Fwd: BCC Welcomes Dorman, Geiger, Hall, McTeigue, Richardson, and Wiacek

Having trouble viewing this email? Click here

BCC Welcomes Dorman, Geiger, Hall, McTeigue, Richardson, and Wiacek BALTIMORE, MARYLAND - August 8, 2018 - Baltimore Comic-Con falls on the weekend of September 28-30, 2018 and will be held at the Baltimore Convention Center in Balitmore's Inner Harbor. Advance tickets are now available for purchase. The Baltimore Comic-Con is pleased to announce first-time guests Dave Dorman, Steve Geiger, Bob Hall, Dawn McTeigue, Roy Richardson, and Bob Wiacek  to the show in 2018. Dave Dorman is an Eisner, Inkpot, and Bram Stoker Award-winning artist, toy designer, filmmaker and storyteller. Dorman spent his childhood in Hawaii, traveled as an Air Force brat, and played tight end for state championship football team for Friendly, MD High School. He graduated from Joe Kubert School and was voted #1 Star Wars artist by The Official Best of Star Wars Magazine fans. He has worked for Marvel, DC, and Dark Horse Comics and won an Eisner Award for Aliens: Tribes. Dorman has been a book publisher, a full-time illustrator, a pop culture and film enthusiast, and is the creator of The Wasted Lands. Dave provided over 100 realistic pieces of artwork for GI Joe action figures in the mid-1980s, and was later approached in the mid-1990s for art to the larger sized action figures. For the past twenty years, Steve Geiger has served as a professional artist in the advertising and comic book fields. After graduating from Buffalo State University, he began his career as an apprentice to the legendary comic book artist John Romita Sr. He was soon hired on staff, and eventually was named Managing Art Director for The Marvel Entertainment Group. Throughout his career, he has served as a regular artist on such comics as Spider-Man, The Incredible Hulk, Bloodshot, Scion, Lorelei, and Samuree. Steve has also illustrated many covers and one-shots for such titles as The X-Men, Punisher: War Journal, Fantastic Four, Batman, and countless others. He is now launching his own enterprise, The Evilgeiger Empire, an entertainment development company devoted to the creation, implementation, and production of original content and creator-owned concepts and characters. Current projects include: 412 Comics, Bender, The Henchman with Devin Hylton, Gabriel Damascus, Cutter, and Plowboy in the Cornmeal Universe with Hollywood Animation. Steve lives in Williamsville, NY with his wife Kristy and their children, Steven III and Scarlett Evelyn. Bob Hall had a long association with Marvel Comics, where at one time or another he drew most of the major books and characters such as The Champions, Spider-Man, Dr. Doom, Conan, Thor, The Fantastic Four, The Submariner, Captain America, PSI Force, The Avengers, and The New Mutants. He was the artist for the West Coast Avengers mini-series and was the primary artist on the original Squadron Supreme. He drew movie adaptations of Willow, Dark Man, and the notorious first Captain America movie, as well as pencils and inks for the graphic novel, Emperor Doom. Bob was an editor at Marvel in 1979. For Valiant, he wrote and penciled the monthly series Shadowman, wrote Timewalker, and then created Armed and Dangerous, a black and white "comicbook-noir" series. For DC, he wrote and drew the Batman graphic novel projects, Batman DOA, I Joker, and It's Jokertime. In 2016, he wrote and drew an educational/fantasy about the measles virus for the University of Nebraska called Carnival of Contagion. Bob is a member of the National Cartoonists Society, Actors Equity Association, and the Society for Directors and Choreographers. His work can be seen at www.bobhall.com. Commissions and original art are available through www.catskillcomics.com. He can be messaged on Facebook. Dawn McTeigue is a comic book artist. You can see her work as an interior artist for Rothic's Southern Nightgown, REM:8, DiVinica, and for DC Comics' Harley Quinn & her Gang of Harleys #5 as well as cover artist for Rothic, DC Comics, Coffin Comics, Lady Mechanika, Aspen, Dark Horse/Dynamite, Valiant, and Zenescope. Dawn also streams art on Twitch a few times a week to show the process of creating comic art. Dawn lives in Calgary, Canada with her husband and three kids. Roy Richardson was inspired to pursue a comics career by the work of Jack Kirby, the ground breaking Fourth World series in particular. He has worked for all the major publishers, on such books as Captain America, Iron Man, The Flash, Star Wars, and his own co-creation, The Tomorrow Knights, which has been adapted into a role-playing game from ZMan Games. He also worked for 15 years in collaboration with his wife (and BCC guest) June Brigman, inking, lettering, and coloring the Brenda Starr comic strip. The pair have recently taken over the artistic reins of the long-running Mary Worth comic strip, and their new comic book series Captain Ginger will be debuting from Ahoy Comics this Fall. Roy is also hard