Konnichiwa WcDonald's

by Bruce Guthrie

Not being an anime aficionado, I was surprised to find that my McDonald's cup had a "W" instead of an "M" on it this week.  And there were Japanese characters next to it which the Google Translate software on my smartphone translated as "Wak Donald".  Was this a yakuza signal to take out the Republican front runner?

Apparently not.  Little known to me, a fictional WcDonald's franchise was introduced to manga back in 1981 when they wanted to refer to a food franchise like McDonald's but didn't want to run into trademark issues.  ( https://fictionalcompanies.fandom.com/wiki/WcDonald%27s )  This month, McDonald's announced a tie-in to the fictional franchise starting on February 26.

Their regular website describes this as:

What Is the WcDonald’s Isekai?

Isekai is a popular anime genre that explores a story’s main character who suddenly finds themselves transported to a parallel “otherworld.” A fixture across various anime and manga titles and genres, WcDonald’s has been an indelible part of anime culture for decades. From it comes the new Savory Chili WcDonald’s Sauce! Dip into another universe and immerse yourself in WcDonald’s, artistically realized to serve as homage to fans of anime and the Golden Arches alike.

There are lots of in-store promotions for this campaign including bags (possibly only the medium and small sized ones), the cups, the backs of receipts, and videos on the order kiosks and behind the counter.  There's also a new promotional website ( https://www.wcdonalds.com ).  All of this is to promote a new McNuggets sauce.  (Which is really spicy!)

The website offers a free miniseries of four video shorts and four manga chapters.  Currently, only the first set is up -- the first comic is a 24-page PDF -- but presumably the other sets will be added each week as the campaign continues.  The story appears to start on the medium-size bag and can be read below.

As far as I can tell, the WcDonald's website only serves up the episodes if you use the QR scan code to access it.  If you access the www.wcdonalds.com site directly, you're told that you have to unlock each episode.  If you don't have a device with a QR-reading built-in camera (like a desktop PC), you're SOL.  Once you use the QR code, there's a cookie that's saved on your smartphone/laptop/PC which tells the system you're kosher and lets you see the episode.  Maybe that will change as complaints mount.  

Having said that, if you type in the short URL from your desktop browser -- 3wqv.short.gy/aZ1 -- things should work fine.  I have to presume that McD's isn't issuing multiple bags with different QR codes each week so the new episodes should magically show up each week along with the old ones.

(You can access the first issue of the comic directly via: https://www.wcdonalds.com/pdf/2rg5pBDamf.pdf .  The first video is https://www.wcdonalds.com/episode?id=1   I suspect id=2, id=3, and id=4 will be activated later. )

Officially, the campaign ends on March 24.

Nerdist has a great article about the campaign on https://nerdist.com/article/mcdonalds-serves-up-an-anime-and-manga-experience-with-special-wcdonalds-celebration/

Some images (and, yes, I felt like an idiot photographing the screens above the counter...)

Quick holiday book recommendations - Mary Shelley, Bill Mauldin, and Wakanda Files

 by Mike Rhode

A few books that would make good gifts have come in -- well, a lot have, but I'm behind like everyone else these days. Part of my problem is that, as an editor, I assigned two of these to academic reviewers for the International Journal of Comic Art, and then I read those reviewers opinions... so I've linked to those reviews as well.

Mary: The Adventures of Mary Shelley's Great-Great-Great-Great-Great-Granddaughter, Brea Grant and Yishan Li, Six Foot Press, 1644420295, $19 

From the book's Amazon page, we learn - When angsty teenager Mary Shelley is not interested in carrying on her family’s celebrated legacy of being a great writer, but she soon discovers that she has the not-so-celebrated and super-secret Shelley power to heal monsters, just like her famous ancestor, and those monsters are not going to let her ignore her true calling anytime soon. Everyone expects sixteen-year-old Mary to be a great writer. After all, her mother, her aunt, and her grandmother are all successful writers (as they constantly remind her)―not to mention her famous namesake, the OG Mary Shelley, horror author extraordinaire. But Mary is pretty sure she’s not cut out for that life. She can’t even stay awake in class! Then one dark and rainy night, she’s confronted with a whole new destiny. Mary has the ability to heal monsters… and they’re not going to leave her alone until she does. 

