Showing posts with label Bernie Wrightson. Show all posts
Showing posts with label Bernie Wrightson. Show all posts

Sunday, March 19, 2017

Bernie Wrightson has passed away

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The great comic book artist Bernie Wrightson passed away on Saturday night from cancer. I had only met him at cons, but my friend and Big Planet Comics store owner Joel Pollack was a good friend of his, and in the past has had some articles here about the two of them.

posted on ComicsDC ten years ago in 2007

Joel Pollack on 30 years of Big Planet Comics stores

http://comicsdc.blogspot.com/2016/07/joel-pollack-on-30-years-of-big-planet.html


Here's some photographs I've taken of Mr. Wrightson and his work:


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100_8264 Bernie Wrightson

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Monday, July 11, 2016

Joel Pollack on 30 years of Big Planet Comics stores (UPDATED)

by Mike Rhode

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Thirty years ago today, Joel Pollack opened Big Planet Comics in Bethesda, Maryland. I became a regular customer soon afterwards. I'm glad to count Joel as a friend and to be able to run this 'thank you and congratulations' interview with him all these years later.

MR: When and where did the first BP store open?

JP: My first business partner, Gene Carpenter, and I opened the Bethesda Big Planet Comics on July 11, 1986. Our first location was on the second floor of 4865 Cordell Avenue, just 100 feet from our current location (at 4849). After one year, I decided that Gene's focus on back issues/collectibles was incompatible with my vision of what a modern comic shop should be, and I bought him out. It was an amiable split, and Gene and I remain friends.

MR: Why did you decide to open the store?

JP: I had worked in my father's drapery business since the age of twelve, and when he retired I found myself unemployed. I had toyed with the idea of opening a comic shop for at least ten years before I made my move.

101_9088 Dave Lasky and Martha Burns at Big Planet Comics
Dave Lasky and Martha Burns at Big Planet Comics Bethesda, 2014.



MR: You'd been active in fandom and publishing before that. Can you tell me about some of your work, like selling Bernie Wrightson's original art?

JP: I became a part of "organized" comics fandom as early as 1963 when I discovered my first fanzine, "Rocket's Blast". I was a charter member of Biljo White's "Batmania." In 1965, I had my first letters published in Detective Comics #342 and 343. That same year, My aunt Kitty Goldberg introduced me to her friend, Ira Schnapp, who was a letterer and designer at DC Comics. Ira invited me to visit DC's offices (twice) and I met Curt Swan and Murphy Anderson. It was those visits that made me determined to work in the comics field.

I attended my first convention (the first major comic convention) in 1968. Phil Seuling ran that convention and many subsequent July 4th conventions. At those conventions, I met many of my artistic heroes, as well as several up-and-comers who were my age. I became friends with several, including Bernie Wrightson, Jeff Jones, Michael Kaluta, Howard Chaykin, and Walt Simonson. I dabbled in publishing, first with Bob Lewis on "Colour Your Dreams," a fantasy coloring book, and later, the ill-fated "Wet Dreams" portfolio.

Bruce Jones, Kansas City, 1976
UPDATED 2/1/2022:

Why I described the Wet Dreams portfolio as ill-fated:

The project started out as a collaboration between Ron Barlow and me. Ron was a well-known fan, having published Wrightson's Badtime Stories, co-publishing early EC full-color reprints, promoting the first (and only) EC Comics convention, running the first Star Trek store in NYC, and many other fannish activities.

As the project grew, Ron had a diminishing role, and I eventually published it myself. It was near the end of the portfolio boom, and the explicit nature of the material (really only the Ralph Reese art was problematic) made it that much more difficult to sell. At some point, I just gave up and destroyed the majority of the print run. In 1976, Larry Kenton and I helped move Bernie Wrightson to Kansas City to pursue some gal. Bruce Jones lived in KC. I'm attaching a couple of photos of Bruce Jones taken in KC.


