Small Press Expo Announces Ben Katchor As A Guest For SPX 2008

For Immediate Release

Contact: Warren Bernard
Phone: 301-537-4615
E-Mail: webernard@spxpo.com

Bethesda, Maryland; September 4, 2008 - The Small Press Expo (SPX), the preeminent showcase for the exhibition of independent comic books, graphic novels and alternative political cartoons, is proud to announce Ben Katchor as a guest for SPX 2008.

Fresh from his appearance at the international comics exposition, Stripdaagen, held in Haarlem, The Netherlands, Mr. Katchor is making his first appearance at SPX. Mr. Katchor is known for his books "Julius Knippel, Real Estate Photographer", "The Jew Of New York", and "Beauty The Supply District". He is a contributor of comics to both The New Yorker and the New York Times, and has a regular strip that is printed in Metropolitan Magazine. Mr. Katchor has turned his talents to the stage, writing the libretto and creating the backgrounds for the plays "The Slug Bearers of Kayrol Island" and "The Rosenbach Company".

SPX is proud to add Ben Katchor to the other guests appearing at this years SPX, Joost Swarte, Bryan Lee O'Malley, Hope Larson, Tom Tomorrow and Lloyd Dangle.

Additional guests will be added over the next few weeks, please stay tuned for those announcements.

This year, SPX will be held Saturday, October 4 from 11AM to 7PM and Sunday, October 5 noon-6PM at The North Bethesda Marriott Convention Center in Bethesda, Maryland. Admission is $8 for a single day and $15 for both days.

For further information on the artists or to request an interview, please contact Warren Bernard at webernard@spxpo.com.

SPX, a non-profit organization, brings together more than 300 artists and publishers to meet their readers, booksellers and distributors each year. Graphic novels, political cartoon books and alternative comics will all be on display and for sale by their authors and illustrators. A series of panel discussions will also be held of interest to readers, academicians and creators of graphic novels and political cartoons.

SPX culminates with the presentation of the 12th Annual Ignatz Awards for outstanding achievement in comics and cartooning that will occur Saturday night, October 4. The Ignatz is the first Festival Prize in the US comic book industry, with winners chosen by balloting during the SPX.

As in previous years, all profits from the SPX will go to support the Comic Book Legal Defense Fund (CBLDF), protecting the First Amendment rights of comic book readers and professionals. For more information on the CBLDF, go to their website at http://www.cbldf.org/.

Founded in 1994, SPX is North America's premier alternative comic-book and graphic novel festival. This annual event brings together comic creators, publishers and fans together to celebrate the art of visual storytelling.

Secret History of Comics includes Crumb, courtesy of Warren Bernard

Warren writes in with a modern piece:

I went last month to Stripdagen, the biennial comics show in Haarlem, The Netherlands. Found myself at the booth which does the printing for lithos and prints by Chris Ware and Joost Swarte. While poking around their amazing collection of prints, I struck up a conversation with one of the people running the booth. In the middle of the conversation the guy stops and asks, "Are you a Robert Crumb fan?". After saying yes, he handed me the flyer you now see.

It's for a concert in Paris and I was real lucky to get this. I am sure thousands were printed, but how many will actually make it to America?

So, regardless if it's Crumb or Gluyas Williams for Texaco or Charles Schulz for Metropolitan Life, there is a ton of commercial art by great and famous cartoonists that needs to be revealed by SHOC.

92 years yesterday ... the SHOC of McCay!

Another Secret History of Comics entry by Warren Bernard:

92 years ago this past Sunday, March 23, 1916, the members of The Albany Legislative Correspondents Association got together for their annual dinner. Not unlike the Gridiron Club, it was a boys night out to rib and celebrate the then occupants of the New York State Legislature and the sitting Governor, Charles Whitman.

The program for this event features a Winsor McCay drawing that to my knowledge, has not been reprinted before. This dinner and its associated program was done for over 60 years, and each year political cartoonists did both the covers and in some years, up to a half dozen specialty pieces for the inside text.

How many more did Mccay do? For what other obscure organization did he do such material? The former I do not know the answer to, the latter, one day soon this question will be at least partially answered.

So stay tuned to the SHOC...

Warren

I had to reduce the image dpi from 300 to 150 to get a reasonable size to post - if anyone wants the supersize original, click here.

Secret History of Comics courtesy of Warren Bernard

Here's another article by Warren Bernard on comic art in unlikely places:

SHOC Part 1,235,641



For this next installment of The Secret History Of Comics, here is a nice piece by Percy Crosby. This is from a football program for the October, 1935 game held between Navy and Notre Dame. Being close to Annapolis, Crosby did a few covers for their football games.

Now, he was not the only famous cartoonist to do college football program covers - Willard Mullin, The Dean of Sports Cartoonists did a lot, but did you know know that such luminaries of the cartoon field such as Ellison Hoover, John Held Jr., James Thurber and Milton Caniff all did football programs?

The length and breadth of the cartoonist contribution to the football program field would not have occurred if not for the efforts of Andy Moursund. His methodical and exhaustive research into the field of college football programs has turned this information up. I recommend going to his site to see the length and breath of the cartoon and illustration world that exists in the college football program arena. His site is now in browse/test mode, but soon you will be able to order poster reproductions of any of the program covers he has online.

Needless to say, some great unknown cartoonists and illustrators did work on these covers, and its a shame that no one, save Andy, has bothered to gather them up. No question, Andy has a great resource that hopefully will be a springboard for a more thorough treatment of the subject.


Now, to make things even more interesting, inside a lot of the programs were specialty cartoons and ads by cartoonists that appear nowhere else. The Crosby program has cartoons by Johann Bull and E. Simms Campbell as well as the ad you see here by James Thurber.

How many ads/cartoons are there buried in these programs? How much of comic history lies undiscovered in these programs? What does this type of work tell us about the length and breath of the work these cartoonists did and their impact on popular culture?

The SHOC series will never end.

SHOC: Hoiman & Douglas Aircraft

Warren Bernard contributes a Secret History of Comics bit to start off the new year right:

The first scan shows the cover of the book called "Hoiman", below it is the paper wrap around that was fortunately intact. This is because nowhere in the book itself is there any reference to where this stuff was published, which the wraparound says was for the Douglas Aircraft Plant in Chicago, IL.

Douglas Aircraft at this time had its main plants out in California, some others in Oklahoma, there were 7 total Douglas plants in operation during World War II. Now the question is, were these cartoons just done for only the in house mag for the Chicago plant? Did the other plants also use "Hoiman"? If not, what cartoons did they use? And who is Phil Brown? What else did he do? Where there other "Hoiman" books? How long did "Hoiman" run? Was "Hoiman just for Douglas Aircraft, or did other manufacturers also use the cartoons?

The Secret History of Comics does not give its secrets up easily...