Sunday, February 14, 2016

SPX 2016 Important Exhibitor Information!


SPX lottery is open as of this weekend.



Hello Everyone!  We've Missed You So Much

SPX 2016 is coming together faster than you can say Super Mutant Magic Academy. We're lining up special guests, locking down sponsors and just generally trying to make the best possible show we can for you.


We've learned a lot over the past two years so before we start the process of exhibitor registration for SPX 2016, we wanted to bring you up to speed on what we are doing. If you are interested in exhibiting at SPX this year — and we sincerely hope that you are — here's what you need to know for 2016.

 

An SPX Exhibitor Registration Primer

 

As you know, SPX has a two phase registration system that combines invited exhibitors with a lottery that in past years has led to a roughly 50/50 split. The two phases are staggered, which allows us to maximize the number of tables available for the lottery. 

In moving to this approach, we based the selection of our invitations on a long association with the show, a "legacy" list for lack of a better word. As we enter our third year, we're going to begin making some changes to this list. 

 

Changes for 2016 – Letting Go of "Legacy"


Starting with SPX 2016, we'll be evaluating our list of invited exhibitors on an annual basis. This will help us ensure that we can continue to bring in diverse, talented creators that we feel will enrich the SPX experience for everyone. 

Year by year, we'll do out best to ensure that invitees to SPX will include a diverse, vibrant cast of characters — a mix of our long time exhibitors, large and small independent publishers, self-publishing cartoonists, international creators as well as newcomers to comics.


Key Dates

For Invitations:

  • February 4th - Invited exhibitors will begin receiving notices.
  • February 20th - Last day for invited exhibitors to confirm their table space.

For the Lottery:

  • February 12th - The SPX table lottery opens.
  • February 26th - The SPX table lottery closes.

SPX Table Lottery winners will be notified shortly after the close of the lottery. Depending on the number of submissions it may take us a few weeks to review the entrants for duplicates or other issues before actually pulling the winning numbers. We expect this to take roughly about two weeks, so you should hear from us by early March.

More Questions, You Have Them

 

We know many of you will likely have further questions about this change! So, here's a few quick notes on the way ahead and our process for 2016 exhibitor registration:

 SPX REGISTRATION: Invited Exhibitors 

How will I know if I have been invited?

 

Invited exhibitors will begin receiving notices from SPX on February 4.  Invitees will have until February 20 to confirm their table space, with a few reminders sent in between.  Any invitee tables not claimed by February 20 will roll over to the lottery pool.

 

How does SPX decide who gets a reserved table?

 

The SPX executive committee will collectively review the invitation list each year to make this determination. 

 

If I was invited last year does that mean I am guaranteed an invitation this year?

 

No, not necessarily. It is possible you will receive an invitation again, but two years into the process, we recognize the need to begin shaking up this list. Doing so will allow us to, for example, ensure that we can invite the previous year's Ignatz winners.

 

If I wasn't invited this year does that mean I'll never be invited again?

 

Not at all. The invitation list will change annually. There will not be a formal rotation or cooling off process but our goal is ensure that the process is equitable. Not being invited one year does not mean you won't be invited the next. 

 

If I am not on this year's invitee list, can I enter the table lottery?

 

Absolutely. 

 

 SPX REGISTRATION: Lottery Entrants

 

When will the lottery take place?

 

The 2016 table lottery registration period will open up starting February 12. You'll have two weeks, until February 26, to enter your information.  SPX will post lottery information widely on Facebook, Twitter and Tumblr as well as our website. You won't be able to miss it.

 

How do I apply for the lottery?

 

When lottery registration opens we'll post an online form that collects some basic information. Everyone who completes the form will receive a randomly generated six digit number. Don't lose it.

 

How will I find out if I won a lottery table (or half table)?

 

We will notify the winners via email in early March. Winners will then have until March 22 to confirm and pay for their table. Any unused tables will be carried over to the wait list.

