Instagram dancing at a local bar in Haiti with a local band. I was inspired and happy to see that he was showing Haiti in a positive way, so I decided to make a digital painting of him behind a tap tap bus. I posted the artwork on my Instagram and I went to sleep. The next day I had at least 60 missed calls and messages from friends and people telling me that Conan was looking for me. I was able to meet him and he commissioned me to make the digital painting on a real tap tap bus in 24 hours The link of my interview with Conan O'Brian is https://www.youtube.com/watch?v=XTFmXEDZPWQ&t=4s

What work are you most proud of? 

My latest comic book Tanama: Metamorphosis.

Your two self-published comic books about Tanama have a very small first printing - 150 copies, and will be rare. Did you self-fund it completely? How did you decide to do that? Did you use Kickstarter or other crowdfunding? 

No, I received a grant from Smallholder Farmers Alliance, a non-profit planting trees in Haiti. They paid for the limited print runs so I could launch the comic book. I self published the comic book on Amazon's Kindle as well.. I will test their paperback option during this week. 

How did you decide on the charities you're supporting? 

I decided to work with them after having multiple conversations with them, and doing research myself about their operations. I am glad everything worked out and now everytime someone buy a comic book a dollar will go to tree planting in Haiti and in the sub-Saharan Africa. The 2 charities areSmallholder Farmers Alliance: http://www.haitifarmers.org/ and Trees For the Future: https://trees.org/

How can people buy your comic, without seeing you in person?

People can buy it on Amazon. The first book is only in Creole, but soon it will be in translated into English. The print version of the sequel Tanama Metamorphosis is available in  DC at Fantom Comics; it will also be in Big Planet Comics and Solid State Books.

What would you like to do or work on in the future? 

In the near future, I am planning to release a NFT collection of Tanama - a dollar will go toward tree planting in Haiti and Africa. I would like to work on a movie animation of Tanama or a video game. I think would like to be a movie director, NFT artist, or do something related to technology or business.

Are you planning a 3rd issue?
 
Yes, I am. Hopefully I will be able to.

Any thoughts about having your hero travel with you? By this I mean, when you've been to Mexico City and absorbed the atmosphere, would you set a story there about their environmental problems? 

Yes, she will travel wherever I go. I am  planning to put the comic book in Spanish and of course talk about environmental problems in Mexico city.

What do you do when you're in a rut or have writer's block? 

I read or I listen to music.

What's your favorite thing about DC? 

 

Hiking


Least favorite? 

 

Staying indoors.

Do you have a website or blog?  

 

www.thonyloui.com - amd thonyloui for all social media ( Instagram, Twitter, Facebook).

How has the COVID-19 outbreak affected you, personally and professionally? 

Personally it was challenging because I was going through a breakup, and professionally it was good because I could find work. Several NGOS  were paying me to use Tanama as an ambassador and public figure to promote awareness messages, such as social distancing, hand washing, and to wear masks.

Here's a gallery of art that Thony sent in for this interview, and a few more pictures of him at Fantom Comics -




























 


Saturday, June 18, 2022

Comics Research Bibliography citations update, 6/17/22

 

Cab

Dan Berry

Make It Then Tell Everybody 12 June 2022

https://mitte.libsyn.com/cab

http://traffic.libsyn.com/mitte/240_makethentell_Cab.mp3

 

Ep. 65: Dai Dark Volume 1, by Q Hayashida

June 15, 2022

https://www.mangasplaining.com/blog/ep-65-dai-dark-volume-1-by-q-hayashida/

 

In Memoriam: Tim Sale

Scoop June 17 2022

https://scoop.previewsworld.com/Home/4/1/73/1012?ArticleID=259639

 

ICV2 INTERVIEW: SKYBOUND SENIOR EDITOR OF COMET ON WEBTOON COLLECTIONS

'Scurry', 'Ava's Demon', More

Brigid Alverson on June 17, 2022

https://icv2.com/articles/news/view/51431/icv2-interview-skybound-senior-editor-comet-webtoon-collections

 

WEBTOONS FOR YOUNGER READERS FIND AUDIENCES ONLINE, IN PRINT

LGBT Webtoons Collected by Scholastic

ICv2 on June 17, 2022

https://icv2.com/articles/news/view/51432/webtoons-for-younger-readers-find-audiences-online-print

 

Awesome Con in Photos Part II

Scoop June 17 2022

https://scoop.previewsworld.com/Home/4/1/73/1018?ArticleID=259506

 

