Friday, November 27, 2015

Orsini's Cosplay book available now


Cosplay, by Arlington author Lauren Orsini was published this year, and is featured in Barnes and Noble. This photo is from the Falls Church store.

Orsini has long been active in anime and manga fandom, and worked for some years with Anime USA. This book was done on contract, and she wrote about it on her blog under the title, "Writing a book in seven weeks."

blog_sidebar_headThere she noted, "It's quickly becoming apparent that the actual writing part of the book is going to be a cakewalk compared to getting the photos in order. I didn't write a word of the book this week. Instead I spent my time organizing the cosplay photos my publisher has already given me, plus searching for and contacting talented cosplay photographers all over the world."

By week 5 the writing was becoming the focus, "...I've reordered the sections in a way that feels good to me (now they're all focusing on a genre, with the final chapter on original costuming)..."

She told ComicsDC, "Traditionally publishing a book isn't easy or lucrative, but it's an experience unlike any other. People have sent me photos of my book from places like California, Florida, and New York. I'm really grateful to Carlton Limited and Sterling Publishing for giving me this opportunity."

Wednesday, November 25, 2015

Comic Riffs met with Zunar this past week

Charged Malaysian cartoonist Zunar vows to fight on as he receives CPJ Press Freedom Award


The Post reviews Pixar's latest, The Good Dinosaur

Bill's 1949 Christmas-time Whiz Comics






My friend and neighbor Bill Cogswell used to collect comics back in the day. When his sister Ellen passed away recently, I saw this picture of them. It's Christmas 1949 and Bill appears to be reading Whiz Comics #119 (March 1950 cover date)* judging from the Grand Comics Database (which provided the image). Captain Marvel was the main feature.

Following the old familiar story, Bill's mother threw away his comic books when they moved within Arlington.


*comics came out months before their cover date to fool the newsstands into keeping them on display longer.

Tuesday, November 24, 2015

2016 Awesome Con panel pitches and special guests

D.C.'s Awesome Con is accepting programming proposals for its 2016 show June 3-5. The submission deadline is March 6.
 
Earlier this month, 1960s Batman TV series actors Adam West and Burt Ward were announced as special guests for the show.

Saturday, November 21, 2015

Flugennock's Latest'n'Greatest: "We Are All French. Tough Shit."



"We Are All French. Tough Shit."
http://sinkers.org/stage/?p=1809

Remember when Beirut was attacked by suicide bombers last week, and a bunch of people died, and it was all over the media, and there was a global outpouring of condolences and solidarity? Me, neither!


"Beirut, Also the Site of Deadly Attacks, Feels Forgotten", NY Times 12.15.15
http://www.nytimes.com/2015/11/16/world/middleeast/beirut-lebanon-attacks-paris.html

  Mike Flugennock

SPX video of Jessica Abel and NPR online now

SPX 2015 Panel - SPX Spotlight on Jessica Abel and NPR

 Nov 16, 2015
https://www.youtube.com/watch?v=TOMASFvzaCU

What is it about narrative non-fiction stories in the form of graphic novels, public radio, and podcasts that keep readers and listeners coming back for more, time and time again? National Public Radio's Rachel Ward interviews Jessica Abel, author of "Out on the Wire: The Storytelling Secrets of the New Masters of Radio"

Friday, November 20, 2015

Interview with Carla Speed McNeil's coauthor on No Mercy

DF Interview: Alex de Campi amps up the teen terror in No Mercy's new arc

By Byron Brewer

November 20 2015

http://dynamicforces.com/htmlfiles/interviews.html?showinterview=IN11201562414

The Smithsonian honored Francoise Mouly

The New Yorker Editor Who Became a Comic Book Hero

The amazing tale of a determined art director who harnessed the powers of the greatest illustrators around the world to blow kids' minds


Davis.Smithsonian.Mouly.200dpi.jpeg
(Eleanor Davis)
By
Smithsonian Magazine | Subscribe
November 12, 2015
Read more: http://www.smithsonianmag.com/innovation/francoise-mouly-ingenuity-awards-comic-book-editor-180957232/

11/21: Illuminati cartoonists at Third Eye Comics




Hello Third Eye Faithful!