 

For more on how the lottery works, see our full lottery FAQ.

 

Do I really have a shot at a table from the lottery?

 

Heck yes. We earmark a minimum of 100 tables (out of our total of 270) for the lottery. When you look at this in terms of exhibitors behind those tables over the last two years we've been filling about half of SPX via the lottery.

 

Will there be a wait list?

 

Absolutely. We store the next 50 names after filling our lottery tables and folks get pulled in every year from this wait list.

 SPX REGISTRATION: Other Questions 

 

I HATE this system. SPX, why are you so dumb?

Listen, in order for us to pull this show off each year (no mean feat...), we need to balance limited table space against a bunch of ravenous groups that eagerly devour tables like Godzilla! Big publishers, small publishers, self-publishers, local favorites, international guests, old faces, new hotness — all worthy and all welcome!

Our registration process helps us manage overwhelming interest in the show in a manner consistent with our core values. Most comic arts festivals are by invitation only. We knew that wasn't for us.  But a pure lottery wouldn't work either.  Community is what makes SPX. We had to find a balance that honored both — and helps us manage massive demand to exhibit at the show.

 

Why not just more add more space?  

There is quite simply no larger facility anywhere in the Washington, DC area with the crucial combination of hotel and convention space — but the more important issue is that the indie comics industry is growing even faster than SPX, drawing more and more passionate, talented creators to the medium. It would be impossible for us to expand enough to meet demand.

Even if we could locate a venue with a similar set-up and more space — and one that wouldn't totally blow our budget — consider that over two days SPX runs only about 14 hours. With 650 to 700 creators exhibiting, assuming an attendee stays on the show floor every single minute and wasted only seconds moving from table to table, that leaves a barely one minute per creator.

We want folks who exhibit at SPX to have the best chance possible to make money at our show. For the time being — and we're at the Marriott through 2020 — it simply does not make sense to seek a larger exhibition hall space.  

Still have questions?  

Hit us up on Tumblr, Twitter or Facebook for a quick reply.

When SPX switched from a paper-based "first come, first served" registration model to the current two part system, we knew it would be a learning experience for everyone. 

We're continuing to refine our process based on the feedback from our community and in the interest of making the best show possible. 


We appreciate your care and investment in SPX and we'll never take it for granted.

Thanks so much,

 

Jen, Mike, Eden, Greg, Sam, Esther, Dan, Megan, Yitzy, Bailey, Bill, Charles, Catherine, Joe, Sarah, Rusty, Meagan (yes, we do get confused…), Tom and Warren



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Mark Giaimo's cartoon fine art

Saturday, February 13, 2016

Nick Galifianakis contest at the Post

Valentine's reader cartoon contest: Write a great caption and win this Nick Galifianakis art!


4 more SPX 2015 videos online

SPX 2015 Panel - Dear Internet: Today I Made a Comic. Now What?

 Feb 1, 2016
https://www.youtube.com/watch?v=mOiwIBE18tM

So you made a comic on the internet. Now how do you make sure it gets seen, read, and supported? We've assembled a crack team of internet-saavy creators and organizers to show you their ways so that you can make your own way. Join Molly Ostertag (Strong Female Protagonist), Aatmaja Pandya (Travelogue), Matt Bors (The Nib), and John D. Roberts from Comixology Submit, the digital self-publishing platform, for a journey through comics on the Internet in the 21st century. Moderated by Jen Vaughn.


SPX 2015 Panel - Animate Your Life!

 Jan 25, 2016
https://www.youtube.com/watch?v=UFVqpgtiKoQ

Animation is a thrilling medium that's changed so much just within the last decade! This panel features a lively discussion of the various paths people took to animation and what it currently means to them. Lilli Carre (Eyeworks Festival of Experimental Animation), Sam Spina (Regular Show), Ian McGinty (Welcome to Showside), and Monica Ray (Harvey Beaks) participate in the panel which is moderated by Michael Cavna.


