Sunday, May 15, 2016

The Face Zone, live at Artomatic 2016, featuring Martin Graff

by Steve Loya


A couple of years ago I had the good fortune of finding out about local visual and performance artist, wordsmith, musician and teacher, Martin Graff and his extraordinary ongoing project known as The Face Zone. It was at a cartoonists and comics art exhibit in downtown Frederick, Maryland that I noticed a wall full of curious little minimalistic illustrations of strange and interesting faces, accompanied by some words. The cartoonish faces depicted things like melting cheese on a pizza and titles like "Melting Cheese Pain", paired with thoughtful musings on the dark side of personification. The words and images were brilliant and unique observations on everyday life, in some ways like a punk rock Jerry Seinfeld, with a Banksy-like sensibility. 

Soon after, Marty, as most folks know him, had a big exhibit of his work, again in downtown Frederick, and I ended up purchasing his self-published Face Zone book, which compiled most of his words and illustrations. Marty describes his Face Zone series as "short visual meditations on what makes the world go round. Existential musings with a surreal twist and a dark sense of humor sure to trip your imagination...". 


Last night, Artomatic, Frederick hosted one of Marty's live Face Zone events, taking those short, visual meditations one step further into the realm of spoken-word and performance art. As someone who has struggled, personally with speaking in front of one's peers, it always amazes me when someone seems to effortlessly get up in front of an audience of people to talk, act, sing or dance. I'm even more amazed when someone can remember their lines or the words they want to express to an audience, without forgetting. While Marty's performance, based on his illustrated and written Face Zone material, seemed like second-nature for him, there's no doubt the amount of time, energy and preparation condensed into a single half-an-hour show, was anything but effortless. 




Seeing and hearing Marty expand and further elaborate upon the words and images in his book added yet another crucial dimension to The Face Zone experience, and according to Marty, is ultimately the core of what he does now - the book more or less a companion to his spoken-word shows. As someone who experienced both the art exhibits and book aspect of The Face Zone first, I found the spoken-word performance to delve much deeper and further into these musings on subject matter ranging from the relativity of the food we eat ("The Smell of Fresh Mangoons") to haunting childhood memories of how choking on a single lemon drop soured a young boy's perception of the ocean, off the Jersey shore ("Twinkles in The Sea").  One of my personal favorites was Marty's take on the absurdity of commercial advertising, with its irrational fairy-tale promises and the less-than-satisfying results ("Jolly Hot Peanuts"), which he began last night's performance with. However, despite the dark humor and keenly cynical observations of The Face Zone live, there was a glowingly optimistic underlying message of hope, and the love of life at the very core of it all. 




The ability to hold an audience captive for extended periods of time as a one-man spoken word act is by no means an easy task, and in some ways Marty's musings and highly engaging observations on the world in which we live, relayed through the medium of speech, and told through the lens of personal experience, reminded me of some of the best performances from Henry Rollins, who I've seen speak live on several occasions over the past two decades. Word has it there may even be a musical element added to The Face Zone live experience in the not-too-distant future. Whatever the case, don't hesitate to witness Marty's live act, if he comes to a venue near you. In the meantime, TED Talks should seriously consider inviting Marty to do his thing for them, someday soon!

Fantastic Forum Episode #58

Fantastic Forum Episode #58

 May 14, 2016
https://www.youtube.com/watch?v=oyrUMIRxnBA

Billie Rae Bates talks with Museum of Science Fiction's Mandy Sweeney at Awesome Con, Devon Sanders converses with Saga artist Fiona Staples at the NC Comicon, Ulysses E. Campbell is at Toy Fair with Diamond Select's Zach Oat and Sherin Nicole interviews author, lecturer and musical legend, Professor Griff on location at Alliance Comics in Silver Spring, MD!

Saturday, May 14, 2016

Comic Riffs talks to Puerto Rican comic book writer

Comic Riffs on another Captain America

'Sikh Captain America' wears the superhero's costume to fight intolerance — and Trump [in print as 'Sikh Captain America' is out to battle bigotry, May 14, p. C1, 2]

Washington Post Comic Riffs 2016
https://www.washingtonpost.com/news/comic-riffs/wp/2016/05/06/sikh-captain-america-wears-the-superheros-costume-to-fight-intolerance-and-trump/

Those darn syndicated cartoonists

Deadline for 'Magic Bullet' #13

July 14 is the deadline for submissions for Magic Bullet #13, the free, semi-annual comics tabloid published by the D.C. Conspiracy.