at work on his first book of short stories, entitled Hillbillies Prefer Blondes, tales of growing up in the South in the 1970's. His online portfolio can be seen at www.ArtWanted.com/royart. Bob Wiacek has worked with many great talents such as Stan Lee, Steve Ditko, Gene Colan, John and Sal Buscema, Walter Simonson, Frank Miller, Barry Windsor-Smith, George Perez, Jerry Ordway, Paul Smith, Dave Cockrum, John Byrne, Don Heck, Ron Garney, June Brigman, Colleen Doran, plus many others. He has inked Mike Grell on The Legion of Super Heroes #220 and Al Milgrom on Marvel Presents #7-The Guardians of the Galaxy for Marvel. From that time, on he has inked every major title for Marvel, including The X-Men, Spider-Man, Thor, Iron Man, Captain America, Hulk, She-Hulk, Man-Thing, Star Wars, Silver Surfer, and Fantastic Four just to name a few. At DC, he worked on Superman, Batman, Green Lantern, Brave and the Bold, The Ray, Batman Family, Justice Society, Shazam, and Challengers of the Unknown, which is a small sampling as well. As far as independent publishers, he did work for Dark Horse, Image, Relium Media, Archie, and Valiant, where he worked on Archer and Armstrong, Bloodshot, and Solar. He has inked noteworthy issues in titles including Uncanny X-Men, X-Factor, Star Wars, Iron Man, Batman, and Bloodshot. On the Iron-Man 2020 project, he co-plotted with Walter Simonson, and penciled and inked the book (with an able assist from Will Rosado). Of late, Wiacek has helped out inking All New Wolverine and a JLA General Mills comic, which was available in different cereal boxes. He has also inked Badger #1 for First Comics and Stars End #2 from Insane Comics. Outside of comics, he starred in a commercial with rap group G-Unit in 2003, and has a small part in the independent film Manos: The Rise of Torgo, for which he did the poster. "Another batch of first-time guests for us!" said Marc Nathan, show promoter for the Baltimore Comic-Con. "These are some real super-stars, some of whom have accomplished memorable works for the big publishers in comics, and others of whom are starting to leave their mark now. Our fans will be thrilled to meet them!" In addition to on-site CGC grading, this year's confirmed guests for the show include: Arthur Adams (Guardians of the Galaxy), Joel Adams (Bucky O'Hare Graphic Novel Coloring Book), Neal Adams (Deadman), Zeea Adams (Neal Adams Monsters), Ethan Scott Ambruson (Azteca: Ciudad Paradiso), Marc Andreyko (Jeepers Creepers), Arantza (fantasy artist), Brian Azzarello (100 Bullets), Mike W. Barr (The Outsiders), Jeremy Bastian (Cursed Pirate Girl), Marty Baumann (Big Hero 6), John Beatty (Batman), Carolyn Belefski (Curls), Simon Bisley (Teenage Mutant Ninja Turtles: Bodycount), Ziggy Blumenthal (Operation Pajama Pants), June Brigman (Power Pack), Pat Broderick (Micronauts), Harold Buchholz (Mystery Science Theatre 3000), Mark Buckingham (Scooby Apocalypse), Greg Burnham (Tuskegee Heirs), Buzz (Superman: The Coming of the Supermen), Jim Calafiore (Leaving Megalopolis), Frank Cammuso (Wrong Earth), Chris Campana (Pathfinder: Worldscape - Vampirella), Greg Capullo (Dark Knights: Metal), Joe Carabeo (Black Magic Tales), Christa Cassano (Ghetto Klown), Howard Chaykin (Captain America), Joyce Chin (All-New Wolverine), Frank Cho (Harley Quinn), Michael Cho (Batwoman), Amy Chu (Red Sonja), Steve Conley (The Middle Age), Steve Conte (Action Figure Kingdom), Katie Cook (Thanos Annual), Denys Cowan (The Question), Paris Cullins (WWE Superstars), Kristina Deak-Linsner (Vampirella: Roses for the Dead), J. Robert Deans (The Bear from A.U.N.T.), Tom DeFalco (Spider-Girl, courtesy of Hero Initiative), Jose Delbo (Spongebob Comics), Vito Delsante (Midnight Tiger Stronger), Todd Dezago (Tellos), Dave Dorman (Black Hops: U.S.A.-*-G.I.), Charles C. Dowd (Lilith Dark), Emily Drouin (Eplis), Anne and Jerzy Drozd (Science Comics: Rockets), Todd Emko & Piggy (A Piggy's Tale), Garth Ennis (Jimmy's Bastards, Friday and Saturday only), G.D. Falksen (The Ouroboros Cycle), David Finch (Trinity), Meredith Finch (Rose), Ramona Fradon (The Mike Wieringo Tellos Tribute), Franco (Encounter), Jenny Frison (Wonder Woman), John Gallagher (Captain Canuck Season 4), Will Gallagher (EPIC Bros.), S.L. Gallant (G.I. Joe: A Real American Hero vs. the Six Million Dollar Man), Jose Luis Garcia-Lopez (DC Nation), Steve Geiger (Web of Spider-Man), Joe Giella (The Flash), Mike Gold (The Pilgrim), Michael Golden (Micronauts: Wrath of Karza), Daniel Govar (Thanos: A God Up There Listening), Jimmy Gownley (Zootopia), John Patrick Green (Mickey Mouse Shorts: Season One), Sanford Greene (1000), Dawn Griffin (Zorphbert & Fred), Tom Grummett (The New Titans, courtesy of Hero Initiatiive), Laura Lee Gulledge (Will & Whit), Bob Hall (Squadron Supreme), Dean Haspiel (The Red Hook), Glenn Hauman (The Whisper Campaign), Marc Hempel (Sandman), Clinton Hobart (Disney fine artist), Ken Hunt (Lady Death: Devotions), Jamal Igle (Molly Danger), Tony Isabella (Black