SPX 2015 Panel - SPX Spotlight on Dylan Horrocks

Feb 8, 2016
https://www.youtube.com/watch?v=xpc4M9iQWgM

Dylan Horrocks's beloved 1998 graphic novel Hicksville gave readers a sensitive and bittersweet fictionalized account of comics history, and imagined a whole world of possibilities for the form. 2015 saw Horrocks's return to regular publication with the new graphic novel, Sam Zabel and the Magic Pen, and Incomplete Works, collecting a body of short stories produced in the interim. Horrocks discusses his recent work and the responsibilities of fantasy with Best American Comics series editor Bill Kartalopoulos.


SPX 2015 Panel - Drawing The News: Comics Journalism

 Jan 23, 2016
https://www.youtube.com/watch?v=rnHMWV_QGzE

Chris Kindred is a cartoonist, illustrator, and contributor to The Response. Peter Kuper is the co-founder of World War 3 Illustrated and the author of numerous graphic novels including, most recently, Ruins. Ted Rall is an author, columnist and syndicated editorial cartoonist; his most recent book is Snowden. Matt Bors, founder of The Nib and The Response, leads this group in a conversation about the intersection between cartooning and politics today.

TMNT voice actors encounter on Fantastic Forum

Fantastic Forum Interview with RAY, TIM AND ROB

by Ulysses Campbell

Fantastic Forum
Fantastic Forum Feb 13, 2016

Ray Francis, Tim Craggette and Rob Spencer are the creative masterminds behind RAY, TIM AND ROB. This dedicated team combines talent in artistry, writing, coloring as well as the various business elements of the comic book industry to form a dynamic creative collective. They also produce a podcast! Producer/host Ulysses E. Campbell talks with the team about their encounter with vocal artists from Teenage Mutant Ninja Turtles! And Ray, Tim and Rob LOVE the turtles! Taped on location at Awesome Con DC!

Friday, February 12, 2016

The Beat on Batman, Bill Finger and Marc Nobleman

How Marc Tyler Nobleman Rescued the Legacy of Batman Co-Creator Bill Finger

02/11/2016 by  

http://www.comicsbeat.com/how-marc-tyler-nobleman-rescued-the-legacy-of-batman-co-creator-bill-finger/

Feb 12-14: Katsucon has started in National Harbor!



http://www.katsucon.org/ - the anime and manga con has started.

I know a lot of kids from my neighborhood in Arlington are going.

The City Paper on Deadpool

Marvel's attempt at adult-oriented superhero fodder just comes off as juvenile [in print as Crass Action Hero].

By Alan Zilberman
Washington City Paper February 12, 2016
, p. 29

The Post on Deadpool

Adult-strength: 'Deadpool' is SO not for kids, but... [online as ‘Deadpool’ is not OK for kids, but it might be just what your teen needs]
Kristen Page-Kirby
Express (February 12, 2016): 17
https://www.washingtonpost.com/express/wp/2016/02/12/deadpool-is-not-ok-for-kids-but-it-might-be-just-what-your-teen-needs/

also in the Express - 

This is not for everyone: 'Deadpool' plays to immature jokes, shocking vulgarity and over-the-top violence.
Lindsey Bahr / Associated Press
Express (February 12 2016): 15

Thursday, February 11, 2016

Comic Riffs talks to Telnaes

Why debate artist Ann Telnaes loves to live-sketch Clinton, and why she'll miss Christie


Flugennock's Latest'n'Greatest: "Raging Cow"

"Raging Cow"
http://sinkers.org/stage/?p=1875

I've broken a promise I made to myself to avoid doing election cartoons at all costs, but my muse wouldn't quit kicking me in the nuts until I did this. When the news got out about Hillary Clinton's wet, sloppy blowjob of a speech to Goldman Sachs honchos and about her casting around among Goldman's executive ranks for cabinet appointments -- especially at Treasury -- it was a story too hot to not jump on.

