Here's a short interview with Harvey. Print it out and tuck it in the back of my book.
EXCLUSIVE: Harvey Pekar Talks Webcomics, Art And His New Series, 'The Pekar Project'
by Rick Marshall
MTV's Splash Page blog 9/8/09
I just read the first 5 strips that are up and liked them all. I hope there will be a collection of these too.
Showing posts with label Harvey Pekar. Show all posts
Showing posts with label Harvey Pekar. Show all posts
Wednesday, September 09, 2009
Tuesday, September 01, 2009
Harvey Pekar: Conversations - a true collector's item!
Apparently the University Press of Mississippi has sold around 600 copies of my Harvey Pekar: Conversations book which is filled with fine interviews with Harvey, covering a 25-year period. If every copy sold in the US, that's 1 copy per every half million people. And actually apparently 2 sold overseas! We're talking real scarcity here. If you want to get in before they're all gone, the Press will be glad to sell you a copy. Or two.
Big Planet Bethesda's still got a couple on the rack too...
...not that I'm begging or anything.
Big Planet Bethesda's still got a couple on the rack too...
...not that I'm begging or anything.
Saturday, August 29, 2009
Review of Harvey Pekar: Conversations I missed
A friend just sent me a link to this, asking if I'd seen it. I hadn't so I'm sharing it with you all (we're south of the Mason-Dixon line, so I use that instead of youz).
Bredehoft, Tom. 2009.
Harvey Pekar Conversations,
VillageGrouchy blog Sunday, November 30, 2008
http://villagegrouchy.blogspot.com/2008/11/harvey-pekar-conversations.html
Bredehoft, Tom. 2009.
Harvey Pekar Conversations,
VillageGrouchy blog Sunday, November 30, 2008
http://villagegrouchy.blogspot.com/2008/11/harvey-pekar-conversations.html
Monday, August 24, 2009
PR: SMITH magazine announces THE PEKAR PROJECT
Harvey's tackling a new media - should be fun. Also check out Josh Neufeld's A.D.: New Orleans After the Deluge from Smith - I bought the hardcover collection last week.
THE PEKAR PROJECT
Harvey Pekar's First Ongoing Webcomics Series
www.smithmag.net/pekarproject
Harvey Pekar's been mining the mundane for magic for more than 30 years in his autobiographical American Splendor comics. Now he has teamed with SMITH and four remarkable artists to create his first ongoing webcomics series—and some of his jazziest work to date. The new stories will appear every other week, with interviews, creator spotlights, and behind-the-scenes goodies, as well as essays and art from Pekar collaborators and inhabitants of the extended Pekarverse.
The Pekar Project seeds were planted when Pekar discovered artist Tara Seibel, a fellow Clevelander. They began collaborating on stories for her blog, Rock City Comix. For The Pekar Project, Pekar has formed a band including editor Jeff Newelt and four artists: Seibel, Joseph Remnant, Rick Parker, and Sean Pryor. Just as Duke Ellington composed pieces with a particular featured soloist in mind, Pekar is tailoring each true-life tale to these artists' individual strengths.
Tara Seibel is the Thelonious Monk of the bunch—wholly different from the rest. Once you lock-in to her avant-garde, design-and-color driven way of doing comics, its like the first time Hendrix starts sounding less like chaos and more like Heaven.
Joseph Remnant was introduced to Pekar by underground comics legend Jay Lynch, and to SMITH by way of his superb work for Arthur Magazine. He's our resident classicist, a chip off the ole' Crumb.
Sean Pryor is a pyrotechnic young artist, who first collaborated with Pekar for Royal Flush magazine, on a boisterous strip that had Pekar reviewing heavy metal CDs.
Rick Parker is a veteran comics master craftsman, with a style at once elegant and mischievous. Parker, a long-time letterer for Marvel Comics, drew the Beavis and Butt-Head Comic Book, currently draws the intro pages for the new Tales From The Crypt comics, and is working on a graphic novel Tales From The Crypt: The Diary of A Stinky Dead Kid.
With The Pekar Project, SMITH has encouraged Harvey to go out there, to go in there, to be abstract, jazzy, esoteric, silly, erudite, and most off all, to have fun. Call it autobiography as poetry, or as art—or call it anything you like. We call ourselves honored to be working with a legend of personal storytelling.
SMITH is proud to present The Pekar Project.
— Jeff Newelt, Comics Editor
Saturday, July 25, 2009
A Harvey Pekar interview I missed
I found quite a few interviews for my book Harvey Pekar: Conversations, including some that didn't make it into the book for one reason or another, but here's one I missed completely: My 2004 interview with Harvey Pekar.
Monday, June 22, 2009
Pekar mention in yesteday's New York Times
This article is by Harvey Pekar's second cousin and glances at family ties - Sidewalk Phantom, By AUSTIN RATNER, New York Times Magazine June 21, 2009
http://www.nytimes.com/2009/06/21/magazine/21lives-t.html
http://www.nytimes.com/2009/06/21/magazine/21lives-t.html
Saturday, May 16, 2009
Sunday, May 03, 2009
Travels with Harvey
Last weekend I was at the History of Medicine meetings in Cleveland, the home to Harvey Pekar. I had called him beforehand and asked if we could meet and Harvey, who's always gracious, agreed. He picked me up after the Medical Museums Association meeting and took me to an early dinner in his town, Cleveland Heights.
After asking me if I liked milkshakes, he took me to Tommy's Restaurant (1824 Coventry Rd, Cleveland Heights, OH 44118, for those planning a trip) where he was greeted by name. We were parked in a booth and talked comics, food and mutual acquaintances for a while while I had a black cherry ice cream milkshake and a meat pie with lamb, beef and onions. Harvey had a grilled cheese, which I report for the sake of history. We talked a little bit about his appearance on Tony Bourdain's tv show No Reservations last year, and in spite of Harvey's reputation as a tv disdainer (apropos of his Letterman appearances), he's got a real liking for Bourdain who's another self-made man like Harvey is. I specifically asked because my wife and I are addicted to No Reservations and I buy any of Bourdain's books when he comes to DC for a signing.
I don't think Harvey will mind if I mention that DC hasn't picked up American Splendor for a 3rd series - drop a line to Vertigo now asking for more! These were excellent versions of his stories. His new book, The Beats, has just come out and he kindly gave me a copy. I also got him to sign some of the Harvey Pekar: Conversations books (on sale on the right) that I still have after buying a case of them. I'll probably be selling a few at Heroes Con when I accompany Our Man Thompson to help man his table this year.
It was a real pleasure to hang out with Harvey on his home ground. I'd recommend it to all of you, except that I think Harvey's brain would explode.
Sunday, April 12, 2009
Pekar's new book reviewed in NY Times
New York Times Book Review April 12, 2009
The Mad Ones
By JOHN LELAND
THE BEATS: A Graphic History
Text by Harvey Pekar and others.
Art by Ed Piskor and others.
Edited by Paul Buhle
199 pp. Hill & Wang. $22
My book on Harvey is still available from the U. Press of Mississippi - I just got the new catalogue and there's six new books on comics and animation in it!
Monday, March 09, 2009
Amazon advertises my own book to me
This got emailed to me over the weekend:
Yes, my own book, Harvey Pekar: Conversations, was one of the featured Pekar titles. I immediately considered ordering another five copies, it was so convincing.
Yes, my own book, Harvey Pekar: Conversations, was one of the featured Pekar titles. I immediately considered ordering another five copies, it was so convincing.
Saturday, January 31, 2009
Harvey Pekar Opera is tonight
NPR has a good story about it too.