Lightning), Klaus Janson (Nightwing, Saturday and Sunday only), Todd Johnson (Tribe), Justin Jordan (Hal Jordan and the Green Lantern Corps), Chris Kemple (The Mike Wieringo Tellos Tribute), Karl Kesel (Batman '66 Meets Wonder Woman '77), Tom King (Batman), Barry Kitson (The Flash), Todd Klein (Black Hammer: Age of Doom), Evelyn Kriete (Weird Tales), Alisa Kwitney (Mystik U), Jade F. Lee (Rolled & Told), Leo Leibelman (Heavy Metal), Paul Levitz (Brooklyn Blood), Mike Lilly (The Tick), Joseph Michael Linsner (Vampirella: Roses for the Dead), Kevin Maguire (Man of Steel), Mike Maihack (Cleopatra in Space), Mike Manley (Judge Parker), Chris Mariano (Claire Lost her Bear at the World's Fair), Mark Mariano (Adventure Time), Billy Martin (Star Wars Adventures), Shawn Martinbrough (Shadowman), Ron Marz (Fathom Vol. 7), Ed McGuinness (Avengers), Bob McLeod (G.I. Joe: A Real American Hero), Carla Speed McNeil (Empowered & Sistah Spooky's High School Hell), Dawn McTeigue (Divinica), Adriana Melo (Plastic Man, courtesy of Hero Initiative), Frank Miller (Xerxes: The Fall of the House of Darius and the Rise of Alexander, Saturday and Sunday only), Stuart Moore (Deadpool the Duck), Terry Moore (Strangers in Paradise), Mark Morales (Justice League), Michael Moreci (Nightwing), Tony Moy (Mainstream), Trevor Mueller (Albert the Alien), Jamar Nicholas (Leon: Protector of the Playground), Denny O'Neil (DC Universe Holiday Special, courtesy of Hero Initiative), Jerry Ordway (G.I. Joe: A Real American Hero vs The Six Million Dollar Man), Rachel Ordway (The Elvis Adventures), John Ostrander (Suicide Squad, courtesy of Hero Initiative), Tom Palmer (Avengers), Dan Parent (Betty & Veronica Friends Forever), Jeff Parker (Future Quest Presents), Paul Pelletier (Titans Special), Andrew Pepoy (Mighty Moe Szyslak), David Petersen (Mouse Guard), Brandon Peterson (Green Lanterns), Tom Peyer (Captain Kid), Richard and Wendy Pini (Elfquest), Ed Piskor (X-Men: Grand Design - Second Genesis), Chase and Mark Poulton (Pizza Tree), Andy Price (My Little Pony: Friendship is Magic), David Proch (Quarter Moon), Tom Raney (Giantkillers), Mark Redfield (Hunted), Frank Reynoso (Garbage Pail Kids: Fables, Fantasies and Farts), Roy Richardson (The Flash), Don Rosa (Uncle Scrooge), Craig Rousseau (Startup), Stephane Roux (Faith: Dreamside), Jim Rugg (Street Angel), P. Craig Russell (Salome and Other Stories), Stuart Sayger (GI Joe: A Real American Hero vs. The Six-Million Dollar Man), Brian Shearer (William the Last), Jeff Shultz (Archie Jumbo Comics Digest), Mimi Simon (Judge Parker), Louise Simonson (Action Comics #1000), Walter Simonson (Thor), Matt Slay (Equilibrium), Dan Slott (Tony Stark: Iron Man), Andy Smith (Demi-God), John K. Snyder (Fashion in Action), Scott Snyder (Justice League, Saturday only), Mark Sparacio (Chelsea Dagger), Jim Starlin (Thanos: The Infinity Siblings, Saturday and Sunday only), Joe Staton (Dick Tracy), Brian Stelfreeze (Black Panther), Jim Steranko (Action Comics), Paul Storrie (The Viking Queen), Larry Stroman (Tribe), Rob Stull (The Mike Wieringo Tellos Tribute), Peter Tomasi (Superman), Tim Truman (Grimjack), David Trustman (God Slap), Sarah Trustman (The Memory Arts), Billy Tucci (Shi), Ted Tucker (Disney World caricature artist), Gus Vazquez (Sunfire and Big Hero Six), Emilio Velez Jr. (Dodgeball Teens), Mark Waid (Captain America), Adam Wallenta (Punk Taco), Adam Warren (Empowered & Sistah Spooky's High School Hell), Michael Watkins (Pantha), Larry Watts (Evil Dead 2: Cradle of the Damned); Todd Webb (Mr. Toast Comics), Dexter Weeks (Savage Eve), Lee Weeks (Batman), Mark Wheatley (Stargate Atlantis Singularity), Bob Wiacek (All New Wolverine), Matt Wieringo (Stargate Atlantis Gateways), Marcus Williams (Hero Cats of Stellar City: Year One), Javier Cruz Winnik (A Reason to Smile), Renee Witterstaetter (X-Force Epic Collection), Rich Woodall (The Mike Wieringo Tellos Tribute), John Workman (Kick-Ass), Thom Zahler (Time & Vine), Mike Zeck (The Punisher), and Liang Zhao (The Phantom). In the coming weeks, look for more announcements from the Baltimore Comic-Con. We are looking forward to highlighting our guests, the Ringo Awards, industry exclusives, and programming. The latest developments can always be found on our website, Twitter, Instagram, and Facebook pages, and follow us on SnapChat:   Contact Information Please use the following e-mail addresses to contact the Baltimore Comic-Con: press@baltimorecomiccon.com - for any general press inquiries or to be added to our PR distribution promoter@baltimorecomiccon.com - for requesting exhibitor, publisher, and Artist Alley applications registrar@baltimorecomiccon.com - for inquiries about submitted registrations general@baltimorecomiccon.com- for general Baltimore Comic-Con inquiries    About The Baltimore Comic-Con The Baltimore Comic-Con is celebrating its 19th year of bringing the comic book industry to the mid-Atlantic area. For more information, please visit www.baltimorecomiccon.com.