While this news was certainly appalling, I still have to thank the Ice Queen and give her some due props for getting right out front with being a Wall Street tool and owning it in front of the media, God and everybody.

None of you Liberals out there can say you didn't know the score, now.

"What Clinton Said To Goldman Sachs", Politico 02.06.16:
http://www.politico.com/tipsheets/morning-money/2016/02/what-clinton-said-to-goldman-sachs-212602

-Michael Flugennock

1914 comic strip exhibit at the Smithsonian

The New York Herald on April 20, 1914 mentions an exhibition on printing that included the comic strip Mr. Twee Deedle by Johnny Gruelle. However, it was the printing plates that were displayed. I wonder if they're still in American History somewhere...



Thanks to John Adcock for finding and sharing this.

Feb 19-20: Art Soiree political cartoon exhibit

6th Annual Political Cartoon Exhibit "Road to the White House" - Artistic commentary on 2016 U.S. Presidential race by some of the most renowned political cartoonists in a two night exhibit.

WASHINGTON, D.C. (February 10, 2016) - With a touch of art, style and humor, Art Soiree takes a look at the candidates and the hottest debate topics surrounding 2016 US Presidential Elections at its 6th Annual Political Cartoon Exhibit "Road to the White House" taking place at the Ritz-Carlton, Georgetown 3100 South Street NW, Washington DC during a two night exhibit on Friday, February 19th and Saturday, February 20th from 8pm to 12am.

Bringing together some of the best editorial and political cartoonists from the world's top newspapers and magazines, this will be the most unique and controversial event in political Washington, DC. Paying tribute to graphic satire as a significant journalistic medium and a catalyst for political debate, the event will feature the works of

KEVIN "KAL" KALLAUGHER (The Economist), TOM TOLES (Washington Post), MATT WUERKER (Politico), DARYL CAGLE (Cagle Cartoons Inc.), JIMMY MARGULIES (AM New York and Newsday), CHRISTO KOMARNITSKI (Sega), ROBERT L. ARIAIL (The State)

Artists will be available for interview on the site. Signed prints and originals of the cartoons on display will be available for purchase.
Event benefits Cartoonist Rights Network International (CRNI)

Friday, February 19th and Saturday, February 20th 8pm-12am The Ritz-Carlton, Georgetown at 3100 South Street NW, Washington DC 20007
Tickets: $20 - https://cartoonist2016.eventbrite.com/

Wednesday, February 10, 2016

Feb 26: Animezing - Lupin III: The Castle of Cagliostro






    

Lupin the 3rd, The Castle of Cagliostro | Produced by TMS Entertainment Co., Ltd.
February 26, 2016 | Friday at 6:30PM | Action/Adventure
1979 | 100 min | Unrated| In Japanese with English Subtitles

Original Comic book created by Monkey Punch | © Monkey Punch All rights reserved | © TMS All Rights Reserved 
~ CELEBRATING THE 75TH BIRTHDAY OF HAYAO MIYAZAKI ~

Directorial debut of award winning anime filmmaker Hayao Miyazaki, founder of Studio Ghibli 


In the twilight of his career, gentleman thief Lupin the Third's latest and greatest heist has hit a snag. What should have been bags of cash from a national casino turns out to be nothing more than a sack of expert counterfeits! Together with his partner-in-crime Jigen, Lupin heads to the rumored source of the bills, the remote European nation of Cagliostro, to exact revenge.
However, not everything goes as planned; the two encounter Clarisse, a royal damsel in distress being forced to marry the sinister Count Cagliostro against her will. Saving her won't be easy, as Lupin and Jigen - together with Lupin's unpredictable ex-girlfriend Fujiko and the swordsman Goemon - must first fight their way through a trap-filled castle, a deadly dungeon, and an army of professional assassins. Can Lupin rescue the girl, evade the cuffs of his long-time nemesis Inspector Zenigata, and uncover the secret treasures of the Castle of Cagliostro?