Catching up with animator Marty Baumann

I ran into him the other day at a flea market, so I asked what he's been up to. We've never actually done a ComicsDC interview with him, but he's been featured in some posts.

He was a "graphic artist on Disney's smash hit Zootopia. Watch the interview with the two directors. It's  a hoot!

http://www.cinemablend.com/new/You-re-Seeing-Zootopia-Make-Sure-Look-Easter-Eggs-116507.html

The directors begin by noting, "There is signage all over the movie. With crazy amounts of puns. There’s literally hundreds of signs, and the guy who was doing them… he was an uncontrollable pun master. His name is Marty. He’s got a problem! He went bananas. Every sign you see is Marty’s doing. … You will enjoy it."

Also, "I've been very much a part of the "Mystery Science Theatre 3,000" reboot! Some of it hush-hush for now, but it's public knowledge that I've done some set design and I did many of the premiums offered to Kickstarter pledgers including limited edition posters and a set of special astronaut-style crew patches."

101_6292
Marty's work on exhibit a few years ago.

I'm sorry to have missed backing that.


Marty usually has some lovely retro-style material at the Baltimore Comic-Con. I buy one of everything.

Friday, May 13, 2016

NPR's Monkey See on Captain America

May 27: Animezing: When Marnie Was There





When Marnie Was There | Directed by Hiromasa Yonebayashi | May 27, 2016
Friday at 6:30PM | Drama | 2014 | 103 min | Rated PG
In Japanese with English Subtitles
"Magnificent!"
- David Ehrlich, Time Out New York
 
"Breathtaking!"
- Boyd Van Hoeij, The Hollywood Reporter

2016 Academy Award® Nominee for Best Animated Feature

Winner of Best Animated Feature at the 2015 Chicago Children's Film Festival
   
When shy, artistic Anna moves to the seaside to live with her aunt and uncle, she stumbles upon an old mansion surrounded by marshes, and the mysterious young girl, Marnie, who lives there. The two girls instantly form a unique connection and friendship that blurs the lines between fantasy and reality. As the days go by, a nearly magnetic pull draws Anna back to the Marsh House again and again, and she begins to piece together the truth surrounding her strange new friend.
 
Based on the young adult novel by Joan G. Robinson and directed by Hiromasa Yonebayashi (The Secret World of Arrietty), When Marnie Was There has been described as "Ghibli Gothic," with its moonlit seascapes, glowing orchestral score, and powerful dramatic portrayals that build to a stormy climax.
 
Starring Sara Takatsuki, Kasumi Arimura.



This event is free and open to the public, but registration is required. Click HERE to register.
In the event of a cancellation, please contact us at jicc@ws.mofa.go.jp.

Program begins at 6:30PM; doors open at 6:00PM.
No admittance after 7:00PM or once seating is full.

Registered guests will be seated on a first come, first served basis. Please note that seating is limited and registration does not guarantee a seat.

Interested in more great Japan-related activities in the area? Check out our upcoming area events page, updated three times a week, for a list of the latest events in the region.

Presented at:

THE JAPAN INFORMATION
AND CULTURE CENTER
1150 18th Street NW, Suite 100
Washington DC, 20036

We are located near Farragut North on the Red metro line and Farragut West on the Orange, Silver, and Blue metro lines.

There is after-business-hours street parking along 18th St NW and the surrounding area. There are also multiple parking garages on 18th Street NW and the surrounding area. Unfortunately, we are unable to validate these tickets.


Like us on Facebook
Follow us on Twitter
View on Instagram
View our photos on flickr

 
JICC, Embassy of Japan, 1150 18th St., NW, Suite 100, Washington, DC 20036



New book from Ryan Holmberg

Katsumata Susumu's Anti-Nuclear Manga

Ryan Holmberg
Research Associate, Sainsbury Institute for the Study of Japanese Arts and Cultures
Hakuho Fellow

http://sainsbury-institute.org/support-us/e-magazine-issue-15/artist-profile/

Activist Comics on Capitol Hill


From Bruce Guthrie:
 

I ran into these protest signs pasted on an electrical box on the corner of Library of Congress across from the Capitol today.  They might have been there for awhile but I hadn't noticed them before.  They're branded with #DemocracySpring and Pay2Play.  If you go to http://activistcomics.org/ , you can see a number of their other designs. 

