Tuesday, June 13, 2017

June 14: Women in comics at National Museum of Women in the Arts





For much of comics history, women characters were introduced as plot devices for the leading male characters with disheartening regularity. Join us for a conversation about the new wave of superheroines entering the comic universe, leading the fight for justice and dispelling traditional stereotypes in fiction and beyond. 

Joining the conversation are:
Moderated by Emily Whitten, ComicMix.com writer and Awesome Con moderator, based in Washington, D.C.



Sign up now for your Friend Discount Rate of $15! Discount tickets are limited. (Regular price: $25 general; $20 members, seniors, students). Price includes museum admission and Catalyst cocktail hour. Galleries open to attendees from 3 p.m - 6:45 p.m. Museum store will have speaker's books and comics for sale before and after the program

https://urldefense.proofpoint.com/v2/url?u=http-3A__nmwa.us12.list-2Dmanage.com_track_click-3Fu-3Dc9a0cfd7a0c2b162ef936a052-26id-3D5ede2abb49-26e-3D225df7de93&d=DQMFaQ&c=euGZstcaTDllvimEN8b7jXrwqOf-v5A_CdpgnVfiiMM&r=5Ly55I131CjW7KAYeC5suAHy2fYqba0vo9mjUwJEo_w&m=ce2NPwRJ-I5M0XHjq4vgdyrvk9lXI-LgB80LNRyDv9M&s=HvKJv2n7d1dUuM0MRsQehGPL_yuMDmYm7qn_t3xhO1w&e=

Library of Congress to launch webcomics collection says Comic Riffs


Webcomic fans, rejoice: Library of Congress is launching a new archive for you



Washington Post
Comic Riffs blog June 13 2017
https://www.washingtonpost.com/news/comic-riffs/wp/2017/06/13/webcomic-fans-rejoice-library-of-congress-is-launching-a-new-archive-for-you/


LOC just put out a press release on this:

June 13, 2017


Webcomics and Web Cultures Archives Now on loc.gov
Collections are newest additions to born-digital content online

The Library of Congress today announced two new born-digital collections are now available on loc.gov – the Webcomics Web Archive and the Web Cultures Web Archive.

The Webcomics Web Archive (https://www.loc.gov/collections/webcomics-web-archive/about-this-collection/) focuses on comics created specifically for the web and supplements the Library’s extensive holdings in comic books, graphic novels and original comic art.

“Webcomics are an increasingly popular format utilized by contemporary creators in the field  and often include material by artists not available elsewhere,” said Megan Halsband, a librarian in the Serial and Government Publications Division.

Webcomics selected for this collection include award-winning comics as well as webcomics that are significant for their longevity, reputation or subject matter. The collection includes sites such as Dinosaur Comics, Hyperbole and a Half, and XKCD. Also included are works by artists and subjects not traditionally represented in mainstream comics, including women artists and characters, artists and characters of color, LGBTQ+ artists and characters, as well as subjects such as politics, health and autobiography.

The Web Cultures Web Archive (https://www.loc.gov/collections/web-cultures-web-archive/about-this-collection/) is a representative sampling of websites documenting the creation and sharing of emergent cultural traditions on the web such as GIFs, memes and emoji. The project is part of the American Folklife Center, established by Congress to document traditional cultural forms and practices.

“The proliferation of smart phones, tablets and wireless internet connection has positioned networked communication as a space where people increasingly develop and share folklore,” said Elizabeth Peterson, director of the American Folklife Center. “This effort will help scholars 25 and 100 years from now have a fuller picture of the culture and life of people today. “Sites included in the archive are Urban Dictionary, Internet Meme Database, Emojipedia and Boing Boing.

The Library collected and is displaying these sites with permission. Any further use by the public may also require permission.

The Library has been archiving select websites since 2000 and has now preserved more than a petabyte of web content, including collections of federal executive, legislative and judicial websites; sites of international governments; and national institutions such as the U.S. Olympic Committee and the American Red Cross.  