Leave Me Alone!, a Jazz Opera by Harvey Pekar and Dan Plonsey, to Premiere at the Oberlin Conservatory Of Music and via Webcast on Jan. 31, 2009
American Splendor Icon Pekar Focuses His Sardonic Wit on the Everyday Struggles of Avant-Garde Artists, with Music from Cleveland-born Composer and Saxophonist Plonsey
OBERLIN, OHIO (December 10, 2008) —The iconic underground comic book author Harvey Pekar will make his operatic debut at the Oberlin Conservatory of Music in Leave Me Alone!, an autobiographical jazz opera. A collaboration by two Cleveland natives, the opera combines a libretto by Pekar with music by saxophonist and composer Dan Plonsey. Leave Me Alone! depicts the lives of its creators in quotidian detail while asking big questions about the place of cutting-edge art in our society. Amidst the demands and interruptions of day-to-day life, Pekar and Plonsey wonder, how can artists carve out time for their creative work? More importantly, they ask, how do we cultivate a society that is receptive to the avant-garde? The opera, which is presented by Oberlin in cooperation with Real Time Opera, will receive its world premiere in a free performance on Saturday, January 31, 2009, at 8 p.m. in Finney Chapel. The performance will also be streamed live to an international audience online at www.LeaveMeAloneOpera.com.
Finney Chapel is located at 90 N. Professor Street in Oberlin, Ohio, just 40 minutes southwest of Cleveland.
"There ought to be a place for cutting edge work," says Pekar, who believes that many major cultural institutions have shirked their responsibility to support contemporary art and challenge audiences. "I thought there wasn't much out there being said about this, and I wanted to open up some discussion."
Called "the blue-collar Mark Twain" by Variety, Pekar is best known for his autobiographical comic book series American Splendor, in which he elevated the mostly mundane details of his life as a working-class Clevelander to the level of art. The series won the American Book Award and a film adaptation took top honors at the Cannes and Sundance film festivals. Composer Plonsey, who was born and raised in Cleveland Heights, has been a lifelong proponent of new music, and has founded several new music series in and around his current home in El Cerrito, California.
"The opera, simply put, is the non-fictional account of its own creation," says Plonsey. In the story, Pekar and Plonsey engage in discussions about music, the state of the avant-garde, and the creation of the opera itself from their Cleveland and San Francisco Bay Area living rooms. A taped conversation between Pekar and comics illustrator Robert Crumb provides an additional perspective on the opera's themes. The wives of Plonsey and Pekar, Mantra Ben-ya'akova Plonsey and Joyce Brabner (who portray themselves in the production), enter the plot, as does Josh Smith, the opera's music director. Oberlin Conservatory students will also be involved in the production; four singers will double the protagonists on stage and an ensemble of six jazz musicians will back them in the pit, playing alongside Plonsey and Smith.
Plonsey and Pekar are deeply committed to the notion that art transcends distinctions of class and hence ought to be available to all. Accordingly, both the live performance and the webcast of the opera will be offered free of charge. Those wishing to support the production may do so by purchasing a comic about the opera, written by Pekar and illustrated by Joseph Remnant, at www.LeaveMeAloneOpera.com. The comic is available as a signed, limited-edition print ($300) or digital download ($5). Visitors may also purchase a cell-phone ring tone featuring Harvey's inimitable voice ($5) on the site.
Performers and Production Team
Several of the performers in the opera will play themselves, including Dan Plonsey, Harvey Pekar, Mantra Ben-ya'akova Plonsey, and Joyce Brabner. Oberlin Conservatory and College singers Patty Stubel '09, Kate Rosen '11, Joanna Lemle '10, and Christopher Rice '10 will double the characters on stage; students, including dummer Noah Hecht '10, trombonist Aaron Salituro '11, saxophonist David Schwartz '12, and trumpeter Gregory Zilboorg '13, will also play in the band.
The production team includes Paul Schick, executive producer for Real Time Opera; Josh Smith, musical director; Associate Professor of Opera Jonathon Field, stage director; Robert Katkowski, set designer; Barry Steele, lighting designer; Victoria Vaughan, stage manager; and Dan Michalak, musical preparation. The webcast will be produced with help from Oberlin professional staff and students, including Associate Dean of Technology and Facilities Michael Lynn, Director of Audio Services Paul Eachus, Director of Networking Barron Hulver, and Technology Consultant Todd Brown.
About the Librettist: Harvey Pekar
Harvey Pekar, a native of Cleveland, Ohio, is best known for his autobiographical comic book series American Splendor. Pekar began self-publishing the series in 1976, at the urging of friend and noted illustrator Robert Crumb. Unique among comic books of the time, Pekar's stories documented the minutiae of his daily life: working as a file clerk in the VA hospital, grocery shopping, or simply searching for a lost set of keys. In 1987, Pekar was honored with the American Book Award for his work on the series, and in 2003 American Splendor was adapted as a movie to widespread critical acclaim. An avid record collector, Pekar began his writing career as a book and music critic, with a particular interest in jazz. His reviews have been published in the Boston Herald, the Austin Chronicle, Jazz Times, Urban Dialect (Cleveland), and Down Beat magazine. Pekar's commentary for public radio station WKSU, starting in 1999, won him several journalism awards, including the 2001 Regional Edward R. Murrow Award for Best Writing. Pekar was a frequent guest on Late Night with David Letterman in the late 1980s; his infamous on-air criticism of General Electric got him temporarily banned from the show, although he did make two more appearances in the early 1990s. In 2001, Pekar retired from his job as a file clerk at the local VA Hospital. He lives in Cleveland Heights with his wife Joyce and their foster daughter Danielle.
About the Composer: Dan Plonsey
Saxophonist and composer Dan Plonsey was born and raised in Cleveland, Ohio. Drawing inspiration from musicians as diverse as Sun Ra and Charles Ives, Plonsey's music defies easy categorization. "No doubt," writes All About Jazz, "Plonsey is a creative soul who possesses a Renaissance spirit." In recent years Plonsey's instrumental work has focused on large ensembles of mixed instrumentation and ensembles of multiple saxophones. His more than 200 works for large and small ensembles include commissions from Bang on a Can, the Berkeley Symphony, and New Music Works in Santa Cruz. He has written numerous operas, including three collaborations with Paul Schick of Real Time Opera. From 1994-99, he was the resident composer and chief librettist for Disaster Opera Theater in El Cerrito, California, where he currently lives. He also founded the weekly Beanbender's creative music concert series in Berkeley, which is ongoing on an occasional basis. Plonsey earned a Bachelor of Arts degree in math and music from Yale University and a Master of Arts degree in composition from Mills College. He has studied composition with Martin Bresnick, David Lewin, Anthony Braxton, and, more briefly, Roscoe Mitchell and Terry Riley. He currently lives in the San Francisco Bay Area with his wife Mantra and their two sons, Cleveland and Mischa.
About the Director: Jonathon Field
Jonathon Field is one of America's more versatile and popular stage directors, having directed more than 100 productions in all four corners of the United States. He served as artistic director of Lyric Opera Cleveland for six seasons, where he presented the operas of Mozart, Rossini, and Donizetti as well as the Ohio premieres of works by John Adams, Mark Adamo, and Philip Glass. Several of Field's productions for the Lyric Opera of Chicago were so successful they were repeated at the Illinois Humanities Festival with Stephen Sondheim as keynote speaker. His productions for San Francisco Opera's Western Opera Theatre and Seattle Opera have played in more than 20 states. Over the past eight years Field has directed 10 productions with the Arizona Opera, being deemed by the press "their most perceptive stage director." In February 2007, Field directed—at Oberlin and at Miller Theatre in New York City—the critically acclaimed U.S. premiere of Lost Highway, a dramatic music theater work by noted Austrian composer Olga Neuwirth based on the David Lynch film. This is Field's 11th season as director of Oberlin Opera Theater.