They include captions like this on the cover "Can you guess why Jimmy has to live in a slum?"
Jimmy: "Why do students pay more interest for their loans than bankers have to pay for theirs, Superman?"
Superman: "Because bankers write the laws, Jimmy.  Let's go protest that s***!"








--
Bruce Guthrie
Photo obsessive
http://www.bguthriephotos.com

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.

__,_._,___

Targeting Deadpool

At the Skyline store.

Another Tom King interview on Batman

ALL-STAR & BATMAN Writers Reveal 'Super-Sexy' REBIRTH Plans (Plus BATMAN REBIRTH Preview)

by Vaneta Rogers, Newsarama 06 May 2016 http://www.newsarama.com/29163-bruce-is-super-sexy-the-center-of-dcu-in-rebirth-batman-plus-preview.html

Thursday, May 12, 2016

American History Museum's comic book project

Comic book project helps teens discover and share stories of Japanese Americans incarcerated during World War II


By Intern Mia Calabretta,
National Museum of American History's O Say Can You See blog May 12, 2016
http://americanhistory.si.edu/blog/comic-book-project-helps-teens-discover-and-share-stories-japanese-americans-incarcerated

Local cartoonist Evan Keeling is featured in the article.

Comic Riffs talks to Angelo Lopez

Latest'n'Greatest: "The DEA's Schedule is Nixon's Schedule"

From DC's anarchist cartoonist Mike Flugennock:

"The DEA'S Schedule is Nixon's Schedule"
http://sinkers.org/stage/?p=1942

The DEA schedule of narcotics -- in which cannabis is classifed alongside heroin -- was a product of the Nixon era, when the modern War On Drugs started cranking up. Tricky Dick himself, on a leaked White House tape, was said to have called marijuana "...the drug of choice of Mexicans, hippies and n#gg*rs."

Here's former White House Domestic Affairs Advisor, the notorious John Ehrlichman, with a slightly more nuanced framing of this policy in a 1994 interview:

"The Nixon campaign in 1968, and the Nixon White House after that, had two enemies: the antiwar left and black people. You understand what I'm saying? We knew we couldn't make it illegal to be either against the war or black, but by getting the public to associate the hippies with marijuana and blacks with heroin, and then criminalizing both heavily, we could disrupt those communities. We could arrest their leaders, raid their homes, break up their meetings, and vilify them night after night on the evening news. Did we know we were lying about the drugs? Of course we did."
--John Ehrlichman, Nixon Domestic Affairs Advisor, 1994

The DEA schedule is Nixon's schedule, part of a policy born out of deception and racism. It's time to DEschedule cannabis.

We'll be at the White House on May 20, how about yourself?

Another local cartoonist: Orion Zangara of Sterling


"Orion Zangara is an illustrator and comic-book artist who lives in Sterling, Virginia. He is a graduate of The Kubert School, an art trade school with a concentration in sequential art, founded by his grandfather, Joe Kubert. Currently he is illustrating a trilogy graphic novel called The Stone Man Mysteries written by Jane Yolen and Adam Stemple for the Lerner Publishing Group."

http://orionzangara.com/

Meet a local cartoonist: Jane Dough, dollar bill artist

by Mike Rhode

This past weekend was Free Comic Book Day, and I swung by Victory Comics in Falls Church, VA. They've had cartoonists set up for the past few years, and I got to meet a few new people and ask them our standard questions.  The pseudonymous Jane Dough is doing an atypical  type cartooning... drawing characters on dollar bills.


What type of comic work or cartooning do you do?
I draw cartoon, video game, and comic book characters on dollar bills. 

How do you do it? Traditional pen and ink, computer or a combination? 
I use pencil, pen, and gel pens. 

When (within a decade is fine) and where were you born?
 I was born in Wayne, IL in 1987. I have lived in Maryland since I was 7.

Why are you in Washington now?  What neighborhood or area do you live in?
 I'm actually just south of Baltimore in Halethorpe MD. 

What is your training and/or education in cartooning?
 I don't have any formal training in cartooning. I've been drawing since I was little and have a degree in Graphic Design from UMBC. 

