Comics in National Building Museum's CANstruction competition

 by Bruce Guthrie

I spent much of Sunday at the National Building Museum watching the CANstruction event.

As the sponsoring group AIA | DC (the Washington Architectural Foundation) explains it:

Canstruction is a nationwide program that aims to raise awareness about hunger. In DC, Canstruction is organized by the Washington Architectural Foundation as a creative design-build competition that benefits the Capital Area Food Bank through donations of canned goods. Teams from architecture and design firms from Washington, DC use their skills to build sculptures out of cans of food. The nutritious shelf-stable food is donated to the CAFB for distribution to those in need after the event.

This year's theme was Children's Books and each structure highlighted a different book.

This year, there were 21 teams competing here in DC.  They've used all the normal state-of-the-art design tools to come up with their sculptures made of cans.  The structure with the fewest cans used 891 of them.   The most complicated used 5,942.  

The rules include that they can't start working with the cans until 12 noon and they have to be done by 6pm.  I spent 1-3/4 hours photographing before going to lunch, coming back an hour later to find that several teams had already finished.  Three teams were still working until 5:30 or so and one finished just before 6pm.  I left with the last team.

Two were directly influenced by comics -

  * Charles Schulz ("Peanuts" -- Snoopy on his doghouse with Woodstock on his chest

  * Joe Simon and Jack Kirby (Captain America's shield)

Your only chance to see these pieces, other than through my photos, is in person this Friday to Monday (the NBM is only open four days a week).  Then they're gone.  I suspect a few of them will collapse before the end of the show.  

If you've never been to the National Building Museum, it's well worth the trip.  The installation is located in the main hall of the museum building and it's free to see them.  Their regular exhibits are described on https://www.nbm.org/exhibitions/current/ .  I really liked the "Gun Violence Memorial Project" (also free) and "Animals, Collected" ones. The museum is next to the National Law Enforcement Memorial and is directly across from the entrance to one of the Judiciary Square stops.

I took too many photos (and have to come back and take more for the signs I missed) and had to divide them into four separate pages.  If you want to see all 750-ish of them, try this link:

http://www.bguthriephotos.com/graphlib.nsf/(Merge)?OpenAgent&merge=DC_Canstruction_211121&opt=event

The complete list (as they line up on the floor):

 * Andrea Beaty ("Rosie Revere, Engineer")
 * Ezra Jack Keats ("The Snowy Day")
 * Andrea Beaty ("Iggy Peck, Architect")
 * Frank Baum (the Emerald City from "The Wizard of Oz")
 * Sonica Ellis ("Kindness Rocks")
 * Ludwig Bemelmans ("Madeline")
 * E.B. White ("Charlotte's Web")
 * Alice Schertle ("Little Blue Truck")
 * Dr. Seuss ("Oh, the Places You'll Go!")
 * Eric Carle ("The Very Hungry Caterpillar")
 * Dr. Seuss ("The Lorax")
 * Marcus Pfister ("The Rainbow Fish")
 * Fairy Tale ("Jack and the Beanstalk")
 * Charles Schulz ("Peanuts" -- Snoopy on his doghouse with Woodstock on his chest}
 * Norman Bridwell ("Clifford the Big Red Dog")
 * American folktale ("The Little Engine That Could" )
 * Lewis Carroll (a Cheshire Cat from the "Alice in Wonderland" series)
 * Dr. Seuss ("The Cat In The Hat")
 * Joe Simon and Jack Kirby (Captain America's shield)
 * Shel Silverstein ("The Giving Tree")
 * Laura Numeroff ("If You Give a Mouse a Cookie")

Cuddles & Rage on NPR's Facebook Live

Artists Cuddles & Rage (aka Liz and Jimmy Reed) were on NPR's Facebook Live this week adding to their contribution to the Small Stories room diorama exhibit at the National Building Museum. If you missed it, you can catch the recording here.

Q&A with Cuddles and Rage

by Matt Dembicki

Local husband-and-wife duo Liz and Jimmy Reed (aka Cuddles and Rage) have been super busy with new projects. On display now at the National Building Museum is their diorama as part of the “Small Stories: At Home in a Dollhouse” exhibit. On the horizon is their first kids book, Sweet Competition, which is due in November from HarperCollins. Below, the Reeds answer a couple questions that ComicsDC posed to them about their work in diorama, comics and now picture books.

So, which came first—the diorama or the comic? By that I mean, which medium did you start working in first and how did it lead to the other? Which one is more challenging for you?