I enjoyed this book thoroughly. I'm a big urban fantasy reader these days, especially of books written by women. It's a good choice for a young adult who likes manga, or Buffy the Vampire Slayer. It's funny, and well-drawn (by Li), with some minor family drama, but a lot of fun ideas. As an older white man, I'm not the target audience, but I'll be buying the rest of this series for myself as it comes out. Li's an artist I wasn't familiar with, but I'm going to look into more of her work (some of which is apparently not for this age group).

Drawing Fire: The Editorial Cartoons of Bill Mauldin, Todd DePastino (ed.), Chicago: Pritzker Military Museum & Library, 2020. 250 pages; $35.00. ISBN 9780998968940.

From the book's Amazon page, we learn - The first career-spanning volume of the work of two-time Pulitzer Prize-winning cartoonist Bill Mauldin, featuring comic art from World War II, Korea, Vietnam and Operation Desert Storm, along with a half-century of graphic commentary on civil rights, free speech, the Cold War, and other issues. Army sergeant William Henry “Bill” Mauldin shot to fame during World War II with “Willie & Joe” cartoons, which gave readers of Stars & Stripes and hundreds of home-front newspapers a glimpse of the war from the foxholes of Europe. Lesser known are Mauldin’s second and even third acts as one of America’s premier political cartoonists from the last half of the twentieth century, when he traveled to Korea and Vietnam; Israel and Saudi Arabia; Oxford, Mississippi, and Washington, DC; covering war and peace, civil rights and the Great Society, Nixon and the Middle East. He especially kept close track of American military power, its use and abuse, and the men and women who served in uniform. Now, for the first time, his entire career is explored in this illustrated single volume, featuring selections from Chicago’s Pritzker Military Museum & Library. Edited by Mauldin’s biographer Todd DePastino and featuring 150 images, Drawing Fire: The Editorial Cartoons of Bill Mauldin includes illuminating essays exploring all facets of Mauldin’s career by Tom Brokaw, Denise Neil, Cord A. Scott, G. Kurt Piehler, Jean Schulz, and Christina Knopf, with a Preface by Tom Hanks.

This book is aimed at me - an older white male - except most of Mauldin's career took place before I was an adult. Never mind that ... he was an excellent cartoonist and a true proponent of a free and equal America with rights for all. After these past four years, we need to return to his values more than ever. While I got a review copy from the Pritzker, I would have gladly bought this is I saw it in a store first. Todd DePastino does an excellent job rounding up a diverse group of essays and providing the relevant grounding for cartoons that can be 70 years old now. IJOCA's review is here.

The Wakanda Files: A Technological Exploration of the Avengers and Beyond, Troy Benjamin, Epic Ink, 2020. 978-0760365441. $60.

From the book's Amazon page, we learn - An in-world book from the Marvel Cinematic Universe, The Wakanda Files—compiled by request of Shuri (Black Panther and Avengers: Infinity War) as part of her quest to improve the future for all people—is a collection of papers, articles, blueprints, and notes amassed throughout history by Wakanda’s War Dogs. In a nod to Wakandan technology, the pages of the book have a printed layer of UV ink with content that is visible only under the accompanying Kimoyo bead–shaped UV light. Within the Marvel Cinematic Universe (MCU), Wakanda has been on the forefront of what is technologically possible. Their ability to stay ahead of the rest of the world is second only to their ability to keep themselves hidden. As the architect behind many of Wakanda’s great advancements, Shuri is constantly seeking ways to improve what has come before. To aid in her search, she researches the past for context, reference, and inspiration by compiling The Wakanda Files. Organized into areas of study, including human enhancement, transportation, weapons, artificial intelligence, and more, The Wakanda Files trace the world’s technological achievements from the era of Howard Stark and early Hydra studies to modern discoveries in quantum tunneling and nanotechnology, weaving together the stories, personalities, and technology that are the fabric of the MCU.

This book is aimed at a young adult audience too, probably received as a gift, given the price. It must be popular this season as Amazon appears to be sold out. As a teenager, I would have loved this book. As an adult, I admire the cleverness of the packaging (especially that little uv light which is the middle detachable ball there on the right in the photo), and the conceit of being a set of spy reports from the MCU. There's not enough Black Panther in here, which makes sense because the book is a report to him, but that may disappoint people who expect to find him in a book with Wakanda in the title. In conclusion - a good grandparent's gift to a fan of Marvel movies, if not the comic books. IJOCA's review is here.