Who are your influences?
Honestly my biggest influences are my artistic friends. From musicians, to writers, to artists, they all provide inspiration and motivation for me :)

If you could, what in your career would you do-over or change? 
I'm actually incredibly happy with my current job and wouldn't change a thing for my career. But for my personal art, I wish I had explored more when I was younger. I'm still trying to find "my style"


What work are you best-known for?
 My dollar bill art

What work are you most proud of?
 Probably my dollar bill art (outside of my day job where I manage a UI/UX team)

What would you like to do  or work on in the future?
 I'm starting to work on some short comic strips. I'd love to hone my illustration style.

What do you do when you're in a rut or have writer's block?

I usually just take a break from art. I let my brain rest until inspiration comes. If I'm on a deadline, then I'll look at other artists online and do research until something sparks.

What do you think will be the future of your field? 

As a dollar bill artist? I think that's unknown territory! I think it's a very niche concept and is great for gifts, so I'd imagine it's pretty stable.

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?

I really enjoy MagFest, MagClassic, Otakon (Baltimore but soon to be DC), and Creator Con! They're all fantastic Cons and so much fun. Creator Con is newish and definitely has some kinks to work through, but the goal, educating kids about careers in creativity, is fantastic. 


What's your favorite thing about DC?
 

Tons of diverse things to do!

Least favorite?
 

The chaos and poor parking.

Do you have a website or blog?

The Post on gays in animated children's movies

An animated case to redraw the lines: Disney may not give Elsa a girlfriend, but social norms ease into kids' movies

[online as Are we ready for a gay Disney princess? We may be closer than you think.]

Dozi the Alligator PLUSH! Kickstarter


From: Daniel Boris

I also wanted to spread the word about the Dozi the Alligator PLUSH that I am currently hoping to fund on Kick Starter.


The plush stands over 8" tall, is made of an ultra-soft minky fabric, features beautifully embroidered details and is stuffed just right … perfect for hugging!


For more info, please search "Dozi" on KickStarter.com or follow this link directly to my campaign on the KickStarter site:

https://www.kickstarter.com/projects/1107487436/dozi-the-alligator-plush?ref=nav_search

 


New World War I exhibit at Library of Congress features cartoons

The Art of War: Library of Congress Exhibition Features World War I Artists

by Katherine Blood

May 12, 2016
http://blogs.loc.gov/picturethis/2016/05/the-art-of-war-library-of-congress-exhibition-features-world-war-i-artists/

Wednesday, May 11, 2016

More To Come 199: WonderCon 2016 Interviews including Tom King

More To Come 199: WonderCon 2016 Interviews

Heidi "The Beat" Macdonald





This week on More to Come, Heidi "The Beat" Macdonald interviews two comics creators that will be a part of Rebirth, DC's new publishing initiative: Hope Larson, co-creator of 'Goldie Vance', is the new writer for Batgirl, and Tom King, co-creator of 'Sheriff of Babylon', will now write Batman; Heidi also interviews Beau Smith creator of IDW's 'Wynnona Earp', a comic about a paranormal bounty hunter who is the great-granddaughter of Wyatt Earp, now made into a SyFy network TV show.

More To Come 196: Glen Weldon on The Caped Crusade

More To Come 196: Glen Weldon on The Caped Crusade

Produced by Kate Fitzsimons





This week on More to Come, Kate Fitzsimons interviews Glen Weldon, author of 'The Caped Crusade: Batman and the Rise of Nerd Culture', about the reasons people connect so personally with the Batman character. Weldon talks about the history of the character, homoerotic subtext in Batman, as well as his own personal history with the comics and the 60's Batman show. Weldon reviews comics for NPR and is co-host of the NPR podcast Pop Culture Happy Hour.

Comic Riffs on Captain America versus the Imperial Presidency

Angelo Lopez wins cartooning award in the Annual Robert F. Kennedy Journalism Awards

Selections from the press release:

Cartoon Winner
"Editorial Cartoons," Angelo Lopez, Philippines Today

"Throughout his life, my father held a deep commitment to freedom of expression and freedom of the press." Observed Kerry Kennedy, President, Robert F. Kennedy Human Rights "He would invite reporters and news crews to join him in the most impoverished city neighborhoods, to Indian reservations and communities in Appalachia, California's Central Valley or rural Indiana—places that often lacked electricity and plumbing—and he would ask the press corps why it wasn't covering those issues and these places. The Journalists who followed his '68 campaign created the Robert F. Kennedy Journalism Awards in his name, to honor those who covered the issues most important to him."

This year's Book and Journalism Award winners were chosen from out of more than 300 submissions. Historian Michael Beschloss chaired the judges' panel for the 2016 Robert F. Kennedy Book Award.

