An Assortment of Really Great Bowties: The Art of Steve Lieber
Chloe Maveal
NeoText Review May 2022
https://neotextreview.com/culture/an-assortment-of-really-great-bowties-the-art-of-steve-lieber/
Un-silenced Pasts Present in Afrofutures: The Potential of Arts-based Inquiry and Critical Race Theory
Darnel Degan
Journal of Futures Studies 2022,Vol. 26(3) 7–23
DOI: 10.6531/JFS.202203_26(3).0002
https://jfsdigital.org/wp-content/uploads/2022/04/March-2022-Vol.26.3-7-23.pdf
Inks Volume 5, Issue 2, Summer 2021
Table of Contents
"Sometimes My Hand Shakes So Much I Have to Hold My Wrist to Draw": Charles M. Schulz and Disability
Michelle Ann Abate
pp. 135-154
DOI: 10.1353/ink.2021.0017
https://muse.jhu.edu/article/804827
The Aesthetic and Political Economy of Betrayal in Oesterheld's Two Versions of The Eternaut I
Yosa Vidal
pp. 155-172
DOI: 10.1353/ink.2021.0018
https://muse.jhu.edu/article/804828
"The Fearless Spaceman Spiff, Interplanetary Explorer Extraordinaire": Parodic Imagination and the Pulp Aesthetic in Bill Watterson's Calvin and Hobbes
Justin Wigard
pp. 173-196
DOI: 10.1353/ink.2021.0019
https://muse.jhu.edu/article/804829
"I Am Always Amazed About What I Find Out When I Get on the Ground": Joe Sacco On, Before, and After the Page
Rik Spanjers, Aimée de Jongh, Kees Ribbens
pp. 197-206
https://muse.jhu.edu/article/804830
Artist Portfolio: Images from Europe's Waiting Room
Aimée de Jongh
pp. 207-208
DOI: 10.1353/ink.2021.0021
https://muse.jhu.edu/article/804831
From the Archives: Vernon E. Grant Collection
Wendy Pflug
pp. 209-224
DOI: 10.1353/ink.2021.0011
https://muse.jhu.edu/article/804821
Children's and Young Adult Comics by Gwen A. Tarbox (review)
Christina J. Lunsmann
pp. 225-227
DOI: 10.1353/ink.2021.0012
https://muse.jhu.edu/article/804822
Marie Duval: Maverick Victorian Cartoonist by Simon Grennan et al. (review)
Eszter Szép
pp. 228-230
DOI: 10.1353/ink.2021.0013
https://muse.jhu.edu/article/804823
Supersex: Sexuality, Fantasy, and the Superhero ed. by Anna F. Peppard (review)
Nicholas E. Miller
pp. 231-233
DOI: 10.1353/ink.2021.0014
https://muse.jhu.edu/article/804824
Webcomics by Sean Kleefeld (review)
Aaron Kashtan
pp. 233-235
DOI: 10.1353/ink.2021.0015
https://muse.jhu.edu/article/804825
Contributors
pp. 236-237
DOI: 10.1353/ink.2021.0016
https://muse.jhu.edu/article/804826
Inks Volume 5, Issue 3, Fall 2021
Table of Contents
"Writing for the Trade or Writing for a Trade?"
Jackson Ayres
pp. 239-260
DOI: 10.1353/ink.2021.0022
https://muse.jhu.edu/article/839583
Drawing Histories, Documenting Experiences: Clément Baloup's Vietnamese Memories
Lan Dong
pp. 261-277
DOI: 10.1353/ink.2021.0023
https://muse.jhu.edu/article/839584
Detroit vs. Everybody (Including Superheroes): Representing Race through Setting in DC Comics
Vincent Haddad
pp. 278-301
DOI: 10.1353/ink.2021.0024
https://muse.jhu.edu/article/839585
"I Tell You I Know Nothing": Redefining Accessibility in Sid Jacobson and Ernie Colón's The Torture Report
Susan Vanderborg
pp. 302-324
DOI: 10.1353/ink.2021.0025
https://muse.jhu.edu/article/839586
The 1976 Project: On Comics and Grief, or How Our Lives Intersect with What We Study
Dale Jacobs
pp. 325-335
DOI: 10.1353/ink.2021.0026
https://muse.jhu.edu/article/839587
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic Books by Esther De Dauw (review)
Anna F. Peppard
pp. 336-339
DOI: 10.1353/ink.2021.0027
https://muse.jhu.edu/article/839588
Understanding Genres in Comics by Nicolas Labarre (review)
Justin Wigard
pp. 340-342
DOI: 10.1353/ink.2021.0028
https://muse.jhu.edu/article/839589
Producing Mass Entertainment: The Serial Life of the Yellow Kid by Christina Meyer (review)
Joshua Abraham Kopin
pp. 343-345
DOI: 10.1353/ink.2021.0029
https://muse.jhu.edu/article/839590
Seeing Mad: Essays on Mad Magazine's Humor and Legacy ed. by Judith Yaross Lee and John Bird (review)
Hayes Hampton
pp. 345-348
DOI: 10.1353/ink.2021.0030
https://muse.jhu.edu/article/839591
Charles Hatfield Book Prize: First Prize
pp. 349-351
DOI: 10.1353/ink.2021.0031
https://muse.jhu.edu/article/839592
Inks Volume 6, Issue 1, Spring 2022
https://muse.jhu.edu/issue/47832
Strange Daddy: Uprooting the Environmentalist Family Romance in Nancy A. Collins' Swamp Thing
Brannon Costello
pp. 1-25
https://muse.jhu.edu/article/855072
Privileged Witnessing and the Graphic Self in Sarah Glidden's How to Understand Israel in 60 Days or Less
Amy Mazowita
pp. 26-44
https://muse.jhu.edu/article/855073
Maus II's Emphatic Smoke: The Trace as Graphic Affect
Ashley Ecklund
pp. 45-68
https://muse.jhu.edu/article/855074
On Teaching Artfully: A Graphic Interview with Meghan Parker
Kay Sohini
pp. 69-84
https://muse.jhu.edu/article/855075
Comics and the Body: Drawing, Reading and Vulnerability by Eszter Szép (review)
José Alaniz
pp. 85-89
https://muse.jhu.edu/article/855076
Is Superman Circumcised? The Complete Jewish History of the World's Greatest Hero by Roy Schwartz (review)
Matthew Brake
pp. 89-91
https://muse.jhu.edu/article/855077
Mysterious Travelers: Steve Ditko and the Search for a New Liberal Identity by Zack Kruse (review)
Shawn Gilmore
pp. 91-94
https://muse.jhu.edu/article/855078
Typical Girls: The Rhetoric of Womanhood in Comic Strips by Susan E. Kirtley (review)
Barbara Postema
pp. 94-97
https://muse.jhu.edu/article/855079
Contributors
pp. 98-99
https://muse.jhu.edu/article/855080
Frank Miller's New Company Is Looking to the Future and the Past
By George Gene Gustines
A version of this article appears in print on May 21, 2022, Section C, Page 6 of the New York edition with the headline: Frank Miller Returns With the Old and New.
https://www.nytimes.com/2022/05/19/arts/design/frank-miller-presents-sin-city.html
Va. Republicans seek to limit sale of 2 books in Barnes & Noble for 'obscenity' [Gender Queer; censorship; in print as Books targeted, beyond schools]
By Hannah Natanson
Washington Post May 21 2022 p B1-2
https://www.washingtonpost.com/education/2022/05/20/gender-queer-barnes-and-noble/
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