About Real Time Opera: Artistic Director Paul Schick
Under the artistic direction of Paul Schick, Real Time Opera (RTO) has presented world premieres of new operas in New York, San Francisco, and New England, where the company is based. In 2005, RTO premiered Feynman (2005), a chamber opera by composer Jack Vees, with a libretto by Schick, about Nobel Prize-winning physicist and cult figure Richard Feynman, with SO Percussion as the pit orchestra. The opera premiered at the Norfolk Chamber Music Festival and was reprised in Brattleboro, Vermont at Dartmouth College, in Concord, New Hampshire, and in New York at the Knitting Factory. A future online production of Feynman from Yale is in the planning stages. RTO's debut production, in 2003, was Korczak's Orphans by composer Adam Silverman and librettist Susan Gubernat. Based on the life of Polish pediatrician, orphanage director, and Holocaust martyr Janosz Korczak, the opera was also performed by New York City Opera on their VOX Festival of new American works. RTO's second production, Hawaiian Tan Ratface, a quasi-opera by John Trubee, premiered at San Francisco's Studio Z in 2004. Schick is librettist and producer of the forthcoming music-dance-theater piece A House in Bali by composer Evan Ziporyn, scheduled to premiere in Bali, Indonesia, followed by an international tour, in 2009. As an administrator, Schick has worked with Opera North, Boston Lyric Opera, the American Gamelan Institute, and the composers' collective Frog Peak Music. He earned a Bachelor of Arts degree in English from Hamilton College and a Master of Philosophy degree and PhD in musicology from Yale University.
The Oberlin Conservatory of Music, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. The Conservatory is renowned internationally as a professional music school of the highest caliber and has been pronounced a "national treasure" by the Washington Post. Oberlin's alumni have gone on to achieve illustrious careers in all aspects of the serious music world. Many of them have attained stature as solo performers, composers, and conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves, Franco Farina, Christopher Robertson, Lisa Saffer, George Walker, Christopher Rouse, David Zinman, and Robert Spano. All of the members of the contemporary sextet eighth blackbird, most of the members of the International Contemporary Ensemble, and many of the members of Apollo's Fire are Oberlin alumni. In chamber music, the Miró, Pacifica, Juillard, and Fry Street quartets, among other small ensembles, include Oberlin-trained musicians, who also can be found in major orchestras and opera companies throughout the world. For more information about Oberlin, please visit www.oberlin.edu/con.
CALENDAR LISTING
Saturday, January 31, 2009, 8 p.m.
The Oberlin Conservatory of Music and Real Time Opera present
Leave Me Alone!
Libretto by Harvey Pekar
Music by Dan Plonsey
Josh Smith, music director
Jonathon Field, stage director
Live on stage:
Finney Chapel
90 North Professor Street
Oberlin, Ohio
Online:
www.LeaveMeAloneOpera.com
FREE
Oberlin Conservatory 24-Hour Concert Hotline: 440-775-6933
Leave Me Alone!, a Jazz Opera by Harvey Pekar and Dan Plonsey, to Premiere at the Oberlin Conservatory Of Music and via Webcast on Jan. 31, 2009
American Splendor Icon Pekar Focuses His Sardonic Wit on the Everyday Struggles of Avant-Garde Artists, with Music from Cleveland-born Composer and Saxophonist Plonsey
OBERLIN, OHIO (December 10, 2008) —The iconic underground comic book author Harvey Pekar will make his operatic debut at the Oberlin Conservatory of Music in Leave Me Alone!, an autobiographical jazz opera. A collaboration by two Cleveland natives, the opera combines a libretto by Pekar with music by saxophonist and composer Dan Plonsey. Leave Me Alone! depicts the lives of its creators in quotidian detail while asking big questions about the place of cutting-edge art in our society. Amidst the demands and interruptions of day-to-day life, Pekar and Plonsey wonder, how can artists carve out time for their creative work? More importantly, they ask, how do we cultivate a society that is receptive to the avant-garde? The opera, which is presented by Oberlin in cooperation with Real Time Opera, will receive its world premiere in a free performance on Saturday, January 31, 2009, at 8 p.m. in Finney Chapel. The performance will also be streamed live to an international audience online at www.LeaveMeAloneOpera.com.
Finney Chapel is located at 90 N. Professor Street in Oberlin, Ohio, just 40 minutes southwest of Cleveland.
"There ought to be a place for cutting edge work," says Pekar, who believes that many major cultural institutions have shirked their responsibility to support contemporary art and challenge audiences. "I thought there wasn't much out there being said about this, and I wanted to open up some discussion."
Called "the blue-collar Mark Twain" by Variety, Pekar is best known for his autobiographical comic book series American Splendor, in which he elevated the mostly mundane details of his life as a working-class Clevelander to the level of art. The series won the American Book Award and a film adaptation took top honors at the Cannes and Sundance film festivals. Composer Plonsey, who was born and raised in Cleveland Heights, has been a lifelong proponent of new music, and has founded several new music series in and around his current home in El Cerrito, California.
"The opera, simply put, is the non-fictional account of its own creation," says Plonsey. In the story, Pekar and Plonsey engage in discussions about music, the state of the avant-garde, and the creation of the opera itself from their Cleveland and San Francisco Bay Area living rooms. A taped conversation between Pekar and comics illustrator Robert Crumb provides an additional perspective on the opera's themes. The wives of Plonsey and Pekar, Mantra Ben-ya'akova Plonsey and Joyce Brabner (who portray themselves in the production), enter the plot, as does Josh Smith, the opera's music director. Oberlin Conservatory students will also be involved in the production; four singers will double the protagonists on stage and an ensemble of six jazz musicians will back them in the pit, playing alongside Plonsey and Smith.
Plonsey and Pekar are deeply committed to the notion that art transcends distinctions of class and hence ought to be available to all. Accordingly, both the live performance and the webcast of the opera will be offered free of charge. Those wishing to support the production may do so by purchasing a comic about the opera, written by Pekar and illustrated by Joseph Remnant, at www.LeaveMeAloneOpera.com. The comic is available as a signed, limited-edition print ($300) or digital download ($5). Visitors may also purchase a cell-phone ring tone featuring Harvey's inimitable voice ($5) on the site.
Performers and Production Team
Several of the performers in the opera will play themselves, including Dan Plonsey, Harvey Pekar, Mantra Ben-ya'akova Plonsey, and Joyce Brabner. Oberlin Conservatory and College singers Patty Stubel '09, Kate Rosen '11, Joanna Lemle '10, and Christopher Rice '10 will double the characters on stage; students, including dummer Noah Hecht '10, trombonist Aaron Salituro '11, saxophonist David Schwartz '12, and trumpeter Gregory Zilboorg '13, will also play in the band.
The production team includes Paul Schick, executive producer for Real Time Opera; Josh Smith, musical director; Associate Professor of Opera Jonathon Field, stage director; Robert Katkowski, set designer; Barry Steele, lighting designer; Victoria Vaughan, stage manager; and Dan Michalak, musical preparation. The webcast will be produced with help from Oberlin professional staff and students, including Associate Dean of Technology and Facilities Michael Lynn, Director of Audio Services Paul Eachus, Director of Networking Barron Hulver, and Technology Consultant Todd Brown.