Baltimore Comic-Con, P.O. Box 917, Reisterstown, MD 21136

Aug 9: Disney on Broadway at Wolf Trap

Filene Center at Wolf Trap
Vienna, VA

Disney Music Tribute With Broadway Stars & Live Orchestra

For over two decades, Disney has astonished millions worldwide with theatrical productions that both entertain and amaze. Now, in celebration of 20 years on Broadway, and in collaboration with Columbia Artists Management LLC, audiences can experience the magic of Disney's Broadway Hits with an unforgettable night of music at Filene Center at Wolf Trap. Performed by a live symphony orchestra, this major concert event features beloved songs from nine Tony and Academy Award-winning scores by some of the greatest composers and lyricists in the world including Alan Menken (Beauty and the Beast, The Little Mermaid, Aladdin), Phil Collins (Tarzan), Elton John (Aida, The Lion King) and more. These unforgettable songs performed by Disney's own world-class Broadway singers bring the sounds of Disney's Broadway Hits to life, as you've never heard them before.

Event Website

http://www.wolftrap.org/f/080918

Cavna on Steadman

An illustrated review of Ralph Steadman's gonzo D.C. retrospective

by Michael Cavna
Washington Post Comic Riffs blog August 6 2018
https://www.washingtonpost.com/news/comic-riffs/wp/2018/08/06/an-illustrated-review-of-ralph-steadmans-gonzo-d-c-retrospective/

That darn Brewster Rockit

Letters to the Editor 

Who's defending what?

Paul V. Buckley, Bowie

Washington Post August 8 2018

https://www.washingtonpost.com/opinions/whos-defending-what/2018/08/03/7eacf224-9593-11e8-818b-e9b7348cd87d_story.html

Metro Weekly on DC tv shows

CW's 'Supergirl' casts Nicole Maines as TV's first transgender superhero [in print as Dream Big: CW's 'Supergirl' casts Nicole Maines as Dreamer, TV's first transgender superhero

Maines will join the show's upcoming fourth season as a new reporter at CatCo

By Bailey Vogt on July 26, 2018, p. 20

online at https://www.metroweekly.com/2018/07/cws-supergirl-casts-nicole-maines-as-tvs-first-transgender-superhero/

CW developing Batwoman TV show with lesbian main character

If CW moves forward with the series, it will be the first live-action superhero show with an openly gay lead

By Bailey Vogt on July 20, 2018

https://www.metroweekly.com/2018/07/cw-developing-batwoman-tv-show-with-lesbian-main-character/

City Paper reviews NGA's Sense of Humor exhibit

Laugh At This National Gallery of Art Exhibition [in print as Commedia dell'Art]

"Sense of Humor" looks back at the history of humor in art.

Kriston Capps

Aug 3, 2018p. 19

online at https://www.washingtoncitypaper.com/arts/museums-galleries/blog/21016424/sense-of-humor-at-the-national-gallery-of-art-reviewed

NPR on Thi Bui and the Flintstones

Yabbadabba-What? These Aren't The Flintstones You Remember

Mallory Yu

All Things Considered  August 2, 2018

https://www.npr.org/2018/08/02/634937720/yabbadabba-what-these-arent-the-flintstones-you-remember 

https://ondemand.npr.org/anon.npr-mp3/npr/atc/2018/08/20180802_atc_yabbadabba-what_these_arent_the_flintstones_you_remember.mp3
https://www.npr.org/templates/transcript/transcript.php?storyId=634937720

Cartoonist Thi Bui Weaves Together Personal And Political History

Mallory Yu

All Things Considered  August 1, 2018

https://www.npr.org/2018/08/01/634606313/cartoonist-thi-bui-weaves-together-personal-and-political-history

https://ondemand.npr.org/anon.npr-mp3/npr/atc/2018/08/20180801_atc_cartoonist_thi_bui_weaves_together_personal_and_political_history.mp3

https://www.npr.org/templates/transcript/transcript.php?storyId=634606313

Meet a Local Cartoonist: A Chat with Paul Hostetler

by Mike Rhode

DC Zinefest 2018 recently had a successful day out at Art Enables on Rhode Island Ave. I met at least six cartoonists who were new to me, and said hi to at least three I already know. (My photos are here). Paul Hostetler, illustrator and cartoonist, answered our usual questions.

What type of comic work or cartooning do you do?

Every year, for the past 5 years, I self-published a black and white mini-comic, sold pretty much exclusively at shows.  Occasionally, I'll have comics published in an alt-monthly or something, but my main wheelhouse is illustration.

How do you do it? Traditional pen and ink, computer or a combination?

Dark Ambrosia

I have a love affair with India ink, and there's probably not a method I haven't used with it, from sponges and quill pens to Microns and atomizers.  I always come back to the sable brush, though. The less time I have to spend on a computer, the better.  To me, computer coloring and shading is the dullest thing in the world.

When (within a decade is fine) and where were you born?

I was born in the 80s, but I only barely remember the first George Bush getting elected.  There was a giant turkey in his victory speech, so I might have that confused with the Macy's Thanksgiving Day Parade.

