Monday, August 01, 2016
Studio Ghibli film fest at Angelika at Mosaic
Yesterday I watched Tales from Earhsea at the Angelika Film Center, in the Mosaic District in Fairfax, VA. The film was part of the annual Studio Ghibli Film Festival, which happens every summer. I was fortunate to learn about this seasonal event last year, allowing fans like myself to view their favorite Studio Ghibli movies on the big screen. As in the case with yesterday, it was the first time I saw Tales from Earthsea, a film that is absolutely stunning on the big screen. One of my all time favorites - a Studio Ghibli classic and early Miyazaki film, was Nausicaa of the Valley of the Wind - one I own on Blu Ray, but was able to fully appreciate after seeing and hearing it in a movie theater earlier this summer, at Angelika. It's good to note that last year, they didn't show Nausicaa, so I'm glad they decided to mix things up this time around!
As the schedule goes, each week they'll play a Studio Ghibli film twice, once on Saturday mornings at 11:00am, and again on Wednesday evenings at 7pm. On Saturdays, they'll show the English dubbed version, and on Wednesdays, for a film's second showing, they'll show the original Japanese version, with English subtitles. So, if I wanted to see Earthsea again, I could go this Wednesday evening and watch it in its original, Japanese form.
Sadly, this summer's line-up is almost done, however there a still a few more to see through August. If you're a fan of Studio Ghibli films, or great animation, or great movies in general, then get on over to the Angelika Film center at Mosaic before it's too late!
-Steve Loya
Flugennock's Latest'n'Greatest: "#DNCleaks"
From DC's anarchist cartoonist, Mike Flugennock:
"#DNCleaks"
http://sinkers.org/stage/?p=2010
At last report, there is absolute zero evidence that the Russians had squat to do with the recent Wikileaks dump of Democratic National Committee emails detailing the program of fraud and sabotage against the Sanders campaign. Still, that hasn't stopped all manner of Liberal Democratic mouthpieces like MSNBC shrieking at full throat about how "the Russians did it".
Actually, I think it's too bad that the Russians didn't do it, because ma-aan, would that have been some poetic justice.
"#DNCleaks"
http://sinkers.org/stage/?p=2010
At last report, there is absolute zero evidence that the Russians had squat to do with the recent Wikileaks dump of Democratic National Committee emails detailing the program of fraud and sabotage against the Sanders campaign. Still, that hasn't stopped all manner of Liberal Democratic mouthpieces like MSNBC shrieking at full throat about how "the Russians did it".
Actually, I think it's too bad that the Russians didn't do it, because ma-aan, would that have been some poetic justice.
Catholic University's Treasure Chest collection
Associate Archivist W.J. Shepherd has written a few articles:
The Archivist's Nook: Hark! The Digital Angel Comes!
The Archivist's Nook: Hark! The Digital Angel Comes!
The Archivist's Nook: Treasure Chest – Your Own Virtual Jesus
The Archivist's Nook: A Merry Treasure Chest Christmas to All!
Smithsonian American Art Museum on Pokemon
Pokémon Go: Games, Art, and Open Spaces at the Museum
July 13, 2016
http://eyelevel.si.edu/2016/07/pok%C3%A9mon-go-games-art-and-open-spaces-at-the-museum.html
Sunday, July 31, 2016
Michael Cavna remembers Richard Thompson
RIP, Richard Thompson: How the artist extends to us the hand of profound wit and humanity
Saturday, July 30, 2016
That darn Mark Trail
'Mark Trail' objectifies women [in print as Free for All Swimsuit Edition].
Daniel Bender, Bethesda
Ann Telnaes interviewed
Three Female Cartoonists Open Up About Drawing Hillary Clinton
And sexism. Loads of sexism.
The Post's review of Phantom Boy
'Phantom Boy': Another old-school animation from the makers of 'A Cat in Paris' [in print as Timely crime with an old-school feel].