About the Librettist: Harvey Pekar
Harvey Pekar, a native of Cleveland, Ohio, is best known for his autobiographical comic book series American Splendor. Pekar began self-publishing the series in 1976, at the urging of friend and noted illustrator Robert Crumb. Unique among comic books of the time, Pekar's stories documented the minutiae of his daily life: working as a file clerk in the VA hospital, grocery shopping, or simply searching for a lost set of keys. In 1987, Pekar was honored with the American Book Award for his work on the series, and in 2003 American Splendor was adapted as a movie to widespread critical acclaim. An avid record collector, Pekar began his writing career as a book and music critic, with a particular interest in jazz. His reviews have been published in the Boston Herald, the Austin Chronicle, Jazz Times, Urban Dialect (Cleveland), and Down Beat magazine. Pekar's commentary for public radio station WKSU, starting in 1999, won him several journalism awards, including the 2001 Regional Edward R. Murrow Award for Best Writing. Pekar was a frequent guest on Late Night with David Letterman in the late 1980s; his infamous on-air criticism of General Electric got him temporarily banned from the show, although he did make two more appearances in the early 1990s. In 2001, Pekar retired from his job as a file clerk at the local VA Hospital. He lives in Cleveland Heights with his wife Joyce and their foster daughter Danielle.
About the Composer: Dan Plonsey
Saxophonist and composer Dan Plonsey was born and raised in Cleveland, Ohio. Drawing inspiration from musicians as diverse as Sun Ra and Charles Ives, Plonsey's music defies easy categorization. "No doubt," writes All About Jazz, "Plonsey is a creative soul who possesses a Renaissance spirit." In recent years Plonsey's instrumental work has focused on large ensembles of mixed instrumentation and ensembles of multiple saxophones. His more than 200 works for large and small ensembles include commissions from Bang on a Can, the Berkeley Symphony, and New Music Works in Santa Cruz. He has written numerous operas, including three collaborations with Paul Schick of Real Time Opera. From 1994-99, he was the resident composer and chief librettist for Disaster Opera Theater in El Cerrito, California, where he currently lives. He also founded the weekly Beanbender's creative music concert series in Berkeley, which is ongoing on an occasional basis. Plonsey earned a Bachelor of Arts degree in math and music from Yale University and a Master of Arts degree in composition from Mills College. He has studied composition with Martin Bresnick, David Lewin, Anthony Braxton, and, more briefly, Roscoe Mitchell and Terry Riley. He currently lives in the San Francisco Bay Area with his wife Mantra and their two sons, Cleveland and Mischa.
About the Director: Jonathon Field
Jonathon Field is one of America's more versatile and popular stage directors, having directed more than 100 productions in all four corners of the United States. He served as artistic director of Lyric Opera Cleveland for six seasons, where he presented the operas of Mozart, Rossini, and Donizetti as well as the Ohio premieres of works by John Adams, Mark Adamo, and Philip Glass. Several of Field's productions for the Lyric Opera of Chicago were so successful they were repeated at the Illinois Humanities Festival with Stephen Sondheim as keynote speaker. His productions for San Francisco Opera's Western Opera Theatre and Seattle Opera have played in more than 20 states. Over the past eight years Field has directed 10 productions with the Arizona Opera, being deemed by the press "their most perceptive stage director." In February 2007, Field directed—at Oberlin and at Miller Theatre in New York City—the critically acclaimed U.S. premiere of Lost Highway, a dramatic music theater work by noted Austrian composer Olga Neuwirth based on the David Lynch film. This is Field's 11th season as director of Oberlin Opera Theater.
About Real Time Opera: Artistic Director Paul Schick
Under the artistic direction of Paul Schick, Real Time Opera (RTO) has presented world premieres of new operas in New York, San Francisco, and New England, where the company is based. In 2005, RTO premiered Feynman (2005), a chamber opera by composer Jack Vees, with a libretto by Schick, about Nobel Prize-winning physicist and cult figure Richard Feynman, with SO Percussion as the pit orchestra. The opera premiered at the Norfolk Chamber Music Festival and was reprised in Brattleboro, Vermont at Dartmouth College, in Concord, New Hampshire, and in New York at the Knitting Factory. A future online production of Feynman from Yale is in the planning stages. RTO's debut production, in 2003, was Korczak's Orphans by composer Adam Silverman and librettist Susan Gubernat. Based on the life of Polish pediatrician, orphanage director, and Holocaust martyr Janosz Korczak, the opera was also performed by New York City Opera on their VOX Festival of new American works. RTO's second production, Hawaiian Tan Ratface, a quasi-opera by John Trubee, premiered at San Francisco's Studio Z in 2004. Schick is librettist and producer of the forthcoming music-dance-theater piece A House in Bali by composer Evan Ziporyn, scheduled to premiere in Bali, Indonesia, followed by an international tour, in 2009. As an administrator, Schick has worked with Opera North, Boston Lyric Opera, the American Gamelan Institute, and the composers' collective Frog Peak Music. He earned a Bachelor of Arts degree in English from Hamilton College and a Master of Philosophy degree and PhD in musicology from Yale University.
The Oberlin Conservatory of Music, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. The Conservatory is renowned internationally as a professional music school of the highest caliber and has been pronounced a "national treasure" by the Washington Post. Oberlin's alumni have gone on to achieve illustrious careers in all aspects of the serious music world. Many of them have attained stature as solo performers, composers, and conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves, Franco Farina, Christopher Robertson, Lisa Saffer, George Walker, Christopher Rouse, David Zinman, and Robert Spano. All of the members of the contemporary sextet eighth blackbird, most of the members of the International Contemporary Ensemble, and many of the members of Apollo's Fire are Oberlin alumni. In chamber music, the Miró, Pacifica, Juillard, and Fry Street quartets, among other small ensembles, include Oberlin-trained musicians, who also can be found in major orchestras and opera companies throughout the world. For more information about Oberlin, please visit www.oberlin.edu/con.
CALENDAR LISTING
Saturday, January 31, 2009, 8 p.m.
The Oberlin Conservatory of Music and Real Time Opera present
Leave Me Alone!
Libretto by Harvey Pekar
Music by Dan Plonsey
Josh Smith, music director
Jonathon Field, stage director
Live on stage:
Finney Chapel
90 North Professor Street
Oberlin, Ohio
Online:
www.LeaveMeAloneOpera.com
FREE
Oberlin Conservatory 24-Hour Concert Hotline: 440-775-6933
Saturday, January 17, 2009
Pekar's upcoming opera - more information
See "Harvey Pekar Talks "Leave Me Alone!" Opera," by Michael San Giacomo, Guest Contributor, Mon, January 12th, 2009 which also has a downloadable audio file of Pekar and Crumb. For those who want to read more about Pekar's love of music, my book of interviews has a bit on that.
Tuesday, January 13, 2009
More on Harvey Pekar's opera
This blog post talks about how Robert Crumb ties into Harvey's libretto - "Harvey Pekar's jazz opera to be performed this month in Oberlin," by Michael Heaton/Plain Dealer Reporter, Monday January 12, 2009.
Monday, January 12, 2009
More on Pekar's opera
See "Cleveland’s chronicler of the mundane is going avant-garde with an opera at Oberlin College," Cindy Leise, The Chronicle-Telegram January 11 2009.
Pekar, Feiffer and Jaffee interviewed in NYC
These should be good. I've never met Jaffee, but Feiffer and Pekar are fun to hear.