You guys know us: we love to bring you the fastest rising stars in comics, each and every week, and this weekend, we're putting together a signing event with two of our favorite new comic creators to hit the scene in the last few years: Joshua Williamson and Shawn Crystal! 

In support of their brand new, ALL NEW ALL DIFFERENT Illuminati series, Josh and Shawn will be signing copies of ILLUMINATI #1 as well as all their other projects this Saturday at Third Eye!

Many of you know Josh from his work on Image hits like NAILBITER and BIRTHRIGHT, and Shawn has wowed you guys with his recent DC work on ARKHAM MANOR, so together, the two are totally kicking butt on the new ILLUMINATI series which spotlights all the big bad guys of the Marvel Universe!

Plus, after some of the crazy big signings we've had the last few weeks, we're actually pretty pumped to present one of our more intimate, and laid back signing events, where you can actually spend some time talking with the creators, and getting to connect with them!

So, come on out this weekend and have some fun with us, Third Eye Faithful!

Photos of "Drawn from the Headlines" online

Bruce Guthrie's pictures of the panel at the National Archives are online now.

Natl Archives -- Panel -- 11th Annual McGowan Forum on Communications ("Drawn from the Headlines") w/David Sipress, Tom Toles, Jen Sorensen, Keith Knight, and Signe Wilkinson:
  • Bruce Guthrie Photos Home Page: [Click here] to go to Bruce Guthrie Photos home page.
  • Description of Pictures: 11th Annual McGowan Forum on Communications
    Drawn from the Headlines: Communication and Political Cartoons
    A panel of award-winning political cartoonists discuss their work, inspiration, and motivation, as well as how these cartoons affect the political community and the public, and how technology has impacted the form. Moderated by cartoonist David Sipress (The New Yorker), the panel includes Tom Toles of The Washington Post, winner of the 2011 Herblock Award; Jen Sorensen, nationally syndicated political cartoonist and 2013 recipient of a Robert F. Kennedy Journalism Award; Keith Knight, award-winning creator of Knight Life and The K Chronicles; and Signe Wilkinson, the first female artist to win a Pulitzer Prize for Editorial Cartooning. This program is generously supported by the William G. McGowan Charitable Fund, Inc..

The Post's Jessica Jones tv show review

In Netflix's new series, Jessica Jones is 'exactly the hero' we want her to be [in print as A female superhero with heart, and a past: Netflix's 'Jessica Jones' is a noirish Marvel riff].


Thursday, November 19, 2015

Drawn from the Headlines: Communication and Political Cartoons

11th Annual McGowan Forum on Communications

 Nov 18, 2015
https://www.youtube.com/watch?v=y-IEXeFRFaU

Drawn from the Headlines: Communication and Political Cartoons
Editorial cartoons are often characterized by their originality, editorial effectiveness, and quality of drawing and dramatize a wide range of social and political issues with style and humor. But how has the ever changing technological climate influenced this art form and what lies ahead for the future? A distinguished panel of award-winning political cartoonists will present and discuss their work, what inspires and motivates political cartoons, how these cartoons affect the political community and the public, and the impact of changing technology. Moderated by David Sipress, cartoonist for The New Yorker, the panel features panelists Tom Toles of The Washington Post, winner of the 2011 Herblock Award; Jen Sorensen, nationally-syndicated cartoonist and 2013 recipient of a Robert F. Kennedy Journalism Award; Keith Knight, award-winning creator of Knight Life and The K Chronicles; and Signe Wilkinson, the first female artist to win a Pulitzer Prize for Editorial Cartooning.

This program is generously supported by the William G. McGowan Charitable Fund, Inc.