Recommended ages: 8+  



This event is free and open to the public, but registration is required. Click HERE to register.
In the event of a cancellation, please contact us at jicc@ws.mofa.go.jp.

Doors open 30 minutes before the program begins.
No admittance after 7:00PM or once seating is full.


Registered guests will be seated on a first come, first served basis. Please note that seating is limited and registration does not guarantee a seat.


Interested in more great Japan-related activities in the area? Check out our upcoming area events page, updated three times a week, for a list of the latest events in the region.



Presented at:

THE JAPAN INFORMATION
AND CULTURE CENTER
1150 18th Street NW, Suite 100
Washington DC, 20036

We are located near Farragut North on the Red metro line and Farragut West on the Orange, Silver, and Blue metro lines.

There is after-business-hours street parking along 18th St NW and the surrounding area. There are also multiple parking garages on 18th Street NW and the surrounding area. Unfortunately, we are unable to validate these tickets.

Like us on Facebook                     Follow us on Twitter                     View on Instagram
    





JICC, Embassy of Japan | 1150 18th St., NW | Suite 100 | Washington | DC | 20036

Wash Examiner on Kal coasters

The historic Hay-Adams Hotel across Lafayette Square from the White House is now featuring the 2016 contenders on its extremely popular political cartoon drink coasters. (Photo courtesy: Kevin Kallaugher)

D.C. bar lets you share a drink with 2016 candidates

By (@Duranni1) 2/9/16
http://www.washingtonexaminer.com/d.c.-bar-lets-you-grab-a-drink-with-your-favorite-candidates/article/2582786

Tuesday, February 09, 2016

Smithsonian kids comics coming

April 23: Justin Jordan at Comic Logic


***JUST ANNOUNCED! ***
Justin Jordan will be in store at our One Year Anniversary Party on April 23rd.
Creator of "The Strange Talent of Luther Strode", "Strayer" and "Spread"
Save the date...more names to be announced in the coming weeks!

Monday, February 08, 2016

Feb. 15: Swann Fellowship deadline

Feb. 15, 2016 is the deadline for receipt of applications for the Swann Foundation Fellowship, one of the few that supports scholarly graduate research in caricature and cartoon. For criteria, guidelines, and application forms, please see:

http://www.loc.gov/rr/print/swann/swann-fellow.html

Please email swann@loc.gov or call (202) 707-9115 if you have questions.

New Hampshire presidential cartoons online

Cartoonists Take on the New Hampshire Primary

POLITICO's Matt Wuerker handpicks his favorite New Hampshire-themed cartoons.

2/07/2016

http://www.politico.com/magazine/gallery/2016/02/cartoonists-take-on-the-new-hampshire-primary-000611?lo=ap_e1&slide=0

Black Excellence in Comics events

To celebrate Black History Month, Fantom Comics is hosting book clubs and events all month that relate to popular comics and how they and the industry portray and address issues pertaining to being black.

Upcoming Black Excellence in Comics events:
 2/11 - Princeless
 2/18 - Shaft Vol.1 and Shaft: Imitation of Life #1
 2/22 - Fantom Discourse: "Afrofuturism - What If Wakanda Existed?"
 2/25 - Power Man & Iron Fist

Rafer Roberts on tour

Sunday, February 07, 2016

That darn Toles

Tom Toles's Zika cartoon is '99 Red Balloons' all over again [in print as This is it, boys, this is war].

Barry Sasscer, Laurel




Friday, February 05, 2016

Feb 5: Lord Arik by Eric Apfelbaum in Falls Church

According to the Falls Church News Press:

"It will be held at Art and Frame of Falls Church, 205 W. Jefferson Street from 6:00-8:00 pm. Also on display will be an exhibit of Eric Apfelbaum's work, entitled "Lord Arik- Comics, Character Design, and Figure Drawing." A BFA student at George Mason University interested in Character Concept Art and Comic Book Illustration, he has experience drawing specializing in human anatomy."