Why are you in Washington now?  What neighborhood or area do you live in?

I moved to DC because my last job had me in a small town in Virginia, and I was going stir crazy with all the bluegrass music.  Right now my metro stop is Van Ness, and why the neighborhood is called "Forest Hills" instead of that is one of the things that I try to not have to think about.

What is your training and/or education in cartooning?

I was educated at the Savannah College of Art and Design, in illustration.  They have a sequential art department, but I figured the Illustration Department would give me a leg up when it came to working with a variety of media.  And it did!  Though I have to say, 80% of what I know about the comics/illustration business, I've had to learn on the job.

Who are your influences?

For writing, I feel you can't top Alan Moore. Jodorowsky was one of the writers who taught me that comics don't necessarily have to make a lot of sense.  And beyond comics, Terry Pratchett, John Kennedy Toole, P. G. Wodehouse, Agatha Christie, Michael Moorcock, Dan Harmon, and Clive Barker.  Far too many white guys, now that I think about it.

Our Dear Leader

For art, most of my biggest influences are people who have never done comics, like British illustrators Gerald Scarfe, Ralph Steadman, Ronald Searle, more recent Americans like Barry Blitt, John Cuneo, and international stars like Boulet and Tomer Hanuka.  I also dig John McLeod, Eddie Campbell, Sam Keith, Tradd Moore, and Craig Thompson, though I don't know if they count as influences.

If you could, what in your career would you do-over or change?

It's a cliche, but I would do everything sooner.  They best time to make mistakes is when you have nothing to lose, and NO ONE in the whole world has less to lose than an art student.  We are at the bottom of the barrel, right under war refugees and homeless vets.  I also would have made friends with more people, while I was stuck in a building with them every day.

What work are you best-known for?

My best-known work, sadly, is "Arkham Daycare," a Scottie Young-style piece imagining the Batman villains as toddles under the supervision of a very tired Jim Gordon.  I spent a good month chasing it around the internet and typing my attribution information in comments section.

What work are you most proud of?

I had my work put on the side of a city bus in Charlottesville, VA for a year.  I did a wraparound mural of various dinosaurs, life-size, WITH FEATHERS, so that kids who might not otherwise be able to go to a natural history museum could experience a little science.

What would you like to do  or work on in the future?

The huge majority of my time is taken up working on non-comic-related projects (hence why I only put out one mini-comic per year), but I am slowly drawing out the graphic novel I slowly wrote, which I imagine will take another few years to actually finish.  It's a murder mystery in the vein of Clue.

What do you do when you're in a rut or have writer's block?

When I'm in a rut, I watch TV and don't work at all.  I recommend it to anyone who doesn't have a deadline.  When I have writer's block, I usually think about the last thing I felt strongly enough about to comment on a website about.  There's usually an equally emotional response, and if you give those emotions to fictional characters, you can create a scenario that, in real life, would never be satisfactorily resolved.

What do you think will be the future of your field?

Print is dying, but hopefully it will last long enough that I will die first.

What local cons do you attend besides DC Zinefest? The Small Press Expo, Intervention, or others? Any comments about attending them?

Beyond DC Zinefest, I always go to SPX, though I've only won the table lottery once, and I try to attend the Richmond Zinefest in October and DC Art Book Fair in December.  A friend of mine, LA Johnson, helps put it on.  I tabled at Awesome Con once, and the Richmond Comic-Con once, and both were only slightly more pleasant than absolutely miserable.  No one goes to those for original art, only fan art and celebrity autographs.  I highly suggest trying the gyro platter at the Greek place around the corner from SPX.

What's your favorite thing about DC?

My favorite DC things would probably be Ben's Chili Bowl, and the Botanical Garden.  If they could combine the two, I doubt I'd ever have another weekend free.

Least favorite?

Could I be a true DCer if I said I hated anything more than my commute?  Also, the fat orange man who lives in the big house on Pennsylvania Avenue could go away at any time.

What monument or museum do you like to take visitors to?

I'd like to say the Renwick, because it's free and off the beaten path, but the last museum I actually DID take a visitor to was the American University Museum, to see the Ralph Steadman retrospective. They were handing out free bottles of that beer he draws the labels for.  I took a few home.

How about a favorite local restaurant?

I already mentioned Ben's Chili Bowl, so I'll have to run with Bakers and Baristas, on 7th St NW, solely for the butterkuchen.  That is the cake all other cakes want to be, fail miserably at, and die with regret in their heart for.

Do you have a website or blog?

You can find my business site at www.phostetler.com.  It includes a blog which is mostly just movie reviews, and a few digitized zines.  I'm also on Facebook, Twitter, and Instagram at @phostetlerart.

From the Vault of Artleytoons

From the Vault of Artleytoons

In mid 1987, it was found that the Japanese company Toshiba Corp. had sold sensitive submarine technology to the Soviets, jeopardizing its $2.5 billion share of the U.S. electronics market — prompting my coming up with this cartoon (click on image for larger view).

See more recent work by Steve Artley at Artleytoons. 