We started with drawn comics first in 2010 and incorporated the dioramas eight months later. Everything started off super simple. Our comics were all paper and pencil, and our dioramas were modest polymer clay characters shot with an iPhone on our kitchen counter. The dioramas were originally a one-off thing. Liz was excited to bring a few of our characters to life in 3D form and shared them with our audience. Our miniature creations really took off when Liz sculpted our evil villain, Dr. Taquito, running in the woods with a knife (the old days of Cuddles and Rage were pretty dark). People loved seeing Dr. Taquito as this tangible thing.

The dioramas are definitely harder to create than the comics. A lot of time goes into making them just right. With the comics, we now draw them digitally and post right away. With the dioramas, we draw the concept, sculpt the guys, find the props, setup the scene, shoot everything with a DSLR, and edit in Photoshop. We love the challenge of making them. It really tests your ability to transform objects into something else. A bottle cap can turn into a pie pan and a matchbox can morph into a miniature litter box. There’s always a little magic in every diorama.

How did cute food become a particular focus in your work?

In the early days, we had a handful of reoccurring characters as our main focus – Dr. Taquito, Taco, Nugget, Hippo, and Pippo Nut (a half peanut, half hippo love child), but we didn’t want to limit ourselves to just those guys. If a joke was funny then we’d post it. It just so happened that our most popular jokes were all food based. We think about food a lot and really enjoy experiencing food so looking back it makes total sense. You write what you know, and we know food. This became very apparent when HelloGiggles asked us to create weekly food based dioramas for their site. That’s really when fans started viewing us as “food humor experts.”

Can you outline how you work together? Does one person write and draw, another sculpt, etc.? 

We both draw and write. Liz does all the sculpting. Jimmy is actually allergic to the clay. We found that out the hard way! We both keep sketchbooks and are always bouncing ideas off one another. It’s really nice to have a partner who can help you work through a comic so it can grow into something beyond just an inside joke between you and your sketchbook.

Congrats on your upcoming first picture book! How did the idea for the book develop? Did you approach it as you would a comic?

Thank you! Being published is a dream come true. The book deal came about in a really unique way. We came to publishers with a completely different book that was cute but not quite the right fit. With that book we were able to showcase our unique art style and storytelling capabilities, which landed us a deal. Through our comic, they saw we had a million more stories in us and not just that one book. We went back and pitched them five different ideas and landed on the Sweet Competition. Our main characters, the Cherry Twins, stole their hearts with their witty banter and good old-fashion sibling rivalry. 

Do you do this work full time? If so, can you briefly explain when you decided to go full time and what were the initial challenges?

Cuddles and Rage was really one of those things where we didn’t want to look back 10 years later and wonder “What if…?” We decided to make the leap into Liz going full time C&R two years ago. At that time, we didn’t have a book deal or steady income through C&R, but we knew it was a now or never situation. We put as much as we could into savings leading up to the career change and cut back on a ton of expenses. Fancy coffees and new clothes were put on hold for a long time. It kind of killed our social life, but we knew it was all for a good cause. Prior to leaving, we’d connected with a literary agent who we later signed with. We basically did what we could to make money (workshops, conventions, commissions) and lived as simple as possible until the book deal came through. Once the book came in, more opportunities opened up and fancy coffees found their way back to us. We’ve been fortunate enough to keep Cuddles and Rage going for the time being. It’s a constant hustle and nothing is a guarantee. If you do leave your day job, always leave on really good terms and stay connected. Those guys will one day be cheering for you when you succeed and will also be there if you need something to fall back on. When you believe in something and always strive to become better at your craft, good things will follow.

Cuddles & Rage diorama at National Building Museum

The National Building Museum has a new exhibit called “Small Stories: At Home in a Dollhouse” that includes among its artists the miniature work of Cuddles & Rage (aka Liz and Jimmy Reed). The D.C.-area husband-and-wife team is known for its cute dioramas and witty comics. On exhibit at NBM is “Banana Bath.” According to the description, “Banana loves waking-up and starting his day off soaking in a cool tub of milk and cereal while devouring a great book. As a single banana living in Snuggle City, he embraces the morning quiet before heading off to a long day at work.”

Also, keep an eye out for their first picture book, Sweet Competition, which is about a pair of competitive twin cherries. It's due in November from HarperCollins.

Cuddles & Rage will also exhibit at Awesome Con June 3-5. On Sunday, Liz will participate on a panel on how to write and pitch books for kids.

Photo courtesy of Cuddles & Rage