Angelo Torres Celebrated in Short Film

Scoop June 17 2022

https://scoop.previewsworld.com/Home/4/1/73/1012?ArticleID=259630

 

My Dinner With Angelo [Angelo Torres]

Ian Scott McGregor

2022

https://vimeo.com/718422855

 

INTERVIEW: Akane Torikai - part 1-2

by Deb Aoki

MSX: Mangasplaining Extra June 17 2022

https://mangasplaining.substack.com/p/interview-akane-torikai-part-1

https://mangasplaining.substack.com/p/interview-akane-torikai-part-2

 

Followers Of Worth And Knowledge – This Week's Links

Clark Burscough | June 17, 2022

https://www.tcj.com/followers-of-worth-and-knowledge-this-weeks-links/

 

Comics Veteran Liam Sharp Reaches For The Stars With His New Creator-Owned Project

Rob Salkowitz

Jun 10, 2022,

https://www.forbes.com/sites/robsalkowitz/2022/06/10/comics-veteran-liam-sharp-reaches-for-the-stars-with-his-new-creator-owned-project/

 

Milestone Media is on a mission to add young creators of color to the comic book universe

By Jevon Phillips

June 10, 2022

https://www.latimes.com/entertainment-arts/story/2022-06-10/milestone-media-looks-to-bring-creators-of-color-into-comics

 

'Blood Syndicate,' the 'bastard child of comics,' is reborn

By Jevon Phillips

June 10, 2022

https://www.latimes.com/entertainment-arts/story/2022-06-10/blood-syndicate-the-bastard-child-of-comics-is-reborn

 

The Deaths, Teams, and Origins of "Dark Crisis" with Joshua Williamson

By Brian Salvatore | June 14th, 2022

http://www.multiversitycomics.com/interviews/joshua-williamson-dark-crisis/

 

WASH DAY DIARIES' Jamila Rowser and Robyn Smith on Their Heartfelt Graphic Novel

by Tai Gooden

Jun 15 2022

https://nerdist.com/article/wash-day-diaries-jamila-rowser-robyn-smith-graphic-novel-black-culture-interview/

 

Patton Oswalt and Jordan Blum on MINOR THREATS' World and Villains

by Amy Ratcliffe

Jun 16 2022

https://nerdist.com/article/minor-threats-comic-interview-patton-oswalt-jordan-blum/

 

INTERVIEW: Chris Grine Goes Everywhere With Secrets of Camp Whatever Vol. 2: The Doors to Nowhere

  Wendy Browne June 13, 2022

https://womenwriteaboutcomics.com/2022/06/interview-chris-grine-goes-everywhere-with-secrets-of-camp-whatever-vol-2-the-doors-to-nowhere/

 

INTERVIEW: Alec Longstreth on Isle of Elsi [webcomics]

  Masha Zhdanova June 16, 2022

https://womenwriteaboutcomics.com/2022/06/interview-alec-longstreth-on-isle-of-elsi/

 

Netflix Settles Copyright Lawsuit Over Fish-Headed Villain in 'The Umbrella Academy'

Artist Kevin Atkinson accused the streamer and Gerard Way, the creator of the comic the series is adapted from, of copying his character, which first appeared in 1996.

by Winston Cho

June 9, 2022

https://www.hollywoodreporter.com/business/business-news/netflix-settles-copyright-lawsuit-over-fish-headed-villain-in-the-umbrella-academy-1235162192/amp/

 

Chris Ryall talks aliens and obsessions in 'Groom Lake: Grey Skies Above'

The follow-up to the 2009 series is currently crowdfunding via Zoop.

Chris Coplan

June 14, 2022

https://aiptcomics.com/2022/06/14/chris-ryall-on-groom-lake-sequel/

 

'Dreamer's got news': Nicole Maines and Tom Taylor talk 'Superman: Son of Kal-El' #13

David Brooke

June 10, 2022

https://aiptcomics.com/2022/06/10/nicole-maines-tom-taylor-superman-son-of-kal-el-13/

 

X-Men Monday #159 – Roy Thomas Talks Cyclops and Marvel Girl's Romance, Diversifying the X-Men, Collaborating With Neal Adams, and More

Chris Hassan

June 13, 2022

https://aiptcomics.com/2022/06/13/x-men-monday-159-roy-thomas-part-two/

 