Minor piece on the end of Tom King's Mister Miracle comic

King and Gerads on the End of Mister Miracle

S.W. Sondheimer

Book Riot  07-30-18

https://bookriot.com/2018/07/30/end-of-mister-miracle

Latest DC trendy bar is based on a cartoon

Seventh Street's Next Pop-Up Bar Will Be 'Rick And Morty'-Themed

by Lori McCue

DCist Aug 2, 2018

http://dcist.com/2018/08/seventh_streets_next_pop-up_bar_wil.php

Bruce Guthrie's photos of NGA's Sense of Humor & Corcoran's Rob Rogers exhibits online

http://www.bguthriephotos.com/graphlib.nsf/keys/2018_07_29B2_NGA_Humor

I haven't seen this show yet so I haven't looked at Bruce's comprehensive photos.

http://www.bguthriephotos.com/graphlib.nsf/keys/2018_07_29D_Corc_Spiked

This is notable for 1.) letting one back into the grand Corcoran building and 2.) including Rob's original drawings along w/ the computer-colored prints.

Kickstarter for The Middle Age Webcomic

Steve Conley Kickstarts The Middle Age Volume One

Selected as a "Project We Love" by Kickstarter

Cartoonist Steve Conley has launched a Kickstarter campaign to produce a full-color, hardcover collection of his Eisner- and Ringo-nominated webcomic graphic novel The Middle Age.

https://www.kickstarter.com/projects/steveconley/the-middle-age-volume-1-hardcover-collection

The Middle Age follows the adventures of Sir Quimp of Grawlix. Quimp is an older knight who is stuck with a sarcastic, cursed sword, and is on an against-all-odds quest to rescue his love from dragons. Our hero, is "aided" in his mission by the cursed, talking sword Maledicta, the intoxicated wizard Melvwyn the Magnificent, two baby dragons Jarn and Nittles; and Waddlebottom, the Lord of All Ducks. So, it's a love story. And a buddy comedy. And a magic duck epic adventure!

The Middle Age launched in 2016 and has been fortunate enough to receive 'Best Webcomic' nominations in both the San Diego Comic-Con International's Eisner Awards and the Baltimore Comic-Con's Ringo Awards! 

This Kickstarter is to create a large (7.5x9.25 inches), full-color, hardcover collection of the first three chapters of the story.

Kind words for The Middle Age:

"Beautifully drawn and hilarious." ~ Tom Racine, Tall Tale Radio

 "…the strip is superb, combining clear, charming cartooning and funny writing with lovingly rendered details and excellent lettering in a way that I haven't seen since Walt Kelly's 'Pogo.'… I love it dearly." ~ Todd Klein

 "I love The Middle Age. Genuinely funny, and wonderfully illustrated. ...it's all super smart and fun." - Joshua Dysart 

"...this is a fun comic." ~ Fleen

This Kickstarter campaign will run until Wednesday, August 29 at 8pm EDT.

THE KICKSTARTER:

https://www.kickstarter.com/projects/steveconley/the-middle-age-volume-1-hardcover-collection

THE MIDDLE AGE WEB SITE:

http://middleagecomic.com/

KICKSTARTER VIDEO TRAILER (YOUTUBE):

https://www.youtube.com/watch?v=y0ORd9yw4Qg

Aug 15: Comics Promoting Social Justice: A Conversation with Jeff Weaver

Comics Promoting Social Justice: A Conversation with Jeff Weaver

https://www.facebook.com/events/254956945324004/

Public

· Hosted by Arlington Young Democrats and Arlington Dems

Wednesday, August 15 at 7 PM - 9 PM

Arlington Independent Media

2701-C Wilson Blvd., Arlington, Virginia 22201

Signed comics (not comic) books on sale at Second Story Books

Feild, Robert D.

THE ART OF WALT DISNEY [SIGNED BY WALT DISNEY] London and Glasgow: Collins, 1942 [1947]. $5,000

Schulz, Charles M.

PLAY IT AGAIN, CHARLIE BROWN [SIGNED] New York: Signet, 1972. $300

Congressman Lewis and Andrew Aydin's next book

DETAILS EMERGE FOR CONGRESSMAN JOHN LEWIS' 'RUN'

Follow-Up to Award-Winning 'March' Trilogy

by Betsy Gomez on July 31, 2018
https://icv2.com/articles/news/view/41026/details-emerge-congressman-john-lewis-run

The Post on Woody's world

Larger-than-life charm at Walt Disney World's Toy Story Land

by Steve Hendrix July 26 2018

https://www.washingtonpost.com/lifestyle/travel/larger-than-life-charm-at-walt-disney-worlds-toy-story-land/2018/07/25/1fe49e96-8eb2-11e8-bcd5-9d911c784c38_story.html

Aug 8-10: Library of Congress Presents “Anime for All”

 

