Thursday, October 03, 2019

Loudon County Library selects Hey, Kiddo for 1book 1community

Hey, Kiddo selected for 1book 1community
We are thrilled to announce the selection of Hey, Kiddo, by Jarrett J. Krosoczka, for our 2019 1book 1community program. This timely, headline-making National Book Award finalist is a graphic-novel memoir about Krosoczka's childhood growing up in a family as it grapples with addiction. Free copies of Hey, Kiddo are available now in branches or you can read the eBook on our OverDrive or Libby apps through Nov. 23.
SAVE THE DATE: Don't miss the chance to meet Krosoczka during a free public presentation Saturday, Nov. 23, 2 p.m. at Riverside High School in Leesburg.

Two more SPX panels online

SPX 2019 Panel - Queer Science Fiction and World Building

Published on Oct 1, 2019

Science fiction has long been used as a means to address any number of society's ills through the use of alien settings and advanced technology. Many cartoonists address queer-specific issues in the way that they actually create the foundations of their worlds. Critic and publisher Carta Monir moderates Hannah Templer (Cosmoknights), Rosemary Valero-O'Connell (What Is Left), Shing Yin Khor (Salvage Station No. 8), and Alison Wilgus (Chronin) as they discuss how their settings create explicitly and implicitly relate queer themes.

SPX 2019 Panel - International Trends in Small Press Publishing

Published on Sep 30, 2019

Publishing and distribution remain small press comics' thorniest issues, but the passion and vision of small press publishers continue to blaze new trails and provide opportunities for artists around the world. An international line-up of publishers and editors including Paw Krogsbek Mathiasen (Fahrenheit), Pernille Arvedsen (Cobolt), Annie Koyama (Koyama Press), Carta Monir (Diskette Press), and Marc Pearson (Glom Press) discuss strategies, obstacles, and their vision for small press comics. Critic Rob Clough (High-Low) moderates.


Wednesday, October 02, 2019

PW Comics World: More To Come at SPX

More To Come 389: Hannah Templer and James Romberger at SPX 2019

Tom King profiled in Publishers Weekly

Kevin Panetta will be co-writing Archie

Katy Keene Is Heading to Riverdale This January In "Archie and Katy Keene" [Exclusive]

Tuesday, October 01, 2019

Ann Telnaes wins Ink Bottle Award from AAEC (via Twitter)

A big congrats to cartoonist on receiving this year's Ink Bottle Award from . Telnaes was cited for her tireless work with , her outreach to younger political cartoonists, and curating the 1st Amendment show at .

In accepting the award, Ann said she wanted to share the honor with friend and fellow cartoonist Signe Wilkinson . Both women are Pulitzer winners, and were key planners of this year's AAEC convention at the

The Post reviews a Rick and Morty science book

'Rick and Morty's' cartoon world is absurd and hilarious. But one of its premises may be real: The multiverse [in print as 'Rick and Morty's' cartoon world is crazy and hilarious. But one of its premises may be real.]

Monday, September 30, 2019

Mike Jenkins highlighted by Daily Cartoonist in Billy Ireland exhibit

Mike Jenkins, who's turned to caricature from editorial cartooning, was singled out in Mike Peterson's coverage of an editorial cartoon exhibit at the Billy Ireland Cartoon Library and Museum:

Sunday, September 29, 2019

1st 3 SPX panels of 2019 online

SPX 2019 Panel - Hard Thoughts And Visual Metaphors
SmallPressExpo
Published on Sep 28, 2019

Cartoonists whose work differs in tone, style, and subject matter are often united in their visual solutions to the problem of trying to get at difficult thoughts, feelings, and concepts. Scholar and moderator Isaac Cates explores the idea of cartoonists pushing themselves to express uncomfortable and enigmatic ideas with Rikke Villadsen (The Sea), Kevin Huizenga (The River At Night), Eleanor Davis (Why Art?), and Simon Hanselmann (Bad Gateway).

SPX 2019 Panel - Sourcing Biography

Published on Sep 27, 2019

The most difficult task for an artist tasked with drawing a biography of a famous figure is how to reduce an enormous amount of text and information into a relatively small number of images. Making those images interesting beyond simply conveying that information for narrative purposes is even more difficult. Critic Robin Enrico (Broken Frontier) moderates a group of cartoonists who have deftly navigated these problems to create some memorable comics: Typex (Andy: The Life And Times Of Andy Warhol), Beth Barnett (Dreamers Of The Day), and Peter Hoey (Coin-Op Comics).

SPX 2019 Panel - Blurring The Visual Lines In Fantasy Fiction

Published on Sep 27, 2019

Comics is an ideal medium for fantasy because of the wide array of visual and narrative options available. Things get even more interesting when cartoonists mix and mash different genres, or when they use poetic, surreal, or dense visual strategies to tell their stories. Critic Alex Hoffman (Sequential State) discusses the stylistic choices of Yann Kebbi (The Structure Is Rotten, Comrade), Rune Ryberg (Gigant), Ida Rørholm Davidsen (Lonely Journey), Anne Simon (The Empress Cixtisis), and Molly Mendoza (Skip).

Friday, September 27, 2019

Thursday, September 26, 2019

Local failed cartoonist Jake Tapper is drawing Dilbert this week

Jake Tapper is drawing Dilbert for charity. Not everyone is happy about it.

NPR on new YA graphic novels

Kick Off Fall With This Trio Of Innovative YA Graphic Novels

Library of Congress blog on their Comic Art exhibit

Let's Talk Comics: On Exhibit!