Compleating Cul de Sac first edition goes out of print

Compleating Cul de Sac's first edition is now out of print, and it's good news!

We're pleased to announce that we (aka The Thompsons) are just about to sign the contract with Picture This Press for them to publish the grandly-themed Richard Thompson Library. Compleating Cul de Sac version 2.0 is being expanded by editor Rhode and designer Bono Mitchell with more interviews, more Thompson art and more Team Cul de Sac art, even as we type. Any profits from this book will continue to be sent to the Michael J. Fox Foundation to fund Parkinson's research, as we had arranged to do with the first edition.

The draft of The Incompleat Art of Why Things Are with an introduction by Joel Achenbach is in the hands of the publisher who's working with his designer on the book. Scott Stewart is continuing to work on a new collection of caricatures.
In the meantime, all of Richard's Cul de Sac books, and The Art of Richard Thompson are still available from his traditional publisher, Andrews McMeel.
We hope you'll enjoy the new books as they come out over the next several years .

Mike Rhode

March 15: Phil Nel on Crockett Johnson at the Smithsonian

Evening Program
Tuesday, March 15, 2016 - 6:45 p.m. to 8:45 p.m.

Tickets
$30 Member
$45 Non-Member











(Book cover by Chris Ware)

Crockett Johnson (born David Johnson Leisk, 1906­–1975) and Ruth Krauss (1901–1993) were a husband-and-wife team that created such popular children's books as The Carrot Seed and How to Make an Earthquake. Johnson's best-known solo works are the enduring children's classic Harold and the Purple Crayon, published in 1955, and the groundbreaking comic strip Barnaby (1942­–1952). Krauss wrote more than a dozen children's books illustrated by others, collaborating eight times with Maurice Sendak to produce titles that include A Hole Is to Dig and A Very Special House.

Together, Johnson and Krauss's style—whimsical writing, clear and minimalist drawing, and a child's point of view—is among the most revered and influential in children's literature and cartooning. Acclaimed by critics and loved by readers, the couple's work also drew attention from another quarter in the 1950s: the FBI. Defiantly leftist in an era of McCarthyism and Cold War paranoia, Krauss and Johnson became the targets of surveillance and investigations during this rabidly anti-Communist era.

Drawing on his dual biography Crockett Johnson and Ruth Krauss: How an Unlikely Couple Found Love, Dodged the FBI, and Transformed Children's Literature (University Press of Mississippi), Philip Nel tells a true story of art, publishing, politics, and the power of the imagination.

Nel is a scholar of children's literature and a University Distinguished Professor of English at Kansas State University. He is co-editor of the first complete collection of Barnaby comic strips, an extended, multi-volume project of Fantagraphics Books.

The program is underwritten by the Irving M. Gorbach Charitable Foundation.

Smithsonian Connections

From 1965 until his death in 1975, Crockett Johnson painted more than 100 works relating to mathematics and mathematical physics. Of these paintings, 80 are in the collections of the American History Museum. Take a look at a digital gallery, presented along with related diagrams from the artist's library and papers.

 

LOCATION:
S. Dillon Ripley Center
1100 Jefferson Dr SW
Metro: Smithsonian (Mall exit)

The Post on Brazil's ‘Boy and the World’ cartoon

Seeing life through a child's hand-drawn eyes [online as Oscar-nominated 'Boy and the World' looks at life through a child's wide eyes]



The animation in the Academy Award-nominated "Boy and the World" was created with colored pencil, paint and photo collage. (GKIDS)

Thursday, February 04, 2016

Feb 11: Cartoons and Taboos: Dancing in a Visual Minefield

Cartoons and Taboos: Dancing in a Visual Minefield

Project image: 

Thursday, February 11, 6:30 - 8 pm

Cartoons and Taboos: Dancing in a Visual Minefield


New York University, 1307 L St. NW, Washington, DC 20005 (Metro: McPherson Square)

One year ago, on January 7, 2015, terrorism attacked freedom of expression with the assault on the satire magazine Charlie Hebdo. The slogan "Je suis Charlie" became ubiquitous. All of Europe showed its solidarity with France. Many citizens living in capital cities placed garlands of flowers in front of the French embassies. The European media reproduced caricatures as a show of solidarity.