The webcomics and web cultures archives are among numerous collections newly available online during the past year. Others include the papers of U.S. Presidents Millard Fillmore, Franklin Pierce and William Henry Harrison; the papers of Sigmund Freud; a collection of more than 4,600 newspapers from Japanese-American internment camps; and 25,000 fire-insurance maps from communities across America, the first installment of 500,000 that will be accessible online.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States ­­— and extensive materials from around the world — both on site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office.  Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov and register creative works of authorship at copyright.gov.

PR 17-087
2017-06-13
ISSN 0731-3527

The real history behind the look of "Wonder Woman"s Dr. Poison

by Mike Rhode

The new Wonder Woman movie has a long-standing villain named Dr. Poison who is developing a super poison gas to reverse Germany's imminent loss of the Great War. Elena Anaya's character is shown with a porcelain mask over the lower quadrant of the left side of her face.


This mask actually has a background in the medical history of World War I. Plastic surgery was still in developmental stages, and for some soldiers who were too badly injured, Anna Coleman Ladd of the American Red Cross in Paris, as did sculptor Derwent Wood in a London hospital, made masks of enameled-metal. The masks were painted to match skin color.

Very few of these masks were made. The soldiers receiving them had horrific wounds from shells or shrapnel (as seen in the pictures that follow), and were often lacking bone or soft tissue to be reconstructed, often including their noses or eyes. Dr. Poison's mask drops off late in the film, and she's revealed to have a gaping wound in her cheek, which in real life, probably would have been leaking saliva and making it difficult for her to eat or enunciate clearly. I have no idea how she received the initial wound since she should have been a research scientist far from the front, but the movie shows her enjoying her work too much, so perhaps she went in person to see the use of mustard gas at the front.

Online for the first time is the 1919 report "United States Naval Medical Bulletin Special Number:Report On The Medical And Surgical Developments Of The War" by William Seaman Bainridge, Lieutenant Commander, Medical Corps, United States Naval Reserve Force courtesy of the Bureau of Medicine and Surgery's Historian's Office. The following pages are from the report and give some idea of the process:









Driver F

Trooper E



"Red Cross Work on Mutilés at Paris, 1918" a short film from the National Museum of Health and Medicine can be seen via the Medical Heritage Library and shows Ladd and her Parisian studio. The National Library of Medicine has written about the film here and here.

National Library of Medicine spotlights Stan Mack's WWII cartoons

Malaria Pinup Calendars, 1945

By Mike "Sport" Murphy

Originally published in Hidden Treasure: The National Library of Medicine, 2011.

Upper half of illustration consists of a calendar and lower half consists of a woman looking at a picture frame of a solider.
A swell pair of all-American gams serve as a risqué reminder to keep pulling for victory over both Japan and mosquitoes. These pinup calendars were part of a larger antimalarial campaign that emphasized the use of bed nets, mosquito repellent, Atabrine (an antimalarial pill), avoidance of places where mosquitoes swarm at night, and keeping skin covered.

Monday, June 12, 2017

The Post on Wonder Woman, Batman and Marie Kondo

Wonder Woman's top animated voice talks about being the bridge between Lynda Carter and Gal Gadot


Washington Post
Comic Riffs blog June 12 a2017
https://www.washingtonpost.com/news/comic-riffs/wp/2017/06/12/wonder-womans-top-animated-voice-talks-about-being-the-bridge-between-lynda-carter-and-gal-godot/

Marie Kondo transforms into a comic book character to sell you KonMari


Washington Post.com (June 12 2017): https://www.washingtonpost.com/entertainment/books/marie-kondo-transforms-into-a-comic-book-character-to-sell-you-konmari/2017/06/08/7ae5f50e-4a18-11e7-9669-250d0b15f83b_story.html
 

R.I.P.: How Adam West made peace with life and career after his iconic 'Batman' role [in print as Adam West: 1928-2017; Forever the Campy Batman]
Express (June 12): 20
https://www.washingtonpost.com/news/comic-riffs/wp/2017/06/10/rip-how-adam-west-made-peace-with-life-after-his-iconic-batman-role/

Glen Weldon on Adam West's Batman

Adam West Saved Batman. And Me.

