 Wide Awake in SlumberlandFantasy, Mass Culture, and Modernism in the Art Of Winsor McCayBy Katherine Roeder240 PAGES (APPROX.), 8 1/2 X 11 INCHES, 81 B&W AND COLOR PHOTOGRAPHS, BIBLIOGRAPHY, INDEX 9781617039607 PRINTED CASEBINDING $60.00S  | THE FIRST STUDY TO PLACE THIS GENIUS OF MODERN COMICS CREATION IN HIS HISTORICAL CONTEXTCartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America. McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism. KATHERINE ROEDER, Fairfax, Virginia, teaches courses at George Mason University. She is a contributor to The Comics of Chris Ware: Drawing Is a Way of Thinking (University Press of Mississippi) and A New Literary History of America. She is also a contributor to the Comics Journal and American Art. 240 PAGES (APPROX.), 8 1/2 X 11 INCHES, 81 B&W AND COLOR PHOTOGRAPHS, BIBLIOGRAPHY, INDEX |
Diego Quintanilla was a new face at the first Smudge Expo
last month. He’s a college student who is studying animation and just getting
into creating minicomics. I bought his mini, and he kindly answered my usual
questions via email.
I'm very influenced by films. I like movies. Arthouse films like The Holy Mountain, Brand upon the Brain.
Movies like Bad Boy Bubby and Irreversible. Like, I really love
visuals, you know? Looking at interesting things and all that, images that
provoke, something that makes you think what the symbolism behind it is. I also
like animated films too; my favorite is The
Triplets of Belleville.
Our brand new sign is up at Big Planet Comics of College Park! Thanks again to Paulina Ganucheau for the amazing design!
http://www.paulinaganucheau.com/
Hey we’re meeting tomorrow for NOWHERE MEN Volume 1.
Same place, same time: Politics and Prose, downstairs, at 7:30.
This is a great intro volume (at only $10), with great design, art and story too!
Hope to see you!
Adam
By Ken Shepherd
NewsBusters March 24, 2014