All 3 books were provided by the publisher's representatives. We don't receive anything but the books, and that includes advertising or link revenue. So buy them from your local store if you can.

Willie Nelson, Dracula, and Boy's Love - quick book reviews

 by Mike Rhode

There's a very minor thread linking all of these books - men kissing other men, although Dracula... you can't really call his assault "kissing."

Willie Nelson: A Graphic History by T.J. Kirsch with Jesse Lonergan, Jeremy Massie, Havard S. Johansen, Coskun Kuzgun, Jason Pittman, J. T. Yost, and Adam Walmsley, NBM. 7 ½ x10, 88pp., B&W, HC, $16.99; ISBN 9781681122625; ebook: $11.99, ISBN 9781681122632 

 NBM offered me a review copy, but I had already bought the book from my LCS. Their press relase says of this book, "Country music icon Willie Nelson is recognized all over the world for his music, philanthropy, and unmistakable look. Since he was a child in Hill County, Texas, he has been writing and performing for adoring crowds. Though his mainstream success did not come until later in his life, he has been determined to take his unique sound and voice to the people even before he was a household name. There have been tragedies, missteps, IRS troubles, good times and bad along the way, but Willie continues to shine his positive outlook and project his humble voice out into the world."

 My take is this is an enjoyable biography of the singer, and there was a lot of information I didn't know, in spite of growing up in the 1970s with a family that listened to country music. I had no idea for instance that Nelson was a successful songwriter after being a failed performer, and wrote "Crazy" for Patsy Cline and "Pretty Papers" for Roy Orbison. Or that he kissed both Charlie Pride and Faron Young at times. Nelson's chaotic family life, womanizing, songwriting, performing, and love of marijuana are all covered extensively. Biographical comics haven't really taken off here yet, especially not the way autobiographical ones have, but hope springs eternal for the publishing world. My impression is that this is an NBM original, but they list plenty of translated European biographical comics in the endpapers, and presumably this will be sold in the other direction too. Kirsch conveys plenty of story, although the 8 illustrators (including him) give the book an uneven feel. Each illustrator takes a chapter based on a time period, so the same person isn't illustrating young clean cut Willie and the 1980s Outlaw version. There's apparently no model sheet such as one would find in animation, about how he should be drawn, so his features vary quite a bit. Other famous musicians, such as Bob Dylan, unfortunately would be unrecognizable if not names. The artwork is competent, but not outstanding, and if you aren't put off by the switches in style, it works fine. I'd recommend this for people interested in knowing more, but not a lot more, about Nelson and country music.

 

Dracula, Motherf**ker by Alex de Campi (Author), Erica Henderson (Artist), Image Comics, 6.8 x 0.5 x 10.3 inches, 72pp., $17, 978-1534317000.

 Image says about this, "Vienna, 1889: Dracula’s brides nail him to the bottom of his coffin. Los Angeles, 1974: an aging starlet decides to raise the stakes. Crime scene photographer Quincy Harker is the only man who knows it happened, but will anyone believe him before he gets his own chalk outline? And are Dracula’s three brides there to help him...or use him as bait? A pulpy, pulse-pounding graphic novel of California psych-horror from acclaimed creators ALEX DE CAMPI and ERICA HENDERSON."

Calvin Reid had such a great time interviewing the two creators for Publishers Weekly that I decided to pick this up, after being doubtful about the 'motherfucker' of the title (as there's some things I don't really ever need to see, and Dracula shagging his mother would be one of those). The title, and the story, actually hearken back to the exploitation days of the 1970s when there was a new Dracula movie ever other month (relatively) and horror comics magazines popping up to avoid the comics code. The story is a minor one that could easily have been in Heavy Metal or one of Warren's magazines at the time, but Henderson's art is tremendous and makes the book worth having a spine. The decision by the two creators (and de Campi does the lettering) to never show Dracula as a man is an interesting one and works well. There's two end pieces of text by each creator talking about aspects of her role in the book that are interesting, but they've also largely recapitulated those in the interview with Reid and others that I've seen online. I'd recommend this for 1970s exploitation, horror, and comics colorist fans. It's fun, and pretty (in a way).