Friday, July 29, 2016
Carolyn Belefski called Kindness Activist
Cartoon Kindness
by STG
July 29, 2016
http://kindnessactivist.blogspot.com/2016/07/cartoon-kindness.htmlDavid Malki and Encore Stage remembering Richard Thompson
RIP: Richard Thompson, creator of "Cul de Sac" by David Malki
Remembering Richard Thompson, Creator of Cul de Sac
By Jerry Gidner, Encore Stage & Studio Board of Directors
Mark Korsak on this weekend's Graphic Recording professional meeting
by Mike Rhode
Mark Korsak recently contacted me to tell me that Scott McCloud would be in town for an event, courtesy of Maga Design. The International Forum of Visual Practioners is having it's annual meeting in DC. It's not open to the general public, but you can register to attend. Several local cartoonists such as Kevin Rechin, Joe Sutliff, Teresa Logan and especially Joe Azar have done jobs in this emerging field. Mark's quite happy with his new career, noting that he gets to travel around and was just in India for three days.
MR: What is graphic recording?
MK: Graphic Recording is one of a few terms used to describe someone who uses hand done static visual media to capture and document information, communicate ideas and foster development and creative thinking in real time. Most Graphic Recorders are hired for a presentation or development meeting. They go in to the event, tape a 4 x 8 foot sheet of paper up on a wall, and draw/write what everyone in the room is saying while they're saying it. Live. Improvisationally. They do this because it engages people in a way that talking alone, or a powerpoint presentation, can't. The audience becomes more absorbed in the subject. They retain information better and participate in the experience. Afterwards there is a unique visual record or the experience that can be referenced. Over all there is a much deeper impact.
There are 2 camps in the field. One would be Graphic Recorders, like me, who draw/write what is happening. The second camp is Graphic Facilitators. They tend to have much less drawing experience, but have psychology and management degrees. They know how to get a room full of people to think/work together and use the drawing more as a tool to build consensus. I am often paired with a facilitator on an assignment. They do the talking, I do the drawing.
Do the drawings tell a story?
Absolutely. For the people in the room, drawing is magic. It leaves a much deeper impression and ends up standing as an inspiration.
How did you get involved in the field? Are you a cartoonist?
I'm an illustrator/designer. I moved to DC from New York a few years ago. In an effort to connect with the local design community. I attended a cocktail party at Maga Design, a consulting firm here in DC that engages all their clients with Graphic Recording (and host of the cocktail party). I met Jim Nuttle and Greg Gersch at that party. Both of them are illustrator/designers that have become highly sought after Graphic Recorders. They introduced me to the Graphic Recording industry (along with Joe Azar) and I have since taken up the mantle.
Why do cartoonists make good practitioners? Or don't they?
Mark Korsak recently contacted me to tell me that Scott McCloud would be in town for an event, courtesy of Maga Design. The International Forum of Visual Practioners is having it's annual meeting in DC. It's not open to the general public, but you can register to attend. Several local cartoonists such as Kevin Rechin, Joe Sutliff, Teresa Logan and especially Joe Azar have done jobs in this emerging field. Mark's quite happy with his new career, noting that he gets to travel around and was just in India for three days.MR: What is graphic recording?
MK: Graphic Recording is one of a few terms used to describe someone who uses hand done static visual media to capture and document information, communicate ideas and foster development and creative thinking in real time. Most Graphic Recorders are hired for a presentation or development meeting. They go in to the event, tape a 4 x 8 foot sheet of paper up on a wall, and draw/write what everyone in the room is saying while they're saying it. Live. Improvisationally. They do this because it engages people in a way that talking alone, or a powerpoint presentation, can't. The audience becomes more absorbed in the subject. They retain information better and participate in the experience. Afterwards there is a unique visual record or the experience that can be referenced. Over all there is a much deeper impact.There are 2 camps in the field. One would be Graphic Recorders, like me, who draw/write what is happening. The second camp is Graphic Facilitators. They tend to have much less drawing experience, but have psychology and management degrees. They know how to get a room full of people to think/work together and use the drawing more as a tool to build consensus. I am often paired with a facilitator on an assignment. They do the talking, I do the drawing.