The freedom which was accepted throughout Europe after the Peace of Westphalia (1648) and which formed the core of liberalism is being seriously threatened today. For whoever avails himself of the freedom upon which our ability to express and accept criticism is based may face the threat of death as a result. Withstanding this challenge and finding institutions that continue to protect this freedom is an imminently urgent task. We are confronted with a fundamental shift in thinking: freedom of expression can cost lives. Time will tell what consequences this has – will there be an image policy to prevent conflicts? Or will we maintain our position in editorial departments, at universities, in art and politics?

European cultural organizations hold on to the belief in the freedom of expression, and refuse to avoid difficult topics. Four caricaturists have accepted our invitation to participate in a discussion about these questions.

Panelists
Lectrr (Steven Degryse) is a Belgian cartoonist, best known for his daily political cartoons in De Standaard. Over the past decade he has been published all over Europe, both as an editorial cartoonist and as a syndicated single panel cartoonist, in magazines including Helsingsborgs Dagblad (Sweden), Prospect Magazine (UK), Nieuwe Revu (The Netherlands), Veronica Magazine (The Netherlands), Kretèn (Hungary) and many others. His work has been published in over ten languages and 15 books. Lectrr is a member of the jury in Knokke-Heist, the oldest cartoon festival in the world, and was nominated multiple times for the Press Cartoon Belgium and the Press Cartoon Europe awards.

Kevin Kallaugher (KAL) is the international award-winning editorial cartoonist for The Economist magazine of London and The Baltimore Sun. In a distinguished career that spans 37 years, Kal has created over 8,000 cartoons and 140 magazine covers. His resumé includes six collections of his published work, including his celebrated anthology of Economist cartoons titled Daggers Drawn (2013). In 2015, KAL was awarded the Grand Prix for Cartoon of the Year in Europe, The Herblock Prize for Cartoonist of the Year in the US and was a finalist for the Pulitzer Prize in Editorial Cartooning. In 1999, The World Encyclopedia of Cartoons said of Kevin "Commanding a masterful style, Kallaugher stands among the premier caricaturists of the (twentieth) century."

Ann Telnaes creates animated editorial cartoons and a blog of print cartoons, animated gifs, and sketches for The Washington Post. She won the Pulitzer Prize in 2001 for her print cartoons. Telnaes' print work was shown in a solo exhibition at the Great Hall in the Thomas Jefferson Building of the Library of Congress in 2004. Her first book, Humor's Edge, was published in 2004. A collection of Vice President Cheney cartoons, Dick, was self-published by Telnaes and Sara Thaves in 2006. Her work has also been exhibited in Paris, Jerusalem, and Lisbon.

Matt Wuerker is the staff cartoonist for POLITICO. Part of the team that launched POLITICO in 2006, he provides editorial cartoons, illustrations, caricatures and Web animations for both the print and Web platforms of the publication. Over the past 35 years, Matt's cartoons have been used widely in publications that range from dailies like the Los Angeles Times, The Washington Post and The Christian Science Monitor to magazines such as NewsweekThe Nation and Smithsonian. He won a Pulitzer Prize in 2012. In 2010, he was awarded the Herblock Prize at the Library of Congress, and the National Press Foundation's Berryman Award.  

No charge. RSVP here.

In cooperation with the Embassy of Belgium and the House of Flanders, New York.

This Iconoclash program is also supported by the Ambassador of the EU in the US, S.E. David O'Sullivan, the British Council, the Embassy of Slovenia, the Austrian Cultural Forum, the Goethe-Institut and the European Union National Institutes of Culture.

For further information: