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July 7, 2012
10 am to 5 pm
$10 admission
Kids 10 and under get in free!
Tickets available at the door.
Capital Clubhouse
3033 Waldorf Market Place
Waldorf, MD 20603
Library of Congress
101 Independence Ave. SE
Washington DC 20540
July 2, 2012
Swann Foundation Announces Awards for 2012‑2013
The Caroline and Erwin Swann Foundation for Caricature and Cartoon, administered by the Library of Congress, is awarding fellowships to five applicants for the academic year 2012-2013. Recipients attend the University of Chicago; Duke, Harvard and Northwestern universities; and the University of Wisconsin.
Rhae Lynn Barnes, a doctoral candidate in history at Harvard University, was awarded the fellowship to support research on her dissertation, "Darkology: The History of Amateur Blackface Minstrelsy and the Making of Modern America, 1860-1965." A major part of her study consists of creating a bibliographic database of amateur minstrel show guides, which include cartoons of black life in America. As she catalogs these materials, she will analyze how the cartoons' themes and characters changed in relation to black freedom struggles.
Jill E. Bugajski, a doctoral candidate in art history at Northwestern University, will receive Swann support for research on her dissertation, "Red Dilemma: Totalitarian Spectacle and the Inception of the Cultural Cold War in American Art 1939-1949." Her project investigates graphic art and exhibitions in the United States in the context of America's shifting relationship with the Soviet Union during the 1940s.
Sadam H. Issa, a doctoral candidate in African languages and literature at the University of Wisconsin, Madison, was awarded a fellowship to support research for his dissertation, "Picturing History: Palestinian Political Cartoons, 1948 to 2009". His study will examine how political cartoons published in three Palestinian newspapers—Filastin (Palestine), al-Quds (Jerusalem) and al-Hayāt al-Jadīdah (The New Life)—visually narrate the history of Palestine from the establishment of the state of Israel in 1948 to the Gaza War of 2009. He argues that this imagery will provide valuable insight into Palestinian history, especially in relation to the Palestinian-Israeli conflict and can serve as a pictorial form of Palestinian national narrative.
Julia Langbein, a doctoral candidate in art history at the University of Chicago, will receive a fellowship to support research on her dissertation, "Salon Caricature in Paris, 1840-1881." Her study focuses on caricatures of paintings that were displayed in the Paris Salon, the annual or biennial state-sponsored display of high art. Langbein aims to shed light on a little-studied type of caricature and to re-assert the importance of this powerful graphic art form in the history of the Paris Salon in 19th-century French art.
Emilie Anne-Yvonne Luse, a doctoral candidate in art, art history and visual studies at Duke University, received a fellowship to pursue research for her dissertation, "Anti-Semitism and Anti-modernism in France: 1918-1940." She plans to investigate imagery commenting on abstraction and representation in conservative French interwar periodicals. Her project will explore how critiques of modern art and its markets functioned as a platform for anti-Semitism in France.
During the coming academic year, the five recipients will collectively conduct research at the Library largely in General Collections and in the Prints and Photographs, Rare Book and Special Collections, and African and Middle Eastern divisions.
New York advertising executive Erwin Swann (1906‑1973) established the Swann Foundation for Caricature and Cartoon in 1967. An avid collector, Swann assembled a large group of original drawings by over 500 artists, spanning two centuries, which his estate bequeathed to the Library of Congress in the 1970s. Swann's original purpose was to build a collection of original drawings by significant creators of humorous and satiric art and to encourage the study of original cartoon and caricature drawings as works of art. The foundation=s support of research and academic publication is carried out in part through a program of fellowships.
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PR12-133
7/2/12
ISSN: 0731-3527
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SPX Announces Françoise Mouly and Adrian Tomine as Guests of Small Press Expo 2012
For Immediate Release Contact: Warren Bernard
E-Mail: warren@spxpo.com
Bethesda, Maryland; July 2, 2012 – Small Press Expo is pleased to announce Françoise Mouly and Adrian Tomine as honored guests of SPX 2012. Both Mouly and Tomine will be making their first SPX appearances this year and are in addition to the previously announced guests Chris Ware, Dan Clowes and Jamie & Gilbert Hernandez.
Mouly, art editor for The New Yorker since 1993, is the author of several books including collections of cover art from The New Yorker, and has edited the forthcoming 2012 edition of the prestigious The Best American Comics series. Mouly got her start in comics as the co-creator (with husband Art Spiegelman) of the groundbreaking and highly influential RAW series in 1980. Consciously designed as an art object, RAW was, throughout the eighties, the premier showcase of cutting-edge comic art and storytelling techniques. Many of the celebrated contributors to RAW, including Charles Burns, R. Crumb, Chris Ware, and Art Spiegelman have since gone on to grace the cover of The New Yorker with their artwork during Mouly's tenure as art director. Her successful Toon Book imprint takes her cartoon and illustration aesthetic into the world of children's books.
Writer/artist Adrian Tomine burst onto the comics scene in the mid-'90s with Optic Nerve, and his closely observed characterization and thoughtful storytelling quickly earned comparisons to the likes of Raymond Carver and nominations for the Eisner Award. In addition to volumes collecting his sketches and otherwise uncollected work, Tomine's critically acclaimed Optic Nerve stories have been collected into several handsome volumes. Though he is a generation removed from the "RAW generation," Tomine's distinctive artwork is of a piece with their sensibility, and has also gone on to grace the cover of The New Yorker on numerous occasions.
About SPX
Small Press Expo (SPX) is the preeminent showcase for the exhibition of independent comics, graphic novels, and alternative political cartoons. SPX is a registered 501(c)3 non-profit that brings together more than 300 artists and publishers to meet their readers, booksellers, and distributors each year. Graphic novels, mini comics, and alternative comics will all be on display and for sale by their authors and illustrators, as well as a series of panel discussions and interviews with this year's guests.
As in previous years, profits from the SPX will go to support the SPX Graphic Novel Gift Program, which funds graphic novel purchases for public and academic libraries, as well as the Comic Book Legal Defense Fund (CBLDF), which protects the First Amendment rights of comic book readers and professionals. For more information on the CBLDF, visit their website at http://www.cbldf.org.
SPX also supports the Small Press Expo Collection at the Library of Congress, which preserves the history of both the artistic output of the creators who come to SPX, as well as the art that SPX itself generates as part of its yearly festival. It the first program of its type by a major institution in the United States to preserve the works of the indie comics community.
SPX 2012 will be held Saturday, September 15 and Sunday, September 16. For more information on the Small Press Expo, please visit http://www.spxpo.com.
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