NPR's Monkey See blog
http://www.npr.org/sections/monkeysee/2017/06/11/532411148/adam-west-saved-batman-and-me

Library of Congress' CM Bell collection has one cartoon

The Library just put out a blog post about digitizing 25,000 photos from Washington at the turn of the 20th century.

06/12/2017 10:08 AM EDT

Military brass, senators, socialites and even babies—these are a handful of Washington, D.C., subjects photographed by Charles Milton Bell (1848–93) during the last quarter of the 19th century. The Library recently digitized more than 25,000 glass plate negatives produced by Bell and his successors between 1873 and the early years of the 20th century...


There's no cartoonists and only one cartoon in there. "Miss Callay [cartoon]" which "May depict Grover Cleveland embracing Frances Folsom." Personally I think there's something else going on besides their romance because she's dressed as Columbia, while he appears to be wearing a European uniform.


Sunday, June 11, 2017

New comics shop named in memory of local creator

A new comics store, Venus's Comic Shop, is scheduled to open July 8 at Union Station. Local comic book creator and store co-owner Raymond Francis told us the store is named in memory of Venus Winston, a D.C.-based comic book writer/artist who passed away in December after a battle with cancer. A portion of the store's monthly profits will be donated to cancer research, Francis said. Other members of the store's team include Robert Spencer, Zach Winland and Rishawna Gould. The store will have a booth (table 606) at AwesomeCon next weekend, and several members of the team will participate on various panels (Crucial Crisis Comics is their comics venture).




The Post on the death of TV's Batman

Friday, June 09, 2017

Onion reports President Obama is writing his graphic novel autobiography

Before you ask, yes, this is satire, although he really just bought a house in DC and is hanging around for a while.

Obama Sends Publisher Collection Of Pages For Presidential Graphic Novel

Onion June 9 2017

http://www.theonion.com/article/obama-sends-publisher-collection-pages-presidentia-56208

Comic Riffs talks to Arctic Circle about environmentalism

On World Oceans Day, 'Arctic Circle' artist explains how her comic takes on climate change


Washington Post
Comic Riffs blog June 8 2017
https://www.washingtonpost.com/news/comic-riffs/wp/2017/06/08/on-world-oceans-day-the-arctic-circle-artist-explains-how-her-comic-takes-on-climate-change/

Comic Riffs on the poison gas plot of Wonder Woman

The scene in 'Wonder Woman' where you can't help but think of Syria


Washington Post
Comic Riffs blog June 6 2017
https://www.washingtonpost.com/news/comic-riffs/wp/2017/06/06/the-one-scene-in-wonder-woman-where-you-cant-help-but-think-of-syria/

Sara Duke interviewed on Courtroom Illustration exhibit

Inside the Exhibition "Drawing Justice: The Art of Courtroom Illustration"

The following is an interview featuring Sara W. Duke, Curator of Popular and Applied Graphic Arts, Prints and Photographs Division.

http://blogs.loc.gov/picturethis/2017/06/inside-the-exhibition-drawing-justice-the-art-of-courtroom-illustration/?loclr=eaptb

June 17: Smoketown creators at Fantom Comics


  • c
    Saturday, June 17 at 2 PM - 4 PM


  • Fantom Comics
    2010 P Street NW, Washington, District of Columbia 20036

    Wednesday, June 07, 2017

    More on that Stan Lee "interview" via Awesome Con

    Stan Lee Talks Reading, Writing, And — Of Course — Marvel Comics

    By: Shana Lieberman
     

    http://gossipandgab.com/135687/stan-lee-talks-reading-writing-and-marvel-comics

    Comics and Craft Beer: A Chat with Kate Hoke of Heroic Aleworks


    by Mike Rhode and Chris Ingram

    Heroic Aleworks, a brewery with comic book-themed beers, opened in Woodbridge, VA this past January. We recently met Kate Hoke, co-founder and co-owner of the brewery, and interviewed her on comics, cosplay and beer making.