The book award, now in its 36th year, will be presented by Mrs. Robert F. Kennedy at a ceremony featuring remarks by Kerry Kennedy and Michael Beschloss on Wednesday, May 25, 2016, at 6:30 p.m. at the Newseum in Washington, D.C.

The ceremony will also feature the presentation of the 2016 Robert F. Kennedy Journalism Awards, celebrating their 48th year. All honorees will receive a bust of Robert F. Kennedy in recognition of their award.

(as in the past few years, ComicsDC editor Mike Rhode was one of the judges)

SPX: Don't Forget to Submit to the Ignatz Awards!



Don't FORGET TO Submit to the Ignatz Awards!

Time it running out to submit your comics for consideration in Small Press Expo's festival prize, the 
Ignatz Award!
 
The nominees are selected by a jury of creators and voted on by attendees and exhibitors of Small Press Expo.

Previous winners include Kate Beaton, Cathy G. Johnson, Michael DeForge, Lisa Hanawalt, Jaime Hernandez, Jason Shiga, Jillian Tamaki, Sam Alden and Sophie Goldstein (who created that awesome banner for us!).
 
Categories are:
  • Outstanding Artist
  • Outstanding Anthology or Collection
  • Outstanding Graphic Novel
  • Outstanding Story
  • Promising New Talent
  • Outstanding Series
  • Outstanding Comic
  • Outstanding Minicomic
  • Outstanding Online Comic
All work will be eligible in all applicable categories.

We need six copies of work published between June 1, 2015 and May 31, 2016 sent to: 

SPX Ignatz Awards
c/o Big Planet Comics
4849 Cordell Ave.
Bethesda, MD 20814

When submitting, please fill out this form:

https://docs.google.com/forms/d/1z4VCyINaniNobHOFCDkkfZtnjeyJokWK1kmwHxdXkqo/viewform

 
 
Links to online comics should be emailed to spxignatz@gmail.com

All submissions must be received by June 7, 2016.
 
Full guidelines are available at: http://www.spxpo.com/ignatz-guidelines. All questions should be sent to Ignatz Award coordinator, Eden Miller, at spxignatz@gmail.com.
 
The 2016 Ignatz Awards is once again sponsored by Comixology Submit!



Tuesday, May 10, 2016

Meet a local comics writer: A chat with Jaron Johnson

by Mike Rhode

This past weekend was Free Comic Book Day, and I swung by Victory Comics in Falls Church, VA. They've had cartoonists set up for the past few years, and I got to meet a few new people and ask them our standard questions. Jaron Johnson, a comic book writer, was giving out copies of his Centerpiece "an illustrated anthology of poems written between the ages of 17 and 19. Through these pieces of prose and imagery, Centerpiece tells the story of Nomad a young man just trying to find his way in the world."

What type of comic work or cartooning do you do?

I am a comic author and filmmaker, so my creation spreads across a few spectrums. The comics I've written span several art styles, but our current project employs a fun and unique blend of hand-drawn elements superimposed over still photography.

How do you do it? Traditional pen and ink, computer or a combination? 
My illustrator, the incredibly talented Clark Campbell, draws with pencil, pen, and paper. He scans this at a high resolution to maintain the texture of the medium, then uses digital image editing software to combine our characters with still photography.

When (within a decade is fine) and where were you born? 
I was born in Cambridge, Ohio, in January of 1994.
 
Why are you in Washington now?  What neighborhood or area do you live in? 
I moved to the NoVA area a year and a half ago to grow and learn and improve my life. I was feeling a bit trapped and enclosed within the three towns I grew up in. Life afforded me a window of opportunity, and I leapt through it.

What is your training and/or education in cartooning? 
I cannot draw to save my life. All of the art education, writing and filmmaking, has been learned in the field.

Who are your influences?
 
This current project, Centerpiece, is heavily inspired, visually, by Don Hertzfeldt's animations. He is a brilliant animator and independent filmmaker. My writing influences are largely Kevin Smith, Woody Allen, and Zach Braff.

If you could, what in your career would you do-over or change? 
I am honestly quite satisfied with the direction my art is heading. There have certainly been bumps along the road, but these are most often opportunities to learn. We should seize and embrace these failures, and define ourselves not by the failures themselves, but by what we learn from them.

What work are you best-known for? 
I am best known for my writing as a whole, i suppose, but mostly my film work with Clark. I have also made awful music, and I've begun publishing my alternative forms of art.