BL Metamorphosis Vol. 1, by Kaori Tsurutani, Seven Seas, 146 pp., $13, 978-1645052951. 

Described on Amazon as "In this heartwarming and critically acclaimed manga, an elderly woman and a high school girl develop a beautiful friendship through their shared passion for Boys' Love. Ichinoi, a seventy-five-year-old woman living a peaceful life, unwittingly buys a boys’ love manga one day, and is fascinated by what she finds inside. When she returns to the bookstore to buy the next volume, the high school girl working there―Urara, a seasoned BL fan―notices a budding fangirl when she sees one. When Urara offers to help Ichinoi explore this whole new world of fiction, the two dive into the BL fandom together, and form an unlikely friendship along the way."

So "boy's love" is a genre that literally didn't exist in the US before manga imports because it's basically  romance comics for women (such as Jack Kirby and Joe Simon invented in the 1950s) except with good-looking young men as the protagonists. I picked this up from the new graphic novel rack at the LCS just because it looked interesting and possibly amusing. The two characters are lonely for different reasons and it's a nice look at their May-December friendship evolving through an unlikely common interest. As you can see from the cover art, the story is slow-paced, low key and therefore relaxing in these crazy days.  I enjoyed it and have already ordered volume 2 to see how their attempt to go to an actual comics signing in Japan works out.

If you've sent me a review copy recently - I'm working on them! Coming up soon: Mary! by Grant & Li and Harmony by Reynes.

 

Sept 18: J-Film: Drowning Love

Note this is based on a comic.

Come to the JICC for a FREE Japanese film!

J-Film: Drowning Love September 18 - 6:30 PM Based on the best-selling comic "Oboreru Knife" by George Asakura Winner of Best New Actress, 2016 Kinema Junpo Awards Natsume, a teenage fashion model moving from Tokyo, spends the days without any dreams or excitement. After meeting Koichiro, successor of a Shinto priest family, she finds herself falling under his spell. Both separately and together, she tries to find her place in life through the relationship with Koichiro. Starring Nana Komatsu, Masaki Suda, Daiki Shigeoka In Japanese with English subtitles | Not Rated | 2016 | 111 min | Directed by Yuki Yamato Registration required Image: © George Asakura,KODANSHA／"Oboreru Knife"Production Committee Presented with Japan Commerce Association of Washington, D.C., Inc. J-Film: Drowning Love September 18th, 6:30 PM Venue name: Japan Information & Culture Center, Embassy of Japan Venue address: 1150 18th Street Northwest CLICK HERE TO REGISTER This event is free and open to the public, but registration is required. In the event of a cancellation, please contact us at jicc@ws.mofa.go.jp. Program begins at 6:30PM. Doors open 30 minutes before the program. No admittance after 7:00PM or once seating is full. Registered guests will be seated on a first come, first served basis. Please note that seating is limited and registration does not guarantee a seat. The JICC reserves the right to use any photograph/video taken at any event sponsored by JICC without the expressed written permission of those included within the photograph/video. 1150 18th Street NW, Suite 100 | Washington, D.C. 20036-3838 TEL: 202-238-6900 | FAX: 202-822-6524 | jicc@ws.mofa.go.jp © 1981-2019 Japan Information & Culture Center, Embassy of Japan

Ru Xu's News Prints

Webcomics cartoonist Ru Xu has a News Prints new graphic novel out from Scholastic's Graphix imprint.  She was at Fantom Comics on Dupont Circle yesterday and I'm sure they still have signed copies.

The book is the start of a steampunk series about a young girl who pretends to be a boy to sell newspapers on the street after her family is killed in an ongoing war. She falls in with a crazed inventor and then gets involved with high-level hijinks about the conduct of the war, and also has to contend with what journalism and truth really mean.

The art is heavily-manga influenced, and I liked it quite a bit. Ms. Xu told me that one of her influences for this book is Miyazaki and one can certainly see that. She's working on the next book in the series now. Her webcomic, Saint for Rent is here.