Unknown, Bernie Wrightson, & Bruce Jones, Kansas City, 1976

 

In the early 1980s, I started reselling original art and published four "Fantastique Illustration Catalogs," selling art by Wrightson, KaIuta and Jones, as well as by younger artists like Charles Vess and Jon J. Muth. I sold at least a dozen of Bernie Wrightson's original Frankenstein illos, none higher than $2000. Those same pieces now fetch tens of thousands. A lot of great art has passed through my hands.

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Richard Thompson &Joel Pollack


MR: How did the decisions to eventually expand to four stores happen?

JP: It started when my protege, Greg Bennett, graduated college, and we opened the Vienna store together in 1992 (still in its original location). I mostly acted in an advisory role, while Greg did all of the hard work. In 2001, when it looked like an existing Georgetown comic shop was going to fold, Greg and I decided the time was right to make our foray into DC (I was born in DC). After years in our charming old rowhouse location in Georgetown, the building was sold, and we decided to move the shop to U Street for better Metro access and a younger population demographic.

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The now-defunct Georgetown store
Our long-time store managers Jared Smith and Peter Casazza bought Liberty Books & Comics in College Park and turned it into the fourth Big Planet location, and now own the Vienna and U Street shops as well, allowing Greg to focus on Bethesda as I have been approaching retirement age. College Park is the only one I had no hand in, other than giving moral support, and licensing them the Big Planet Comics name.

MR: How have you survived the ups and downs of the comic book market?

JP: By mostly ignoring the collector in favor of the reader. Early on, we saw the future of contemporary comics in the collected editions, the so-called graphic novels/trade paperbacks. We eliminated 90% of our back issue stock, and gave over 75% of our rack space to collected editions. To this day, Big Planet Comics has the most comprehensive selection of comics in book form of any store in the area. The only back issues we carry in Bethesda are some vintage comics from the silver age.
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Gene Yang & Joel Pollack in 2008


MR: How has the store changed over the 30 years? How is it the same?

JP: The main change is what I described above: a focus on collected editions and graphic novels. Our market has evolved from a primarily male collector-driven business to a much more diverse reader-driven base - especially with the tremendous growth in graphic novels for kids and young adults in the last decade.

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Greg Bennett, Gary Panter, Steve Niles and Joel Pollack at Big Planet Comics, July 20, 2008

What has stayed the same is our focus on customer service. We constantly upgrade our inventory, and we're happy to fill special orders.

MR: What's next?

JP: For me, it's retirement. Even after retirement, I hope to continue in an advisory role, and spend a few hours weekly in the Bethesda store. I've made a lot of good friends there through the years, and I consider Big Planet Comics the high point of my life.

(Click here for more of my photographs at various Big Planet Comics stores and events)

Wednesday, June 09, 2010

Heroes Con 2010 pictures continued

More photos from Heroes Con 2010.

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Richard Thompson IS ready for business.

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Ben Towle namechecked me
- we had a nice conversation in the Westin bar.

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Richard Thompson, Cul de Sac webmonkey Chris Sparks and Shannon Gallant.

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The great Bernie Wrightson. I actually bought a piece of art from him. I never thought I'd own a Wrightson page. BTW, Joel, he says hello.

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Comics cover god Brian Bolland.

More of my pictures are online here.

Finally, Our Man Thompson in Joe Lambert's photo.

Sunday, September 28, 2008

Baltimore Comic-Con - Wrightson interview and more

I still haven't gotten my pictures online, but news from the BCC is starting to appear. (By the way, if anyone's got an extra of the Tucci Sgt Rock, poster, I'd like to get a copy of that.)

Actually I never even saw Bernie Wrightson yesterday, but here's an interview with him - "Master in horror genre is home for Comic-Con," By Chris Kaltenbach, Baltimore Sun September 28, 2008...

...an early report on the Harvey Awards "Horror Comics Haunt the Harvey Awards!" by Joseph McCabe, FEARnet September 9/28/2008...

...some panel and Harvey Award reports from Comic Book Resources...