INTERVIEW SERIES WITH AL JAFFEE, JULES FEIFFER, HARVEY PEKAR IN NEW YORK BEGINS WEDS. JANUARY 21.
New York, January 11, 2009
From Danny Fingeroth:
The YIVO Institute presents one-on-one interviews with three titans comics, whose work has had seismic effects on the general culture.
Al JAFFEE, JULES FEIFFER, and HARVEY PEKAR will be interviewed by comics writer and critic DANNY FINGEROTH.
YIVO’s “Comics and the American Jewish Dream” series kicks off WEDS. JAN 21 at 7:00 pm with:
"The MAD, MAD, MAD (Jewish) World of AL JAFFEE"
A graduate of New York’s High School of Art and Design, JAFFEE worked as an editor, writer and artist for Stan Lee at Timely (later Marvel) Comics during the 1940s. In 1955, Jaffee joined “the Usual Gang of Idiots” at MAD Magazine, where he’s been a mainstay ever since, entertaining generations with his Snappy Answers to Stupid Questions and Mad Fold-Ins. Join us as JAFFEE provides snappy answers to provocative questions about his art and life, including his new book, Tall Tales (Abrams).
About Danny Fingeroth:
Series curator and moderator DANNY FINGEROTH, a longtime writer and editor at Marvel Comics, has spoken about comics at the Smithsonian Institution and The New School. He’s the author of Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero (Continuum) and The Rough Guide to Graphic Novels (Penguin).
Wednesday, January 21, 7:00
The YIVO Institute For Jewish Research
15 West 16th Street / New York, NY 10011
Series Continues With
JULES FEIFFER: Tuesday, February 3, 7:00 P.M.
HARVEY PEKAR: Tuesday, February 17, 7:00 P.M.
ADMISSION TO PROGRAMS: $25 / YIVO members: $18 / students: $12
FOR TICKETS: Call 212-868-4444 or visit WWW.SMARTTIX.COM
FOR MORE INFO VISIT WWW.YIVO.ORG
INTERVIEW SERIES WITH AL JAFFEE, JULES FEIFFER, HARVEY PEKAR IN NEW YORK BEGINS WEDS. JANUARY 21.
New York, January 11, 2009
From Danny Fingeroth:
The YIVO Institute presents one-on-one interviews with three titans comics, whose work has had seismic effects on the general culture.
Al JAFFEE, JULES FEIFFER, and HARVEY PEKAR will be interviewed by comics writer and critic DANNY FINGEROTH.
YIVO’s “Comics and the American Jewish Dream” series kicks off WEDS. JAN 21 at 7:00 pm with:
"The MAD, MAD, MAD (Jewish) World of AL JAFFEE"
A graduate of New York’s High School of Art and Design, JAFFEE worked as an editor, writer and artist for Stan Lee at Timely (later Marvel) Comics during the 1940s. In 1955, Jaffee joined “the Usual Gang of Idiots” at MAD Magazine, where he’s been a mainstay ever since, entertaining generations with his Snappy Answers to Stupid Questions and Mad Fold-Ins. Join us as JAFFEE provides snappy answers to provocative questions about his art and life, including his new book, Tall Tales (Abrams).
About Danny Fingeroth:
Series curator and moderator DANNY FINGEROTH, a longtime writer and editor at Marvel Comics, has spoken about comics at the Smithsonian Institution and The New School. He’s the author of Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero (Continuum) and The Rough Guide to Graphic Novels (Penguin).
Wednesday, January 21, 7:00
The YIVO Institute For Jewish Research
15 West 16th Street / New York, NY 10011
Series Continues With
JULES FEIFFER: Tuesday, February 3, 7:00 P.M.
HARVEY PEKAR: Tuesday, February 17, 7:00 P.M.
ADMISSION TO PROGRAMS: $25 / YIVO members: $18 / students: $12
FOR TICKETS: Call 212-868-4444 or visit WWW.SMARTTIX.COM
FOR MORE INFO VISIT WWW.YIVO.ORG
Monday, December 29, 2008
Harvey Pekar: Conversations reviewed a second time
Nice review here:
Harvey Pekar: Mensch
A Review of Harvey Pekar: Conversations by Michael G. Rhode
by Paul Buhle, November 20, 2008
Paul Buhle writes non-fiction comics too.
Harvey Pekar: Mensch
A Review of Harvey Pekar: Conversations by Michael G. Rhode
by Paul Buhle, November 20, 2008
Paul Buhle writes non-fiction comics too.
Friday, December 12, 2008
From Off the Streets of Cleveland Comes ... Harvey Pekar's opera
Leave Me Alone!, a Jazz Opera by Harvey Pekar and Dan Plonsey, to Premiere at the Oberlin Conservatory Of Music and via Webcast on Jan. 31, 2009
American Splendor Icon Pekar Focuses His Sardonic Wit on the Everyday Struggles of Avant-Garde Artists, with Music from Cleveland-born Composer and Saxophonist Plonsey
OBERLIN, OHIO (December 10, 2008) —The iconic underground comic book author Harvey Pekar will make his operatic debut at the Oberlin Conservatory of Music in Leave Me Alone!, an autobiographical jazz opera. A collaboration by two Cleveland natives, the opera combines a libretto by Pekar with music by saxophonist and composer Dan Plonsey. Leave Me Alone! depicts the lives of its creators in quotidian detail while asking big questions about the place of cutting-edge art in our society. Amidst the demands and interruptions of day-to-day life, Pekar and Plonsey wonder, how can artists carve out time for their creative work? More importantly, they ask, how do we cultivate a society that is receptive to the avant-garde? The opera, which is presented by Oberlin in cooperation with Real Time Opera, will receive its world premiere in a free performance on Saturday, January 31, 2009, at 8 p.m. in Finney Chapel. The performance will also be streamed live to an international audience online at www.LeaveMeAloneOpera.com.
Finney Chapel is located at 90 N. Professor Street in Oberlin, Ohio, just 40 minutes southwest of Cleveland.
"There ought to be a place for cutting edge work," says Pekar, who believes that many major cultural institutions have shirked their responsibility to support contemporary art and challenge audiences. "I thought there wasn't much out there being said about this, and I wanted to open up some discussion."
Called "the blue-collar Mark Twain" by Variety, Pekar is best known for his autobiographical comic book series American Splendor, in which he elevated the mostly mundane details of his life as a working-class Clevelander to the level of art. The series won the American Book Award and a film adaptation took top honors at the Cannes and Sundance film festivals. Composer Plonsey, who was born and raised in Cleveland Heights, has been a lifelong proponent of new music, and has founded several new music series in and around his current home in El Cerrito, California.
"The opera, simply put, is the non-fictional account of its own creation," says Plonsey. In the story, Pekar and Plonsey engage in discussions about music, the state of the avant-garde, and the creation of the opera itself from their Cleveland and San Francisco Bay Area living rooms. A taped conversation between Pekar and comics illustrator Robert Crumb provides an additional perspective on the opera's themes. The wives of Plonsey and Pekar, Mantra Ben-ya'akova Plonsey and Joyce Brabner (who portray themselves in the production), enter the plot, as does Josh Smith, the opera's music director. Oberlin Conservatory students will also be involved in the production; four singers will double the protagonists on stage and an ensemble of six jazz musicians will back them in the pit, playing alongside Plonsey and Smith.