    What type of comic work or cartooning do you do?

    I wrote the first issue of our comic, which tells the Solasta origin story, and will be doing the bulk of the writing going forward.  Fortunately, we have professional artists to handle the drawing part!  For each one of the beers my husband, Tim Hoke, and I create all the characters in terms of deciding who’s a bad guy and who’s a good guy, what are their powers, where to they fit in our comic universe, their name, and basically what they look like.  Then I put together a Pinterest board for the artist to give them examples for hairstyles, armor, weapons, poses, backgrounds, etc., that get turned into the final work.  Although we have only one issue right now, each and every one of our beer characters fits into the larger universe we’re creating and will all play some role in the ongoing stories.

    I also do all of the graphic design work and web design for Heroic.

    How do you do it? Traditional pen and ink, computer or a combination?

    Haha.  I pay people!  But the artists we work with use a combination of traditional pen and ink, along with digital rendering.  The artists who created the characters for Sid Fist and Murdock the Merciless (Raymond Francis and Robert Spencer), for example, start with traditional pencil and paper and once the sketch is complete they do a high resolution scan and finish the piece digitally.  Our first comic was done entirely digitally.  My impression, however, is that most of our art is created through a combination of the two.

    How did you find your artist's stable? Who are the people in it?

    We work with artists literally from all over the world, many of whom I met through artist commission websites.  We also have a few local artists that we met at comic conventions, and I’m hoping that number will increase over time.  Here’s a breakdown of everyone so far, their website or Facebook page, and what characters they’ve done for us:

    Ian Richardson (Great Britain)
    o   http://pencilsandstrings.deviantart.com/
    o   Solasta, Max Nix, Doctor Enigma, Mind Trappe, Death Blossom, the 63 Scottish Fold Oracle, and our logos
     


    They Did This! - Illustration and Design (South Africa)
    o   Primary artists are Karl Mostert and Andrew Cramer
    o   https://www.facebook.com/TheyDidThisStudio/
    o   Mistress of War, Master Heist, Oda the Huntress, Krystal Palast, Goldfang (coming soon), Confounded IPA (Moray Rhoda, artist)

    Keith Hinman (Michigan)
    o   http://kwh-illustration.deviantart.com/
    o   The Dark Enemy, Baron von Blackbrane

    Raymond Francis (local)
    o   https://www.facebook.com/C3Comics/
    o   Sid Fist

    Robert Spencer (local)
    o   https://www.facebook.com/C3Comics/
    o   Murdock the Merciless

    Zachary Davis Bradley (New Mexico)
    o   http://zachdb.deviantart.com/
    o   Heroic Aleworks Presents Issue #1 sequential art


    Tim Hoke
    When (within a decade is fine) and where were you born?

    Tim and I were both born in the 1970s.  I was born in Philadelphia and he’s from Southern Illinois.  We met during our first year of law school in Northern Illinois and soon thereafter the army brought us to Virginia.

    Why are you in Washington now?  What neighborhood or area do you live in?

    I went to law school at William & Mary in Williamsburg, VA, but came up here after graduation because this is where most of the good jobs are.  We currently live in Woodbridge, which is why we opened the brewery in Woodbridge.  But Tim & I still have to commute to our day jobs in Washington, DC at least 3 days a week.

    What is your training and/or education in cartooning?

    Zero.  I just read a lot.  When I’m reading more, I find that I have better ideas for writing the comics.

    Even for the graphic and web design, I’m entirely self-taught.  Mostly a whole lot of online tutorials and YouTube videos.

    Who are your influences?

    One of my biggest influences is Neil Gaiman.  As we start publishing our books, you’ll see a lot of Gaiman-esque magical realms hidden within our own, but not visible or accessible to most folks.  We will also be having a whole “Old Gods” line of beers, which is obviously a Gaiman influence.  I love the way he tells stories such that the reader shifts seamlessly between fantasy and reality and is left wondering if there’s even a difference.