2008 Harvey Award Winners
Sun, September 28th, 2008 | By Jonathan Callan
This weekend saw the presentation of the 2008 Harvey Awards, hosted by Kyle Baker and kicked off with keynote speaker Brian Bendis. Brian K. Vaughan, Darwyn Cooke and "All Star Superman" took the top honors.

Baltimore: Cup of B Panel
Sat, September 27th, 2008 | By Jonathan Callan
At the Cup of Bendis panel at Baltimore Comic-Con Saturday morning, a number of announcements came down including Slott on “Mighty Avengers,” Spider-Woman series finally scheduled and more.

Baltimore: The Bendis/Kirkman Debate
Sat, September 27th, 2008 | By Jonathan Callan
If you were unimpressed by Friday night's debate, the one between Robert Kirkman and Brian Bendis about creator-owned work held today at Baltimore Comic-Con won't disappoint. We've got all the details.

Baltimore: Tucci Presents The Return of Sgt. Rock
Sat, September 27th, 2008 | By Richard Chapell
Billy Tucci brought along members of the 442nd Regimental Combat Team to his panel Saturday morning to paint a picture of what World War II was like, which he’ll be depicting in “Sgt. Rock — The Lost Batallion.”

Baltimore: DC Nation Panel
Sat, September 27th, 2008 | By Richard Chapell
At today’s DC National Panel at the Baltimore Comic-Con, Dan DiDio brought Jimmy Palmiotti, Sterling Gates, James Robinson, Sean Mckeever and Ian Sattler to talk “Final Crisis” and update numerous other projects...

...and Newsarama has a bunch of stories including...

Baltimore Comic Con '08: The Kirkman - Bendis Panel
By Vaneta Rogers
Newsarama 2008-09-28

and not least, Richard and I spoke with Frank Cammusso who will also be at SPX. I was online with Frank years ago at SPX and enjoyed talking to him then and now - here's an interview on his new book...

Frank Cammuso on Knights of the Lunch Table
By Zack Smith
Newsarama 2008-09-24

Saturday, April 12, 2008

Baltimore Comic-Con news: Mike Mignola Joins the Baltimore Comic-Con

Mike Mignola Joins the Baltimore Comic-Con



Hellboy creator and Disney Atlantis artist Mike Mignola, last year’s Guest of Honor t the Baltimore Comic-Con, is returning to the Baltimore Convention Center on September 27-28, 2008 for this year’s edition of the convention. This summer will see the release of the second Hellboy feature film and the popularity of both creator and character couldn’t be higher.

“We’re extremely happy to welcome back Mike Mignola to Baltimore. Our fans were thrilled to see him last year, and we know they’ll be even happier to have him return this year,” said Marc Nathan, the show’s promoter.

Swamp Thing co-creator and Frankenstein artist Bernie Wrightson will be the Guest of Honor at this year’s show.

Mignola and Wrightson are among the headliners that also include , in alphabetical order, Kyle Baker (The Bakers), Brian Michael Bendis (Ultimate Spider-Man, New Avengers), Jim Califiore (Exiles, Captain Marvel), Howard Chaykin (American Flagg), Cliff Chiang (Green Arrow & Black Canary), Frank Cho (Liberty Meadows, Mighty Avengers), Steve Conley (Star Trek, The Escapist), Amanda Conner (JSA Classified, Terra), Darwyn Cooke (The Sprit, New Frontier), Todd Dezago (Tellos), David Finch (World War Hulk, New Avengers), Ramona Fradon (Aquaman), John Gallagher (Buzzboy, Roboy Red), Ron Garney (Wolverine), Michael Golden (Micronauts, The ’Nam), Cully Hamner (Blue Beetle, Black Lightning), Adam Hughes (Catwoman), Geoff Johns (Green Lantern, Action Comics), J.G. Jones (52, Wonder Woman), Dean Haspiel (Brawl), Stuart Immonen (Ultimate Spider-Man), Robert Kirkman (Invincible, Ultimate X-Men), Barry Kitson (Empire, The Order), Jim Lee (Batman: Hush, Wildcats), David Mack (Kabuki, Daredevil), Phil Noto (Danger Girl, Jonah Hex), Michael Avon Oeming (Mice Templar, Powers), Jimmy Palmiotti (Painkiller Jane, Jonah Hex), Brandon Peterson (Ultimate X-Men, Strange), Eric Powell (The Goon), Tom Raney (Ultimate X-Men), John Romita, Sr. (Amazing Spider-Man), Craig Rousseau (Perhapanauts, Ruule), Andy Runton (Owly), Tim Sale (Batman: The Long Halloween, Heroes), Alex Saviuk (Web of Spider-Man, Feast of the Seven Fishes), Jim Shooter (Legion of Super-Heroes), Vincent Spencer (Zombie-Proof), Robert Tinnell (EZ Street), Herb Trimpe (Incredible Hulk), J.C. Vaughn (Zombie-Proof, 24), Neil Vokes (The Black Forest, The Wicked West), Mike Vosburg (Lori Lovecraft), Matt Wagner (Zorro, Grendel), Mark Waid (Flash, Boom! Studios), and Mark Wheatley (Frankenstein Mobster).