Plonsey and Pekar are deeply committed to the notion that art transcends distinctions of class and hence ought to be available to all. Accordingly, both the live performance and the webcast of the opera will be offered free of charge. Those wishing to support the production may do so by purchasing a comic about the opera, written by Pekar and illustrated by Joseph Remnant, at www.LeaveMeAloneOpera.com. The comic is available as a signed, limited-edition print ($300) or digital download ($5). Visitors may also purchase a cell-phone ring tone featuring Harvey's inimitable voice ($5) on the site.
Performers and Production Team
Several of the performers in the opera will play themselves, including Dan Plonsey, Harvey Pekar, Mantra Ben-ya'akova Plonsey, and Joyce Brabner. Oberlin Conservatory and College singers Patty Stubel '09, Kate Rosen '11, Joanna Lemle '10, and Christopher Rice '10 will double the characters on stage; students, including dummer Noah Hecht '10, trombonist Aaron Salituro '11, saxophonist David Schwartz '12, and trumpeter Gregory Zilboorg '13, will also play in the band.
The production team includes Paul Schick, executive producer for Real Time Opera; Josh Smith, musical director; Associate Professor of Opera Jonathon Field, stage director; Robert Katkowski, set designer; Barry Steele, lighting designer; Victoria Vaughan, stage manager; and Dan Michalak, musical preparation. The webcast will be produced with help from Oberlin professional staff and students, including Associate Dean of Technology and Facilities Michael Lynn, Director of Audio Services Paul Eachus, Director of Networking Barron Hulver, and Technology Consultant Todd Brown.
About the Librettist: Harvey Pekar
Harvey Pekar, a native of Cleveland, Ohio, is best known for his autobiographical comic book series American Splendor. Pekar began self-publishing the series in 1976, at the urging of friend and noted illustrator Robert Crumb. Unique among comic books of the time, Pekar's stories documented the minutiae of his daily life: working as a file clerk in the VA hospital, grocery shopping, or simply searching for a lost set of keys. In 1987, Pekar was honored with the American Book Award for his work on the series, and in 2003 American Splendor was adapted as a movie to widespread critical acclaim. An avid record collector, Pekar began his writing career as a book and music critic, with a particular interest in jazz. His reviews have been published in the Boston Herald, the Austin Chronicle, Jazz Times, Urban Dialect (Cleveland), and Down Beat magazine. Pekar's commentary for public radio station WKSU, starting in 1999, won him several journalism awards, including the 2001 Regional Edward R. Murrow Award for Best Writing. Pekar was a frequent guest on Late Night with David Letterman in the late 1980s; his infamous on-air criticism of General Electric got him temporarily banned from the show, although he did make two more appearances in the early 1990s. In 2001, Pekar retired from his job as a file clerk at the local VA Hospital. He lives in Cleveland Heights with his wife Joyce and their foster daughter Danielle.
About the Composer: Dan Plonsey
Saxophonist and composer Dan Plonsey was born and raised in Cleveland, Ohio. Drawing inspiration from musicians as diverse as Sun Ra and Charles Ives, Plonsey's music defies easy categorization. "No doubt," writes All About Jazz, "Plonsey is a creative soul who possesses a Renaissance spirit." In recent years Plonsey's instrumental work has focused on large ensembles of mixed instrumentation and ensembles of multiple saxophones. His more than 200 works for large and small ensembles include commissions from Bang on a Can, the Berkeley Symphony, and New Music Works in Santa Cruz. He has written numerous operas, including three collaborations with Paul Schick of Real Time Opera. From 1994-99, he was the resident composer and chief librettist for Disaster Opera Theater in El Cerrito, California, where he currently lives. He also founded the weekly Beanbender's creative music concert series in Berkeley, which is ongoing on an occasional basis. Plonsey earned a Bachelor of Arts degree in math and music from Yale University and a Master of Arts degree in composition from Mills College. He has studied composition with Martin Bresnick, David Lewin, Anthony Braxton, and, more briefly, Roscoe Mitchell and Terry Riley. He currently lives in the San Francisco Bay Area with his wife Mantra and their two sons, Cleveland and Mischa.
About the Director: Jonathon Field
Jonathon Field is one of America's more versatile and popular stage directors, having directed more than 100 productions in all four corners of the United States. He served as artistic director of Lyric Opera Cleveland for six seasons, where he presented the operas of Mozart, Rossini, and Donizetti as well as the Ohio premieres of works by John Adams, Mark Adamo, and Philip Glass. Several of Field's productions for the Lyric Opera of Chicago were so successful they were repeated at the Illinois Humanities Festival with Stephen Sondheim as keynote speaker. His productions for San Francisco Opera's Western Opera Theatre and Seattle Opera have played in more than 20 states. Over the past eight years Field has directed 10 productions with the Arizona Opera, being deemed by the press "their most perceptive stage director." In February 2007, Field directed—at Oberlin and at Miller Theatre in New York City—the critically acclaimed U.S. premiere of Lost Highway, a dramatic music theater work by noted Austrian composer Olga Neuwirth based on the David Lynch film. This is Field's 11th season as director of Oberlin Opera Theater.
About Real Time Opera: Artistic Director Paul Schick
Under the artistic direction of Paul Schick, Real Time Opera (RTO) has presented world premieres of new operas in New York, San Francisco, and New England, where the company is based. In 2005, RTO premiered Feynman (2005), a chamber opera by composer Jack Vees, with a libretto by Schick, about Nobel Prize-winning physicist and cult figure Richard Feynman, with SO Percussion as the pit orchestra. The opera premiered at the Norfolk Chamber Music Festival and was reprised in Brattleboro, Vermont at Dartmouth College, in Concord, New Hampshire, and in New York at the Knitting Factory. A future online production of Feynman from Yale is in the planning stages. RTO's debut production, in 2003, was Korczak's Orphans by composer Adam Silverman and librettist Susan Gubernat. Based on the life of Polish pediatrician, orphanage director, and Holocaust martyr Janosz Korczak, the opera was also performed by New York City Opera on their VOX Festival of new American works. RTO's second production, Hawaiian Tan Ratface, a quasi-opera by John Trubee, premiered at San Francisco's Studio Z in 2004. Schick is librettist and producer of the forthcoming music-dance-theater piece A House in Bali by composer Evan Ziporyn, scheduled to premiere in Bali, Indonesia, followed by an international tour, in 2009. As an administrator, Schick has worked with Opera North, Boston Lyric Opera, the American Gamelan Institute, and the composers' collective Frog Peak Music. He earned a Bachelor of Arts degree in English from Hamilton College and a Master of Philosophy degree and PhD in musicology from Yale University.
The Oberlin Conservatory of Music, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. The Conservatory is renowned internationally as a professional music school of the highest caliber and has been pronounced a "national treasure" by the Washington Post. Oberlin's alumni have gone on to achieve illustrious careers in all aspects of the serious music world. Many of them have attained stature as solo performers, composers, and conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves, Franco Farina, Christopher Robertson, Lisa Saffer, George Walker, Christopher Rouse, David Zinman, and Robert Spano. All of the members of the contemporary sextet eighth blackbird, most of the members of the International Contemporary Ensemble, and many of the members of Apollo's Fire are Oberlin alumni. In chamber music, the Miró, Pacifica, Juillard, and Fry Street quartets, among other small ensembles, include Oberlin-trained musicians, who also can be found in major orchestras and opera companies throughout the world. For more information about Oberlin, please visit www.oberlin.edu/con.
CALENDAR LISTING
Saturday, January 31, 2009, 8 p.m.
The Oberlin Conservatory of Music and Real Time Opera present
Leave Me Alone!