    In terms of comic book authors, Kelly Sue DeConnick has had a huge influence on me due to her masterful handling of strong female characters that retain their humanity and even femininity.  We’ve been quite deliberate about how we conceptualize and portray our female characters, and I aspire to bring some Kelly Sue sensibility to our stories.

    If you could, what in your career would you do-over or change?

    I often like to believe that I would have preferred to pursue a career in the arts at an early age.  But honestly I can’t say that there’s much I’d actually like to change since that would mean I wouldn’t be here doing this right now.  That said, there are probably a million small things we would have done differently in how we approached opening a brewery!  Lots and lots of lessons learned there!  The good news is that we’ll take all of that knowledge into the next phase when we’re ready to expand.


    Kate Hoke at Baltimore Comic Con 2016
    What work are you best-known for?

    So to spin off in a completely different direction…  I’m probably best known in the local cosplay scene for my Winter Soldier costume.  I was doing it before it became super popular AND when I decided to do a female version of him, I wanted to honor the essence of character and not just slut it up like lots of ladies do with their gender bending cosplays.  I’ve been told that keeping Bucky a total badass is part of what makes it sexy, more so than when people just expose as much skin as possible with their costumes.

    What work are you most proud of?

    That’s a tough one, so I’ll answer it in a couple of ways.  I’m immensely proud that we actually pulled off the whole brewery in the way that we did.  In particular, I’m proud of the taproom.  I did all the painting, made the restroom doors (the Tardis door and the entrance to the Mines of Moria from Lord of the Rings, a.k.a. the Doors of Durin), did all of the decoupage work for the bar, and did all the decorating.  I even made one of the pieces of art that hangs on the wall!  Suffice it to say it was a very busy December last year!  The taproom décor sets the tone and makes our place unique among craft breweries, so it’s been a very significant accomplishment for me.



    On a solely personal level, I’m quite proud of the leatherwork I did for my latest cosplay.  I’m completely self-taught and I recently created a Viking warrior version of the traditional Slave Leia costume that required intricate weaving and carving like I’ve never done before.  And not only does it look amazing, but it’s actually comfortable to wear, which definitely isn’t always the case with cosplay!  This one laid the foundation for some crazy stuff I have planned for next year for Tim & me.  Next level stuff, for sure.

    What would you like to do or work on in the future?

    First and foremost I’d like the brewery to be successful enough that Tim & I can quit our day jobs and run the brewery full time.  In my case, that would mean a lot more comic writing, more time for planning and promoting events, and a whole lot more time for making costumes.
     




    What do you do when you're in a rut or have writer's block?

    Have another glass of wine!  Just kidding.  Sort of.  More helpful, though, is switching back and forth between my various creative endeavors.  If I get stuck for words, I’ll turn to doing something visual and vice versa.  Beyond that, if I get in a slump doing graphic art on the computer, I find that making physical art, such as my leatherwork, can give me the space to recharge my brain.  Sometimes I simply talk it out with my husband and he’ll see an angle I hadn’t previously considered that gets me back on track.


    What do you think will be the future of your field?

    Geek culture is certainly experiencing a golden age right now with the proliferation of comic-based movies and television shows and surging popularity of comic/pop culture conventions.  Even if this moment passes, I believe good storytelling will always find an audience.  Creating a narrative and having a story behind each of our beers gives our customers a little something extra to relate to and I think that will hold true even if comics fall out of mainstream culture.

    And even if the growth of craft beer levels off, the market for great beers and solid brands isn’t going anywhere.

    The fact that Heroic is an intersection of the two gives us some very unique opportunities so I think we have a lot of exciting things ahead of us.

    What local cons do you attend? The Small Press Expo, Intervention, or others? Any comments about attending them?


    We have traditionally attended Awesome Con and Baltimore Comic Con, both of which are great for cosplay and for networking, but less so for actually collecting comics these days.  We’ve noticed prices going up significantly, with vendors asking way more for books at the show than they sell for on eBay.  For serious comic collecting, I tend to prefer smaller affairs where there’s more opportunity to browse and have conversations with the vendors.  This year will be special because it’s the first time Heroic will have booths at both Awesome Con and the new NOVA CON.  We’ll still be attending Baltimore, but as civilians.  I’ve promised Tim that we’ll have at least half a day at each where I’m not in costume so we can enjoy our time together instead of getting continuously interrupted for photos.