NEWS from the LIBRARY of CONGRESS

July 30, 2018     Public Contact: Sasha Dowdy (202) 707-3173, aldo@loc.gov  Request ADA accommodations five business days in advance at (202) 707-6362 or ADA@loc.gov.   Library of Congress Presents "Anime for All" East-Asian Culture, Mythology and Pop Culture on Display for Anime Fandoms   A display of Japanese woodblock prints and medieval picture scrolls, a family-friendly cosplay workshop and a free talk with famed Japanese writer and director Kihara Hirokatsu will highlight the Library of Congress' series of events being presented in conjunction with Otakon, Washington, D.C.'s annual convention celebrating Asian pop culture (anime, manga, music, movies, video games, etc.) and its fandom.  "Anime for All," a celebration of east-Asian culture, mythology, pop culture and inspiration will be held Wednesday, Aug. 8 through Friday, Aug. 10 in the Thomas Jefferson Building, 10 First Street S.E., Washington D.C. The series of events will showcase Japanese storytelling traditions that have been transformed into modern day forms of art and will seek to illuminate how Japan's ancient history has played a significant role in pop-culture and how it continues to inspire creativity in the arts. Events are free and open to the public. Tickets are available for some of the "Anime for All" activities, but are not required. Tickets are available on a first-come, first-served basis. Visit this event ticketing site for more information and to secure your ticket. Entry is not guaranteed.   Media wishing to cover the event must RSVP no later than Tuesday, Aug. 7. Additional details about coverage opportunities will follow. Fans of anime, manga and Japanese pop culture have much to explore in the Library's collections. The Prints and Photographs division contains over 2,500 Japanese woodblock prints from the Edo Period through the 21st Century. The Asian Division's collection is the largest repository of Japanese language materials outside of Japan, totaling 1.2 million monograph volumes with a rare book collection exceeding 5,900 items, dating as far back as the 8th century. The Serials and Government Publications division houses over 140,000 comic books, including treasures such as the rare early English-language editions of "Astro Boy," "Macross," and "Ultraman." The series will conclude on Saturday, Aug. 11 with a panel discussion featuring Library of Congress experts on various ways Otakon audiences can connect with the Library of Congress and its resources. The speakers will share some of the east-Asian treasures that are available on-site and online at the Library and how they can engage with these materials. The U.S. Copyright Office will provide information on how to create works inspired by our collection items without infringement and methods to protect intellectual property. An Otakon 2018 ticket is required for attendance. For more information on Otakon, visit this site.   The excitement can be followed on Twitter at @librarycongress.   The programming includes:   Wednesday, Aug. 8 11 a.m., Great Hall, first floor Pop Up Performance  Visitors are invited to stop in the Library's Great Hall for a performance from Japanese musical talents, The Washington Toho Koto Society. Tickets are available, but are not required. Visit this event ticketing site for more information.    Thursday, Aug. 9 10 a.m. — 3:30 p.m., Whittall Pavilion, ground floor "Anime for All" Display This display will trace the history of Japanese graphic arts and storytelling into the modern day. Visitors will see examples of medieval picture scrolls, depicting legends of heroic monks and tales of anthropomorphic animals, that experts consider to be among the earliest examples of manga in history. Also on display are illustrations of yokai, supernatural monsters from Japanese folklore that inspire modern day creatures in manga and anime, and the woodcut figure of Hangaku Gozen, a historical woman warrior in full armor on a rearing horse. Fans of mecha will encounter the first English translations of "Robotech," and enjoy the manga adaptation of Ghibli Studios' "Nausicaa of the Valley of the Wind." Visitors can also explore how graphically represented stories evolved from religious origins into popular tales of samurai heroism and, ultimately, the modern day renditions enjoyed around the globe. No tickets required.        11 a.m. — 4 p.m., Young Readers Center, ground floor  Cosplay Workshop Cosplayers will demonstrate how they develop characters. Families are encouraged to come dressed as their favorite characters. Free and open to the public. No tickets required.      11:30 a.m. — noon, Young Readers Center, ground floor  Cosplay Demonstration  Library of Congress Young Readers Center staff and cosplayers will give a demonstration on how to create a manga drawing. Families are encouraged to come dressed as their favorite characters. Free and open to the public. No tickets required.   NOTE: Participants must comply with Cosplay & Costume Weapons Guidelines, below.   1 p.m., Coolidge Auditorium, ground floor   Film Screening "The Tale of Princess Kaguya," a film by Isao Takahata. This film is rated PG.    5 p.m. — 6 p.m., Coolidge Auditorium, ground floor   Kihara Hirokatsu, LIVE Studio Ghibli writer, producer and director Kihara Hirokatsu will discuss his experience in Japanese anime production and the inspirations for his latest projects. Hirokatsu will give the talk in Japanese with an English interpreter. Free and open to the public. Tickets are available, but are not required. Visit this event ticketing site for more information.  At sundown, north lawn of the Library's Thomas Jefferson Building                                        Film Screening  "Superman" (1978) (2017 National Film Registry) Presented part of the Library's "LOC Summer Movies on the Lawn" series. Attendees are encouraged to dress in Superman cosplay. Tickets are available, but are not required. Visit this event ticketing site for more information.  NOTE: Participants must comply with Cosplay & Costume Weapons Guidelines, below.   Friday, Aug. 10          10:30 a.m. — 11:15 a.m., Young Readers Center, ground floor  Japanese Story Time  The Young Readers Center hosts story time for babies and toddlers about Japanese culture, featuring Japanese stories, music, and art. All children and teens under 16 years of age must be accompanied by an adult at all times. Space is limited and is available at first come, first served basis.   Saturday, Aug. 11  2 p.m., Walter E. Washington Convention Center Library of Congress at Otakon * Join Library of Congress staff members for a panel discussion about the east-Asian collections held at the Library. Panelists will share highlights of the collections, provide insights on the how you can access the collection items and share how attendees can protect their intellectual property.  * Otakon 2018 ticket required for attendance. For more information on Otakon, visit the site.   "Anime for All" is free programming presented by the Library of Congress. Those interested in supporting free programs at the Library can contact devofc@loc.gov. The Library of Congress is the world's largest library, offering access to the creative record of the United States — and extensive materials from around the world — both on site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov, and register creative works of authorship at copyright.gov.   ----- Cosplay and Costume Weapons Guidelines The following guidelines of the U.S. Capitol Police will apply:   Weapons and replicas of weapons are generally prohibited on Capitol Grounds.  Participants should not attempt to enter any building on Capitol Grounds other than the specific event locations while in possession of a fake or "Costume Weapon." Costume Weapons will be inspected by the U.S. Capitol Police prior to entry into any of the event locations. For operational and security reasons, guests may not enter any of the event locations or pass through screening while wearing masks or with their faces covered in any way that would obscure identification. Wearing masks on Capitol Grounds is permitted at the discretion of the United States Capitol Police. If directed, participants must immediately remove costume masks. ### PR 18-096 2018-07-30 ISSN 0731-3527