What work are you most proud of? 
I am absolutely most proud of Centerpiece. But this remains to be the case, that I am always most proud of my recent works, because I view them as improvements on prior work.

What would you like to do  or work on in the future? 
I have several larger budget films that I would love to do. I also have two ongoing comic scripts which I would love to see illustrated and distributed.

What do you do when you're in a rut or have writer's block? 
Forcing a muse is nigh impossible, but if I've gone a long period of time and remained uninspired throughout, I will often exercise an internal rebel nature. I'll act recklessly for a while to remind myself of the power we all have, yet choose not to exercise each day. This is empowering and uplifting to me.

What do you think will be the future of your field?  
Tom DeLonge, who is an inspiration of mine, has been bridging several mediums of art together. He has spoken at length about how, with advances in technology, one can use the same computer to construct an award-winning album, edit together an action film, write a novel, and build a comic from the ground up. To illustrate that, he has since started creating multimedia projects. One fictional universe told through novels, comics, music - every form of art he has access to, he utilizes to tell a single story. I firmly believe this is the future of our artistic endeavors.

What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them? 
I have actually never attended a con in my life. Not to sound cliche, but I have struggled greatly with anxiety since high school, and the prospect of being any level of spotlighted makes me uneasy to say the least. I am not opposed to the idea, of course. I imagine it is something I will have to learn to overcome in time.

What's your favorite thing about DC? 
I really love the wonderful blends of cultures here. Where I'm from, we mostly have farm culture and small-town culture. I have learned a vast amount about outside cultures since moving to the DC area, and every time I learn something new I just get giddy in my garter.

Least favorite?
 
Admittedly, the social atmosphere here is colder than I'm used to. I come from an area with a population beneath 2,000, so I am used to warm smiles and waving to each other, wishing one another a good morning or evening. Everybody here, before you really get to know them, has a tendency to kind of give you a cold stare and an absence of words. It makes me feel an awful lot like an outsider.

What monument or museum do like to take visitors to? 
The National Building Museum and The Lincoln Memorial are my two favorites, so that's usually where I take folks who come to see me.

How about a favorite local restaurant? 
Charbroil Grill in Woodbridge is a fantastic place, and I eat there frequently. However, my favorite place is 29 Diner in Fairfax. This hole-in-the-wall has the nicest staff you could ever meet, and they're open 24-7, which is convenient for me because I work the night shift. The owner is incredibly involved in the local community, and so it reminds me a bit of home. Its a slice of small-town living orbital to one of the busiest places in the nation.

Do you have a website or blog? 
Certainly! You can find more about all of the creative work I and my colleagues do at www.DeathByTypewriter.com
 
We are also on Facebook, of course, at Facebook.com/DeathByTypewriteDeathByTypewriter. My personal Facebook page, where I talk about personal elements of my creative process, can be found at Facebook.com/JaronRMJohnson

June 11: New exhibit by Michael Webster

In 2012, we talked to Michael Webster about his New Future Comics.

Michael's having an art exhibit, and "would like to invite you to my Art Show that I am having on Saturday, June 11, 2016 where you can view my newest collection of works." You can see the details on the picutre.

May 21: Cartoonists at Gaithersburg Book Festival

Saturday May 21, 2016 10am - 6pm
Gaithersburg City Hall Grounds

Cece Bell and Aaron Reynolds

Location: Willa Cather Pavilion

Children's

Start Time: 11:15 am

Author(s):

Cece Bell

Aaron Reynolds

Cece Bell

Chuck and Woodchuck by Cece Bell

Cece Bell is the author-illustrator of the Theodore Seuss Geisel Honor Book, "Rabbit and Robot: The Sleepover." She is also the creator of the Newbery Honor–winning graphic novel, "El Deafo," and "The Sock Monkey" picture books, among other works for children. Cece Bell lives in an old church in Virginia and works in a new-ish barn right next door.  She has worked as a freelance illustrator for all kinds of nutty projects, but is now a full-time author and illustrator. Cece enjoys moments of hilarity with her husband, Tom, along with three three lady dogs and two youngsters. Twitter: @CeceBellBooks 



Graphic Arts Panel

Location: Willa Cather Pavilion

Children's

Start Time: 1:15 pm

Author(s):