    How do I get the first issue of Heroic Aleworks Presents: Solasta? I can't see any way to buy it on your website.

    We'll have them for sale at Awesome Con

    What's your favorite thing about DC?

    With the Kennedy Center and so many other theaters around, there’s never a lack of live entertainment options.

    Least favorite?

    It’s a close tie between the traffic and how politics seeps its way into everything.

    What monument or museum do you like to take visitors to?

    Who has time for that sort of thing?  We used to enjoy the National Zoo a lot and wish we could get there more.  I’ve also always wanted to do a tour of the Masonic Temple in Alexandria.

    How about a favorite local restaurant?

    Cock and Bowl in Occoquan has been a go-to of ours for a long time.  Their croque monsieur is amazing and they an extensive and interesting beer selection.  The brunch at FireFlies in Del Ray is also at the top of the list.

    Do you have a website or blog?

    The brewery’s website is www.heroicaleworks.com.  We’re also on Facebook (@HeroicAle) and Instagram (@HeroicAleworks).  I also have a separate Instagram page for my cosplay work @kateskostumes, which I have been shamefully neglecting as of late.


    You currently have 9 or so beers on tap - which are your flagship brews and which are your seasonal brews?

    Our flagship brews are the 5 we started with, the Doctor Enigma IPA, the Max Nix English Porter, the Solasta Kolsch, the Death Blossom Red Rye Ale, and the Mind Trappe Belgian Dubbel.  Together these 5 characters form our core team of heroes named “The Superhuman Syndicate.”  The rest of our beers are seasonals or special releases.

    Is there any particular style of beer that you would consider to be your most outstanding?

    Our Max Nix just took a gold medal at the Virginia Craft Brewer’s Guild Beer Cup, so we’re feeling kind of partial to that one right now!  But the award bears out the feedback we’ve received, not only from our customers but also from other professional brewers, regarding the quality of this beer. 


    Brewmaster Leon Harris
    Which of your beers are you proudest of (whether in terms of challenge to brew, originality, or some other criteria)?

    Our Head Brewer, Leon Harris, is most proud of his Maibock.  This recipe was the first one of his beers to get produced commercially.  Back when he originated the recipe at Capitol City Brewing Company, the beer was named “Murdock’s Maibock.”  Murdock is Leon’s son.  So when we did the recipe at our place, we wanted to keep “Murdock,” but to put the Heroic spin on it, Leon and I worked together to create the “Murdock the Merciless” character.

    Which beer is your most popular (or top seller, if that's the correct way to think of it)?

    We’ve been tracking this pretty closely and all of our flagship beers sell pretty evenly across the board.  Murdock has been one of our top selling seasonal beers so far.  But nothing has rivaled the popularity of our 63 Scottish Fold Oracle Scottish Wee Heavy (a.k.a. the cat beer), which we did as a limited release beer back in March.  It’s cats in tin foil hats!  Plus it’s pretty high alcohol, which could explain some of the enthusiasm!


    You have a broad range of styles that you have brewed so far, is there a style that you have not tried brewing that you would like to take on?

    Leon is anxious to get into some sour beers, but also extremely nervous because there’s just so much that can go wrong – like contaminating the entire brewery with the lactobacillus bacteria!  From what I understand, there are some pretty specific procedures to follow to prevent infections, and it’s helpful to work with a fellow brewer who has a few sours under his belt to get the technique down.  Which leads into the next question…


    One of the beers we tried at your DC Conspiracy event was a collaboration with Lost Rhino (Nova Confounded) - do you have plans for more collaboration brews?