Przywalny, D. . "Post-9/11 Dilemma over the Priority of National Security or Civil Liberties in Marvel Comics (2001-2004)". Ad Americam, vol. 23, June 2022, pp. 65-66, doi:10.12797/AdAmericam.23.2022.23.04.

https://journals.akademicka.pl/adamericam/article/view/4509

https://journals.akademicka.pl/adamericam/article/view/4509/3859

 

The dawn of the living communities: for a mediology of horror fandom in Dylan Dog

Giorgio Busi Rizzi, Lorenzo Di Paola

H-ermes. Journal of Communication 21 (2022): http://siba-ese.unisalento.it/index.php/h-ermes/article/view/25559

 

H-ermes. Journal of Communication N. 18 (2020), Special Issue - E-comics

http://siba-ese.unisalento.it/index.php/h-ermes/issue/view/1777

 

Introduzione. E-comics - Attualità e inattualità del fumetto nel tempo digitale = Introduction. E-comics - The contemporary and uncontemporary nature of comics in the digital era

Sergio Brancato, Ivan Pintor Iranzo

7-10

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23073

 

Normalità del Web e alterità del fumetto = Normality of the Web and otherness of comics

Daniele Barbieri

11-22

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23074

 

From poly-medium to post-medium A discourse on non-evolutionary movements of manga and comics

Marco Pellitteri

23-44

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23075

 

Il fumetto digitale tra sperimentazione e partecipazione: il caso Homestuck = Digital comics halfway between experimentation and participation: the example of Homestuck

Giorgio Busi Rizzi

45-72

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23076

 

Marvel's Spider-Man: "Ragnoverso" crossmediale = Marvel's Spider-Man: crossmedia "Spider-Verse"

Nicolò Villani

73-94

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23077

 

Una lectura cuántica del Multiverso Marvel a través de su plataforma digital = A Quantic Reading of Marvel Multiverse through its Digital Platform

Francisco Saez de Adana          

95-114

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23078

 

Comics e identità marginali. Il fumetto transfemminista = Comics and marginal identities. The transfeminist comic

Sara Pastore

115-138

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23079

 

Fanzinismo catódico experimental desde España = Experimental cathodic fanzinism from Spain

Álvaro M. Pons Moreno

139-162

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23080

 

La vanguardia del cómic digital: Transmedialidad y recursos narrativos en Joselito de Marta Altieri = Digital Comics Avant-garde: Transmediality and narrative resources in Marta Altieri's Joselito

Roberto Bartual, Gerardo Vilches

163-190

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23081

 

Informazione digitale a fumetti e narrazioni "resistenti": il world-building del portale Graphic News = Digital comic information and narratives of resistance. The world-building of Graphic News portal

Federica Epifani, Antonella Rinella

191-208

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23082

 

Dalla tavola al touch (e ritorno). Rimediazioni tra fumetto cartaceo e digitale in Leo Ortolani = From paper page to touchscreen (and back). Remediations between printed and digital comics in Leo Ortolani

Alessio Aletta

209-228

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23083

 

Identità diasporica cinese nel fumetto di realtà: da American Born Chinese a Primavere e Autunni = Chinese Diasporic Identity in "reality-based comics": from American Born Chinese to Primavere e Autunni

Martina Caschera

229-248

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23084

 

Autoproduzioni in tempi digitali. Il caso Mammaiuto = DIY Comics in Digital Times. A Case Studies: Mammaiuto

Lisa Maya Quaianni Manuzzato

249-264

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23085

 

Sedurre a tavola: confini mutati tra pubblicità e fumetti per bambini = Seducing with panels: changing boundaries between advertising and children's comics

Eva Van de Wiele

265-282

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23086

 

Rage comics. La viralità del fumetto nell'era del remix infinito = Rage comics. Comics virality in the era of endless remixes

Emiliano Chirchiano

283-296

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23087

 

Historietas, lectores y máquinas de Turing = Comics, Readers and Turing Machines

Jesús Gisbert Sampedro

297-318

http://siba-ese.unisalento.it/index.php/h-ermes/article/view/23088

 

In the Pixar prequel 'Lightyear,' Buzz gets his own swashbuckling space epic

Stephen Thompson, Ronald Young Jr., Laura Sirikul

Pop Culture Happy Hour June 17, 2022

https://www.npr.org/2022/06/13/1104575139/in-the-pixar-prequel-lightyear-buzz-gets-his-own-swashbuckling-space-epic

https://play.podtrac.com/npr-510282/edge1.pod.npr.org/anon.npr-mp3/npr/pchh/2022/06/20220617_pchh_pchh_220617_lightyear_final.mp3

https://www.npr.org/transcripts/1104575139

 