Libretto by Harvey Pekar
Music by Dan Plonsey
Josh Smith, music director
Jonathon Field, stage director
Live on stage:
Finney Chapel
90 North Professor Street
Oberlin, Ohio
Online:
www.LeaveMeAloneOpera.com
FREE
Oberlin Conservatory 24-Hour Concert Hotline: 440-775-6933
American Splendor Icon Pekar Focuses His Sardonic Wit on the Everyday Struggles of Avant-Garde Artists, with Music from Cleveland-born Composer and Saxophonist Plonsey
OBERLIN, OHIO (December 10, 2008) —The iconic underground comic book author Harvey Pekar will make his operatic debut at the Oberlin Conservatory of Music in Leave Me Alone!, an autobiographical jazz opera. A collaboration by two Cleveland natives, the opera combines a libretto by Pekar with music by saxophonist and composer Dan Plonsey. Leave Me Alone! depicts the lives of its creators in quotidian detail while asking big questions about the place of cutting-edge art in our society. Amidst the demands and interruptions of day-to-day life, Pekar and Plonsey wonder, how can artists carve out time for their creative work? More importantly, they ask, how do we cultivate a society that is receptive to the avant-garde? The opera, which is presented by Oberlin in cooperation with Real Time Opera, will receive its world premiere in a free performance on Saturday, January 31, 2009, at 8 p.m. in Finney Chapel. The performance will also be streamed live to an international audience online at www.LeaveMeAloneOpera.com.
Finney Chapel is located at 90 N. Professor Street in Oberlin, Ohio, just 40 minutes southwest of Cleveland.
"There ought to be a place for cutting edge work," says Pekar, who believes that many major cultural institutions have shirked their responsibility to support contemporary art and challenge audiences. "I thought there wasn't much out there being said about this, and I wanted to open up some discussion."
Called "the blue-collar Mark Twain" by Variety, Pekar is best known for his autobiographical comic book series American Splendor, in which he elevated the mostly mundane details of his life as a working-class Clevelander to the level of art. The series won the American Book Award and a film adaptation took top honors at the Cannes and Sundance film festivals. Composer Plonsey, who was born and raised in Cleveland Heights, has been a lifelong proponent of new music, and has founded several new music series in and around his current home in El Cerrito, California.
"The opera, simply put, is the non-fictional account of its own creation," says Plonsey. In the story, Pekar and Plonsey engage in discussions about music, the state of the avant-garde, and the creation of the opera itself from their Cleveland and San Francisco Bay Area living rooms. A taped conversation between Pekar and comics illustrator Robert Crumb provides an additional perspective on the opera's themes. The wives of Plonsey and Pekar, Mantra Ben-ya'akova Plonsey and Joyce Brabner (who portray themselves in the production), enter the plot, as does Josh Smith, the opera's music director. Oberlin Conservatory students will also be involved in the production; four singers will double the protagonists on stage and an ensemble of six jazz musicians will back them in the pit, playing alongside Plonsey and Smith.
Plonsey and Pekar are deeply committed to the notion that art transcends distinctions of class and hence ought to be available to all. Accordingly, both the live performance and the webcast of the opera will be offered free of charge. Those wishing to support the production may do so by purchasing a comic about the opera, written by Pekar and illustrated by Joseph Remnant, at www.LeaveMeAloneOpera.com. The comic is available as a signed, limited-edition print ($300) or digital download ($5). Visitors may also purchase a cell-phone ring tone featuring Harvey's inimitable voice ($5) on the site.
Performers and Production Team
Several of the performers in the opera will play themselves, including Dan Plonsey, Harvey Pekar, Mantra Ben-ya'akova Plonsey, and Joyce Brabner. Oberlin Conservatory and College singers Patty Stubel '09, Kate Rosen '11, Joanna Lemle '10, and Christopher Rice '10 will double the characters on stage; students, including dummer Noah Hecht '10, trombonist Aaron Salituro '11, saxophonist David Schwartz '12, and trumpeter Gregory Zilboorg '13, will also play in the band.
The production team includes Paul Schick, executive producer for Real Time Opera; Josh Smith, musical director; Associate Professor of Opera Jonathon Field, stage director; Robert Katkowski, set designer; Barry Steele, lighting designer; Victoria Vaughan, stage manager; and Dan Michalak, musical preparation. The webcast will be produced with help from Oberlin professional staff and students, including Associate Dean of Technology and Facilities Michael Lynn, Director of Audio Services Paul Eachus, Director of Networking Barron Hulver, and Technology Consultant Todd Brown.
About the Librettist: Harvey Pekar
Harvey Pekar, a native of Cleveland, Ohio, is best known for his autobiographical comic book series American Splendor. Pekar began self-publishing the series in 1976, at the urging of friend and noted illustrator Robert Crumb. Unique among comic books of the time, Pekar's stories documented the minutiae of his daily life: working as a file clerk in the VA hospital, grocery shopping, or simply searching for a lost set of keys. In 1987, Pekar was honored with the American Book Award for his work on the series, and in 2003 American Splendor was adapted as a movie to widespread critical acclaim. An avid record collector, Pekar began his writing career as a book and music critic, with a particular interest in jazz. His reviews have been published in the Boston Herald, the Austin Chronicle, Jazz Times, Urban Dialect (Cleveland), and Down Beat magazine. Pekar's commentary for public radio station WKSU, starting in 1999, won him several journalism awards, including the 2001 Regional Edward R. Murrow Award for Best Writing. Pekar was a frequent guest on Late Night with David Letterman in the late 1980s; his infamous on-air criticism of General Electric got him temporarily banned from the show, although he did make two more appearances in the early 1990s. In 2001, Pekar retired from his job as a file clerk at the local VA Hospital. He lives in Cleveland Heights with his wife Joyce and their foster daughter Danielle.
About the Composer: Dan Plonsey
Saxophonist and composer Dan Plonsey was born and raised in Cleveland, Ohio. Drawing inspiration from musicians as diverse as Sun Ra and Charles Ives, Plonsey's music defies easy categorization. "No doubt," writes All About Jazz, "Plonsey is a creative soul who possesses a Renaissance spirit." In recent years Plonsey's instrumental work has focused on large ensembles of mixed instrumentation and ensembles of multiple saxophones. His more than 200 works for large and small ensembles include commissions from Bang on a Can, the Berkeley Symphony, and New Music Works in Santa Cruz. He has written numerous operas, including three collaborations with Paul Schick of Real Time Opera. From 1994-99, he was the resident composer and chief librettist for Disaster Opera Theater in El Cerrito, California, where he currently lives. He also founded the weekly Beanbender's creative music concert series in Berkeley, which is ongoing on an occasional basis. Plonsey earned a Bachelor of Arts degree in math and music from Yale University and a Master of Arts degree in composition from Mills College. He has studied composition with Martin Bresnick, David Lewin, Anthony Braxton, and, more briefly, Roscoe Mitchell and Terry Riley. He currently lives in the San Francisco Bay Area with his wife Mantra and their two sons, Cleveland and Mischa.
About the Director: Jonathon Field
Jonathon Field is one of America's more versatile and popular stage directors, having directed more than 100 productions in all four corners of the United States. He served as artistic director of Lyric Opera Cleveland for six seasons, where he presented the operas of Mozart, Rossini, and Donizetti as well as the Ohio premieres of works by John Adams, Mark Adamo, and Philip Glass. Several of Field's productions for the Lyric Opera of Chicago were so successful they were repeated at the Illinois Humanities Festival with Stephen Sondheim as keynote speaker. His productions for San Francisco Opera's Western Opera Theatre and Seattle Opera have played in more than 20 states. Over the past eight years Field has directed 10 productions with the Arizona Opera, being deemed by the press "their most perceptive stage director." In February 2007, Field directed—at Oberlin and at Miller Theatre in New York City—the critically acclaimed U.S. premiere of Lost Highway, a dramatic music theater work by noted Austrian composer Olga Neuwirth based on the David Lynch film. This is Field's 11th season as director of Oberlin Opera Theater.