Follow us on Twitter | Facebook | Instagram | Blogs | News 101 Independence Ave SE | Washington DC 20540-1610 USA  | 202.707.2905

Meet a Local Cartoonist: A Chat with Rachelle Holloway

by Mike Rhode

DC Zinefest 2018 recently had a successful day out at Art Enables on Rhode Island Ave. I met at least six cartoonists who were new to me, and said hi to at least three I already know. (My photos are here). Rachelle Holloway, an illustrator and cartoonist, is the first to answer our usual questions.
 
What type of comic work or cartooning do you do?

I am currently a freelance illustrator for Mascot Books. I work on children's books and draw my own webcomic, A Little Dragon Trouble, on the side. When it comes to my own personal work, I love drawing fantasy and artwork with a Scandinavian feel to it.

How do you do it? Traditional pen and ink, computer or a combination?

Most of my work is done using the computer. But I also enjoy using traditional pen and ink. Sometimes I get tired staring at the computer screen, so drawing traditionally can be relaxing. I love painting with gouache and watercolor, and I also enjoy cut paper art.

Where did you grow up?

I grew up on the West Coast, mainly in San Diego, California and Washington State. That's where I call home.


What is your training and/or education in cartooning?

In 2014, I graduated from Savannah College of Art and Design with a B.F.A in Animation. I mainly focused on 2D animation, but my primary focus and interest was Concept Art and Visual Development. I took one Sequential Art class while I was in college, but when it comes to comics, I am mostly self taught.

Who are your influences?

I have so many influences that I can't list them all. I find inspiration from everywhere and everyone! Here is a small list of people who influence my work: John Howe; John Bauer; Lorelay Bove; Brittney Lee

If you could, what in your career would you do-over or change?

If I were granted a do-over, I may have studied Illustration or Graphic Design. I don't regret studying animation, in fact, it has helped me with the creative work I’m currently doing. But on the East Coast, I have discovered a lot of skills people are looking for in the creative industry are Typography, Web and Graphic design. But that hasn’t stopped me from pursuing that education. I just finished a Web Design class at Northern Virginia Community College, and am learning new skills to better myself as a creative professional.

What work are you best-known for?

I feel I am not really best-known for anything in particular yet. My Zine, My Dog is More Paranoid Than I Am, is my most popular comic. I'm also known for having a lot of Scandinavian/Viking artwork, which gets people’s attention.

What work are you most proud of?

I am personally most proud of my webcomic, A Little Dragon Trouble. For my Senior Film In college, I wasn't able to fully do what I wanted to do. So a few years later, I developed A Little Dragon Trouble. My webcomic has also helped me in so many other ways. It has helped me gain an audience. The visual development of the comic was recognized on Behance and featured on Small Press Expo's tumblr blog. It is because of this comic I am where I am today.

What would you like to do or work on in the future?

I would like to self publish my own picture book. After illustrating a kids book for an author, I was inspired to create a short story myself. I would love to have the time to illustrate and self-publish it. I also have many comic and story ideas written down, and would like to make them a reality.


What do you do when you're in a rut or have writer's block?

When I'm having writer’s block, I write down situations or events I don't want happening in my story. Sometimes it ends up being a good idea anyway. Another approach is don't think, just write! Even if you know it's bad. You can always go back and change it later.

What do you think will be the future of your field?

I definitely see myself continuing being an illustrator and getting more requests from authors. But, I hope one day to be employed in the animation industry. But in the meantime, freelance illustration is what's keeping me going!

What local cons do you attend besides DC Zinefest? The Small Press Expo, Intervention, or others? Any comments about attending them?

I just started tabling for the first time in 2017. DC Zinefest was the first event I tabled at. I also tabled at Richmond Zinefest last year. I would love to attend larger cons such as Small Press Expo, but I want to have more work under my belt before I do that. It is a goal I am striving for.

What's your favorite thing about DC?

I'm originally from the West Coast, so finding things to love about DC was a challenge when I first arrived. In 2016, I found out that DC has an amazingly open and welcoming sequential art culture. Everyone's work is so Indie and original, I love it! They are willing to express themselves and everyone supports each other. It's because of that culture I felt comfortable enough to start displaying my own work. DC has helped me grow as an artist, even though the artist culture is small. But that's what makes it so great!

How about a favorite local restaurant?

There's this wonderful place called the JINYA Ramen Bar in Fairfax, VA. I like to go there to celebrate the completion of large projects.

Do you have a website or blog?

http://rahcomics.tumblr.com/

https://www.instagram.com/rahcomics/

http://rachelleholloway.blogspot.com/ 

"A traditional ink trading card I sold at last years Richmond Zinefest."

Rob Rogers did a special cartoon for The Post

...but it only appeared on their email list 'The Week in Ideas'.

You can see it here: https://palomaimages.washingtonpost.com/pr2/429a56c0101044d1098de2b795875f21-600-0-70-8-20180730_Endangered_tstmp_1532708736.jpg