'Lightyear' Review: Infinite Buzz

By A.O. Scott

A version of this article appears in print on June 17, 2022, Section C, Page 6 of the New York edition with the headline: Before Buzz Was a Best-Selling Toy.

https://www.nytimes.com/2022/06/14/movies/lightyear-review.html

 

Buzz Lightyear origin story lacks magic of 'Toy Story' films [Buzz's origin story fails to achieve liftoff]

Review by Alan Zilberman

Washington Post June 17, 2022: Weekend 30

online at https://www.washingtonpost.com/movies/2022/06/14/lightyear-movie-review/

 

'Mad God' Review: Highway to Hell

In this mostly animated experiment, the filmmaker Phil Tippett leads us through a stop-motion inferno of despair and devastation.

By Jeannette Catsoulis

A version of this article appears in print on June 17, 2022, Section C, Page 8 of the New York edition with the headline: Mad God.

https://www.nytimes.com/2022/06/16/movies/mad-god-review.html

 

The comics industry says goodbye to Tim Sale

The legendary Marvel and DC artist passes this past weekend at the age of 66

Taimur Dar

06/17/2022

https://www.comicsbeat.com/the-comics-industry-says-goodbye-to-tim-sale/

 

and courtesy of Frank Pauer, some older comic strip ones

 

 

Peters: The Chameleon of the Cartoon Set [Mike Peters]

Lew Powell

The Charlotte Observer

Oct. 24, 1976

 

Peters paints town black & white [Mike Peters]

James Demarest

The Oberlin Review

May 5, 1981

 

Mike Peters at the Democratic Convention

… at the Republican convention

Dayton Daily News

Sept. 12, 1976

 

Tutu and buy-buy [Mike Peters, Jim Davis]

Dayton Ballet's fortunes rise as cartoonists give it a beneficial twirl

Betty Dietz Krebs

Dayton Daily News

April 25, 1981

 

Peters' profession is making people mad [Mike Peters]

Dale Parry

Gannett News Service

1981

 

[Mike Peters profile]

Chris Lawson

Beavercreek (OH) High School student newspaper

ca. 1978

 

Joking His Way To The Top [Mike Peters]

Ed Williams

Charlotte Observer

ca. 1982

 

Pulitzer Prize-winner prefers Dayton life [Mike Peters]

Betsy Harris

The Indianapolis Star

March 18, 1982

 

Faith, family help Dayton cartoonist cope with national fame [Mike Peters]

Peter Feuerherd

Catholic Telegraph

ca. 1982

 

His Business is Being Funny

Cartoonist Mike Peters To Visit College Thursday

Bob Dyer

The (OH) Daily Record

Feb. 16, 1983

 

As TV host, cartoonist draws on peers for sketches [Mike Peters]

Bob Batz

Dayton Daily News

Jan. 27, 1985

 

Fine 'tooning

Cartoonist Pete Hoffman's drawings resemble photographs

Tom Waniewski

University of Toledo Alumnus magazine

Spring 1994

 

Paige Braddock

Eye on Women: Keeping Up With the Women of Metro Atlanta

1996

 

Bok named as finalist for Pulitzer [Chip Bok]

Don Bandy

Akron Beacon Journal

1997

 

Humor from the Net [Peter Sinclair]

Celeste Dolan

The Underground Informer

Jan. 12, 1997

 

Interurban commuting [Milton Caniff]

Cartoonist was a regular

Roz Young

Dayton Daily News

Feb.8, 1997

 

Through the Keen Eyes of C.F. Payne

Donna Boen

Miamian (Miami University magazine)

Winter 1996-97

 

Constitution makes ink on paper inviolate

Defending Flynt an easy choice, considering founders' intent

Bob Englehart

Dayton Daily News

Jan. 19, 1997

 

A Pulitzer for 'The Post?'

Newspaper industry speculates Jeff Stahler is a leading contender

Felix Winternitz

Cincinnati CityBeat

Feb. 20-26, 1997

 

Cathy's creator to marry, but Cathy staying single as always [Cathy Guisewite]

Mary McCarty

Dayton Daily News

Aug. 10, 1997