Bill Day responds to critics

A few weeks back we noted accusations that Bill Day was plagiarizing and 'self-plagiarizing'.  Bill's not local, but won the DC-based Robert F Kennedy Journalism award for cartooning. Here's his response to his critics, and local cartoonist Matt Wuerker comments at the end as AAEC president.

 

Bill Day

Apr 12 2013

Assault Weapons and False Charges

http://www.cagle.com/2013/04/assault-weapons-and-false-charges/

Bill Day on Herblock and his tribute cartoon

A guest post by the excellent cartoonist Bill Day on the great Herblock, after I saw yesterday's cartoon online and asked him about it...

Discovering Herblock is a transcendent moment in my early awareness as both a cartoonist and a young southerner coming of age in the segregated South. At around 8 or 9 years old in the late 50's, I became very aware of the inequality of my region, trying to comprehend why America would talk about freedom and then not allow it. The water fountains, the separate entrances, the back of buses, the separate schools, and the unpaved roads in 'Goldboro', the black section of town. I saw all of that clearly and looked for understanding from my parents, who while loving and kind, failed it support my opinions. There seemed to be no one who would support me.

   I was beginning to really like cartooning and found a Herblock cartoon as an example of 'editorial cartoons' in the World Book Encyclopedia. It was "Fire!" It was the first editorial cartoon I had ever seen and it opened up my world. I started looking for them in newspapers in my home town library where there were many out of state newspapers. There I discovered Mauldin, Haynie, Conrad,  and many others. As the civil rights movement started to shake the foundation of the deep south, I would go to the library and see what these cartoon heroes of mine would draw to explain the events unfolding. Herblock was my very favorite and I followed him closely. My interest in the newspaper section at the library began to be noticed by the chief librarian. I was about 12 years old by then and it was unusual for a boy my age to be spending so much time there. I was also naive about her interest in me. One day she came over and asked what had my intense interest. I gladly showed her the Herblock cartoon and spoke so admiringly about him. She was not happy about it.

    Several weeks later I went to the library to catch up on my cartoon education. I looked everywhere for the Washington Post, but I couldn't find it anywhere. I went up to the counter and asked where it might be and the librarian told me that the subscription had been canceled. I asked why, and she told me that she was not going to have the youth of her town corrupted by such Communist propaganda! I was absolutely crushed.

    Of course, it was too late. I was already corrupted by the education I had learned from Herb, and her action only reinforced my understanding of the events rocking the South. The door had been opened.

   In 1974 I made a trip to Washington and met Herb. He was so wonderful to me. The nicest, sweetest guy I have ever met. We stayed in touch for years after that. Herb would send me clippings of the cartoons he saw of mine when they popped up in Newsweek or the New York Times. It was always a thrill to get a letter from him. He was following me as I had followed him for all those years. It hurt so much when Herb died and I was depressed about it for a very long time. I loved him.

I debated with myself about whether to do a 'takeoff' of Herb's famous cartoon. I finally decided that Herb would have liked it, since he was a dear friend of mine. I reversed the water bucket with the fire, making it different enough. I hope Herb is smiling now. He is such a hero to me. -- Bill Day

Did you photograph Bill Day at the RFK awards?

If so, he'd like to hear from you - " If you have any other photos taken during the RFK Awards, could you send them to me? I posed for a number of shots with people, but I don't know whose camera was being used. I especially would like to get a copy of my United Media Syndication Director, Lisa Wilson." You can write to Bill, care of me.

Bill Day's RFK Journalism award

Bill Day, winner of the 2010 RFK Journalism award for editorial cartooning.


Bill Day, winner of the 2010 RFK Journalism award for editorial cartooning, with 2010 Herblock award winner Matt Wuerker.


Bill Day, winner of the 2010 RFK Journalism award for editorial cartooning, with 2010 judges Sara Duke and Mike Rhode.

Bill Day wins 2010 RFK cartooning award.

Boy, I'm a judge for the thing, and I still get scooped by Cavna. Anyway, congratulations to Bill Day for winning this year's RFK Journalism award for cartooning. Bill's work calling attention to the health problems of poor children was quite striking.

Here's what the Foundation put out:

Cartoon Winner: Series of cartoons, Bill Day, United Feature Syndicate: Cartoonist Bill Day sheds light on the continuing problem of infant mortality in America, especially among minority populations. His unusual special project creates clear and easily-readable cartoons, raising public awareness, partly through a grassroots movement that led to the introduction of legislation and policy improvements.

