Baltimore Comic-Con UPDATE 2 - now with more pictures

Because YOU (well, Richard Thompson at least) demanded it, here's some pics with commentary to follow later. I will say this is the busiest I've seen the con.

Greg LaRocque was sitting, possibly with his son, sketching. I always liked LaRocque's smooth style in the 1980s on the Legion of Super-Heroes and the Flash. I bought some DC tryout pages he'd done of Batman facing down Darkseid - lovely work. He should be still getting all the work he can handle. He's working on a new book for a small company - when I find the ad again, I'll mention it as he's a Northern Baltimore creator.


Me with Al Feldstein, EC artist, and Mad editor in chief during the glory days.



Jim Shooter, former Legion of Superheroes writer, Marvel Editor-in-Chief and Valiant EiC.


Jim Shooter was quite friendly - one of the guys in front of me had a pile of Avengers comics to be signed. Shooter told an anecdote about 3 of them. In one, artist George Perez added in art that wasn't in the script, like a nun answering the door when the Avengers were in hot pursuit. So Shooter called someone at the local Berlitz and had the Beast speaking correct Latin to the nun. He said they were planning to pay, but the translator was so tickled to be in a comic, he didn't want it. The issue of the Avengers with Ant-Man shooting up full-size and hitting other Avengers? Rob Liefeld told Shooter it was the best comic ever. Finally, in the first What If series - What if the Avengers Never Existed? - Archie Goodwin provided the main plot for the story by telling Shooter, "You have to kill Iron Man." Shooter spoke briefly about the fun times the old Marvel Bullpen was, and then signed my Avengers: The Korvac Saga and the DC Legion of Superhero Archives 6-7 - without mentioning this! "OFFICIAL: JIM SHOOTER RETURNS TO DC'S LEGION OF SUPER-HEROES"
by Matt Brady, Newsarama (September 6, 2007).

Don Rosa, heir to Carl Barks on the Disney Ducks.


Herb Trimpe drawing Wolverine.

John Romita Sr. and Herb Trimpe getting together.

The line for Herb Trimpe was always long, which I was pleased to see. He had written an article for the NY Times a year or so ago about being forgotten by comic book companies, but people reading comics in the 1960s and 70s saw his work all the time, especially on the Hulk. When John Romita Sr., the former Marvel art director stopped by, they hugged and then kept giving each other credit for creating Wolverine. Apparently Trimpe came up with the character and Romita the costume. Trimpe's got a book out - The Power of Angels: Reflections from a Ground Zero Chaplain. I had him sign that and a copy of Origins of Marvel Comics that my wife had signed for me by Stan Lee in 1991. Trimpe took a great pleasure in asking if he could sign the page over the top (ie higher) than Stan Lee. Fine with me.

Joe Kubert, caught at his Kubert School table, signs a few comics, but not for me, sigh.

Claire was quite taken with the Girls with Slingshots table decor.

More photographs, courtesy of Joel Pollack of Big Planet Comics:

Arnold Blumberg, curator of Geppi's Entertainment Museum
Sergio Aragones
Kyle Baker
Joe Kubert
James Jean
Frank Cho

And here's a press show interview, "Catching Up with Baltimore Comic-Con's Marc Nathan," by Tim O'Shea, September 5, 2007.

Wish You Were There #2 - IS Art: The Art of Insight Studios

From the International Journal of Comic Art 3-2, we present another WISH YOU WERE THERE, starring Frank Cho, Mark Wheatly, Marc Hempel and a defunct comic store. Is Insight Studios still functioning I wonder?

IS Art: The Art of Insight Studios. Washington, DC: Illumination Arts Gallery of Georgetown / Beyond Comics II, May 12--June 30, 2001.

IS Art displayed original art of Insight Studios, founded in 1978 by Mark Wheatley, and artistically now consisting of him, Marc Hempel and Frank Cho. The exhibit is based on the book of the same title (by Allan Gross, Baltimore: Insight Studios Group, 2001. ISBN 1-89317-11-X; $29.95) which includes a history of Insight; the title of both is undoubtedly a play on words reflecting the general perception of comic art as a lowbrow form. There was a checklist for the show, but no explanatory exhibit text except for captions; presumably the book was intended to fulfill the viewer's possible desire for further information. Due to his syndicated comic strip, Liberty Meadows, and his penchant for drawing beautiful women, Cho is undoubtedly the main attraction of the Studio. In this show, held in an unused upper floor of a comic book store, very few of Cho's strips were displayed. However, instead he was mostly represented by his fanzine work on E.R. Burroughs' Tarzan and Mars series. Hempel included many of his early 1980s paintings of women, cover paintings from his 1990 DC Comics series Breathtaker, and cartoons from his self-published comic book Tug & Buster. His current work, of increasingly-stylized caricatures in ink and watercolor, harkened back to art of the 1920s and 1930s. The twenty-year span of Hempel's career exhibited here provided an interesting view of his artistic evolution. Wheatley has frequently worked on material derived from pulps and magazine illustration. His gouaches for IS's publication of Talbot Mundy's Jimgrim and the Devil at Ludd, clearly having evolved from his comic book work, displayed a strong sense of color and composition. The exhibit, although obviously not done by art gallery professionals (artwork not used in the show was still leaning in piles under a window), was an enjoyable look at a trio of local creators.