Recommended for tweens (and aging men who like Miyazaki)

Orsini's Cosplay book available now

Cosplay, by Arlington author Lauren Orsini was published this year, and is featured in Barnes and Noble. This photo is from the Falls Church store.

Orsini has long been active in anime and manga fandom, and worked for some years with Anime USA. This book was done on contract, and she wrote about it on her blog under the title, "Writing a book in seven weeks."

There she noted, "It's quickly becoming apparent that the actual writing part of the book is going to be a cakewalk compared to getting the photos in order. I didn't write a word of the book this week. Instead I spent my time organizing the cosplay photos my publisher has already given me, plus searching for and contacting talented cosplay photographers all over the world."

By week 5 the writing was becoming the focus, "...I've reordered the sections in a way that feels good to me (now they're all focusing on a genre, with the final chapter on original costuming)..."

She told ComicsDC, "Traditionally publishing a book isn't easy or lucrative, but it's an experience unlike any other. People have sent me photos of my book from places like California, Florida, and New York. I'm really grateful to Carlton Limited and Sterling Publishing for giving me this opportunity."

Emily R. Gillis on Jikosha and 24-Hour Comics

by Mike Rhode

Emily R. Gillis was a Smudge exhibitor, selling a collection of her webcomic Jikosha. She's a founder of the local cooperative, Square City Comics, and one-half of Wayward Studios. Her comics can be bought here.

What type of comic work or cartooning do you do?

I primarily do longform fantasy comics with a style heavily-influenced by anime I grew up watching. I also have participated in the 24-Hour Comic challenge for the past 4 years and like to turn those into minicomics.

How do you do it? Traditional pen and ink, computer or a combination?

Mostly traditional. All of my comics are first drawn with pencil then inked with microns and brush pens, though I've been experimenting more with brush and ink. Coloring and lettering are all done digitally though most of my coloring is done by the other half of Wayward Studios, Crystal Rollins. I've been practicing digital colors with her help, but she is a magician with them!

When (within a decade is fine) and where were you born?

I was born in '84 in St. Paul, MN (dontcha know), though I grew up near Denver, CO.

Why are you in Washington now? What neighborhood or area do you live in?

I moved to the Baltimore area to seek out more work opportunities and to move in with my boyfriend, now husband. Currently, we're up north in Cockeysville, MD. I'm down in DC every month though for events and for meetings with my friends in Square City Comics.

What is your training and/or education in cartooning?

I earned a bachelor's degree in graphic design back in 2006. I never formally studied cartooning, but I remember making comics as far back as the 4th grade when I turned my teacher into a superhero for a story. I mostly learned from reading books on the subject and just reading other comics.

Who are your influences?

Starting out, I was heavily influenced by anime like Sailor Moon, Magic Knight Rayearth, and Dragonball Z. Currently, my work is most influenced by other local creators I've met as well as webcomics I follow. Comics like Namesake, Sister Claire, and Stand Still Stay Silent are the first ones that come to mind for works I look to for inspiration and technique.

If you could, what in your career would you do-over or change?

Get serious about comics sooner. I went into graphic design since I figured I could both get a job more easily with that degree and I could apply what I learned there to comics, though I'd never really considered comics a valid career option. I didn't pursue it seriously until a few years ago and it's been a struggle trying to turn it into a full-time gig rather than something I have to make time to do outside of my day job.

What work are you best-known for?

I'm best known for my webcomic Jikoshia. I began writing the comics back in high school and rebooted it three times before bringing it to print.

What work are you most proud of?

I have two comics that I'm super proud of. Jikoshia has come so far and turned into a project I really love. I recently brought my latest 24-hour comic to print as well, All You Held Dear, and for being a comic written in such a short amount of time, I'm really happy with the way both the writing and the art turned out!

What would you like to do or work on in the future?

I just want to more time to work on personal projects. I have a "vault" of story ideas and scripts I have yet to finish and I'm anxious to get to them!

What do you do when you're in a rut or have writer's block?

That's when I refer to Crystal. Part of why we formed Wayward Studios was to help each other out when we get into blocks. We'll talk through problem scenes or give the other a kick in the pants if we slack off. Another trick I've learned is to go read another comic or play a video game for a while. It gives me a chance to step out of the worlds I've created and into another, helping me refresh my viewpoints.

