Showing posts with label fine art. Show all posts
Showing posts with label fine art. Show all posts
Friday, January 17, 2014
Wednesday, July 06, 2011
OT: Local artist Rob Liberace profiled
Local fine artist Rob Liberace is briefly profiled here - I know him slightly, and am in awe of his work.
Saturday, February 14, 2009
Kerry James Marshall featured in Sunday's Post
A fine artist who uses comic book motifs is featured in Sunday's Post, including a new piece commissioned by the paper - see "Coloring Perception: Kerry James Marshall Thinks the Old Masters Have Room for a New Face: His Own," BY BLAKE GOPNIK - WASHINGTON POST STAFF WRITER, SUNDAY, FEBRUARY 15, 2009.
Tuesday, May 13, 2008
Philadelphia's Mike's World
Ok, we're into Mission Creep here, just as Our Man Thompson foretold, yet asked for, but I couldn't pass this one up.
"An Artist’s Concocted World, Starring Himself, Is Too True to Be Real," By KEN JOHNSON, New York Times May 13, 2008.
“Mike’s World: Michael Smith & Joshua White (and other collaborators)” is a terrifically entertaining and philosophically compelling survey, at the Institute of Contemporary Art in Philadelphia, of Mr. Smith’s 30-year career.
And why bring it up, beyond the bond of Mike-ness? "In [Mike Smith's] inventive engagement with diverse forms, including drawing, comic books, sculpture, photography, musical theater and puppet shows as well as installations and video, he has followed a determinedly unpredictable, exploratory course." So there you have it - somewhere in this exhibit, are faux fine art comic books, presumably one of a kind - on display in Philadelphia, through August 3rd.
"An Artist’s Concocted World, Starring Himself, Is Too True to Be Real," By KEN JOHNSON, New York Times May 13, 2008.
“Mike’s World: Michael Smith & Joshua White (and other collaborators)” is a terrifically entertaining and philosophically compelling survey, at the Institute of Contemporary Art in Philadelphia, of Mr. Smith’s 30-year career.
And why bring it up, beyond the bond of Mike-ness? "In [Mike Smith's] inventive engagement with diverse forms, including drawing, comic books, sculpture, photography, musical theater and puppet shows as well as installations and video, he has followed a determinedly unpredictable, exploratory course." So there you have it - somewhere in this exhibit, are faux fine art comic books, presumably one of a kind - on display in Philadelphia, through August 3rd.
OT: Would you pay a half of a million dollars for Green Lantern?
The New York Times had an ad last week for an auction at Bonhams for Mel Ramos' 1962 painting The Green Lantern with a pre-sale estimate of $600-800K. Obviously influenced by Gil Kane, the painting sold today for $500,000. Bonhams site has more details including the painting's history.
Friday, April 25, 2008
McCloud's theory influences fine art painter
When talking about "Four Months: Paintings by Deena Feigelson Margolis,", the conceptual installation by the Baltimore encaustic painter exhibit at the McLean Project for the Arts in the art center's Atrium Gallery, in his article "Artists Wax Eloquent in an Ancient Medium, Michael O'Sullivan (Washington Post Staff Writer, Friday, April 25, 2008; WE45) notes that she was influenced by Scott McCloud in the sidebar, "The Story Behind the Work". He writes:
The idea for Deena Feigelson Margolis's "Four Months," an abridged version of the artist's 2007 attempt to make a painting a day for six months, first came after reading Scott McCloud's "Understanding Comics: The Invisible Art."
What jumped out at her about the 1993 work, written in the sequential form of a comic book, was the author's discussion of "the relationship of the frame to the spaces between the frames," Margolis says. In other words, in visual storytelling, what's left unsaid is just as important as what's said.
Pretty neat!
The idea for Deena Feigelson Margolis's "Four Months," an abridged version of the artist's 2007 attempt to make a painting a day for six months, first came after reading Scott McCloud's "Understanding Comics: The Invisible Art."
What jumped out at her about the 1993 work, written in the sequential form of a comic book, was the author's discussion of "the relationship of the frame to the spaces between the frames," Margolis says. In other words, in visual storytelling, what's left unsaid is just as important as what's said.
Pretty neat!
Friday, January 25, 2008
Feb 1: Jef Thompson painting exhibit opens
Odd Men and Industrials opens on February 1, from 6-9 pm in Baltimore at the Ottobar, 2549 North Howard St which Jef says is "close to the BMA. About 6 blocks south. 8 blocks north of Penn Station." Jef's worked at Big Planet Comics Bethesda for years, and has illustrated children's books, of which I have almost a complete set. You should all go and buy a painting. I'd be up for a car pool if anyone's interested.
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