Telnaes and Wuerker are runnerups for Berryman award

Editorial cartoonists Ann Telnaes and Matt Wuerker were Honorary Mentions for the annual Clifford Berryman award. Interestingly, they were both mentioned for their online editorial cartooning. Bill Day, who recently was fired, was also cited. His work submitted for the RFK Award this past year was excellent. The winner was Mike Keefe and the ceremony will be in Washington. Here's the press release:

Mike Keefe of Denver Post Wins Berryman Cartooning Award

From National Press Foundation; Wuerker, Telnaes, Day Also Cited

Washington, November 19 -- Mike Keefe of the Denver Post has been awarded the 2009 Berryman Award for Editorial Cartooning for a wide-ranging series of drawings that poked fun at politicians, journalists and public perceptions.

The award carries a $2,500 prize and a crystal trophy. The award will be presented at the 27th annual National Press Foundation Awards Dinner, Tuesday night, February 16th, 2010, at the Washington Hilton Hotel. The theme of the night’s dinner is, “Journalism Matters.” NPF has created a special blog about its dinner, http://tinyurl.com/yhvsozl.

The judges also awarded Honorary Mentions to Matt Wuerker of Politico and Ann Telnaes of washingtonpost.com for the “innovative use of animation in their work, which is expected to be the wave of the future.”

· One devilishly complicated animated cartoon from Wuerker is called, “The Really Big Operation. “ It is based on a children’s game in which contestants take turns trying to extract a bone or organ from a patient, using an electrified tweezers. In Wuerker’s online version, the “patient” is the U.S. health care system, and making a mistake (as everyone must do) results in a dialogue balloon popping up, saying for example, “BZZZT! Don’t even go near proposing Single Payer. You’ll be called a socialist!” www.politico.com/wuerker/animation.html

· Ann Telnaes, a Pulitzer Prize and previous Berryman winner, uses sound bites made by public figures and then constructs an ironic and often absurd reference for them – Uncle Sam carrying an enormous figure representing China on his back, while a Chinese figure holding U.S. exports in a gift bag stands nearby. When the screen goes dark, you hear the loud sound of Uncle Sam crashing to the ground. (www.washingtonpost.com, search for Ann Telnaes.)

· In another gesture towards the historically important venue of cartooning, the judges awarded a Certificate of Merit to cartoonist Bill Day, for a series of graphically powerful images highlighting child abuse. One showing a small child facing an enormous fist hardly needs a caption at all. Day is the former editorial cartoonist of the Memphis Commercial-Appeal, now syndicated by United Feature Syndicate. His work can be seen at www.unitedfeatures.com.

Keefe will narrative a dozen or so drawings at the event, which draws 1,000 people from the Washington journalism, policy and think tank communities. Single drawings from Wuerker, Telnaes and Day will also be shown. The cartooning award is always one of the highlights of the dinner, the single largest source of unrestricted revenue for NPF, a non-profit that provides no-cost, all expenses paid educational programs for journalists.

In one of Keefe’s entries, he mocks the health care debate and the public’s refusal to pay for infrastructure improvements with a drawing showing a family bumping along a miserable, rocky road. “WHY AREN’T YOU USING THE HIGHWAY?” a woman asks her husband. “I DON’T BELIEVE IN PUBLIC OPTIONS!” he snarls in return as a terrified baby in the back bawls his head off. Keefe has been the editorial cartoonist of the Denver Post since 1975. His work is available through http://www.intoon.com/.

The judges were David Rapp, editor-in-chief, Federal Computer Week, and VP/Content, 1105 Government Information Group; Kathy Mannix, executive director, Young D.C., and Walter Wurfel, broadcast executive. For information about participating in the NPF dinner, contact Kerry@nationalpress.org, 202-663-7282. For information about NPF, contact NPF president Bob Meyers, bob@nationalpress.org.

Editorial cartoonist Bill Day let go, interviewed at Comic Riffs

See "The Exit Interview: Pink-Slipped Memphis Cartoonist Bill Day," By Michael Cavna, Washington Post Comic Riffs blog March 19, 2009. I believe it's becoming apparent that firing your cartoonist is becoming a fad at newspapers, and publishers are doing it now because everyone else is.