What do you think will be the future of your field? 

With the advent of crowdfunding, I'm looking forward to seeing more creator-owned works come to life. A lot of great projects have come about because of this resource (including my own!).

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

I go to almost every one I can find! I regularly attend Katsucon and Small Press Expo and look forward to this year's Awesome Con. I've only managed to go to Intervention once so far, but would definitely like to again! I also make appearances at smaller shows like Tiger Con in Towson, Library Con in Petworth, and Nippon Con in Westminster. I'm currently planning a small show for a comics group I'm a part of called Square City Comics in June and hope to turn that into an annual gig.

SPX is my favorite event of the year and I recommend it to everyone looking to get into comics. Just make sure to set a budget for yourself otherwise you'll definitely spend your lunch money on books instead of food. Not that I've ever regretted it.

What's your favorite thing about DC?

I like that I don't have to drive to most places and that there's so much to do! Before moving to the East Coast, I was living in a very small mountain town and doing anything involved at least a 4-hour drive. Having everything I want to do be so close took some time to get used to and I love having so many options.

Least favorite?

Traffic. My sense of direction is a bit off and too much traffic really throws me for a loop! Plus one-ways are the bane of my existence.

What monument or museum do you like to take visitors to?

My parents came out to visit for the first time a couple years ago so I took them on a tour of the National Mall. My dad was like a kid in a candy store at the Air & Space Museum. Next time he comes out I'm taking him to the one in Dulles.

How about a favorite local restaurant?

District of Pi in Chinatown is my favorite, though I've heard there's a great ramen place in Rockville I need to try. That might unseat the pizza's throne.

Do you have a website or blog?

You can find all of my work and learn where I'll be next on waywardstudios.net. I also sometimes post work and news to my Tumblr (thealmightym.tumblr.com) and Instagram (@thealmightym).

Kata Kane, Baltimore's Altar Girl

by Mike Rhode

Kata Kane has returned to her Altar Girl webcomic, after a decade away from it. She's moved in the meantime from suburban DC to Baltimore, but was back in town recently for the Smudge Expo in Arlington.

 "Ashley Altars is a typical high school student, attending a prestigious Catholic school with a long history. Seth Charming is a boy who died in 1929. They are both the keepers of mysterious key necklaces, and through them Seth has been brought back from death and to Ashley's present day, assisted by the Gemini Twin angels and guardians of the keys, Sera and Cherry. Ashley now has to deal with angels, demons, and bullies... but she just wants her crush Adam Evenine to finally notice her." - Kata Kane



What type of comic work or cartooning do you do?

I draw “shoujo manga-style” comics, and I’m best known for my original comic “Altar Girl.” My art style is really inspired by both American comics and Japanese manga influences. “Shoujo manga” means “girl’s comics” and usually have themes of school life, friendship, and romance. Someone once said my comics are like Archie and anime combined, so I think that’s a pretty good way of putting it.

How do you do it? Traditional pen and ink, computer or a combination?

I do a combination of traditional sketching with finishing done on the computer. I start out with rough pencil sketches, scan them in, and then I ink, color, and use screentones digitally. I use a Wacom tablet, and a combination of programs like Photoshop, Illustrator and Manga Studio.

When (within a decade is fine) and where were you born?

I was born in 1984 in Takoma Park. I grew up in Silver Spring!

Why are you in Baltimore now?  What neighborhood or area do you live in?

I really like the vibe of Baltimore. It’s an interesting city with a small town feel, and a great art scene too. When I first moved here in 2009, I lived in Hampden, but I now live in Mt. Washington. All of my family is still in Silver Spring and my siblings are in DC, so I’m there plenty of weekends too!

What is your training and/or education in cartooning?
 
I didn’t go to art school, but ever since elementary school I took any art classes that I could. I always liked reading the Sunday funnies in the Washington Post while my parents read the newspaper. I tried making my own comics based off of that, and really since then everything I did was mostly self-taught and inspired by my own interest.

I was always drawing at home and writing my own stories, looking at my comic collection for references. Taking classes like Life Drawing & Design in college really helped me learn proportions and refine techniques. I feel like I learned a lot more specifics on-the-job as a graphic designer and illustrator than I did in school.
 