The Harvey Awards will return to the Baltimore Comic-Con for the third consecutive year. The awards dinner and ceremony will be held Saturday night, September 27, 2008, following the convention’s normal hours. As in 2007, the first 300 paid attendees and honorees at the 2008 Harvey Awards Ceremonies will receive a Hollywood-style bag of swag. Last year’s bag included The EC Archives: Two-Fisted Tales - Volume 1 from Gemstone Publishing, a complete base set of the soon-to-be-released Jericho Season One trading cards from Inkworks, an exclusive pin from AdHouse Books, a Comic-Con exclusive edition of 30 Days of Night: Red Snow 1 from IDW Publishing, a Toon Tumbler from Popfun Merchandising, and an exclusive Harvey Awards keychain from LaserMach. Nominating ballots are presently online at www.harveyawards.org. Kyle Baker will return as Master of Ceremonies for the evening’s events.

For more information about the Baltimore Comic-Con, e-mail cardscomicscollectilbes@yahoo.com or call (410) 526-7410. The guest list and other information can be found on the convention’s website or on its MySpace page.

For more information about the Harvey Awards, including sponsorship opportunities, e-mail baltimorecomiccon@yahoo.com.

Thursday, March 01, 2007

An Interview with Berni Wrightson part 2


continued from part 1

JP: Why haven’t you continued to do the covers for The Roots of the Swamp Thing Series?

BW: Initially, because they wouldn’t let me do paintings, and how many times can you deal with those same situations, and make them different and interesting. It’s leftovers, and I really would rather not deal with leftovers.

JP: Yet on your cover for TROTST #1, you went well beyond anything you had done before.

BW: Yeah, I had fun, because they were letting me do something different. I could play with it and experiment; jump in and do something that didn’t have a black line around it and lots of fancy feathering. I could just use a big brush and have fun and play with color. Everything is a learning process. If you don’t learn, you don’t grow.

JP: You start repeating yourself.

BW: Which I’ve been doing a lot of in the last few years, I’d be the first to admit.

JP: There’s a balance between art and commerce.

BW: Yeah, well, I take things on for the money, because I do this for a living.

JP: You’ve been known to get over-committed before.

BW: Oh yeah. I try to help people out sometimes. Like Creepshow was more of a favor to Stephen King.

JP: It must have been a nice shot in the arm for your career?

BW: Not really. It was certainly not my best work. I think it was several cuts below. I really can’t bear to look at it any more. There were a lot of restrictions; we didn’t have a lot of time.

JP: Have you seen Chaykin’s Shadow?

BW: Very briefly – I’ve only seen one issue. I thought it was pretty entertaining, but it wasn’t the Shadow. I’m not as into it as Kaluta, or the real hardcore fans. I’m sort of indifferent, but still, Chaykin’s thing wasn’t the Shadow. I don’t think the character can be updated.



JP: How about Miller’s Dark Knight?