The Post's best graphic novels list

Cartoons & Cocktails auction tonight

Tickets NOW ON SALE through 3 p.m., Thursday, Nov. 19. Tickets will be available in the Holeman Lounge of The National Press Club thereafter.

Plan now to attend the 28th annual auction of editorial cartoons made possible through generous donations of original* cartoon art by prize-winning cartoonists.

Join us Nov. 19 in the National Press Club ballroom for an evening of food, drink and lively bidding. It's a fantastic opportunity for collectors and admirers of cartoon art to acquire new works and help good causes.

*Because some cartoonists are creating their work electronically, their C&C items vary. Some are limited-run prints with original signatures; some are original sketches accompanied by signed prints.

Wednesday, November 18, 2015

Meet a Local Cartoonist: A Chat with Christiann MacAuley of Sticky Comics

by Mike Rhode 

Earlier this year, I met cartoonist Christiann MacAuley at Smudge, a comics expo in Arlington's lamented Artisphere. She's been staying busy with Sticky Comics, a weekly webcomic for Cosmopolitan, but here's her answers to our usual questions. (all images are courtesy of her) 

What type of comic work or cartooning do you do?

I mostly create one-shot humor comics about modern life. Sometimes they're autobiographical.  My work appears weekly on Cosmopolitan.com since 2013. 

How do you do it? Traditional pen and ink, computer or a combination?

I typically draw on off-white paper with a totally normal pencil, like the kind you'd put in a kid's backpack. I draw pretty slowly and erase a lot. Then I ink with a combination of black art pens. After this, I generally scan the page into my computer and add color and shading in Photoshop. I have a Surface Pro 3 tablet with a pen, but I prefer to only use the pen for coloring and sketching, not finished drawings.

When (within a decade is fine) and where were you born? 

I was born and raised in Fairfax County, Virginia in the 80s. I grew up near Herndon in a 50s brick rambler that has since been replaced by a dozen townhomes.  

Why are you in Washington now?  What neighborhood or area do you live in? 

I live in South Arlington in a great neighborhood on Columbia Pike. Unlike a lot of people I meet, I'm from around here, so I'm pretty much living in my hometown. I even went to college in Northern Virginia at George Mason University. I've always had better reasons to stay in the DC area than to leave, including my family, friends, and good jobs. I do require regular travel to keep my wanderlust at bay. One nice thing about being from such a transient city -- I have friends I can visit all over the world who I met here in DC.  

What is your training and/or education in cartooning?
 
I'm pretty much self-taught, although I have taken some drawing classes and one short cartooning class since I graduated college. As a child I didn't try very hard with art, even though I wasn't terrible at it, and most of my teachers would have said I was best at writing. I still see writing as equally important (sometimes even more important) than drawing in my work. I studied History and Literature in college, which gave me a lot of practice writing, and have participated in some writing workshops since then. I also work as a designer, which gives me a lot of everyday exposure to colors and composition. I'm always trying to get better at both writing and drawing. 

Who are your influences?

During childhood, I read a lot of newspaper comics, and I was particularly inspired by one-panel cartoons like The Far Side and Bizarro. I also liked to read kids' comic books like Donald Duck, funny stuff like Cracked and MAD Magazine, and mystery/horror comics like Tales From The Crypt. My dad subscribed to something called CARtoons, which was a cartoon magazine about cars, and I read it every month. I think that my early impression of comics was more topical and less story-driven, which is probably still reflected in the work I do today. 
As a young adult, I had an interest in zines (I wrote two zines in high school with friends), and the zine scene introduced me to the raw punkrockness of indie comics. I was an avid reader of Life In Hell by Matt Groening and other indie newspaper comics. But I had almost no interest in seriously making comics until I read Understanding Comics by Scott McCloud in college. It made me consider comics as a powerful, unique medium. I began looking at The Comics Journal and artists like Art Spiegelman and Daniel Clowes. I'm still in awe of Ice Haven by Daniel Clowes, I think it's one of the most innovative comic stories I've read. 