Who are your influences?

When I first read Sailor Moon by Naoko Takeuchi as a tween, that was a game-changer for me. I already liked comics – but this was my first “manga” and I was totally drawn to the story and art style.

My biggest influence is Rumiko Takahashi. Her manga “Ranma ½” is hands down my favorite of all time, but I love everything she’s done, and especially her one-shot comics in “Rumik World.” I also really admire Chynna Clugston, the creator of “Blue Monday” and “Scooter Girl.” Her style is also an American-manga influence, and reading her published works when I was in high school & college made me feel like someday I could do the same!

If you could, what in your career would you do-over or change?

I would have pursued a full-time career as a freelancer in comics much sooner. I went to school for graphic design, and at the time I felt like comics could only be a hobby: that I couldn’t really be a success at it. But I’ve learned to measure success not by the biggest paycheck but by hard work and happiness. If I can make even one person feel inspired to keep drawing and follow their own dreams by reading my comics, that’s success to me. It sounds corny, but it’s what keeps me motivated!

What work are you best-known for?

Most know me for my webcomic Altar Girl, which I originally ran online while I was in school. I never fully finished the story back then, so in July 2012, exactly 10 years after I had published the first page of Altar Girl online, I decided to start over again, but this time using the skills I’d learned as an illustrator & graphic designer to fully pursue it. Last year I did a Kickstarter to get Book 1 printed, which was successfully funded, and I think helped some new readers discover the comic too. I’m hoping to do a Kickstarter for Book 2 this year, so keep an eye out!

What work are you most proud of?


I’m proud of Altar Girl. The comic is very much ongoing, but it’s already given me so many opportunities to meet comic creators and artists I admire, as well avid comic readers and aspiring young artists. I’m especially proud to meet the young women who come to comic cons and feel a connection with my art and my book. It’s really wonderful and also very humbling.

What would you like to do or work on in the future?

I’m a full time freelancer, so I want to keep working on my own comics and stories, but I also love getting opportunities to work on other comic projects I can lend my skills to - especially pencils and inking. I’d really love to work with all-ages comic publishers, and help get new and exciting titles out there for young women especially.

What do you do when you're in a rut or have writer's block?

I like to watch or read something that inspires me. Sometimes I’ll turn to a classic comic or anime I really like, and other times I’ll try to find something new I’ve heard of or just been meaning to check out.

What do you think will be the future of your field?

I hope to see more independent artists able to create their comics and tell their stories through their own means. I think we see a lot of that in webcomics now. Self publishing can be really rewarding!

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

I’ll definitely be at SPX this fall, but sooner than that I’ll be doing some library events in DC, Creators Con (which is happening at my old high school – James Hubert Blake!) in April, and AwesomeCon end of May. I’ll also be at Baltimore Comic Con, and I’m always doing Bmore Into Comics shows, which are smaller one day shows happening at cool hang outs in Baltimore. I recently did SmudgeExpo for the first time, and I really enjoyed it!

I love the smaller shows for an all-ages crowd that encourage creativity. It’s really inspiring for me too!

What's your favorite thing about DC?

The museums, the zoo, and eating delicious food in Chinatown.

Least favorite?

Driving. I always end up getting lost and losing track of what street I’m on somehow!

What monument or museum do you like to take visitors to?

I love the Cherry Blossom Festival, and especially the Kite Competitions by the Monument. My first job out of school was illustration and design for a kite company, so there are a few kites out in the world with my art on them! I used to do the Rokaku Battle, where you try to cut your opponent’s kite strings out of the sky using your own strings. It was a lot of fun to do, and fun to watch too when we’d inevitably lose!

I always tell friends if they can only visit one museum, make it the Museum of Natural History! I personally love going to the National Gallery.

How about a favorite local restaurant?

Daikaya Ramen! I also really like brunch at Zengo on the weekends.

Do you have a website or blog?

Altar Girl’s website is www.altar-girl.com, but I post on Twitter @ashleyaltars, Facebook (facebook.com/altargirl), and Tumblr (altar-girl.tumblr.com) too! You can find more of my illustration and design work at www.kata-kane.com as well! I'm usually available for illustration commissions and more.