    We’ve been discussing a sour collaboration but haven’t been able to coordinate brew schedules yet.  I’m hesitant to go into much detail before any plans are finalized, but we’re having conversations with a few different breweries both up here in the DC region and also down in Richmond about collaborations.  Although it’s not a collaboration with another brewery, we are in the planning stages of partnering with the Museum of Science Fiction to create an exclusive beer for them like we did with Nova Con.  We’ll be doing a release party and sci fi celebration party here in August, and hope to be part of their convention, Escape Velocity, in 2018.

    Any plans for future expansion of the brewery or taproom?

    That’s certainly the goal!!  In the near term, we have enough space to significantly expand our brewing capacity at this location by adding equipment and staff.  It’s still a little too soon to figure out what the next move will be, but the plan is to become a regional distribution brewery. 


    Do you have plans to package in cans or bottles?

    We hope to start canning by the end of the summer.

    Do you find that the folks who visit your brewery & taproom are mostly local (ie Woodbridge and surrounding areas) or from farther afield?

    Right now we have a lot of regulars that are local, but we get a good mix of people from all over the metro DC area.

    What are your most popular recurring events?

    Karaoke has been extremely popular.  So much so that we’re starting to do it twice a month. And we generally fill the house every Wednesday for trivia night.  And although I they aren’t regular events in the same way as karaoke and trivia, people have responded really favorably to cosplay events.  So we try to put something on the schedule every month or so where we invite people to dress up and offer drink specials for folks in costume.  Lastly, people love steal the pint nights!  I’m working on a new design for some Game of Thrones themed glasses for a July event, and then we really, really want to do an Oktoberfest ‘Steal the Boot’ night – like with those silly boot-shaped mugs!

    Finally, a more open-ended question about your origin story: how did you decide on the comic / superhero theme for your brewery and beers? 

     
    We really just wanted to do something new.  We’ve seen some breweries do one-off comic book character beers, but never anything quite to the scale we’re doing it.  And given the growing competition in the craft beer scene, we wanted our brand to be something that stands out from the crowd.  Tim came up with the concept originally and, given our long-time passion for comics and sci-fi, it just seemed a natural fit.  Honestly, I think in the beginning the idea was more specifically “superhero,” but it’s evolved a lot since then.  Now I’m not super crazy about when people describe us as a “superhero” themed brewery because the comic universe we’re creating is so much broader than that.  For example, like I mentioned above, we have a lot of fantasy-based characters that would fall outside the scope of the traditional superhero sub-genre of comics.  In addition, we’re heavily influenced by, and do a lot event planning around, more general pop-culture stuff like Game of Thrones, Doctor Who, etc., which don’t involve “superheroes” at all. 

    Which comes first, the beer or the name/superhero? Do you try to match the hero's characteristics to the beer?

    We generally plan the brew schedule months in advance to allow time for character creation and art development.  Once we know what beers we’ll be releasing, we try to find some way to reflect the spirit of that beer in the character.  For example, the Kolsh is a very light style of beer that makes you think of summer and hot sunny days.  So for Solasta we had her powers come from a freak encounter with a solar flare, but also made her personality very “sunny” and cheerful.  One that’s less obvious, but kind of a cool connection, is our Baron von Blackbrane Schwarzbier.  Because “schwarz” is German for “black” we wanted to incorporate the idea of black some way.  A black brane is actually a series of equations that describes black holes, so Blackbrane is the character’s name and he’s a mad scientist type who uses black hole technology to build weapons.  Max Nix is similar – it’s a dark beer and Max Nix was transformed during an accident in his laboratory while studying dark matter.  His personality is also dark and brooding.  So stuff like that.  Or we use Scottish Fold cats for a Scottish Wee Heavy.  So sometimes it’s serious and science-y and sometimes it’s a bit silly.

     
    But we try to avoid being too literal about it.  Like we would never name an IPA “Captain Hops” or something like that.  We also avoid using beer puns in any of the names because our goal is to make these legitimate comic book characters and not just gimmicks.

    Now that our comic universe is getting more established, though, we have characters that are looking for beers.  Like we have an evil organization called the Pentaverate, but only 2 Pentaverate members so far (the Baron and Murdock).  We know who the other members are generally, so it’s about pairing them with the right beer at the right time.