Do the drawings tell a story?
Absolutely. For the people in the room, drawing is magic. It leaves a much deeper impression and ends up standing as an inspiration.
How did you get involved in the field? Are you a cartoonist?
I'm an illustrator/designer. I moved to DC from New York a few years ago. In an effort to connect with the local design community. I attended a cocktail party at Maga Design, a consulting firm here in DC that engages all their clients with Graphic Recording (and host of the cocktail party). I met Jim Nuttle and Greg Gersch at that party. Both of them are illustrator/designers that have become highly sought after Graphic Recorders. They introduced me to the Graphic Recording industry (along with Joe Azar) and I have since taken up the mantle.
Why do cartoonists make good practitioners? Or don't they?
Cartoonists/Illustrators/
Why did you invite Scott McCloud to come to DC to speak to your group?
There are many fantastic books out there that talk about visual thinking and facilitating, but Scott McCloud's book "Understanding Comics" has become a must read for the Graphic Recording industry as it delves so deeply into the nuts and bolts of why/how images/drawings work. Scott is finishing up his tour for "The Sculptor" and starting to research his next book, which will be more along the lines of "Understanding Comics" (or so he tells me). Not only will his lecture be informative to the attendees of the conference, but he will also be conducting interviews himself and researching his next book.
To give you an idea of what Graphic Recording looks like here are the finish files from the capture I did recently. In an effort to learn more about the needs of the DC and Suburban Maryland community Kaiser Permanente gathered together a variety of community leaders and medical professionals for a day of dialogue and discussion. Both these panels are 4 x 8 ft. At the end of the day, the client keeps them. They usually hang them up in their office for a time as inspiration.
The Post's obituary for Jack Davis
Jack Davis, Mad magazine illustrator, dies at 91 [in print as Jack Davis, 91: Horror comics launched Mad cartoonist's career].
Washington Post
Comic Riffs on Richard Thompson masterpieces
These are the Richard Thompson masterpieces we'll most remember him by
Washington Post Comic Riffs July 29 2016
https://www.washingtonpost.com/news/comic-riffs/wp/2016/07/29/these-are-the-richard-thompson-masterpieces-well-most-remember-him-by/
The early Thompson - Science fiction fandom art
The early Thompson - Science fiction fandom art
July 29, 2016
http://richardspooralmanac.blogspot.com/2016/07/the-early-thompson-science-fiction.html
We compiled a lot of art that wasn't used in The Art of Richard Thompson book. Here's some raw scans of a selection of it. Richard's earliest published works were in the convention program for the local sci-fi con Disclave, and the fanzine Science Fiction Eye....
Cartoonists Stacy Curtis and Dave Kellett remember Richard Thompson
Both Stacy and Dave knew Richard - Stacy worked on Cul de Sac with him, and Dave interviewed him at length for a documentary.
Rest in Peace, Richard Thompson
http://stacycurtis.blogspot.com/2016/07/rest-in-peace-richard-thompson.html?m=1
Dave Kellett's Sheldon comic
Thursday, July 28, 2016
A short personal remembrance of Richard Thompson
Richard Thompson collected friends. And admirers who became friends. I first met Richard ten years ago in November 2006. Although it seems longer ago than that, probably because I'd seen his work in the Washington Post, practically every day, for the previous two decades. Joel Pollack introduced us at the opening of the Cartoon America exhibit at the Library of Congress. We hit it off, Richard's quiet, sly wit keeping me grinning, and soon we began taking in more exhibitions with other of Richard's old friends (who are also talented artists) such as Bono Mitchell, Nick Galifianakis and Kevin Rechin. Soon I was popping over to his house in North Arlington, where Amy, or their daughters Emma and Charlotte would answer the door and yell down to the basement studio, "Dad, Mike's here again," because of course, he was never on time for whatever event we were going to. Richard and his gang kindly enfolded me into their lives, and I can never pay him or them or his family back for that kindness. An inexact analogy would have Richard as the sun in a solar system, with family and friends orbiting around him and then around each other as a result. I met many good people, some famous and some not, through being privileged enough to hang out with Richard (and having a drivers license that I was willing to use).