J. Michael Straczynski discussing "Becoming Superman" video online

The Politics and Prose video of J. Michael Straczynski discussing "Becoming Superman"  in August has been posted on YouTube by the store.  The direct link is

Thanks to Bruce Guthrie for the tip.

Tuesday, September 24, 2019

WAMU's 1A talks to Chris Ware and Melanie Gillman

A Graphic Novel Nearly Two Decades In The Making

A Graphic Novel About A Transgender Southerner Of The Old West

Joshua Johnson
WAMU's 1A September 23 2019

Meet a Local Book Designer: A Chat with Barbara Sutliff

by Mike Rhode

Barbara Sutliff is a book and magazine designer and art director  who recently worked on an editorial cartoon book for the American Association of Editorial Cartoonists (AAEC). On a tip from her husband, cartoonist Joe Sutliff, Barbara and I got together for an informal email interview.

I heard that local editorial cartoonist Matt Wueker was doing a book for a Billy Ireland Cartoon Library and Museum exhibit in Columbus, OH? They have an editorial cartoon show that's only up for another month. Is that what it's for?

Yes it is based on the show, the AAEC has their conference there this coming weekend. The AAEC will have the book for sale. It was a very small print run for the conference, and the association plans to show it to some of the large book publishers that will be there in hopes of interesting them in publishing it on a larger scale, perhaps even an expanded version.

What's the title, and who's the author?

The title is Front Lines: Political Cartooning and the Battle for Freedom of Speech by The Association of American Editorial Cartoonists. This is similar to the title of the exhibition, which was Front Line: Editorial Cartoonists and the First Amendment.


The editor of the book is Matt Wuerker, award winning political cartoonist from Politico and former president of the AAEC, and a friend of ours (Joe and I).
Back and front covers
How did you get involved? What did you do for them?

Matt saw Joe at an event and mentioned the project and asked whether I might be interested in designing the book. We talked and I was very excited to work on such a fun and important project. Matt was terrific to work with. After hearing his ideas for the look of the book, we talked  back and forth as I showed different options for the chapter design treatments, Once chosen, it was a really smooth collaboration—Matt was just finishing up getting the essays edited and finalized, while collecting hi-res versions of the many cartoons that he was organizing to go with each chapter/essay. 

Liz Donnelly drawing and table of contents
In the meantime I roughed out the book to get a firmer idea on page count for each chapter and for the overall book, including many cartoons chosen to go with each chapter. As I have designed and produced hundreds of publications over the years—this project was a great fit—Matt and I had a smooth back and forth with emails including pdfs of pages with notes attached with my questions, suggestions as well as his corrections, answers and suggestions. We also had periodic phone calls to go over the status chapter by chapter. I worked in InDesign and sent pdf proofs which as I mentioned, we added electronic sticky notes to for specific questions and to provide me with credit info for each piece etc. When everything was approved I made hi-res print quality pdfs for the printer. Matt already had this idea in mind for the cover—he provided my with his mockup in InDesign which I tweaked (I am a stickler when it comes to kerning and typography and Matt was thrilled with that attention to detail on my part!) It was a great experience, I loved designing and producing the book. Matt just told me he is putting a printed copy in the mail for me and I am so glad to hear that he is very happy with the printed edition.


How many images are in the book? Is everything from the exhibit in it? Was there anything tricky or difficult about the layout?

Pillars by Jimmy Margulies. August 16, 2018 from the exhibit

.

I counted 100 cartoons in the book not counting Matt’s cover cartoon. It also has essays by Joel Pett, Lucy Caswell, Roslyn Mazer, Rob Rogers, Ann Telnaes and Matt. 

I didn’t know whether the book included everything from the exhibit, since I didn't see the show, but Matt says, "No....  And many of the cartoons in the book are not in the show. It's by no means a catalog of the show.  We just used that as a jumping off point.”

The tricky thing for me was incorporating many horizontal cartoons into the design without having the option of going across the gutter of a perfect bound book like I might when designing with photographs, which can have impact across a spread—but obviously that doesn’t work with cartoons with words. I created a grid with an appropriate width for type, on a square page which allowed for a narrow outside column to be used for pull quotes and to have the flexibility to use the full width including the narrow column for cartoons to jut out beyond the type column. It works as many of the cartoons are horizontal and allows for variety in the design of each spread with varying sized art along with the text and pull quotes drawing the reader to important ideas from the chapter and that act as design elements on the page as well. I guess the other tricky thing that comes to mind is that the chapters were mostly cartoons with an essay flowing through them as opposed to a text-heavy book punctuated by spot illustrations. So the challenge was to keep the continuity of the words flowing around the cartoons which meant jumping the words around a spread or two of just art so that the cartoons and words complemented one another.

Barbara Sutliff is available for full-time or freelance work. Contact her via https://www.linkedin.com/in/barbarasutliff/


Oliphant exhibit opens at UVa

Oct 6: Bob Mankoff at Politics and Prose

Bob Mankoff - Have I Got a Cartoon for You!: The Moment Magazine Book of Jewish Cartoons

Mankoff, cartoon and humor editor for Esquire, former New Yorker cartoon editor, and author of the memoir How About Never—Is Never Good For You?, introduces this collection of his favorite Jewish cartoons by quipping that the People of the Book are also "the People of the Joke." Exploring how Jewish humorists have drawn on traditions such us Talmudic disputation for material, Mankoff surveys the long tradition of Jewish humor and the cartoon's place in it and reflects on how his own Jewish heritage—which included early experiences of Borscht Belt comedians like Jerry Lewis and Buddy Hackett—shaped his career as a cartoonist.

 

This event is free to attend with no reservation required. Seating is available on a first come, first served basis.
Click here for more information.


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