About Real Time Opera: Artistic Director Paul Schick
Under the artistic direction of Paul Schick, Real Time Opera (RTO) has presented world premieres of new operas in New York, San Francisco, and New England, where the company is based. In 2005, RTO premiered Feynman (2005), a chamber opera by composer Jack Vees, with a libretto by Schick, about Nobel Prize-winning physicist and cult figure Richard Feynman, with SO Percussion as the pit orchestra. The opera premiered at the Norfolk Chamber Music Festival and was reprised in Brattleboro, Vermont at Dartmouth College, in Concord, New Hampshire, and in New York at the Knitting Factory. A future online production of Feynman from Yale is in the planning stages. RTO's debut production, in 2003, was Korczak's Orphans by composer Adam Silverman and librettist Susan Gubernat. Based on the life of Polish pediatrician, orphanage director, and Holocaust martyr Janosz Korczak, the opera was also performed by New York City Opera on their VOX Festival of new American works. RTO's second production, Hawaiian Tan Ratface, a quasi-opera by John Trubee, premiered at San Francisco's Studio Z in 2004. Schick is librettist and producer of the forthcoming music-dance-theater piece A House in Bali by composer Evan Ziporyn, scheduled to premiere in Bali, Indonesia, followed by an international tour, in 2009. As an administrator, Schick has worked with Opera North, Boston Lyric Opera, the American Gamelan Institute, and the composers' collective Frog Peak Music. He earned a Bachelor of Arts degree in English from Hamilton College and a Master of Philosophy degree and PhD in musicology from Yale University.
The Oberlin Conservatory of Music, founded in 1865 and situated amid the intellectual vitality of Oberlin College since 1867, is the oldest continuously operating conservatory in the United States. The Conservatory is renowned internationally as a professional music school of the highest caliber and has been pronounced a "national treasure" by the Washington Post. Oberlin's alumni have gone on to achieve illustrious careers in all aspects of the serious music world. Many of them have attained stature as solo performers, composers, and conductors, among them Jennifer Koh, Steven Isserlis, Denyce Graves, Franco Farina, Christopher Robertson, Lisa Saffer, George Walker, Christopher Rouse, David Zinman, and Robert Spano. All of the members of the contemporary sextet eighth blackbird, most of the members of the International Contemporary Ensemble, and many of the members of Apollo's Fire are Oberlin alumni. In chamber music, the Miró, Pacifica, Juillard, and Fry Street quartets, among other small ensembles, include Oberlin-trained musicians, who also can be found in major orchestras and opera companies throughout the world. For more information about Oberlin, please visit www.oberlin.edu/con.
CALENDAR LISTING
Saturday, January 31, 2009, 8 p.m.
The Oberlin Conservatory of Music and Real Time Opera present
Leave Me Alone!
Libretto by Harvey Pekar
Music by Dan Plonsey
Josh Smith, music director
Jonathon Field, stage director
Live on stage:
Finney Chapel
90 North Professor Street
Oberlin, Ohio
Online:
www.LeaveMeAloneOpera.com
FREE
Oberlin Conservatory 24-Hour Concert Hotline: 440-775-6933
Monday, December 01, 2008
Harvey Pekar book review!
And it's even by someone I don't know!
Harvey Pekar Conversations, Tom Bredehoft, Village Grouchy blog, Sunday, November 30, 2008.
Marc C Rogers (whom I do know) is reviewing it for the next issue of the International Journal of Comic Art. Speaking of which, I got the current Fall 2008 issue, 10:2, which clocks in at 872 pages! Something that massive needs its own post.
Harvey Pekar Conversations, Tom Bredehoft, Village Grouchy blog, Sunday, November 30, 2008.
Marc C Rogers (whom I do know) is reviewing it for the next issue of the International Journal of Comic Art. Speaking of which, I got the current Fall 2008 issue, 10:2, which clocks in at 872 pages! Something that massive needs its own post.
Monday, November 17, 2008
Pekar and Bechdel strip on Daily Cross Hatch
Brian Heater's site, Daily Cross Hatch, has a nice piece by Harvey Pekar and Alison Bechdel about a reading tour (probably the one they did in North Carolina). Brian mentioned Harvey Pekar: Conversations, but neglected to note that an interview he did is reprinted in the book. By the way, Bechdel illustrated one of Harvey's strips back in the '80s... Josh Neufeld's got a list.
Thursday, November 13, 2008
OT: Harvey Pekar opera?
In a forlorn hope of seeing some reviews for Harvey Pekar: Conversations, I have a Google alert for Pekar. Today's alert noted, in addition to the University of San Diego Libraries buying a copy of the book (thanks!), the blog LIBeral ARTs: News from the Clarence Ward Art Library is reporting that Harvey Pekar will write and appear in an opera at Oberlin. There's no word if this is another American Splendor adaptation, but it seems like it might be. Here's the official information from Oberlin's website:
LEAVE ME ALONE!: A Jazz Opera
Director & Sponsor: Jonathon Field, Bibbins 131, x58206
Full Credit - Group Project
Category: Academic Study
On Campus: Finney Chapel
Limit: 15 - Fee: None
Oberlin Opera Theater, in association with Real Time Opera, is presenting a world premiere of the jazz opera LEAVE ME ALONE!, with music by Dan Plonsey and libretto by Harvey Pekar. This opera will feature Oberlin students as performers, both vocal and from the jazz department. Due to the nature of the writing, vocal soloists do not necessarily have to be classically trained singers, and the Jazz Department has expressed their willingness to help out as well. There are also opportunities for designers, technicians, performers and stage management students to participate.
The opera will feature Mr. Plonsey and Mr. Pekar onstage playing themselves, both as characters and as individuals having a dialogue about creating an opera. Often times the singers will take over from the authors themselves, giving an atmosphere of "reality opera", where the creators and the interpreters are one and the same. This opera will be presented in Finney Chapel on January 31, and will have a live web-stream version that will open up the world of an international audience to this event. A kind of "Lost Highway" meets Dave Brubeck.
LEAVE ME ALONE!: A Jazz Opera
Director & Sponsor: Jonathon Field, Bibbins 131, x58206
Full Credit - Group Project
Category: Academic Study
On Campus: Finney Chapel
Limit: 15 - Fee: None
Oberlin Opera Theater, in association with Real Time Opera, is presenting a world premiere of the jazz opera LEAVE ME ALONE!, with music by Dan Plonsey and libretto by Harvey Pekar. This opera will feature Oberlin students as performers, both vocal and from the jazz department. Due to the nature of the writing, vocal soloists do not necessarily have to be classically trained singers, and the Jazz Department has expressed their willingness to help out as well. There are also opportunities for designers, technicians, performers and stage management students to participate.
The opera will feature Mr. Plonsey and Mr. Pekar onstage playing themselves, both as characters and as individuals having a dialogue about creating an opera. Often times the singers will take over from the authors themselves, giving an atmosphere of "reality opera", where the creators and the interpreters are one and the same. This opera will be presented in Finney Chapel on January 31, and will have a live web-stream version that will open up the world of an international audience to this event. A kind of "Lost Highway" meets Dave Brubeck.
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