BW: I saw the second issue, the one with the wrinkled Batman on the cover. I enjoyed that. That was a lot of fun. That was Batman. Batman with teeth. That’s a little bit more like what the character should be. I always thought that Batman fought all of these weird psychos, the Joker, the Penguin, and Batman himself is a psycho. Nobody’s ever really explored that in any depth, and Miller’s got a handle on that.

JP: What do you think of Moonshadow?

BW: Moonshadow I find pretty enjoyable. It tends to ramble a lot; it doesn’t hold my interest a whole lot. Maybe I prefer something with a little more punch. You either like fairy tales or you don’t, and I suppose I don’t. Can’t fault Jay’s art. Even in some of the stuff where he’s obviously rushed, he still pulls it off. He still has that assurance to bring it over.
JP: Kaluta and Lee’s Starstruck?

BW: I find it really fun to look at, as all of Michael’s stuff is; I find it difficult to read. Reading it is fun, and it is well written, but I don’t really think I understand it. I know a bit more than the guy on the street because I know Michael and Elaine, and we talk about it. I’ve seen the play. But even with that background, a lot of it is completely lost on me. I get the feeling, sometimes, that Michael doesn’t understand it. Anything that Michael works on is just wonderful.

to be continued in part 3

Images courtesy of the the Grand Comic Book Database.

Wednesday, February 28, 2007

An Interview with Berni Wrightson part 1

Well, I got slightly over a page of this typed in, and it was at a good stopping point, so here's the start of the interview courtesy of Joel.

An Interview with Berni Wrightson
Originally published in CFA-APA #5 (June 30, 1986)

BERNI WRIGHTSON INTERVIEW conducted by Joel Pollack on May 15, 1986.

JP: Do you have a distaste for barbarian subject matter?

BW: No, the real early stuff I did before ever being published was exclusively barbarian and horror. I did a lot of drawings of these big powerful guys with scars all over them. I did some samples for Conan when Marvel was going to do it, but they already had Barry Smith.

JP: They wanted a more gentlemanly Conan?

BW: I guess. Or someone they could push around more. Barry’ll love that. I might take another swing at it sometime.

JP: After Frazetta did the Conan covers, there’s not a lot left to say about it.

BW: There doesn’t seem to be any need for it. He was at his peak. I don’t think he ever got much better than that.


JP: What was the print run on A Look Back?

BW: I couldn’t really tell you. It turned into such a headache. Poor Chris (Zavisa) went through sheer hell. I just tuned it all out when it was happening. All I know is – it’s out of print; you can’t get it; there won’t be another printing.

JP: Any possibility of an abridged version?

BW: I have absolutely no plans. I really couldn’t be less interested. Please tell the fans I’m sorry, but I’d rather get on with the next project. If somebody came to me and wanted to take the project on and do all the legwork and worry about the reproduction and all of that, and just give me a pot of money, that would be fine. I’m not going to strain myself over that.

JP: What of your work showed up in Ghostbusters?

BW: I worked on the Wardogs and it’s hard to tell anymore. It looks like they kept my proportions for the dogs, and not much else. They originally came to me with drawings that other people had done and the dogs looked very much the way they looked in the movie. They said, “We don’t want this reptilian look, we want something that looks a little more like a dog. Put some fur on it and make it more wolf-like.” So, I worked on that, did a lot of drawings, and when the movie comes out they just changed it back to what they told me they didn’t want in the first place. Something of mind did come through: the faces, the facial expressions, mostly the proportions; high in the shoulders, low in the back. I also worked on the librarian sequence; I did a long sequence of her changing. She went through this long change; the way I saw it, it was to have lasted four seconds. They didn’t do it mostly because they didn’t have the budget for it. Ghostbusters was not really a big budget movie in the effects line. They were trying to save money in this. The only thing that survived is when she hushes the guide. That was in my storyboards.

JP: How many finished Frankenstein drawings did you do?

BW: The original idea was to do a hundred. I did somewhere between forty and a hundred; I’d put it about sixty. There are quite a few out there that are unfinished; a lot of those are versions of ones that did get finished. I really made myself crazy on that stuff.

...to be continued in part 2
and part 3.