Richard was an engaging traveling companion, even if he could be a bit... frustrating. At one Con, he was panicking because he couldn't find the $400 he made earlier in the day. (This is when he was selling his daily Cul de Sac strips for $100 or less). We tore apart our hotel room, over and over, obsessively rechecking his luggage and clothes. Eventually it turned up where he'd 'safely' stored it - in his pillowcase. Certainly, no maid of a criminal bent would ever have checked there. That wasn't atypical behavior for him, because in many ways, Richard was a typical artist, forgetting to eat, or leaving jobs until the last minute so inspiration would strike. One of my great regrets is that he never took Francoise Mouly up on her offer to do a New Yorker magazine cover. I actually saw her pleading with him to submit one.
As I noted for Andrew Farago of The Comics Journal, in spite of the appearance of being an overnight sensation with Cul de Sac, Richard had paid his dues. He worked regularly doing illustrations for the Washington Post from the early 1980s, eventually appearing almost every day of the week. He also did two comics for them - Saturday's Richard's Poor Almanac panel and Sunday's Cul de Sac in the Magazine. Beginning in 1991, he did interior illustrations for the New Yorker. He did over 400 caricatures for US News and World Report over the course of nine years. In short, Richard was a successful working illustrator long before most people outside of a small world of editors and other illustrators ever paid attention. When Cul de Sac went into the world beyond the Washington Post in 2007, a new audience began gravitating to him, but the devastation of a rapid case of Parkinson's disease meant that all of us, old and new readers, only got another four years of Richard's imagination to enjoy. I think he could have easily run for another twenty years with Cul de Sac, doing quality work. He's written on his blog about how he enjoyed introducing new characters, and Mr. Danders was just waiting to be returned to the strip.
Highlights from last night's Politically Inclined live drawing event
by Steve Loya
Last night I attended the late July Takoma Park city council meeting as part of the "Politically Inclined" project, inviting artists who are currently on exhibit at the Takoma Park Community Center's "Stylized Notions" art exhibit, featuring works from local, DC-area cartoonists and comic artists who participated in the Cartoonists Draw Blood blood drive events. In addition to myself, Bill Brown, Art Hondros, and Eric Gordon participated. Unlike Eric, Art, and Bill, all residents of Takoma Park, I drove out from Sterling, VA, and it was interesting to participate in some small way, and contribute something to the democratic process that is a City Council meeting - something I've never done before. In addition to being in good company, and hanging out with some great fellow artists for a little bit, I also wanted to try something slightly new and different, creatively.
The event was recorded and shown live on the Takoma Park community TV channel, as well as on their Facebook page. During a brief intermission, the artists spread their work out on the stage for folks to see, and it was great seeing the variety of approaches everyone took, and witnessing the positive reactions from the people in the auditorium. I think it was a great, positive experience for us artists as well.
A big big thanks goes out to organizers Marilyn Sklar and Chanthi Chandra-Sekar, Carolyn Belefski for the heads-up, and to all the artists and folks who participated in last night's city council meeting. In the meantime, there's talk of possibly having a little exhibit featuring last night's work. I'll post more, if anything more comes out of it. In the meantime, HERE are a few more photos, etc. from the event. You can also read more about it in the Takoma Voice!
- Steve Loya
*above pic: Bill Brown
*above pic: Steve Loya
*above pic: Takoma Park residents looking at some of the artwork made throughout the evening
above pic: Art Hondros
*above pic: Eric Gordon
Andrew Aydin's beard is a political statement
"March" Co-Writer Grows Beard in Response to Trump Anti-Muslim Statements, Capitol Hill 'Bigotry'
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