Dave Roman

John Patrick Green

Alexis Frederick-Frost

Dave Roman

Slappy's Tales of Horror by Dave Roman

Dave Roman is the author/illustrator of the "Astronaut Academy" series (winner of Maryland's Black-Eyed Susan Book Award) and writer of the graphic novels "Teen Boat! Race for Boatlantis" and "Agnes Quill: An Anthology of Mystery." He has contributed stories to "Comics Squad: Recess!," "Explorer: The Mystery Boxes," "Nursery Rhyme Comics" and "Goosebumps Graphix: Slappy's Tales of Horror." Roman is a graduate of the School of Visual Arts, has worked as an editor at Nickelodeon Magazine and lives in Astoria, NY. His latest project is the all-ages webcomic, "Starbunny, Inc." Facebook Twitter: @yaytime

John Patrick Green

Hippopotamister by John Patrick Green

John Patrick Green grew up on Long Island and has worked in New York City since graduating from the School of Visual Arts with a degree in graphic design. His latest project is "Hippopotamister," his first graphic novel as writer and artist. John is the artist and co-creator of the series Jax Epoch, and the comics "Quicken Forbidden" and "Teen Boat!," both with writer Dave Roman. He was the comics consultant for Disney Adventures magazine and has also worked on comics for DC Comics, Nickelodeon, DreamWorks and Scholastic Graphix. He lives in Brooklyn with zero cats and way too many LEGOs. Facebook Twitter: @JohnGreenArt

Alexis Frederick-Frost

Gryphons Aren't So Great

Alexis Frederick-Frost is co-author and illustrator of the critically acclaimed Adventures in Cartooning series of graphic novels and picture books. A combination how-to book and an exciting adventure story, "Adventures in Cartooning" was one of Booklist's Top Ten Graphic Novels of 2010 and has received many awards. Alexis also wrote and illustrated the monthly comic Kit and Clay published in The Phoenix Magazine in the United Kingdom. His illustrations have appeared online and in a variety of publications including Nickelodeon Magazine, The Adventure Time comic and others. A graduate from the inaugural class of the Center for Cartoon Studies, Alexis currently lives with his wife in Maryland. Twitter: @afrederickfrost 


Kevin Kallaugher: Daggers Drawn

Location: Rachel Carson Pavilion

Non-Fiction

Start Time: 3:15 pm

Author(s):

Kevin Kallaugher (KAL)

Kevin Kallaugher (KAL)

Daggers Drawn by Kevin Kellaugher (KAL)

Kevin Kallaugher (KAL) is the international award-winning editorial cartoonist for The Economist and The Baltimore Sun. In a distinguished career than spans 38 years, KAL has created over 8000 cartoons and 140 magazine covers. His resumé includes six collections of his published work, exhibitions in a dozen countries, awards and honors in seven. In 2015, KAL was awarded Cartoon of the Year in Europe, The Herblock Prize and was a finalist for the Pulitzer Prize. The World Encyclopedia of Cartoons said of Kevin "Commanding a masterful style, Kallaugher stands among the premier caricaturists of the (twentieth) century."

Gareth Hinds: Samurai Rising

Location: Ogden Nash Pavilion

Young Adult

Start Time: 4:15 pm

Author(s):

Gareth Hinds

Gareth Hinds

Samurai Rising by Gareth Hinds

Gareth Hinds is the creator of critically-acclaimed graphic novel adaptations of literary classics, including "Beowulf," "King Lear," "The Merchant of Venice," "The Odyssey," "Romeo & Juliet" and "Macbeth." His latest illustration project is the action-packed nonfiction book "Samurai Rising," written by Pamela Turner, which has received four starred reviews. Gareth is a recipient of the Boston Public Library's "Literary Lights for Children" award. His books are used in English classrooms across the country, and his illustrations have appeared in the Society of Illustrators, the New York Historical Society, and over a dozen published video games. Gareth lives in Takoma Park, MD. Blog: Hindsight Twitter: @garethhinds Facebook: Gareth Hinds Tumblr: Gareth's Tumbler Pinterest Gareth Hinds


Great Comics for Kids

Time: 4:30pm - 5:30pm

Location: Children's Village Workshops Tent

Class Size: 20

Audience: Elementary-Middle School

Description

Can't stop reading graphic novels? Good! Come check out some outstanding recently published graphic novels. Learn about our state's graphic novel book award. Explore the different elements found on a page of a comic. Create a one page comic of your own with help from special guest Dave Roman!


Warren Bernard interview online now