If you could, what in your career would you do-over or change?

I probably would have taken a few more art classes! I would also have liked to learn more about animation, something I'm trying to learn today. 

What work are you best-known for?

I started making comics and posting them on the internet almost ten years ago. Probably my most widely-shared comic is called An Update Is Available For Your Computer (2011). You can find it on my website, although it's really dated now. Since then, my Cosmopolitan.com comics are what I'm best known for. They largely focus on the humor of everyday stuff, like eating, sex, and riding the Metro, from my own perspective that happens to be female. 

What work are you most proud of?

I'm really proud of anything that legitimately makes people laugh. When people laugh at my work it makes me feel great. Amusing myself is the main reason I started drawing comics, and making other people laugh is usually why I share them. A few funny comics I'm proud of are How To Go To Work With A Hangover (2015), Juice Cleanse (2015), Morning People Are Smug (2014), The Seven Deadly Keys (2011), and Spoiler Alert (2010). 

What would you like to do or work on in the future?
 
 I'd like to publish at least one book in the near future and probably develop relationships with more magazines or online publications like I have with Cosmopolitan.com. If I ever get better at animation, I wouldn't mind doing more of it. As far as subject matter I'd like to work on, I would love to do some more work related to some other topics that interest me, including technology, futurism, and classical literature. Also, I'd love to write and draw an autobiographical comic memoir at some point. 

What do you do when you're in a rut or have writer's block?

Work on something else. My twin sister, Sheridan, calls this FAUXcrastination. I think she coined the term. The idea of fauxcrastination is that yes, you're procrastinating, but at least you're getting something done. Otherwise you'd just be watching Netflix or reading Facebook or whatever. I also think getting out of the house, taking a walk, and talking to friends all help. If I have a deadline and I'm in a rut, I basically just force myself to work until dawn. I'm an avid night person. 

What do you think will be the future of your field?

I think comics have a bright future. It will always be a great way to convey ideas in an accessible and interesting way. I also think there's a great future in being funny, if you can keep it up. I'll never get tired of laughing. 

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

The Small Press Expo is my favorite! I regularly exhibit there, and actually started attending when I was a teenager making feminist zines in the 90s. I have also done Intervention a few times and love the supportive community there. SMUDGE is another awesome local indie comics show I've done twice, and hope to do again. I will probably try tabling at AwesomeCon one of these years too, although I haven't done it yet. 

What's your favorite thing about DC?

Wow, there's a lot. Personally it's my family and friends. As far as DC area goes, I adore the multiculturalism here. In the DC area, I have eaten almost every kind of food there is, and can regularly see art and culture and meet people from almost anywhere on earth. 

Least favorite?

Probably just how expensive it is to live here. I'm sort of a minimalist, but even living in a small space without owning a ton of stuff requires a pretty good job and a lot of hard work. I think the cost of living here is hard on the art scene, because it's so hard to make enough money just to pay rent. 

What monument or museum do like to take visitors to?

I take international visitors to the Air & Space Museum. Not just because I love space travel, but because it's a fairly unique American thing and they usually love it. Some other favorites are the FDR Memorial at night in the winter when the fountains are frozen, the Washington Monument with kites on a windy day in spring or fall, and exhibits and cafeteria at the Museum of the American Indian. 

How about a favorite local restaurant?

I'm kind of a dive restaurant person, so a lot of my favorite places are in the NoVa 'burbs where you can find great Vietnamese (Pho Vinh Loi in Bailey's Crossroads), Korean (Kogiya in Annandale), Mexican (Taco Bamba in Falls Church), etc. In DC proper, I'm going to say it's Quick Pita in Georgetown. 

Do you have a website or blog?

My website is stickycomics.com. You can find me on Twitter, Facebook, Tumblr, Instagram, and even a few other places. If you google my name you'll also find a lot of my recent work on Cosmopolitan.com.

A new Daniel Boris interview is online